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Subject: [Spare Room/Passages] test;
	correction & reminder: Spare Room reading SUNDAY
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Hello.

You're getting this message because you are on one of our announcement 
lists for literary and other local events (one list is for literary 
events only, the other list also receives notices of other miscellaneous 
local events).

Due to the exponentially increasing load on our internet provider 
(created by spam), we've experienced severe problems with regular 
PC-based mailings in the last few weeks. Please accept our apologies for 
the duplicate messages that you may have gotten during this time. In 
order to prevent such problems in the future, and to make maintenance of 
the list much easier, we've just moved all of the list addresses to a 
managed listserv. This is a test of that new vehicle. If you receive 
duplication of this message, or have any other problems or comments, 
please let us know.


Please note the following correction to the earlier messages regarding 
this coming weekend's Spare Room reading -- Catherine Daly and Chris 
Piuma at the Mountain Writers Center: though the body of the messages 
listed the correct date, Sunday 5/16, one of the messages erroneously 
stated Saturday in the subject line. The reading is on Sunday at 7:30 pm.


This is an announcement-only list. If at any point you wish to 
unsubscribe, please send a note to the list owner, David Abel 
(passages@rdrop.com), and your address will be promptly removed from the 
list. Likewise, if you know someone who would like to receive these 
messages, have them drop a note to that address, or send their address 
and they will be invited to subscribe.


Thank you for your patience, and see you soon!

DA
for Spare Room &
Passages Poetry & Performance



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Subject: [Spare Room/Passages] Call for participants: 2nd Annual Sound
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<div>  
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><span
 style="font-size: 10pt; font-family: Arial;"></span><span
 style="font-size: 10pt; font-family: Arial;">CALL TO ALL SOUND POETS, SPEECH
ARTISTS, &amp; TEXT-SOUND ARTISTS<br>
<br>
Spare Room presents our 2nd annual<br>
<br>
SOUND POETRY FESTIVAL<br>
<br>
Portland, Oregon<br>
August 28th, 2004<br>
<br>
Sound poets and others are invited to submit proposals and samples of their
work to Spare Room for our 2nd annual Sound Poetry Festival. In last year's
festival, we featured thirteen performers from the Pacific Northwest in an
event that lasted four hours. If you are interested or curious please contact
mARK oWEns at <a
 href="http://us.f209.mail.yahoo.com/ym/Compose?To=mark_anypush@yahoo.com"
 target="_blank"><font color="#003399">mark_anypush@yahoo.com</font></a>.<o:p></o:p></span></p>
 
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><span
 style="font-size: 10pt; font-family: Arial;"><o:p>&nbsp;</o:p></span></p>
<span style="font-size: 10pt; font-family: Arial;">For more information about
the Spare Room reading series and last year's festival, see our website at
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<br>
Please forward this call to anyone who might be interested.<br>
<br>
Thank you!<br>
</span></div>
</div>
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Subject: [Spare Room/Passages] Words (Sounds) in Freedom
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Words(Sounds) in Freedom

Paul Dutton (sound poet, UK)
Arrington DeDionyso (reeds, Olympia)
Scott Rosenberg (reeds)
Jacopo Andreini (Italy) 

Tim DuRoche (drums + little instruments) | Lisa Radon (words)

MA, a subset of the performance group JJMAD with poet/fluxus performance artist, mARK oWEns and poet, Ashley Edwards. 

Disjecta
120 NE Russell 
Portland, Oregon 97211




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<DIV>
<DIV>
<P><B>Words(Sounds) in Freedom</B></P>
<P>Paul Dutton (sound poet, UK)<BR>Arrington DeDionyso (reeds, Olympia)<BR>Scott Rosenberg (reeds)<BR>Jacopo Andreini (Italy) </P>
<P>Tim DuRoche (drums + little instruments) | Lisa Radon (words)</P>
<P>MA, a subset of the performance group JJMAD with poet/fluxus performance artist, mARK oWEns and poet, Ashley Edwards. </P>
<P><A href="http://www.disjecta.org/"><FONT color=#000000>Disjecta</FONT></A><BR>120 NE Russell <BR>Portland, Oregon 97211<BR></P></DIV></DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam?  Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com 
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From passages@rdrop.com Wed Jun 23 19:58:13 2004
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or, <br>
<br>
Things that I Will Miss this Week/end by Leaving Town but Which You Can See
&amp; Hear<br>
<br>
<br>
 * * &nbsp;W E D N E S D A Y &nbsp;* *<br>
<br>
PHILLIP GREENLIEF: Saxophones-Clarinet&nbsp; (San Francisco)<br>
SCOTT R. LOONEY: Piano (Oakland)<br>
DAMON SMITH: Contrabass (Oakland)<br>
TIM DuROCHE: Drums + Little Instruments&nbsp; (Portland)<br>
<br>
Wednesday, June 23, 8:30 pm, <br>
Tugboat Brewing Co., 711 SW Ankeny<br>
Admission: $5 SUGGESTED<br>
<br>
Greenlief,&nbsp;one of the Bay Area's most acclaimed jazz players, and DuRoche
perform with Oakland-based&nbsp; Scott R. Looney (piano) and Damon Smith (contrabass).
Looney, known for his excellent "inside-piano"&nbsp; and electronics work is a
first-rate piano improviser with strong footing in jazz; Smith is one of
free improvisation's rising stars on the bass and an uncompromising, powerful
musician who's played with a coterie of some of the US and Europe's prime
innovators. This quartet's mix of jazz, classical, and avant-garde techniques
and influences should produce a wide-ranging evening of color, vibrant tone,
and fierce dynamics.<br>
<br>
<br>
* * &nbsp;T H U R S D A Y &nbsp;* *<br>
<br>
AGNES MARTIN: WITH MY BACK TO THE WORLD<br>
&nbsp;<br>
Northwest Film Center, Portland<br>
June 24, Thursday, 7:00pm<br>
Whitsell Auditorium<br>
<a class="moz-txt-link-freetext" href="http://www.nwfilm.org/nowshowing/nowshowing_paint.html">http://www.nwfilm.org/nowshowing/nowshowing_paint.html</a><br>
&nbsp;<br>
A groundbreaking documentary on the internationally renowned painter, designated
by ARTnews Magazine one of the world's top-ten living artists. This documentary
was shot over a period of four years, from 1998 through 2002, Agnes Martin's
ninetieth year. Interviews with Martin are inter-cut with shots at work in
her studio in Taos, New Mexico, with photographs and archival footage, and
with images of her work from over five decades. It is a venue for Martin
to speak about her work, her working methods, her life as an artist, and
her views about the creative process. She also discusses her film, "Gabriel"
and reads from her poetry and other writings. It was shot in 16mm film by
cinematographer Dyanna Taylor and in digital video by producer/director Mary
Lance. In keeping with Martin's chosen life of solitude, she alone appears
in the documentary.<br>
&nbsp;<br>
<a class="moz-txt-link-abbreviated" href="http://www.newdealfilms.com/documentaries">www.newdealfilms.com/documentaries</a><br>
<br>
 <br>
 * * &nbsp;F R I D A Y &nbsp;* *<br>
 <br>
<font face="arial,helvetica"><font color="#000000"
 face="Times New Roman" family="SERIF" size="1"><big><big>  The Seattle Research
Institute (with help from Clear Cut Press) presents<br>
<br>
Experimental Theology<br>
an evening of short readings by the Seattle Research Institute and co-conspirators<br>
<br>
 Friday June 26, 7:00 PM<br>
 Pacific Switchboard (4637 N. Albina Ave. Portland (503) 475.9256)<br>
 Admission is free; snacks and books from the SRI and Clear Cut Press available
on site.<br>
<br>
 About the book: Experimental Theology is a collection of poems, fiction,
essays and theoretical confabulations that ecumenically explore religion
and the idea of transcendence by writers from the Pacific Northwest and elsewhere,
edited by Robert Corbett with Rebecca Brown.<br>
<br>
 About the Seattle Research Institute: The Seattle Research Institute (<a class="moz-txt-link-abbreviated" href="http://www.seattleresearchinstitute.org">www.seattleresearchinstitute.org</a>)
is an association of Northwest writers, intellectuals and artists seeking
socially engaged inquiry. SRI produces and promotes well-orchestrated collusions
between experimental aesthetics and revolutionary thought.<br>
<br>
 The Readers:<br>
&nbsp; &nbsp; &nbsp; &nbsp;Lesley Hazelton is the award-winning author of</big> </big>        
  </font><big><big><font color="#000000" face="Times New Roman"
 family="SERIF" size="1"><big><big><i> Jerusalem Jerusalem</i></big></big></font><font
 color="#000000" face="Times New Roman" family="SERIF" size="1"><big><big>,</big></big></font><font
 color="#000000" face="Times New Roman" family="SERIF" size="1"><big><big><i>
England Bloody England</i></big></big></font><font color="#000000"
 face="Times New Roman" family="SERIF" size="1"><big><big>,</big></big></font><font
 color="#000000" face="Times New Roman" family="SERIF" size="1"><big><big><i>
Confessions of a Fast Woman</i></big></big></font><font color="#000000"
 face="Times New Roman" family="SERIF" size="1"><big><big>, and, most recently,</big></big></font><font
 color="#000000" face="Times New Roman" family="SERIF" size="1"><big><big><i>
Mary: A Flesh and Blood Biography of the Real Virgin Mother</i></big></big></font><font
 color="#000000" face="Times New Roman" family="SERIF" size="1"><big><big>, 
in which she radically re-envisions the life of Mary, presenting her both 
as a real woman and a spiritual healer.&nbsp; Lesley is an expatriate Brit and 
a former psychologist and political reporter with deep roots in both Judaism 
and Catholicism; she lived in and reported from Jerusalem for 13 years. Her 
work has appeared in Esquire, Vanity Fair, the New York Times, Harper's , 
The Nation, and elsewhere.<br>
 &nbsp; &nbsp; &nbsp;&nbsp; Diana George is a fiction writer and essayist whose work is included 
in The Clear Cut Future. Diana's stories have appeared in Third Bed, Nest, 
Post Road, the Denver Quarterly, and elsewhere. She is currently at work on
a book about the Green River area south of Seattle and a phenomenon she calls
"the Pastoral Abject."<br>
&nbsp; &nbsp; &nbsp; &nbsp;Selah Saterstrom is a North Carolina-based writer whose fiction has
appeared most recently in Third Bed and E. Her novel,</big></big></font><font
 color="#000000" face="Times New Roman" family="SERIF" size="1"><big><big><i>
The Pink Institution</i></big></big></font><font color="#000000"
 face="Times New Roman" family="SERIF" size="1"><big><big>, has just been
published by Coffee House Press.<br>
 </big></big></font></big></big></font><br>
 <br>
<br>
 * * &nbsp;M O N D A Y &nbsp;* *<br>
<br>
David Pinson and Doug Nufer<br>
<br>
Reading at <br>
Powell's on Hawthorne<br>
Mon., June 28, 7:30<br>
<br>
David Pinson writes fiction in Portland, Oregon. His stories have appeared
in The Quarterly, Rain City Review, ZYZZYVA, Plazm, Perceptions, Open Spaces,
and the anthologies, Good to Go, Northwest Edge: Deviant Fictions &amp; Fictions
of Mass Destruction. A collection of his stories, "A Moment to Organize My
Face," was published in May 2004 by Helicon West in Seattle.<br>
<br>
Doug Nufer writes fiction, poetry, and plays that seem to follow odd procedures,
even when they don't.&nbsp; As if by design, his novels Negativeland (Autonomedia),
Never Again (Four Walls Eight Windows/Black<br>
Square), and On the Roast (Chiasmus) all appear more or less at once. Recent
work appears in the Northwest Edge anthologies and in the magazines Chain
and Fence. He lives in Seattle.<br>
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Subject: [Spare Room/Passages] Terry Riley concert: Saturday July 31
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In honor of Pandit Pran Nath (1918-1996)
and on the occasion of the full moon
Kirana West presents 

Terry Riley

in a morning concert of North Indian classical vocal music

 *   *   *

Saturday morning, July 31st, at 11:00 am 
Community Music Center 
3350 S.E. Francis Street, Portland, Oregon

 *   *   *

Terry Riley, vocalist 

accompanied by 

Rose Okada, sarangi
Benjy Wertheimer, tabla
Michael Stirling and Rik Masterson, tamburas

 *   *   *

Tickets are $15, available at the door only 

The Community Music Center is located two blocks south of Powell Blvd at
33rd place & Francis Street (the #9 Tri-Met Bus goes nearby) 

 *   *   *

For further information on the concert, and about concurrent workshops and
private lessons with Mr. Riley, please contact:

Michael Stirling 503.657.9952


--------------------------------------------------------------------
mail2web - Check your email from the web at
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Subject: [Spare Room/Passages] Sunday,
 7/18: John and Roberta Olson reading at the Mountain Writers Center
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Spare Room presents...


John Olson &
Roberta Olson


Sunday, July 18th
Mountain Writers Center
3624 SE Milwaukie Ave.
7:30pm. $5 suggested donation.

---

The next installment in Spare Room's ongoing reading series features 
John and Roberta Olson from Seattle. Sample poems appear below.

John Olson is the author of Echo Regime and Free Stream Velocity. His 
poetry and prose poems have appeared in many journals, including 
First Intensity, Volt, Sulfur, New American Poetry, Experimental 
Theology and Talisman. His essays and literary criticism have 
appeared in the American Book Review, Denver Quarterly, Sulfur, The 
Stranger, and Rain Taxi.

Roberta Olson lives in Seattle with her husband John Olson and cat Toby
Olson. Her work most recently has appeared in the Seattle journals "Monkey
Puzzle" and "Bird Dog".  Working mainly in collage, she tries to transform the
prosaic into encounters with the unknown.

For over two years, Spare Room has held readings, festivals, 
benefits, and other events celebrating several traditions of 
experimental and avant-garde poetry. Readings have featured poets 
from Portland as well as from around the world. For more information 
about Spare Room, e-mail spareroom@flim.com, call our dial-a-poem 
service at 503-236-0867, or visit our website at 
http://www.flim.com/spareroom

Upcoming Spare Room events include a reading by a reading by 
Nathaniel Tarn and Janet Rodney (both from New Mexico) on August 8th, 
and our second Sound Poetry Festival on August 28th.

---

Clam Chowder

Clam chowder petitions the mouth with reportorial pith. It is like a 
postcard for the palate, a succinct extract of the sea. The essence 
of the ocean is sampled in a spoon: fecundity, acerbity, agitation. 
Viscera, friction, froth. One thinks of Nantucket and Melville, heavy 
frigates with complicated rigging. It is not the weight of packed wet 
sand that comes to mind because I never went digging for clams. It is 
always something more indeterminate than that, something phenomenal 
and huge, like a postulate, or flavor. It is always the sea. It is 
always the pageantry of the sea. Terns reflected on the glistening 
sand of the beach. Snow accumulating in caps and paragraphs on 
coastal rocks. Rejuvenating winds. Debris in the bottom of a boat. 
Rags of meat in a locket of pearl. This is the journalism of the sea. 
What, why, and where in a bowl of onions, potatoes, and clams.

[John Olson]



Melon Collie

A watermelon is a sea of sweet sunsets with geographical ambitions. A
few years previous, a simple and poignant Russian in America was
looking for signs and - unfortunately - finding them. All the energy
dormant in a bulb blew sand into the city. A violent gale drifted,
unraveling the truth. Without an accurate map, my perceptions are my
greatest weakness. Hire a chimney sweeper now, and make sure the chain is
oiled. It is a bold and brutal history and the only cookbook you need.
In the West Indies, I found three nieces opposed to my being there. The
photos you swiped were a study of a brother and sister building radios
that double as birdhouses. Oslo, for instance, is a wedding cake of
ice. You can stand on a chair to put away the cake stand with eagles
portrayed in low relief. This action is either brief or indulgent. The
chemistry of white depends on symmetry. Peroxide is a symmetrical
molecule, useful if you can't stand eyebrows. The watermelon splits on
summer ice; it is a study of a brother and sister who meander like Montana
cottonwoods behind their father's death.

[Roberta Olson]


-- 
Spare Room
http://www.flim.com/spareroom
dial-a-poem: 503-236-0867
spareroom@flim.com


From passages@rdrop.com Mon Aug  2 16:19:45 2004
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Subject: [Spare Room/Passages] Sunday,
 8/8: Nathaniel Tarn and Janet Rodney reading at the Mountain
 Writers Center
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Spare Room presents...

Nathaniel Tarn &
Janet Rodney 


Sunday, August 8th   7:30 pm
Mountain Writers Center
3624 SE Milwaukie Ave.
$5 suggested donation.

---

Don't miss the next installment in Spare Room's quasi-monthly reading 
series, which features a rare opportunity to hear Nathaniel Tarn and 
Janet Rodney, from Tesuque, New Mexico!

Poet, translator, anthropologist, and editor Nathaniel Tarn has 
published more than thirty volumes of his own poetry, and numerous 
translations (including acclaimed versions of Pablo Neruda). His 
Selected Poems 1950-2000 was published in 2002 by Wesleyan University 
Press; and his selected essays in poetics and anthropology, Views from 
the Weaving Mountain, in 1991 by University of New Mexico Press. A 
specialist in Highland Maya studies and the sociology of Buddhist 
institutions, Tarn was also one of Marcel Duchamp's occasional Greenwich 
Village chess partners, and founded and edited the legendary Cape 
Editions series in England in the 1960s.

Janet Rodney is a digital artist, poet, and letterpress printer living 
outside Santa Fe, where she runs Weaselsleeves Press. She is author of 
four books of poetry, including Orphydice, Atitlan / Alashka, and the 
meditative memoir The Book of Craving. Raised in Europe, the United 
States, and Taiwan, she spent fifteen years in Spain as a journalist, 
editor, translator, and interpreter. Digital images and words are 
forthcoming in the online magazine, Titanic Operas 
(www.emilydickinson.org/titanic/).

 

Since 2002, Spare Room has sponsored more than thirty readings, 
festivals, benefits, and other events celebrating diverse traditions of 
experimental and avant-garde poetry. Readings feature poets from 
Portland and from around the world.

For more information about Spare Room,
visit our website at www.flim.com/spareroom
e-mail spareroom@flim.com,
or call our dial-a-poem at 503-236-0867


Upcoming Spare Room events --
watch your inbox for details:

August 28: 2nd Annual NW Sound Poetry Festival
September 2: Chris Mann (Australia/NYC) & mARK oWEns (Portland)
October 23: Charles Alexander (Tucson) & Todd Baron (CA)
November 7: William Fox (Los Angeles) & David Abel (Portland)

---

Spare Room
http://www.flim.com/spareroom
dial-a-poem: 503-236-0867
spareroom@flim.com

 



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<body>
 
<div class="moz-text-flowed" style="font-size: 16px;" lang="x-western">Don't
miss the next installment in Spare Room's quasi-monthly reading  series,
which features a rare opportunity to hear Nathaniel Tarn and  Janet Rodney,
from Tesuque, New Mexico! <br>
 <br>
<br>
Spare Room presents... <br>
 <br>
Nathaniel Tarn &amp; <br>
Janet Rodney   <br>
 <br>
Sunday, August 8th&nbsp;&nbsp; 7:30 pm <br>
Mountain Writers Center <br>
3624 SE Milwaukie Ave. <br>
$5 suggested donation. <br>
 <br>
--- <br>
 <br>
Poet, translator, anthropologist, and editor Nathaniel Tarn has  published
more than thirty volumes of his own poetry, and numerous  translations (including
acclaimed versions of Pablo Neruda, Victor Segalen, and others). His  Selected
Poems 1950-2000 was published in 2002 by Wesleyan University  Press; and
his selected essays in poetics and anthropology, Views from  the Weaving
Mountain, in 1991 by University of New Mexico Press. A  specialist in Highland
Maya studies and the sociology of Buddhist  institutions, Tarn was also one
of Marcel Duchamp's occasional Greenwich  Village chess partners, and founded
and edited the legendary Cape  Editions series in England in the 1960s. <br>
 <br>
Janet Rodney is a digital artist, poet, and letterpress printer living  outside
Santa Fe, where she runs Weaselsleeves Press. She is author of  four books
of poetry, including Orphydice, Atitlan / Alashka, and the  meditative memoir
The Book of Craving. Raised in Europe, the United  States, and Taiwan, she
spent fifteen years in Spain as a journalist,  editor, translator, and interpreter.
Digital images and words are  forthcoming in the online magazine, Titanic
Operas  (<a class="moz-txt-link-abbreviated"
 href="http://www.emilydickinson.org/titanic/">www.emilydickinson.org/titanic/</a>). 
<br>
 <br>
 <br>
 <br>
Since 2002, Spare Room has sponsored more than thirty readings,  festivals,
benefits, and other events celebrating diverse traditions of  experimental
and avant-garde poetry. Readings feature poets from  Portland and from around
the world. <br>
 <br>
For more information about Spare Room, <br>
visit our website at <a class="moz-txt-link-abbreviated"
 href="http://www.flim.com/spareroom">www.flim.com/spareroom</a> <br>
e-mail <a class="moz-txt-link-abbreviated"
 href="mailto:spareroom@flim.com">spareroom@flim.com</a>, <br>
or call our dial-a-poem at 503-236-0867 <br>
 <br>
 <br>
Upcoming Spare Room events -- <br>
watch your inbox for details: <br>
 <br>
August 28: 2nd Annual NW Sound Poetry Festival <br>
September 2: Chris Mann (Australia/NYC) &amp; mARK oWEns (Portland) <br>
October 23: Charles Alexander (Tucson) &amp; Todd Baron (CA) <br>
November 7: William Fox (Los Angeles) &amp; David Abel (Portland) <br>
 <br>
--- <br>
 <br>
Spare Room <br>
<a class="moz-txt-link-freetext" href="http://www.flim.com/spareroom">http://www.flim.com/spareroom</a> 
<br>
dial-a-poem: 503-236-0867 <br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a> 
<br>
 <br>
</div>
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From passages@rdrop.com Sun Aug  8 11:49:26 2004
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Subject: [Spare Room/Passages] Maryrose Larkin et al. at Borders
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<body link="blue" vlink="purple">
 Spare Room's own Maryrose, along with two other mainstays of the Portland
poetic ethos, tomorrow night at Borders downtown, courtesy of Dan Raphael:<br>
<br>
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<p class="MsoNormal"><font size="3" color="navy" face="ClearfaceSSK"><span
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<p class="MsoNormal"><font size="3" color="navy" face="ClearfaceSSK"><span
 style="font-size: 12pt; font-family: ClearfaceSSK; color: navy;">&nbsp;</span></font></p>
  
<p class="MsoNormal" style="margin-left: 0.5in;"><font size="3"
 color="navy" face="Times New Roman"><span
 style="font-size: 12pt; color: navy;">August. Hot times in river city. So
come ready to percolate to three highly variable poets:</span></font></p>
  
<p class="MsoNormal" style="margin-left: 0.5in;"><font size="3"
 color="navy" face="Times New Roman"><span
 style="font-size: 12pt; color: navy;">&nbsp;</span></font></p>
  
<p class="MsoNormal" style="margin-left: 0.5in;"><font size="3"
 color="navy" face="Times New Roman"><span
 style="font-size: 12pt; color: navy;">East coast refugee, Reed professor
and urban beacon </span></font><b><font color="#993366"><span
 style="color: rgb(153,51,102); font-weight: bold;">Crystal Williams</span></font></b></p>
  
<p class="MsoNormal" style="margin-left: 0.5in;"><font size="3"
 color="navy" face="Times New Roman"><span
 style="font-size: 12pt; color: navy;">Traveller, teacher and trans-culturist
</span></font><b><font color="#993366"><span
 style="color: rgb(153,51,102); font-weight: bold;">Maggie Chula</span></font></b><font
 color="navy"><span style="color: navy;">, with <b><u><span
 style="font-weight: bold;">The Smell of Rust</span></u></b></span></font></p>
  
<p class="MsoNormal" style="margin-left: 0.5in;"><font size="3"
 color="navy" face="Times New Roman"><span
 style="font-size: 12pt; color: navy;">and that blender of language, science
and perception, </span></font><b><font color="#993366"><span
 style="color: rgb(153,51,102); font-weight: bold;">Maryrose Larkin</span></font></b></p>
  
<p class="MsoNormal" style="margin-left: 0.5in;"><b><font size="3"
 color="#993366" face="Times New Roman"><span
 style="font-size: 12pt; color: rgb(153,51,102); font-weight: bold;">&nbsp;</span></font></b></p>
  
<p class="MsoNormal"><b><font size="3" color="#993366"
 face="Times New Roman"><span
 style="font-size: 12pt; color: rgb(153,51,102); font-weight: bold;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></font></b><font color="navy"><span style="color: navy;">SW 3rd &amp;
Morrison (downtown Borders, in the cafe), </span></font><font
 color="navy"><span style="color: navy;">7pm</span></font><font
 color="navy"><span style="color: navy;">&nbsp; </span></font></p>
  
<p class="MsoNormal"><font size="3" color="navy" face="ClearfaceSSK"><span
 style="font-size: 12pt; font-family: ClearfaceSSK; color: navy;">&nbsp;</span></font></p>
  
<p class="MsoNormal"><font size="3" color="navy" face="ClearfaceSSK"><span
 style="font-size: 12pt; font-family: ClearfaceSSK; color: navy;">&nbsp;</span></font></p>
  </div>
  
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Oops. The date for the reading: Monday August 9, 7 pm, Borders downtown 
(3rd/Morrison)


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Subject: [Spare Room/Passages] Sound Poetry Festival, August 28, 8 pm
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<b>Second Annual Spare Room Sound Poetry Festival</b><br>
(and CD release party)<br>
<br>
Saturday, August 28th<br>
8:00 PM - midnight<br>
<br>
Performance Works Northwest<br>
4625 SE 67th Ave. (at Foster Rd), Portland OR<br>
$6 suggested donation<br>
<br>
<br>
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
= = = =<br>
<br>
<br>
Dozens of performers from near and far:<br>
<br>
<b>Chicago: </b>Charles Bernstien;&nbsp; <b>San Francisco: </b>David Braden; Ron
Heglin; <b>Moscow, ID:</b> Crag Hill;&nbsp; <b>Seattle: </b>Ezra Mark &amp; Bryant
Mason; <b>Portland: </b>Ashley Edwards &amp; Zach Reno; David Abel; Kathleen
Keogh; Bryan Eubanks &amp; ensemble; ChuNiMu (the ensemble formerly known
as JJMAD); Lisa Radon &amp; Tim DuRoche; Michael Stirling; mARK oWEns<br>
<br>
plus:<br>
<br>
recordings from Italy<br>
a video opera by Bethany Wright &amp; Seth Nehil<br>
special call-in guests<br>
<br>
and <br>
<br>
the CD release of the live Phoneticathon from last year's festival, courtesy
of <br>
Sad Penguin Records (<a class="moz-txt-link-abbreviated" href="http://www.sadpenguin.com">www.sadpenguin.com</a>)<br>
<br>
<br>
<b>You  don't want to miss it!</b><br>
<br>
Sponsored by the Spare Room reading series:<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>
&nbsp; &nbsp;spareroom@flim.com<br>
<br>
<br>
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
= = = =<br>
<br>
<br>
For the second consecutive year, the Spare Room reading series brings together 
widely dispersed practitioners of the literary-musical-theatrical art of sound
poetry.<br>
<br>
Though less familiar to audiences in the United States, sound poetry has
a long and distinguished history in Europe, where numerous international
festivals, recordings, broadcasts, and publications have been devoted to
its manifestations. Beginning nearly a century ago with the Russian and Italian
Futurists, and the Dadaists in Switzerland and Germany, and taking retrospective
roots in archaic and ritual utterances, sound poetry has been elaborated
in countless directions by post-disciplinary artists on  every continent.<br>
<br>
(The extensive collection of text documents and sound files at <a
 class="moz-txt-link-abbreviated" href="http://www.ubu.com/">www.ubu.com</a>
is perhaps the most accessible and comprehensive resource for an overview
of sound poetry, past and present.)<br>
<br>
<br>
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
= = = =<br>
<br>
<br>
What is Sound Poetry? Well, to begin with, it is not new. And since it began
it has not made sense. It takes language's constraints seriously. It is about 
sound, and I have nothing more to say about it.<br>
&nbsp;&nbsp; &nbsp;-- mARK oWEns<br>
<br>
<br>
The first phase, perhaps better-termed, the first area of sound poetry, is
the vast, intractable area of archaic and primitive poetries, the many instances 
of chant structures and incantation, of nonsense syllabic mouthings and deliberate 
lexical distortions still alive among North American, African, Asian and Oceanic
peoples. We should also bear in mind the strong  and persistent folkloric 
and ludic strata <br>
that manifests in the world's many language games, in the nonsense syllabary
of nursery rhymes, mnemonic counting aids, whisper games and skipping chants,
mouth music and folk-song refrain, <br>
which foregrounds as an important compositional element in work as chronologically
separate as the Russian Futurist Kruchenykh's zaum poems (ca. 1910) and Bengt
af Klintberg's use of cusha-calls and incantations (ca. 1965).<br>
&nbsp;&nbsp; &nbsp;-- Steve McCaffery, "Sound Poetry: A Survey" <br>
<br>
<br>
Leonardo da Vinci asked the poet to give him something he might see and touch
and not just something he could hear. Sound poetry seems to me to be achieving 
this aim. PARTLY it is a recapturing of a more primitive form of language, 
before communication by expressive sounds became stereotyped into words, when
the voice was richer in vibrations, more mightily physical.<br>
&nbsp;&nbsp; &nbsp;-- Bob Cobbing, "Some Statements on Sound  Poetry"<br>
<br>
<br>
I, personally, would prefer the chaos and disorder which each of us would
strive to master, in terms of his own ingenuousness, to the order imposed
by the Word which everybody uses indiscriminately, always for the benefit
of a capital, of a church, of a socialism, etc....<br>
&nbsp;&nbsp; &nbsp;-- Henri Chopin, "Why I Am the Author of Sound Poetry . . ." (1967)<br>
<br>
<br>
The art is text-sound, as distinct from text-print and text-seen, which is
to say that texts must be sounded and thus heard to be "read," in contrast
to those that must be printed and thus be seen. The art is text-sound, rather 
than sound-text, to acknowledge the initial presence of a text, which is subject
to aural enhancements more typical of music. To be precise, it is by non-melodic
auditory structures that language or verbal sounds are poetically charged
with meanings or resonances they would not otherwise have. The most appropriate
generic term for the initial materials would be "vocables,"  which my dictionary
defines as "a word regarded as a unit of sounds or letters rather than as
a unit of meaning."<br>
&nbsp;&nbsp; &nbsp;-- Richard Kostelanetz, "Text Sound Art: A Survey"
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Subject: [Spare Room/Passages] Bei Dao in Portland this week
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Bei Dao, one of China's foremost writers and poets, is known to many 
throughout the world as much for his dissident status as his  poetry. He 
is seen as the figurehead of the first generation of poets  in the 
People's Republic of China to free itself from the orthodoxy of  
state-controlled literature. His conflict with the Communist Party  
began in the 1970s when he started a literary journal that included  
works that broke away from the prescribed style of Socialist Realism.  
In its place, Bei Dao and others, created a far more subjective,  
imagistic, and surreal poetry, heavily influenced by such European 
writers as Lorca, Alberti, and Eluard. Bei Dao was accused of helping  
to incite the student revolt in Tienanmen Square, and forced into exile  
in 1989. He now lives and teaches in the United States. In 1994, when  
he tried to revisit Beijing, he was refused access to his native 
country. He has since visited family in China under strict  limitations.

Reading
Thursday, October 21, 7:30pm
The Old Church,  1422 SW 11th Ave $8 general, $5 student &  seniors. 

Lecture
"Underground Literature in the  Late 1960's"
Friday, October 22, 7:30pm
Lewis & Clark College, Templeton Hall  (building), Council Chambers 
(room), 615 SW Palatine Hill Rd.


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	William Fox & David Abel, Sunday November 7th, Spare Room
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                                                                       Spare
Room presents . . . <br>
 <br>
       <br>
      William Fox<br>
     &nbsp;&nbsp; &nbsp; &amp;<br>
     David Abel<br>
       <br>
      Sunday, November 7th&nbsp;&nbsp; <br>
     7:30 pm <br>
     <br>
      Mountain Writers Center <br>
      3624 SE Milwaukie Ave. <br>
      $5 suggested donation. <br>
       <br>
      <a class="moz-txt-link-abbreviated"
 href="http://www.flim.com/spareroom">www.flim.com/spareroom</a> &nbsp;&nbsp; e-mail: 
  <a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a> 
  &nbsp;&nbsp; dial-a-poem: 503-236-0867 <br>
       <br>
   Coming up soon: &nbsp;December 12 &nbsp; Doug Nufer &amp; Lisa Radon<br>
   <br>
       ------<br>
     <br>
     William Fox is a poet, artist, critic, and essayist. He has published
 fifteen collections of poetry, and six books of  nonfiction about art, cognition,
 and landscape. He was the editor of West  Coast Poetry Review magazine and
 books from 1972 to 1988, which published  poets as disparate as William
Stafford  and Ian Hamilton Finlay, and was one  of the few presses in the
United States  at the time to give serious attention  to concrete poetry.
For the past ten  years he has been a full-time writer,  whose research takes
him to some of  the most remote regions on the planet.  He currently resides
in<span class="moz-txt-citetags"> </span>Los Angeles.<br>
  &nbsp;&nbsp; &nbsp; &nbsp;Recent books of poetry include Reading Sand: Selected Desert&nbsp; Poems, 
  1975-2000 (University of Nevada) and One Wave Standing (La&nbsp; Alameda Press); 
  of nonfiction, Playa Works: The Myth of the Empty&nbsp; (University of Nevada) 
  and The Void, the Grid, and the Sign: Traversing the Great Basin (University 
  of Utah). He lives in Los Angeles, where he has recently completed books 
 on the Antarctic (Tierra Antarctica) and Las Vegas (In the Desert of Desire), 
  forthcoming from Trinity University and University of Nevada, respectively, 
  and is working on a book about Mars.<br>
     &nbsp;<br>
     <br>
     David Abel is a poet, editor, bookseller, raga singer, and poker player
  who moved to Portland in 1997. One of the instigators of the Spare Room
reading  series, his recent publications include A Reading of a Reading of
Ashes (envelope  #6), "Frozen Sea" in foArm #2, and "Threnos" (sewn on a
thirty-seven-foot  ribbon by Katherine Kuehn). "Embargo" appears online in
the current&nbsp; issue of Slope  (<a class="moz-txt-link-abbreviated"
 href="http://www.slope.org">www.slope.org</a>), and "Dual Coup" is forthcoming 
in foArm #3. He is the author of a chapbook of poems, Cut (Situations, NYC), 
and the long collage text "Conduction" in the exhibition catalogue Conduit, 
devoted to the work of artist Anna Hepler (Modular Unit Design, Seoul, Korea), 
as well as the artist's books Rose and Selected Durations (collaborations 
with Katherine Kuehn, published at the Salient Seedling Press).<br>
     &nbsp;&nbsp; &nbsp; &nbsp;Other recent Portland manifestations include a solo performance
 ("Closet Drama") and performances with the ensemble ChuNiMu at the Second
 Annual  Spare Room Sound Poetry Festival, and a repeat performance as one
 of Linda Austin's Boris  &amp; Natasha Dancers in PICA's TBA Festival.<br>
     <br>
       ------<br>
    <br>
 an excerpt from<br>
 &nbsp;<br>
   "sky the line"  <br>
   <br>
   by William Fox &amp; David Abel<br>
   <br>
   <br>
   <br>
   in the sky<br>
   above plowed fields<br>
   a line of clouds<br>
   the straight rule<br>
   of law<br>
   <br>
   <br>
   <br>
   <br>
   &nbsp;&nbsp;&nbsp; on the far skyline<br>
   &nbsp;&nbsp;&nbsp; my road disappears<br>
   &nbsp;&nbsp;&nbsp; a crow follows<br>
   <br>
 (WF)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   &nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;aligned in the sky<br>
   mirage:&nbsp;&nbsp;&nbsp; earth and water<br>
   &nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;eye for an eye<br>
   <br>
   <br>
   <br>
   <br>
   on my line of sight<br>
   always the sky<br>
   <br>
   at the county line<br>
   the sky changes color<br>
   <br>
 (WF)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   &nbsp;&nbsp;&nbsp; a line alive aloft<br>
   &nbsp;&nbsp;&nbsp; skin sky scared<br>
   &nbsp;&nbsp;&nbsp; the tree limbs lost<br>
   <br>
   <br>
   <br>
   <br>
   from the west sky<br>
   wind across the road<br>
   a line of onion trucks<br>
   <br>
 (WF)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   twelve powerlines<br>
   along the road<br>
   accord in the sky<br>
   <br>
   <br>
   <br>
   <br>
   &nbsp;&nbsp;&nbsp; a line of wildfires<br>
   &nbsp;&nbsp;&nbsp; to my left<br>
   &nbsp;&nbsp;&nbsp; and on my right<br>
   &nbsp;&nbsp;&nbsp; the blue sky<br>
   &nbsp;&nbsp;&nbsp; of the aqueduct<br>
   <br>
 (WF)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   afoot afield and<br>
   out of line with the sky<br>
   workers bent over<br>
   a thousand melon vines<br>
   <br>
   <br>
   <br>
   <br>
   &nbsp;&nbsp;&nbsp; lined up against<br>
   &nbsp;&nbsp;&nbsp; the white sky of noon<br>
   &nbsp;&nbsp;&nbsp; the early words <br>
   &nbsp;&nbsp;&nbsp; of summer<br>
   <br>
 (WF)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   Driving,<br>
   only the road is real.<br>
   <br>
   <br>
   The half-moon rises,<br>
   rides alongside.<br>
   <br>
 (DA)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   &nbsp;&nbsp;&nbsp; aligned with the sky<br>
   &nbsp;&nbsp;&nbsp; a wing<br>
   <br>
   &nbsp;&nbsp;&nbsp; my eye reflected<br>
   &nbsp;&nbsp;&nbsp; in the window<br>
   <br>
 (WF)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   a line on a map<br>
   I trace with my fingers<br>
   <br>
   <br>
   a line on the ground<br>
   I tread with my feet<br>
   <br>
   <br>
   a line on the page<br>
   I true with my lungs<br>
   <br>
   <br>
   <br>
   unsigned fingers<br>
   pedaling feet<br>
   breathing eyes<br>
   <br>
 (DA)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   &nbsp;&nbsp;&nbsp; above the snow line<br>
   <br>
   &nbsp;&nbsp;&nbsp; below me<br>
   <br>
   &nbsp;&nbsp;&nbsp; blue sky<br>
   <br>
   &nbsp;&nbsp;&nbsp; and<br>
   &nbsp;&nbsp;&nbsp; green field<br>
   <br>
 (WF)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   Before dawn<br>
   the sky is just a line<br>
   <br>
   <br>
   then beyond<br>
   the endless lines of lights<br>
   <br>
   <br>
   a line of light<br>
   where the sky begins<br>
   <br>
 (DA)<br>
   - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
   <br>
   an infinity of lines<br>
   passes through every point<br>
   <br>
   of planes<br>
   through every line<br>
   <br>
   too many sheep to count<br>
   <br>
   <br>
   mist rises from the field<br>
   like music, like money<br>
   <br>
   clouds gather,<br>
   line the sky<br>
   <br>
 (DA)<br>
         
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Subject: [Spare Room/Passages] Eliot Weinberger on Bush -- for distribution
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                        Freedom is on the March

                            Eliot Weinberger


Among the things the second term of the Bush junta will bring is the
New Freedom Initiative. This is a proposal, barely reported in the
press, to give all Americans- beginning with school children- a
standardized test for mental illness. Those who flunk the test will
be issued medication, and those who do not want to take their
medication will be urged to have it implanted under their skin.
Needless to say, the New Freedom commission, appointed by
the President, is composed almost entirely of executives, lawyers,
and lobbyists for pharmaceutical corporations.

    The question is: Will anyone pass the test? Half of America is
clearly deranged, and it has driven the other half mad.

    The President openly declares that God speaks through him.
The Republicans are making television advertisements featuring
the actor who played Jesus in Mel Gibson's "The Passion of the
Christ," while sending out pamphlets that warn that if Kerry is
elected he will ban the Bible. Catholic bishops have decreed that
voting for Kerry is a sin (mortal or venial?) that must be confessed
before one can take communion. The one piece of scientific
research actively promoted by the government is investigating
whether having others pray for you can cure cancer. (The National
Institute of Health has explained that this is "imperative" because
poor people have limited access to normal health care.) At the
official gift shop in Grand Canyon National Park, they sell a book that
states that this so-called natural wonder sprang fully formed in the six
days of Creation. We already know that the current United States
government does not believe in global warming or the hazards of
pollution; now we know it doesn't believe in erosion either.

    The polls are evidence that the country is suffering a collective
head injury. On any given issue-- the economy, the war in Iraq,
health care-- the majority perceive that the situation is bad and
the President has handled it badly. Yet these same people, in
these same polls, also say they'll be voting for Bush. Like a
battered wife-- realizing yet denying what is happening, still
making excuses for their man-- the voters are ruled by fear and
intimidation and the threat of worse to come. They've been
beaten up by the phantom of terrorism.

    Every few weeks we're bludgeoned by warnings that terrorists
may strike in a matter of days. Incited by the Department of
Homeland Security, millions have bought duct tape and plastic
sheeting to protect their homes from biological and chemical attack,
and have amassed caches of canned food and bottled water. To
ensure that everyone everywhere stays afraid, 10,000 FBI agents
have been sent to small towns to talk to local police chiefs about what
they can do to fight terrorism. After the massacre at Beslan, school
principals received letters from the Department of Education instructing
them to beware of strangers.The Vice President intones that if Kerry is
elected, terrorists will be exploding nuclear bombs in the cities. (And,
to anticipate all possibilities, also warns that terrorists may set off
bombs before the election to influence the vote. . . but we're not
going to let them tell Americans who to vote for, are we?)

    Fear has infected even the most common transactions of daily life.
It is not only visitors to the US who are treated as criminals, with
fingerprints and photographs and retinal scans. Anyone entering any
anonymous office building must now go through security clearances
worthy of an audience with Donald Rumsfeld. At the airports, fear of
flying has been replaced by fear of checking-in. Nearly every day there
are stories of people arrested or detained for innocuous activities, like
snapping a photo of a friend in the subway or wearing an antiwar
button  while shopping in the mall. Worst of all, the whole country
has acquiesced to the myth of terrorist omnipotence. Even those who
laugh at the color-coded Alerts and other excesses of the anti-terror
apparatus do not question the need for the apparatus itself. The
Department of Homeland Security, after all, was a Democratic
proposal first rejected by Bush.


Common sense has retreated to the monasteries of a few websites. It is
considered delusional to suggest that international terrorism is nothing
more than a criminal activity performed by a handful of people, that
Al-Qaeda and similar groups are the Weather Underground, the Brigato
Rosso, the Baader-Meinhof Gang, with more sophisticated techniques
and more powerful weapons, operating in the age of hysterical 24-hour
television news. They are not an army. They are not waging a war.
They are tiny groups perpetrating isolated acts of violence.

    There's no question they are dangerous individuals, but- without
demeaning the indelible trauma of 9/11 or the Madrid bombings- the
danger they pose must be seen with some kind of dispassionate
perspective. A terrorist attack is a rare and sudden disaster, the
man-made equivalent of an earthquake or flood. More people die
in the U.S. every year from choking on food than died in the Twin
Towers. About 35,000 die annually from gunshot wounds. (While
Bush lifts the ban on assault weapons, and both Bush and Kerry
promote gun ownership, a captured al-Qaeda manual recommends
traveling to the U.S. to buy weapons.) About 45,000 die in car
crashes-- while the Bush administration lowers automobile safety
standards to increase the profits of the auto industry, major
donors to his campaign. Millions, of course, die from diseases,
and one can only imagine if the billions spent on useless
elephantine bureaucracies like the Department of Homeland
Security had gone to hospitals and research. If the goal were
genuinely to protect lives, fighting terrorism would be a serious
matter for police and intelligence agencies, and a small project of a
nation's well-being.

    Compare, for a moment, Spain. After the Madrid bombings, the
police, in a few days, arrested those responsible. (After 9/11, the U.S.
rounded up more than 5,000 people- many of whom still in jail and not
a single one of whom has been proven to have any connection to any
form of terrorist activity.) They did not carpet-bomb Morocco. They
are quietly increasing police surveillance without Terror Alert national
panics and with little or no interruption of daily life. And,
geographically, demographically, and historically (the
fundamentalist dream of recuperating al-Andalus), there is a
much greater possibility of another terrorist attack in Spain
than in the U.S.

    But of course the current "war on terrorism" is not about saving
lives at all; it's about keeping power in the hands of a tiny cell of
ideologues. In the manner of all totalitarian societies, the Bush junta,
with a happily compliant mass media, has wildly exaggerated the
power of the Enemy. This has allowed them to wage a war in Iraq
they began planning long before 9/11 and to plot further invasions,
to suspend Constitutional rights and disdain international law, to
enrich their friends and ignore the opinions of most of the world.
Many Americans who dislike Bush will still vote for him in November
because the marketing campaign has made him appear the resolute
"wartime" Commander-in-Chief who will keep the nation "safe." It
has become futile to try to argue that this war on terror doesn't exist,
that the actual war in Iraq has nothing to do with the safety of
Americans at home, and that abroad it has killed or maimed
more Americans than 9/11. It remains to be seen what price
the country, and the world, will pay for this fantasy.


An unnamed "senior adviser" to Bush recently told the journalist Ron
Suskind that people like Suskind were members of "what we call the
reality-based community": those who "believe that solutions emerge
from [the] judicious study of discernible reality." However, he
explained, "That's not the way the world really works anymore.
We're an empire now, and when we act, we create our own reality.
And while you're studying that reality... we'll act again, creating
other new realities, which you can study too, and that's how
things will sort out. We're history's actors, and you, all of you,
will be left to just study what we do."

This may well be the clearest expression yet of the Bush Doctrine. To
become enraged by particulars-- the daily slaughter in Iraq, the prison
torture, the worst economy since the Great Depression, the banana
republic tricks and slanders of the electoral campaign-- is to miss
the point. We are no longer in "discernible reality." In the second
term, the only choice will be to line up for your medication and enjoy
the New Freedom. As Bush now says in every speech, "freedom is
on the march."


[23 October 2004]



--------------------------------------------------------------------------
--



Copyright c. 2004 Eliot Weinberger. This may circulate freely on the
internet; for print publication please write: unreal@att.net.

Eliot Weinberger's chronicles of the Bush Era are collected in "9/12,"
published by Prickly Paradigm/Univ. of Chicago Press.





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Date: Wed, 27 Oct 2004 07:33:11 -0700
From: David Abel <passages@rdrop.com>
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Subject: [Spare Room/Passages] [Fwd: Chuck Stein on Abu Ghraib]
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<table cellpadding="0" cellspacing="0" border="0">
  <tbody>
    <tr>
      <th valign="baseline" align="right" nowrap="nowrap">Subject: </th>
      <td>Abu Ghraib</td>
    </tr>
    <tr>
      <th valign="baseline" align="right" nowrap="nowrap">Date: </th>
      <td>Fri, 03 Sep 2004 10:32:24 -0400</td>
    </tr>
    <tr>
      <th valign="baseline" align="right" nowrap="nowrap">From: </th>
      <td>Charles Stein <a class="moz-txt-link-rfc2396E" href="mailto:cstein@webjogger.net">&lt;cstein@webjogger.net&gt;</a></td>
    </tr>
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<pre>Dear All:

This my piece on Abu Ghraib and Magic that will appear this fall in
anthology of such pieces to be published by North Atlantic Books.

Best,

Chuck Stein

</pre>
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Subject: [Spare Room/Passages] 
	William Fox & David Abel, Sunday November 7th, Spare Room
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Spare Room presents . . .


William Fox
      &
David Abel

Sunday, November 7th  
7:30 pm

Mountain Writers Center
3624 SE Milwaukie Ave.
$5 suggested donation.

<http://www.flim.com/spareroom>www.flim.com/spareroom    e-mail: 
<mailto:spareroom@flim.com>spareroom@flim.com    dial-a-poem: 
503-236-0867

Coming up soon:  December 12   Doug Nufer & Lisa Radon

------

William Fox is a poet, artist, critic, and essayist. He has published 
fifteen collections of poetry, and six books of nonfiction about art, 
cognition, and landscape. He was the editor of West Coast Poetry 
Review magazine and books from 1972 to 1988, which published poets as 
disparate as William Stafford and Ian Hamilton Finlay, and was one of 
the few presses in the United States at the time to give serious 
attention to concrete poetry. For the past ten years he has been a 
full-time writer, whose research takes him to some of the most remote 
regions on the planet. He currently resides in Los Angeles.
       Recent books of poetry include Reading Sand: Selected Desert 
Poems, 1975-2000 (University of Nevada) and One Wave Standing (La 
Alameda Press); of nonfiction, Playa Works: The Myth of the Empty 
(University of Nevada) and The Void, the Grid, and the Sign: 
Traversing the Great Basin (University of Utah). He lives in Los 
Angeles, where he has recently completed books on the Antarctic 
(Tierra Antarctica) and Las Vegas (In the Desert of Desire), 
forthcoming from Trinity University and University of Nevada, 
respectively, and is working on a book about Mars.


David Abel is a poet, editor, bookseller, raga singer, and poker 
player who moved to Portland in 1997. One of the instigators of the 
Spare Room reading series, his recent publications include A Reading 
of a Reading of Ashes (envelope #6), "Frozen Sea" in foArm #2, and 
"Threnos" (sewn on a thirty-seven-foot ribbon by Katherine Kuehn). 
"Embargo" appears online in the current  issue of Slope 
(<http://www.slope.org>www.slope.org), and "Dual Coup" is forthcoming 
in foArm #3. He is the author of a chapbook of poems, Cut 
(Situations, NYC), and the long collage text "Conduction" in the 
exhibition catalogue Conduit, devoted to the work of artist Anna 
Hepler (Modular Unit Design, Seoul, Korea), as well as the artist's 
books Rose and Selected Durations (collaborations with Katherine 
Kuehn, published at the Salient Seedling Press).
       Other recent Portland manifestations include a solo performance 
("Closet Drama") and performances with the ensemble ChuNiMu at the 
Second Annual Spare Room Sound Poetry Festival, and a repeat 
performance as one of Linda Austin's Boris & Natasha Dancers in 
PICA's TBA Festival.

------

an excerpt from

"sky the line"

by William Fox & David Abel



in the sky
above plowed fields
a line of clouds
the straight rule
of law




     on the far skyline
     my road disappears
     a crow follows

(WF)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

                aligned in the sky
mirage:    earth and water
                eye for an eye




on my line of sight
always the sky

at the county line
the sky changes color

(WF)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

     a line alive aloft
     skin sky scared
     the tree limbs lost




from the west sky
wind across the road
a line of onion trucks

(WF)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

twelve powerlines
along the road
accord in the sky




     a line of wildfires
     to my left
     and on my right
     the blue sky
     of the aqueduct

(WF)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

afoot afield and
out of line with the sky
workers bent over
a thousand melon vines




     lined up against
     the white sky of noon
     the early words
     of summer

(WF)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Driving,
only the road is real.


The half-moon rises,
rides alongside.

(DA)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

     aligned with the sky
     a wing

     my eye reflected
     in the window

(WF)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

a line on a map
I trace with my fingers


a line on the ground
I tread with my feet


a line on the page
I true with my lungs



unsigned fingers
pedaling feet
breathing eyes

(DA)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

     above the snow line

     below me

     blue sky

     and
     green field

(WF)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Before dawn
the sky is just a line


then beyond
the endless lines of lights


a line of light
where the sky begins

(DA)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

an infinity of lines
passes through every point

of planes
through every line

too many sheep to count


mist rises from the field
like music, like money

clouds gather,
line the sky

(DA)

_______________________________________________
Local events/Spare Room/Passages mailing list
Unsubscription requests to passages@rdrop.com
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>William Fox &amp; David Abel, Sunday November 7th,
Spare Room</title></head><body>
<div>Spare Room presents . . .<br>
<br>
<br>
William Fox<br>
&nbsp;&nbsp;&nbsp;&nbsp; &amp;<br>
David Abel<br>
<br>
Sunday, November 7th&nbsp;&nbsp;<br>
7:30 pm<br>
<br>
Mountain Writers Center<br>
3624 SE Milwaukie Ave.<br>
$5 suggested donation.<br>
<br>
<a
href="http://www.flim.com/spareroom">www.flim.com/spareroom</a
>&nbsp;&nbsp;&nbsp; e-mail: <a
href="mailto:spareroom@flim.com">spareroom@flim.com</a>&nbsp;&nbsp;&nbsp;
dial-a-poem: 503-236-0867<br>
<br>
Coming up soon: &nbsp;December 12&nbsp;&nbsp; Doug Nufer &amp; Lisa
Radon<br>
<br>
------<br>
<br>
William Fox is a poet, artist, critic, and essayist. He has published
fifteen collections of poetry, and six books of nonfiction about art,
cognition, and landscape. He was the editor of West Coast Poetry
Review magazine and books from 1972 to 1988, which published poets as
disparate as William Stafford and Ian Hamilton Finlay, and was one of
the few presses in the United States at the time to give serious
attention to concrete poetry. For the past ten years he has been a
full-time writer, whose research takes him to some of the most remote
regions on the planet. He currently resides in Los Angeles.<br>
&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Recent books of poetry include Reading
Sand: Selected Desert&nbsp; Poems, 1975-2000 (University of Nevada)
and One Wave Standing (La&nbsp; Alameda Press); of nonfiction, Playa
Works: The Myth of the Empty&nbsp; (University of Nevada) and The
Void, the Grid, and the Sign: Traversing the Great Basin (University
of Utah). He lives in Los Angeles, where he has recently completed
books on the Antarctic (Tierra Antarctica) and Las Vegas (In the
Desert of Desire), forthcoming from Trinity University and University
of Nevada, respectively, and is working on a book about Mars.<br>
&nbsp;<br>
<br>
David Abel is a poet, editor, bookseller, raga singer, and poker
player who moved to Portland in 1997. One of the instigators of the
Spare Room reading series, his recent publications include A Reading
of a Reading of Ashes (envelope #6), &quot;Frozen Sea&quot; in foArm
#2, and &quot;Threnos&quot; (sewn on a thirty-seven-foot ribbon by
Katherine Kuehn). &quot;Embargo&quot; appears online in the current&nbsp;
issue of Slope (<a href="http://www.slope.org">www.slope.org</a>), and
&quot;Dual Coup&quot; is forthcoming in foArm #3. He is the author of
a chapbook of poems, Cut (Situations, NYC), and the long collage text
&quot;Conduction&quot; in the exhibition catalogue Conduit, devoted to
the work of artist Anna Hepler (Modular Unit Design, Seoul, Korea), as
well as the artist's books Rose and Selected Durations (collaborations
with Katherine Kuehn, published at the Salient Seedling Press).<br>
&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;Other recent Portland manifestations
include a solo performance (&quot;Closet Drama&quot;) and performances
with the ensemble ChuNiMu at the Second Annual Spare Room Sound Poetry
Festival, and a repeat performance as one of Linda Austin's Boris &amp;
Natasha Dancers in PICA's TBA Festival.<br>
<br>
------<br>
<br>
an excerpt from<br>
&nbsp;<br>
&quot;sky the line&quot;<br>
<br>
by William Fox &amp; David Abel<br>
<br>
<br>
<br>
in the sky<br>
above plowed fields<br>
a line of clouds<br>
the straight rule<br>
of law<br>
<br>
<br>
<br>
<br>
&nbsp;&nbsp;&nbsp; on the far skyline<br>
&nbsp;&nbsp;&nbsp; my road disappears<br>
&nbsp;&nbsp;&nbsp; a crow follows<br>
<br>
(WF)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
></span>&nbsp;&nbsp; &nbsp;aligned in the sky<br>
mirage:&nbsp;&nbsp;&nbsp; earth and water<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
></span>&nbsp;&nbsp; &nbsp;eye for an eye<br>
<br>
<br>
<br>
<br>
on my line of sight<br>
always the sky<br>
<br>
at the county line<br>
the sky changes color<br>
<br>
(WF)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
&nbsp;&nbsp;&nbsp; a line alive aloft<br>
&nbsp;&nbsp;&nbsp; skin sky scared<br>
&nbsp;&nbsp;&nbsp; the tree limbs lost<br>
<br>
<br>
<br>
<br>
from the west sky<br>
wind across the road<br>
a line of onion trucks<br>
<br>
(WF)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
twelve powerlines<br>
along the road<br>
accord in the sky<br>
<br>
<br>
<br>
<br>
&nbsp;&nbsp;&nbsp; a line of wildfires<br>
&nbsp;&nbsp;&nbsp; to my left<br>
&nbsp;&nbsp;&nbsp; and on my right<br>
&nbsp;&nbsp;&nbsp; the blue sky<br>
&nbsp;&nbsp;&nbsp; of the aqueduct<br>
<br>
(WF)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
afoot afield and<br>
out of line with the sky<br>
workers bent over<br>
a thousand melon vines<br>
<br>
<br>
<br>
<br>
&nbsp;&nbsp;&nbsp; lined up against<br>
&nbsp;&nbsp;&nbsp; the white sky of noon<br>
&nbsp;&nbsp;&nbsp; the early words<br>
&nbsp;&nbsp;&nbsp; of summer<br>
<br>
(WF)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
Driving,<br>
only the road is real.<br>
<br>
<br>
The half-moon rises,</div>
<div>rides alongside.<br>
<br>
(DA)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
&nbsp;&nbsp;&nbsp; aligned with the sky<br>
&nbsp;&nbsp;&nbsp; a wing<br>
<br>
&nbsp;&nbsp;&nbsp; my eye reflected<br>
&nbsp;&nbsp;&nbsp; in the window<br>
<br>
(WF)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
a line on a map<br>
I trace with my fingers<br>
<br>
<br>
a line on the ground<br>
I tread with my feet<br>
<br>
<br>
a line on the page<br>
I true with my lungs<br>
<br>
<br>
<br>
unsigned fingers<br>
pedaling feet<br>
breathing eyes<br>
<br>
(DA)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
&nbsp;&nbsp;&nbsp; above the snow line<br>
<br>
&nbsp;&nbsp;&nbsp; below me<br>
<br>
&nbsp;&nbsp;&nbsp; blue sky<br>
<br>
&nbsp;&nbsp;&nbsp; and<br>
&nbsp;&nbsp;&nbsp; green field<br>
<br>
(WF)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
Before dawn<br>
the sky is just a line<br>
<br>
<br>
then beyond<br>
the endless lines of lights<br>
<br>
<br>
a line of light<br>
where the sky begins<br>
<br>
(DA)<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br>
<br>
an infinity of lines<br>
passes through every point<br>
<br>
of planes<br>
through every line<br>
<br>
too many sheep to count<br>
<br>
<br>
mist rises from the field<br>
like music, like money<br>
<br>
clouds gather,<br>
line the sky<br>
<br>
(DA)</div>
<div><br>
_______________________________________________<br>
Local events/Spare Room/Passages mailing list</div>
<div>Unsubscription requests to passages@rdrop.com</div>
</body>
</html>
--============_-1112477051==_ma============--

From jdbradshaw@gmail.com Tue Nov 23 00:04:38 2004
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Subject: [Spare Room/Passages] Spare Room reading: Doug Nufer and Lisa Radon
	Dec. 12 @ MWC
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Spare Room invites you to hear the poets 
Doug Nufer (Seattle) and Lisa Radon (Portland)

Sunday, December 12th at 7:30pm
Mountain Writers Center
3624 S.E. Milwaukie Ave.
Portland, OR
Suggested Donation: $5

~

Lisa Radon is a poet who loves the taste of words in mouth, tongue on teeth.
She's performed at the Carmel Performing Arts Festival, Lollapalooza,
the San Francisco Poetry Festival, and Spare Room's Sound Poetry
Festivals, and most recently at Portland's Celebration of the Mayor's
Creative Economy Initiative at the close of the Design Festival.

Radon has also performed in collaboration with conceptual drummer, Tim
DuRoche in the 2003 Experimental Jazz Festival at the Modern Zoo, the
Richard Foreman Festivals 2003/2004, and at venues all over Portland
including Pacific Switchboard, and Performanceworks Northwest. The duo
also created a sound installation, Aqueous (E)vent No. 1 for Red 76's
Community Jukebox as part of the 2003 Core Sample Exhibition and a
visual collaboration for the UNREADABILITY show at Eyedrum in Atlanta.
They co-curate Rhizomatica, a multidisciplinary performance series in
Portland.

Radon's work has been anthologized, incorporated into libretto, and
published in three chapbooks, as well as numerous journals online and
off-. In 1998 she received a grant for the development and performance
of a poem cycle for chorus, movers, and sound artists.

She and TdR are currently developing a longer work about the heroic
gesture. They love Barnett Newman.

Radon is a freelance writer who concentrates mainly on arts and
culture, writing for Strong Week, NonstarvingArtists.com, and the
Organ among others.

~

Doug Nufer writes stories, poems, and pieces for performance that seem
to follow odd procedures, even when they don't. His novels
Negativeland (Autonomedia), Never Again (Four Walls Eight Windows/
Black Square), and On the Roast (Chiasmus), and his CD The Office
(softpalate) were all released over the last few months, as if
according to some master plan.

His work has also appeared in the Northwest Edge anthologies and in
the magazines Monkey Puzzle, Chain, Fence, Farm Pulp, and the Brooklyn
Rail.

He's a founding member of the spoken word troupe Staggered Thirds,
which played in and around Seattle 1998-2003, a former editor of the
Washington Free Press, and one of the editors of American Book Review.

He lives in Seattle, where he runs a wine shop.

Two poems by Doug Nufer:

Dust Tar

Now and the dusk purple of time twilight
Across steals the heart of my meadows
Up high the sky in
The stars climb till lit
Ways all mind reading me
We're part of those.

Wandered you lane the down and way afar
Me leaving a dye not that wood song
Now love is the dust tar of day yester
The years of the music by gong.

I sometimes spend the wonder night of lonely why
Singing of a dream.
The eerie rev haunts my meat a load
And you with once I am again.

And new our love was
When ass kissed each ration in beer.
That butt echo was long;
Nice how lay commotion is in a thong dust of ass tar.

A B-side warden brawl
Whence tight are guards
Arms my yin urine:
The guide in ale
Hells fizz retail tare
Of dice a pair where grosses rue.

I, though, vain in dream,
Mayan heart ill wit deign ream.
Sty marmots adore meals of loamy mead of the rain free.

Dust Tar (syllabic inversion)

Now and the dusk pull purr of time light-twi
Cross a steals the dome med my heart of
Up high the in sky the dull lit climb stars
Ways all mind reaming that me we're part a

Wand you turd lane the down and a way far
Ing leaf a me that song die not would
Is love the now the dust tar of turd day yes
The sick muse of the gone-by years

Times some won I why turd spend why the night lee loan
Ming dream a song of
The load team mel my haunts fur re: rev, and am I Ken a with you once.
Our when was new love, and kiss each a spur in shun nay
That butt long was go a
My now so con shun lay is the in dust tar song of a

Side B: a den guard when wall bright are stars
Are you arms my in
The tin gale night
His tells re: tail fair
Of a dise pair rose where grew sez

I though vain in dream
My in it heart will main ream
Star my mel dust me load
The more re: mem of reef love's rain.

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Spare Room invites you to hear the poets 
Doug Nufer (Seattle) and Lisa Radon (Portland)

Sunday, December 12th at 7:30pm
Mountain Writers Center
3624 S.E. Milwaukie Ave.
Portland, OR
Suggested Donation: $5

~

Lisa Radon is a poet who loves the taste of words in mouth, tongue on teeth.
She's performed at the Carmel Performing Arts Festival, Lollapalooza,
the San Francisco Poetry Festival, and Spare Room's Sound Poetry
Festivals, and most recently at Portland's Celebration of the Mayor's
Creative Economy Initiative at the close of the Design Festival.

Radon has also performed in collaboration with conceptual drummer, Tim
DuRoche in the 2003 Experimental Jazz Festival at the Modern Zoo, the
Richard Foreman Festivals 2003/2004, and at venues all over Portland
including Pacific Switchboard, and Performanceworks Northwest. The duo
also created a sound installation, Aqueous (E)vent No. 1 for Red 76's
Community Jukebox as part of the 2003 Core Sample Exhibition and a
visual collaboration for the UNREADABILITY show at Eyedrum in Atlanta.
They co-curate Rhizomatica, a multidisciplinary performance series in
Portland.

Radon's work has been anthologized, incorporated into libretto, and
published in three chapbooks, as well as numerous journals online and
off-. In 1998 she received a grant for the development and performance
of a poem cycle for chorus, movers, and sound artists.

She and TdR are currently developing a longer work about the heroic
gesture. They love Barnett Newman.

Radon is a freelance writer who concentrates mainly on arts and
culture, writing for Strong Week, NonstarvingArtists.com, and the
Organ among others.

~

Doug Nufer writes stories, poems, and pieces for performance that seem
to follow odd procedures, even when they don't. His novels
Negativeland (Autonomedia), Never Again (Four Walls Eight Windows/
Black Square), and On the Roast (Chiasmus), and his CD The Office
(softpalate) were all released over the last few months, as if
according to some master plan.
His work has also appeared in the Northwest Edge anthologies and in
the magazines Monkey Puzzle, Chain, Fence, Farm Pulp, and the Brooklyn
Rail.

He's a founding member of the spoken word troupe Staggered Thirds,
which played in and around Seattle 1998-2003, a former editor of the
Washington Free Press, and one of the editors of American Book Review.

He lives in Seattle, where he runs a wine shop.

From piuma@flim.com Mon Dec 20 00:18:32 2004
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Subject: [Spare Room/Passages] Wed, 12/22: "Midwinter Day" reading
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The Very Very Long Performance Series presents...

MIDWINTER DAY

A reading of Bernadette Mayer's book-length poem "Midwinter Day"

Wednesday, December 22
Casa de Leche
1937 NE Pacific, Portland
(diagonally across from the spinning milk carton)
503-236-7369
Beginning at 7pm.

On December 22, 1978, Bernadette Mayer wrote "Midwinter Day", which 
Alice Notley described as an "epic poem about a daily routine". The 
poem goes through awakening through the entire day, morning to night, 
and ending with dreams again. Please join Chris Piuma, Ashley 
Edwards, David Abel, and other local poets for a reading of this 
beloved poem.

If you are interested in being one of the readers, please e-mail me 
at piuma@flim.com.

A sample, from near the end:

    From dreams I made sentences, then what I've seen today,
    Then past the past of afternoons of stories like memory
    To seeing as a plain introduction to modes of love and reason,
    Then to end I guess with love, a method to this winter season
    Now I've said this love it's all I can remember
    Of Midwinter Day the twenty-second of December


-- 
Chris Piuma
piuma@flim.com
www.flim.com



From passages@rdrop.com Mon Dec 20 15:22:22 2004
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[apologies for any duplication of this message; we're experiencing mail 
glitches]


The Very Very Long Performance Series presents...

MIDWINTER DAY

A reading of Bernadette Mayer's book-length poem "Midwinter Day"

Wednesday, December 22
Casa de Leche
1937 NE Pacific, Portland
(diagonally across from the spinning milk carton, on 20th, a bit north 
of Sandy)
503-236-7369
Beginning at 7pm.

On December 22, 1978, Bernadette Mayer wrote "Midwinter Day", which 
Alice Notley described as an "epic poem about a daily routine". The poem 
goes through awakening through the entire day, morning to night, and 
ending with dreams again. Please join Chris Piuma, Ashley Edwards, David 
Abel, and other local poets for a reading of this beloved poem.

If you are interested in being one of the readers, please e-mail me at 
piuma@flim.com.

A sample, from near the end:

   From dreams I made sentences, then what I've seen today,
   Then past the past of afternoons of stories like memory
   To seeing as a plain introduction to modes of love and reason,
   Then to end I guess with love, a method to this winter season
   Now I've said this love it's all I can remember
   Of Midwinter Day the twenty-second of December


-- 
Chris Piuma
piuma@flim.com
www.flim.com



From jdbradshaw@gmail.com Sun Dec 26 15:21:15 2004
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Subject: [Spare Room/Passages] Bethany Wright and Seth Nehil Friday January
	7th @ The Mitzpah
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Spare Room invites you to an evening of performance with
poet Bethany Wright and composer Seth Nehil

7:30 pm   Friday, January 7th 
at The Mitzpah 
2458 SE Tamarack Ave. 
(just off Division between 18th and 20th)
suggested donation $5

Bios:

Bethany Wright is poet, performer & other artist, currently completing
her MFA from Bard College. Forthcoming publications: "Indeed, Insist
(a mystery)", (Ugly Duckling Presse), & in Bird Dog, Arson, & (online)
Matter magazines. She co-founded & continues FO A RM magazine and
frequently collaborates w/ sound artist, Seth Nehil.

Bethany's performance will include the multi-media presentation of
"Warning/Animal Nightmare": a poem with pictures embedded, and new
work-in-progress, "Verisimilitudes": a theatre of memory.

~

Seth Nehil (*1973) is a composer and visual artist living in Brooklyn,
NY and currently completing an MFA in music/sound at Bard College. In
1994 he co-founded the electro-acoustic ensemble Alial Straa with John
Grzinich and Olivia Block and was a member of the Orogenetics
Collective with Michael Northam. From 1995-99 he was a contributing
editor of N D magazine, a journal of experimental music and
performance. He currently co-edits and designs FO A RM, an
interdisciplinary magazine of arts and culture.

Seth is the author of many solo recordings, including Tracing the
Skins of Clouds [Kaon, France], Uva [20City, Japan] and Umbra
[Edition..., US] as well as collaborations with John Grzinich, Stria
[Erewhon, Belgium] and Confluence [Intransitive, US] and Olivia Block,
Sunder, Unite [Sedimental, US]. Reviews have described his
compositions as "active sound fields (of) resonant tonalities...
incredibly strong work" (Jim Haynes, The Wire) and "boundless
imaginary
landscapes (Chris Rice, Halana). He has performed throughout the
United States, Japan and Eastern Europe.

From jdbradshaw@gmail.com Tue Jan  4 01:31:27 2005
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Spare Room invites you to an evening of performance with
poet Bethany Wright and composer Seth Nehil

7:30 pm   Friday, January 7th
at The Mitzpah
2458 SE Tamarack Ave.
(just off Division between 18th and 20th)
suggested donation $5

Bios:

Bethany Wright is poet, performer & other artist, currently completing
her MFA from Bard College. Forthcoming publications: "Indeed, Insist
(a mystery)", (Ugly Duckling Presse), & in Bird Dog, Arson, & (online)
Matter magazines. She co-founded & continues FO A RM magazine and
frequently collaborates w/ sound artist, Seth Nehil.

Bethany's performance will include the multi-media presentation of
"Warning/Animal Nightmare": a poem with pictures embedded, and new
work-in-progress, "Verisimilitudes": a theatre of memory.

~

Seth Nehil (*1973) is a composer and visual artist living in Brooklyn,
NY and currently completing an MFA in music/sound at Bard College. In
1994 he co-founded the electro-acoustic ensemble Alial Straa with John
Grzinich and Olivia Block and was a member of the Orogenetics
Collective with Michael Northam. From 1995-99 he was a contributing
editor of N D magazine, a journal of experimental music and
performance. He currently co-edits and designs FO A RM, an
interdisciplinary magazine of arts and culture.

Seth is the author of many solo recordings, including Tracing the
Skins of Clouds [Kaon, France], Uva [20City, Japan] and Umbra
[Edition..., US] as well as collaborations with John Grzinich, Stria
[Erewhon, Belgium] and Confluence [Intransitive, US] and Olivia Block,
Sunder, Unite [Sedimental, US]. Reviews have described his
compositions as "active sound fields (of) resonant tonalities...
incredibly strong work" (Jim Haynes, The Wire) and "boundless
imaginary landscapes (Chris Rice, Halana). He has performed throughout the
United States, Japan and Eastern Europe.

From passages@rdrop.com Sat Jan  8 17:05:35 2005
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Subject: [Spare Room/Passages] Bryant Mason and Lindsay Hill,
	Sunday Jan. 16th
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[Please note new location!]<br>
<br>
Spare Room presents . . .<br>
<br>
Bryant Mason<br>
&nbsp;&nbsp;&nbsp;&nbsp; &amp;<br>
Lindsay Hill<br>
<br>
Sunday, January 16th<br>
7:30 pm<br>
<br>
New American Art Union<br>
922 SE Ankeny Street<br>
$5 suggested donation.<br>
<br>
<a href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>&nbsp;&nbsp;&nbsp;
e-mail: <a href="mailto:spareroom@flim.com">spareroom@flim.com</a>&nbsp;&nbsp;&nbsp;
dial-a-poem: 503-236-0867<br>
<br>
Upcoming readings:<br>
&nbsp; <br>
February13&nbsp;&nbsp;&nbsp; Kreg Hasegawa &amp; Alicia Cohen<br>
February 27&nbsp;&nbsp; Kerri Sonnenberg &amp; tba<br>
<br>
------<br>
<br>
Bryant Mason writes code and lives in Seattle. He is a founding member
of the Subtext Collective, which recently marked its tenth year of
mayhem and readings. In 2003, members of the collective performed his
multi-voice collage of the work of Louis Zukofsky at the Beyond Text
Festival in Los Angeles. Texts under his name have appeared in certain
finer publications such as Talisman, Score, and Birddog. He wishes you
a new year. <br>
<br>
Lindsay Hill was born in San Francisco and graduated from Bard College.
He is the author of four book of poems including Avelaval (Oyez) and,
most recently, NdjenFerno (Vatic Humm).&nbsp; His poetry has been widely
published in journals including Caliban, Sulfur, To, and New American
Writing, and he is the former co-editor of the journal Facture. Lindsay
lives in Portland, works for a nonprofit and, with his wife, Nita,
operates a consulting business.<br>
<br>
------<br>
<br>
Memorandum<br>
<br>
To:&nbsp;&nbsp;&nbsp; All Department Heads<br>
From:&nbsp;&nbsp;&nbsp; Angel of Rust<br>
cc:&nbsp;&nbsp;&nbsp; Activities Directory&nbsp;&nbsp;&nbsp; <br>
Date:&nbsp;&nbsp;&nbsp; Week Two, Thursday<br>
Subject:&nbsp;&nbsp;&nbsp; Free Time<br>
<br>
Shackled to the contrary, even the shape of the question<br>
Takes the form of a little comedy: a matador of the <br>
Culture industry steps into the ring and is immediately<br>
Showered with small, tasty bits of snack food<br>
<br>
But we are bored by such stage antics as these, having attained<br>
A child's attentiveness through days upon days of languishing<br>
Lazily in the sun cultivating the dull veneer of misguided spontaneity<br>
Blocked at every turn, the man behind the deli counter resorts<br>
To a more clandestine sport, and heads off to work, a temporary
distraction<br>
At best, and ultimately to no avail. And so the incidental music begins<br>
Rising to a groundswell of strings as the denunciation of alleged
quarrels <br>
Commences, a consequence of this belated restating of the theme:<br>
<br>
The prognosis is not good: information<br>
Between the two of us is conveyed only by an abrupt and violent gesture<br>
Symptomatic of the value she places in the breathless anticipation of
the <br>
Promised perfect match. I, on the other hand, seek to be overwhelmed by
the<br>
Otherwise indifferent attitude on display-and with good reason-the gap<br>
Ever widens between the illusory controlling figures and their codified<br>
Historical culmination in the play of blind fate. What was previously<br>
Held legitimate disintegrates into the industriousness of a mere blade
of grass<br>
<br>
Such brute earnestness is hopeless, and soon the spell is broken<br>
The traitor returns to the fold, reformed, and at our disposal<br>
His actions may ignite the fractures in the continuing saga based
loosely<br>
On actual historical events, but I by blind impatience refuse to stay
seated<br>
This theater may be crowded, but a modicum of madness furnishes all<br>
Collective movements with their power of attraction, and I know this<br>
Despite such self-consciousness, the pressures of the vulnerable places<br>
Still administer the world and such means as these have become far-flung<br>
To the extreme. No one follows his lead, too lost in the action, a
parody of<br>
The very kind of people the world needs<br>
<br>
Bryant Mason<br>
<br>
<br>
from Contango<br>
<br>
It was one of those stories about staying alive by hiding among the dead<br>
<br>
Many arose whose lives stood for golf<br>
<br>
She was waifish and insane<br>
<br>
Sometimes a door would open in the wall and she would sense this as the
sound of wallpaper being torn from behind<br>
<br>
Management hired it a month ago and it doesn't seem to understand any
of our instructions<br>
<br>
You have to arrange the skeletons so that the machinery will work.&nbsp;
They are market operations and we are in close confines with them and
they must be stood beside us as we go about our tasks. <br>
Lindsay Hill<br>
<br>
</body>
</html>

From passages@rdrop.com Sun Jan 16 13:20:25 2005
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Subject: [Spare Room/Passages] Reminder -- Tonight @ 7:30 pm: Bryant Mason &
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
<div class="moz-text-html" lang="x-western"> [Please note new location!]<br>
<br>
Spare Room presents . . .<br>
<br>
Bryant Mason<br>
&nbsp;&nbsp;&nbsp;&nbsp; &amp;<br>
Lindsay Hill<br>
<br>
Sunday, January 16th<br>
7:30 pm<br>
<br>
New American Art Union<br>
922 SE Ankeny Street<br>
$5 suggested donation.<br>
<br>
<a href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>&nbsp;&nbsp;&nbsp;
e-mail: <a href="mailto:spareroom@flim.com">spareroom@flim.com</a>&nbsp;&nbsp;&nbsp;
dial-a-poem: 503-236-0867<br>
<br>
Upcoming readings:<br>
&nbsp; <br>
February13&nbsp;&nbsp;&nbsp; Kreg Hasegawa &amp; Alicia Cohen<br>
February 27&nbsp;&nbsp; Kerri Sonnenberg &amp; tba<br>
<br>
------<br>
<br>
Bryant Mason writes code and lives in Seattle. He is a founding member
of the Subtext Collective, which recently marked its tenth year of
mayhem and readings. In 2003, members of the collective performed his
multi-voice collage of the work of Louis Zukofsky at the Beyond Text
Festival in Los Angeles. Texts under his name have appeared in certain
finer publications such as Talisman, Score, and Birddog. He wishes you
a new year. <br>
<br>
Lindsay Hill was born in San Francisco and graduated from Bard College.
He is the author of four book of poems including Avelaval (Oyez) and,
most recently, NdjenFerno (Vatic Humm).&nbsp; His poetry has been widely
published in journals including Caliban, Sulfur, To, and New American
Writing, and he is the former co-editor of the journal Facture. Lindsay
lives in Portland, works for a nonprofit and, with his wife, Nita,
operates a consulting business.<br>
<br>
------<br>
<br>
Memorandum<br>
<br>
To:&nbsp;&nbsp;&nbsp; All Department Heads<br>
From:&nbsp;&nbsp;&nbsp; Angel of Rust<br>
cc:&nbsp;&nbsp;&nbsp; Activities Directory&nbsp;&nbsp;&nbsp; <br>
Date:&nbsp;&nbsp;&nbsp; Week Two, Thursday<br>
Subject:&nbsp;&nbsp;&nbsp; Free Time<br>
<br>
Shackled to the contrary, even the shape of the question<br>
Takes the form of a little comedy: a matador of the <br>
Culture industry steps into the ring and is immediately<br>
Showered with small, tasty bits of snack food<br>
<br>
But we are bored by such stage antics as these, having attained<br>
A child's attentiveness through days upon days of languishing<br>
Lazily in the sun cultivating the dull veneer of misguided spontaneity<br>
Blocked at every turn, the man behind the deli counter resorts<br>
To a more clandestine sport, and heads off to work, a temporary
distraction<br>
At best, and ultimately to no avail. And so the incidental music begins<br>
Rising to a groundswell of strings as the denunciation of alleged
quarrels <br>
Commences, a consequence of this belated restating of the theme:<br>
<br>
The prognosis is not good: information<br>
Between the two of us is conveyed only by an abrupt and violent gesture<br>
Symptomatic of the value she places in the breathless anticipation of
the <br>
Promised perfect match. I, on the other hand, seek to be overwhelmed by
the<br>
Otherwise indifferent attitude on display-and with good reason-the gap<br>
Ever widens between the illusory controlling figures and their codified<br>
Historical culmination in the play of blind fate. What was previously<br>
Held legitimate disintegrates into the industriousness of a mere blade
of grass<br>
<br>
Such brute earnestness is hopeless, and soon the spell is broken<br>
The traitor returns to the fold, reformed, and at our disposal<br>
His actions may ignite the fractures in the continuing saga based
loosely<br>
On actual historical events, but I by blind impatience refuse to stay
seated<br>
This theater may be crowded, but a modicum of madness furnishes all<br>
Collective movements with their power of attraction, and I know this<br>
Despite such self-consciousness, the pressures of the vulnerable places<br>
Still administer the world and such means as these have become far-flung<br>
To the extreme. No one follows his lead, too lost in the action, a
parody of<br>
The very kind of people the world needs<br>
<br>
Bryant Mason<br>
<br>
<br>
from Contango<br>
<br>
It was one of those stories about staying alive by hiding among the dead<br>
<br>
Many arose whose lives stood for golf<br>
<br>
She was waifish and insane<br>
<br>
Sometimes a door would open in the wall and she would sense this as the
sound of wallpaper being torn from behind<br>
<br>
Management hired it a month ago and it doesn't seem to understand any
of our instructions<br>
<br>
You have to arrange the skeletons so that the machinery will work.&nbsp;
They are market operations and we are in close confines with them and
they must be stood beside us as we go about our tasks. <br>
Lindsay Hill</div>
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From passages@rdrop.com Mon Jan 31 16:42:21 2005
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<p class="MsoBodyText" style="text-align: left;" align="left"><!--[if !supportEmptyParas]-->&nbsp;
Spare Room presents . . .<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><br>
<b><br>
Kreg Hasegawa</b></p>
<p class="MsoBodyText" style="text-align: left;" align="left"><b>Alicia
Cohen</b><br>
<br>
Sunday, February13th<br>
7:30 pm<br>
<br>
New American Art Union<br>
922 SE Ankeny Street<br>
$5 suggested donation.<br>
<br>
<a href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>&nbsp;&nbsp;&nbsp;
e-mail: <a href="mailto:spareroom@flim.com">spareroom@flim.com</a>&nbsp;&nbsp;&nbsp;
dial-a-poem: 503-236-0867<br>
<br>
Upcoming readings:<br>
&nbsp; <br>
February 27&nbsp;&nbsp; Kerri Sonnenberg and Drew Kunz<br>
April 17&nbsp;&nbsp; Mark Salerno and Tom Fisher<br>
May 22 &nbsp; Charles Alexander and Todd Baron<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><!--[endif]-->
------<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><b>Kreg
Hasegawa</b> lives in
Seattle. Coeditor of <i>Monkey Puzzle</i> (an 8.5 x 11&#8221; stapled
magazine), he hosts the
Projects Reading Series at the 1506 Projects art gallery on Capitol
Hill. This
year he will also start publishing chapbooks. His essays have appeared
in <i>The
Stranger</i>, <i>American Book Review</i>, and elsewhere, and stories
have appeared in
Meredith Quartermain's <i>The News</i> and Larry Fagin's <i>Sal Mimeo</i>.<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><br>
<b>Alicia Cohen</b> lives in
Portland, Oregon, where, in 2000, she helped establish the art
space/collective
Pacific Switchboard. Her book of poems, <i>bEAR</i>, was published by
Handwritten
Press, and last year she wrote, directed, and produced a multimedia
opera and
gallery installation titled "Northwest Inhabitation Log." Her work
has recently appeared in <i>Ecopoetics, How2, Bird Dog</i>, and <i>Traverse</i>.
She is the
poetry editor for the <i>Organ Review of Arts</i>.<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left">------<b><br>
</b></p>
<p class="MsoBodyText" style="text-align: left;" align="left"><b><br>
So You Have Trouble with Statements</b><br>
<br>
So you have trouble with statements or, more precisely, speech<br>
itself. It keeps on happening. All that seems real anymore are the<br>
things you have suddenly left. You never know how much you<br>
belong until you are asked to leave. Leaving took the most time, a<br>
dissolve so slow you never realized you were gone. In the<br>
mountains you are wicked and strong. The snow accumulates<br>
around you. The cabin emits a welcoming belch of black smoke.<br>
Now you are back in the city. People are in need of money, need<br>
more than you have. So you pass them by. Trick is to leave it up a<br>
sleeve. "I don't believe," said Daniel to the telemarketer, "in<br>
communication." Then Chris, quite simply, constructed a door to<br>
keep the cold out.<br>
<br>
&nbsp;&nbsp; -- Kreg Hasegawa<br>
<br>
<br>
<br>
<b>&nbsp;The Other Lights</b><br>
&nbsp;&nbsp;&nbsp; -- to L. S.<br>
&nbsp;<br>
&nbsp;<br>
&nbsp;under the heavy stones of the path there is no light<br>
&nbsp;<br>
&nbsp;the green leaves of grass on the lawns<br>
&nbsp;across Oakland during a draught<br>
&nbsp;<br>
&nbsp;as the sun circles above<br>
&nbsp;under the stones bare and flat hands<br>
&nbsp;lifted <br>
&nbsp;what's wet and black <br>
&nbsp;black and live<br>
&nbsp;not <br>
&nbsp;<br>
&nbsp;the sorrowful <br>
&nbsp;<br>
&nbsp;the sorrowful<br>
&nbsp;<br>
&nbsp;poetry <br>
&nbsp;<br>
&nbsp;seen as a lighthouse<br>
&nbsp;shining to those at sea<br>
&nbsp;synthetic <br>
&nbsp;"undead"<br>
&nbsp;<br>
&nbsp;<br>
&nbsp;if poetry is <br>
&nbsp;it almost <br>
&nbsp;seems<br>
&nbsp;<br>
&nbsp;lit like<br>
&nbsp;<br>
&nbsp;lights <br>
&nbsp;at sea calling in a sibling voice<br>
&nbsp;what <br>
&nbsp;<br>
&nbsp;Pip got <br>
&nbsp;lost in <br>
&nbsp;<br>
&nbsp;that book<br>
&nbsp;<br>
&nbsp;in print <br>
&nbsp;floating sitting upon wooden shelves<br>
&nbsp;<br>
&nbsp;Pip in the sea<br>
&nbsp;but not lost <br>
&nbsp;for waiting in water<br>
&nbsp;and what happened<br>
&nbsp;<br>
&nbsp;to "him" as with wings<br>
&nbsp;<br>
&nbsp;to anyone<br>
&nbsp;<br>
&nbsp;the shedding of light on the subject<br>
&nbsp;<br>
&nbsp;for what evacuates sense<br>
&nbsp;as a rope thrown out to save <br>
&nbsp;someone who was one<br>
&nbsp;drowning<br>
&nbsp;<br>
&nbsp;emergency<br>
&nbsp;many below<br>
&nbsp;emergent<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left">&nbsp;&nbsp;&nbsp; --
Alicia Cohen<br>
</p>
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From passages@rdrop.com Fri Feb  4 22:39:46 2005
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Subject: [Spare Room/Passages] Michael Palmer/Stacy Doris at Evergreen
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We've just gotten last-minute word of two exciting readings in the next
two weeks by poets visiting Leonard Schwartz's classes at Evergreen
State College in Olympia. <br>
<br>
Driving directions at end of message; Olympia also accessible by Amtrak
&amp; Greyhound. <br>
Anyone interested in carpooling feel free to reply to <a class="moz-txt-link-abbreviated" href="mailto:passages@rdrop.com">passages@rdrop.com</a><br>
<br>
<br>
<big><font size="2"><big>Visiting Writers Series - from Poetics and
Power</big></font><font size="2"><big></big></font><font size="2"><big><br>
</big></font><font size="2"><big>Seminar 2 Building, Room D1105 </big></font><br>
<br>
<br>
</big><big><font size="2"><big>Wednesday, </big></font></big><big><font
 size="2"><big>February 9th</big></font></big><big><font size="2"><big>,
7:00 pm</big></font></big><big><br>
<font size="2"><big><br>
Michael Palmer <br>
<br>
Poet, translator, and editor, author of At Passages; The Lion Bridge:
Selected Poems 1972-1995; Codes Appearing: Poems 1979-1988; Promises of
Glass; and the forthcoming Company of Moths, all published by New
Directions. He lives in San Francisco.</big></font>
<br>
<font size="2"><big><br>
<br>
</big></font></big><big><font size="2"><big>Wednesday, </big></font></big><big><font
 size="2"><big>February 16th, 7:00 pm</big></font><br>
<font size="2"><big><br>
Stacy Doris<br>
<br>
Assistant Professor
of Poetry at San Francisco State. Author of numerous books of
poetry, including Kildare; Paramour; and Marie Antoinette. Also a
prominent translator from the French, coeditor (with Norma Cole) of
Raddle Moon #16, a special issue on Modern French Poetry in Translation.</big></font><br>
</big>
<br>
<br>
Driving directions (from the college website:
<a class="moz-txt-link-abbreviated" href="http://www.evergreen.edu/maps/gethere.htm">www.evergreen.edu/maps/gethere.htm</a>)<br>
<br>
How to Get to the Evergreen Olympia Campus:<big> <br>
<br>
</big>Whether you are coming from the north or south, you can reach the
campus this way:
<ol>
  <li> Take Interstate 5 into Olympia.</li>
  <li>Turn onto Highway 101 at Exit 104.</li>
  <li>Go west on 101 North for three miles.</li>
  <li>Take The Evergreen State College exit (on the right). </li>
  <li>Go two miles north on the Evergreen Parkway to the campus
entrance (on the left).</li>
</ol>
<br>
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From passages@rdrop.com Fri Feb 11 01:22:58 2005
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Subject: [Spare Room/Passages] Reminder: Sunday, 2/13,
	Kreg Hasegawa/Alicia Cohen
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<p class="MsoBodyText" style="text-align: left;" align="left"><!--[if !supportEmptyParas]--><br>
&nbsp;
Spare Room presents . . .<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><br>
<b><br>
Kreg Hasegawa</b></p>
<p class="MsoBodyText" style="text-align: left;" align="left"><b>Alicia
Cohen</b><br>
<br>
Sunday, February13th<br>
7:30 pm<br>
<br>
New American Art Union<br>
922 SE Ankeny Street<br>
$5 suggested donation.<br>
<br>
<a href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>&nbsp;&nbsp;&nbsp;
e-mail: <a href="mailto:spareroom@flim.com">spareroom@flim.com</a>&nbsp;&nbsp;&nbsp;
dial-a-poem: 503-236-0867<br>
<br>
Upcoming readings:<br>
&nbsp; <br>
February 27&nbsp;&nbsp; Kerri Sonnenberg and Drew Kunz<br>
April 17&nbsp;&nbsp; Mark Salerno and Tom Fisher<br>
May 22 &nbsp; Charles Alexander and Todd Baron<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><!--[endif]-->
------<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><b>Kreg
Hasegawa</b> lives in
Seattle. Coeditor of <i>Monkey Puzzle</i> (an 8.5 x 11&#8221; stapled
magazine), he hosts the
Projects Reading Series at the 1506 Projects art gallery on Capitol
Hill. This
year he will also start publishing chapbooks. His essays have appeared
in <i>The
Stranger</i>, <i>American Book Review</i>, and elsewhere, and stories
have appeared in
Meredith Quartermain's <i>The News</i> and Larry Fagin's <i>Sal Mimeo</i>.<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><br>
<b>Alicia Cohen</b> lives in
Portland, Oregon, where, in 2000, she helped establish the art
space/collective
Pacific Switchboard. Her book of poems, <i>bEAR</i>, was published by
Handwritten
Press, and last year she wrote, directed, and produced a multimedia
opera and
gallery installation titled "Northwest Inhabitation Log." Her work
has recently appeared in <i>Ecopoetics, How2, Bird Dog</i>, and <i>Traverse</i>.
She is the
poetry editor for the <i>Organ Review of Arts</i>.<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left">------<b><br>
</b></p>
<p class="MsoBodyText" style="text-align: left;" align="left"><b><br>
So You Have Trouble with Statements</b><br>
<br>
So you have trouble with statements or, more precisely, speech<br>
itself. It keeps on happening. All that seems real anymore are the<br>
things you have suddenly left. You never know how much you<br>
belong until you are asked to leave. Leaving took the most time, a<br>
dissolve so slow you never realized you were gone. In the<br>
mountains you are wicked and strong. The snow accumulates<br>
around you. The cabin emits a welcoming belch of black smoke.<br>
Now you are back in the city. People are in need of money, need<br>
more than you have. So you pass them by. Trick is to leave it up a<br>
sleeve. "I don't believe," said Daniel to the telemarketer, "in<br>
communication." Then Chris, quite simply, constructed a door to<br>
keep the cold out.<br>
<br>
&nbsp;&nbsp; -- Kreg Hasegawa<br>
<br>
<br>
<br>
<b>&nbsp;The Other Lights</b><br>
&nbsp;&nbsp;&nbsp; -- to L. S.<br>
&nbsp;<br>
&nbsp;<br>
&nbsp;under the heavy stones of the path there is no light<br>
&nbsp;<br>
&nbsp;the green leaves of grass on the lawns<br>
&nbsp;across Oakland during a draught<br>
&nbsp;<br>
&nbsp;as the sun circles above<br>
&nbsp;under the stones bare and flat hands<br>
&nbsp;lifted <br>
&nbsp;what's wet and black <br>
&nbsp;black and live<br>
&nbsp;not <br>
&nbsp;<br>
&nbsp;the sorrowful <br>
&nbsp;<br>
&nbsp;the sorrowful<br>
&nbsp;<br>
&nbsp;poetry <br>
&nbsp;<br>
&nbsp;seen as a lighthouse<br>
&nbsp;shining to those at sea<br>
&nbsp;synthetic <br>
&nbsp;"undead"<br>
&nbsp;<br>
&nbsp;<br>
&nbsp;if poetry is <br>
&nbsp;it almost <br>
&nbsp;seems<br>
&nbsp;<br>
&nbsp;lit like<br>
&nbsp;<br>
&nbsp;lights <br>
&nbsp;at sea calling in a sibling voice<br>
&nbsp;what <br>
&nbsp;<br>
&nbsp;Pip got <br>
&nbsp;lost in <br>
&nbsp;<br>
&nbsp;that book<br>
&nbsp;<br>
&nbsp;in print <br>
&nbsp;floating sitting upon wooden shelves<br>
&nbsp;<br>
&nbsp;Pip in the sea<br>
&nbsp;but not lost <br>
&nbsp;for waiting in water<br>
&nbsp;and what happened<br>
&nbsp;<br>
&nbsp;to "him" as with wings<br>
&nbsp;<br>
&nbsp;to anyone<br>
&nbsp;<br>
&nbsp;the shedding of light on the subject<br>
&nbsp;<br>
&nbsp;for what evacuates sense<br>
&nbsp;as a rope thrown out to save <br>
&nbsp;someone who was one<br>
&nbsp;drowning<br>
&nbsp;<br>
&nbsp;emergency<br>
&nbsp;many below<br>
&nbsp;emergent<br>
</p>
<p class="MsoBodyText" style="text-align: left;" align="left">&nbsp;&nbsp;&nbsp; --
Alicia Cohen</p>
</div>
</body>
</html>

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Spare Room presents . . .<br>
<p class="MsoBodyText" style="text-align: left;" align="left"><br>
<b><br>
Kerri Sonnenberg<br>
</b></p>
<p class="MsoBodyText" style="text-align: left;" align="left"><b>Drew
Kunz</b><br>
<br>
Sunday, February 27th<br>
7:30 pm<br>
<br>
New American Art Union<br>
922 SE Ankeny Street<br>
$5 suggested donation.<br>
<br>
<a href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>&nbsp;&nbsp;&nbsp;
e-mail: <a href="mailto:spareroom@flim.com">spareroom@flim.com</a>&nbsp;&nbsp;&nbsp;
dial-a-poem: 503-236-0867</p>
<p class="MsoBodyText" style="text-align: left;" align="left"><br>
Upcoming readings:<br>
</p>
March 30&nbsp; Rachel Levitsky and tba<br>
April 17&nbsp;&nbsp;&nbsp; Mark Salerno and Tom Fisher<br>
May 22 &nbsp;&nbsp; Charles Alexander and Todd Baron<br>
<p class="MsoBodyText" style="text-align: left;" align="left"><!--[endif]-->
------<br>
</p>
<b>Kerri Sonnenberg</b>&nbsp; lives in Chicago where she edits <i>Conundrum</i>,
a journal of poetry and cross-genre writing, and codirects the Discrete
Reading and Performance Series. <span class="moz-txt-underscore"><i><span
 class="moz-txt-tag"></span>The Mudra</i><span class="moz-txt-tag"></span></span>
was recently published by Litmus Press, and the chapbook <span
 class="moz-txt-underscore"><i><span class="moz-txt-tag"></span>Practical
Art Criticism</i><span class="moz-txt-tag"></span></span>, is
forthcoming from Bronze Skull Eights. Work has appeared in <i>26</i>, <i>Crayon</i>,
<i>Bird Dog</i>, <i>Moria</i>, <i>Antennae</i>, <i>New American
Writing</i>, <i>Factorial</i>, <i>Aufgabe</i>,<i> </i>and elsewhere.
She has taught poetry at Brown University and Columbia College Chicago,
as well as through the Chicago Poetry Project's Hands on Stanzas
program. She presently works for a nonprofit organization that serves
the elderly of Chicago's western suburbs.
<p class="MsoBodyText" style="text-align: left;" align="left"></p>
<br>
Photographer, artist, &amp; writer<b> Drew Kunz</b> is coeditor of the
poetry journal <i>traverse </i>as well as editor of g o n g chapbooks
and <i>Direct Poetics</i>. He has published numerous pieces in <i>antennae</i>,
<i>Aufgabe</i>, <i>Bird Dog</i>, <i>Conundrum</i>, &amp; the <i>Cultural
Society</i> online. He has work forthcoming in <i>Pom2</i>,<i> </i>and
has provided monotypes for Stacy Szymaszek&#8217;s book <span
 class="moz-txt-underscore"><i><span class="moz-txt-tag"></span>Emptied
of All Ships</i><span class="moz-txt-tag"></span></span> (Litmus Press,
2005). He lives on Bainbridge Island in Puget Sound with his wife and
their cat.<br>
<br>
<br>
<br>
</body>
</html>

From passages@rdrop.com Sat Mar 19 16:20:13 2005
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 Wednesday March 30, 7:00 pm
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[Please note that this reading will take place at the Portland Art 
Center on SE Belmont, and start a little earlier than usual; in April we 
will return to the New American Art Union on SE Ankeny, at our usual time]


Spare Room presents . . .


/*Rachel Levitsky*/

and

/*Nico Alvarado-Greenwood*/


Wednesday, March 30th
7:00 pm
$5 suggested donation


*Portland Art Center*
2045 SE Belmont

arrive a little early and take in the current exhibition:
installations by John Mace and Suzy Root;
for more information see www.portlandart.org


Upcoming readings:

April 17 Mark Salerno and Tom Fisher
May   5  Eric Baus and Ashley Edwards
May 22 Charles Alexander and Todd Baron

www.flim.com/spareroom
spareroom@flim.com

------

*Rachel Levitsky*'s first full length volume of poetry, /Under the Sun/, was
published by Futurepoem books in 2003. She is the author of four chapbooks
of poetry, /Dearly/ (a+bend, 1999), /Cartographies of Error/ (Leroy, 1999),
/The Adventures of Yaya and Grace /(Potes + Poets, 1999) and 
/2(1x1)Portraits/
(Baksun, 1998). She has also written several plays, one of which, /Reduced
Tuesday/, a collaboration with Camille Roy, was performed at the 2002 Poetry
Play Jamboree in San Fransisco. Levitsky is the creator and
co-curator/editor of Belladonna, NYC's feminist-experimental-poetic
reading, salon, and publication series. A new chapbook, /How I'm Living/,
is forthcoming from Duration Press in May. Currently, she is working on
a project called NEIGHBOR.


Despite a powerful discomfort around strangers, especially roomsful of them,
Portlander *Nico Alvarado-Greenwood* plans to read some poems to you on 
March 30.
There might be weird music involved. But not in a pretentious way. If 
your birthday
is coming up, he and some others are probably writing a really bad 
collaborative
poem in your honor at this very moment.




*Disability*
        /for Peter/


But for the slightest indentation
There is balance. Here would sit
Splendid a winged object of inestimable
Value if our ancestor hadn't
Hurriedly hidden it, in the harry
On the wide porch amidst
Fluttery atmosphere of annual rite,
Babies being born. There were snakes,
Poisonous and hammer-headed,
Shovels, they had to be demolished.
Before wall, chaos, strange accumulations.
After exile, survival associated with removal,
As in a wart or lipo-suction. We are ten percent of
What was or whatever. We arrive late,
Maintain quick eye-movement focused on an
Object or objet d'art. Somos nuestras mismos
Poesia magnificada. Exaggerated!
Love is all over us, tinier than a titmouse.
/
Rachel Levitsky

/


From passages@rdrop.com Mon Mar 28 01:06:14 2005
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Subject: [Spare Room/Passages] Reminder and Extra: Tomorrow (Monday) and
	Wednesday
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This is a reminder of Wednesday night's reading by
Rachel Levitsky and Nico Alvarado-Greenwood
(please note different location and time than usual)

and a last-minute notice of a reading tomorrow night at PSU by
Josh Corey and Richard Greenfield

Please see details below.

=================================


Monday, 3/27, 7:30 pm
PSU Smith Center, Rm. 236
Josh Corey & Richard Greenfield


==================================


Spare Room presents . . .


Rachel Levitsky

and

Nico Alvarado-Greenwood


Wednesday, March 30th
7:00 pm
$5 suggested donation


Portland Art Center
2045 SE Belmont

arrive a little early and take in the current exhibition:
installations by John Mace and Suzy Root;
for more information see www.portlandart.org


Upcoming readings:

April 17 Mark Salerno and Tom Fisher
May   5  Eric Baus and Ashley Edwards
May 22 Charles Alexander and Todd Baron

www.flim.com/spareroom
spareroom@flim.com

------

Rachel Levitsky's first full length volume of poetry, Under the Sun, was
published by Futurepoem books in 2003. She is the author of four chapbooks
of poetry, Dearly (a+bend, 1999), Cartographies of Error (Leroy, 1999),
/The Adventures of Yaya and Grace/ (Potes + Poets, 1999) and 
/2(1x1)Portraits/
(Baksun, 1998). She has also written several plays, one of which, /Reduced
Tuesday/, a collaboration with Camille Roy, was performed at the 2002 
Poetry
Play Jamboree in San Fransisco. Levitsky is the creator and
co-curator/editor of Belladonna, NYC's feminist-experimental-poetic
reading, salon, and publication series. A new chapbook, How I'm Living,
is forthcoming from Duration Press in May. Currently, she is working on
a project called NEIGHBOR.


Despite a powerful discomfort around strangers, especially roomsful of 
them,
Portlander Nico Alvarado-Greenwood plans to read some poems to you on 
March 30.
There might be weird music involved. But not in a pretentious way. If 
your birthday
is coming up, he and some others are probably writing a really bad 
collaborative
poem in your honor at this very moment.




Disability
       for Peter


But for the slightest indentation
There is balance. Here would sit
Splendid a winged object of inestimable
Value if our ancestor hadn't
Hurriedly hidden it, in the harry
On the wide porch amidst
Fluttery atmosphere of annual rite,
Babies being born. There were snakes,
Poisonous and hammer-headed,
Shovels, they had to be demolished.
Before wall, chaos, strange accumulations.
After exile, survival associated with removal,
As in a wart or lipo-suction. We are ten percent of
What was or whatever. We arrive late,
Maintain quick eye-movement focused on an
Object or objet d'art. Somos nuestras mismos
Poesia magnificada. Exaggerated!
Love is all over us, tinier than a titmouse.

Rachel Levitsky



From passages@rdrop.com Wed Mar 30 13:26:47 2005
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Subject: [Spare Room/Passages] Reading cancelled! No reading tonight.
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Tonight's scheduled reading by Rachel Levitsky and Nico 
Alvarado-Greenwood has unfortunately been cancelled due to illness. We 
apologize for any inconvenience.

Mark your calendars for our next reading on April 17, with Mark Salerno 
from Los Angeles and our own Tom Fisher.



From passages@rdrop.com Tue Apr 12 11:06:07 2005
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Spare Room Reading Series presents . . .


Mark Salerno

Tom Fisher


Sunday, April 17th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

May 22 Charles Alexander and Todd Baron
tba Sarah Mangold and Gale Czerski

------

Mark Salerno was born in New York City in 1956. He is the author of Hate 
(96 Tears, 1995), Method (Figures, 2002), and So One Could Have (Red 
Hen, 2004). >From 1993 to 1999, he edited Arshile: A Magazine of the 
Arts. His poems have appeared in many journals, including Chicago 
Review, Denver Quarterly, Exquisite Corpse, and Zzyzzyva. He lives in 
Los Angeles.

Tom Fisher's writing has appeared in LVNG, Delmar, The Culture Society, 
and Chicago Review. He teaches in the University Studies Program at 
Portland State University. He has lived in Portland some five years now.

------


Coda

Sky high into the mile high or sky up
she said nice little town you got here
sheriff with eyes on the stranger logic
wanted the big hit the big grab and skip
over the border its a helluva country
to be modern in cottonwoods and damp cuffs
a building falls down but the sky stays put
pinned to its place with apologies to
those who mourn for chicken in a chicken
restaurant I missed you at lights out
O list of words you seem real to me
wading a little in this warm bath of light
the sheriff remains isolated but sticks
and thing fall from the flawless sky.

-- Mark Salerno



wolf-children

only a bare life

on bare land to
begin an aping

to become like ourselves
to know this own difference

to take place without a face
and parrot, mutus, the howl
or growl that words scratch under

this is us
unable to be unclaimed.

to insist itself as not itself
as the roots of self are not in
mouth or mind

but are nowhere or
are only
along the longest body
of animal.

-- Tom Fisher


From passages@rdrop.com Wed Apr 13 22:07:07 2005
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Subject: [Spare Room/Passages] Tim Ely Exhibition Opening Reception Saturday
	4/16
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ANTARKTOS : MAGNITUDES OF BLACK :
Manuscripts, Sketch Books and Edition Books (1975-2005)
by Timothy C. Ely

April 15 - May 26, 2005

Artist Timothy C. Ely has created books since 1957 that are visually 
stimulating and mystically embellished. His astounding works embrace 
elements of astronomy and alchemy, mystery and intrigue, mathematics and 
physics, cartographic imagery and invented languages, and are made by 
hand using traditional and unconventional binding techniques. 
Internationally recognized for his spectacular books, Timothy Ely's 
works are in museum and library collections worldwide, including the 
John Wilson Room, Special Collections of Multnomah County Library.

"Antarktos: Magnitudes of Black" is an exhibition that combines unique 
manuscripts, previously unexhibited sketch books, along with edition 
books made by the artist over the last 30 years.

Opening Reception
Saturday April 16, 2005 from 2:00-3:30 PM.

Please join us for the exhibition and refreshments, and comments by Tim 
Ely and by curator Jim Carmin, John Wilson Room Librarian.

-------------------

Illustrated Lecture by William Fox

Saturday May 7, 2005 2:00-3:30 PM

Also, please join author William L. Fox speaking on the Tim Ely's work 
and its connection with his own writings: "Terra Antarctica" in the U.S. 
Bank Room, Central Library. Bill Fox is the author of six nonfiction 
books on the cultural geography of the American Southwest, more than a 
dozen books of poetry, and is currently at work on a book about 
scientific and artistic images of the Antarctic.

-------------------

For more information, contact Jim Carmin at 503.988.6287 or 
jimc@multcolib.org.

-------------------

Collins Gallery / 3rd floor, Central Library
801 S.W. 10th Ave. / Portland, Oregon / 97205

-------------------

Collins Gallery Hours
Mon. 10 a.m. - 6 p.m. / Tue. and Wed. 10 a.m - 8 p.m. / Thu. - Sat. 10 
a.m. - 6 p.m / Sun. noon - 5 p.m.




From passages@rdrop.com Sat Apr 16 02:40:41 2005
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	Mark Salerno and Tom Fisher
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Spare Room Reading Series presents . . .


Mark Salerno

Tom Fisher


Sunday, April 17th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

*May 5 Eric Baus and Ashley Edwards*
May 22 Charles Alexander and Todd Baron
tba Sarah Mangold and Gale Czerski

------

Mark Salerno was born in New York City in 1956. He is the author of Hate 
(96 Tears, 1995), Method (Figures, 2002), and So One Could Have (Red 
Hen, 2004). From 1993 to 1999, he edited Arshile: A Magazine of the 
Arts. His poems have appeared in many journals, including Chicago 
Review, Denver Quarterly, Exquisite Corpse, and Zzyzzyva. He lives in 
Los Angeles.

Tom Fisher's writing has appeared in LVNG, Delmar, The Culture Society, 
and Chicago Review. He teaches in the University Studies Program at 
Portland State University. He has lived in Portland some five years now.

------


Coda

Sky high into the mile high or sky up
she said nice little town you got here
sheriff with eyes on the stranger logic
wanted the big hit the big grab and skip
over the border its a helluva country
to be modern in cottonwoods and damp cuffs
a building falls down but the sky stays put
pinned to its place with apologies to
those who mourn for chicken in a chicken
restaurant I missed you at lights out
O list of words you seem real to me
wading a little in this warm bath of light
the sheriff remains isolated but sticks
and thing fall from the flawless sky.

-- Mark Salerno



wolf-children

only a bare life

on bare land to
begin an aping

to become like ourselves
to know this own difference

to take place without a face
and parrot, mutus, the howl
or growl that words scratch under

this is us
unable to be unclaimed.

to insist itself as not itself
as the roots of self are not in
mouth or mind

but are nowhere or
are only
along the longest body
of animal.

-- Tom Fisher

_______________________________________________
Local events/Spare Room/Passages mailing list
Unsubscription requests to passages@rdrop.com



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Spare Room Reading Series presents . . .

Eric Baus

Ashley Edwards

Thursday, May 5th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com

Upcoming readings:

May 22 Charles Alexander and Todd Baron
tba Sarah Mangold and Gale Czerski

Bios:

Eric Baus is the author of The To Sound (Verse Press) as well as a new
chapbook, Something Else The Music Was (Braincase Press). His poems
have appeared in FO A RM , Hambone, 3rd Bed, First Intensity, and
elsewhere. He currently lives in Northampton, MA.

Ashley Edwards is a poet and independent scholar, as well as a native
Arkansan who fled to Portland five years ago to attend Reed College,
where she received her B.A. in English. She enjoys animal behavior,
Utopian literature, phallic flowers, Russian film, the poems of Anne
Carson, and secret societies. She hopes to one day be an archivist and
perhaps a chef.

*

When the somnambulist went back to sleep

he did so with an incomplete knowledge of the incendiary vocabulary of snails.

He asked to be called "peristalsis." I said "phosphorus."

With the gift of slowness came other offerings. Seeds burning in a
belly. Handfuls of sugar untouched in an abdomen.

He showed me how to extract heat from electrical outlets. I spent the
extra money on sunglasses.

His was not a stillness. He subscribed to the motion picture theory of
stasis. Each word a frozen flame.

I could stay up for days enumerating the movements in his eyelids.

The pain in my sheets won't go away.

I am caught in him like a moment of sodium.

Eric Baus

*

>From "Eventide" 

Break in, eventide.
Come in,

even-tide,

against turfs of alphabets
and manuscripts forgetting.

Mangled landscape,
cup of islands,
all of life is locked.

Like sisters lost in
the beach's brow,
the landscape splatters
northward.

Ashley Edwards


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Spare Room Reading Series presents . . .

Eric Baus

Ashley Edwards

Thursday, May 5th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com

Upcoming readings:

May 22 Charles Alexander and TBA
tba Sarah Mangold and Gale Czerski

Bios:

Eric Baus is the author of The To Sound (Verse Press) as well as a new
chapbook, Something Else The Music Was (Braincase Press). His poems
have appeared in FO A RM , Hambone, 3rd Bed, First Intensity, and
elsewhere. He currently lives in Northampton, MA.

Ashley Edwards is a poet and independent scholar, as well as a native
Arkansan who fled to Portland five years ago to attend Reed College,
where she received her B.A. in English. She enjoys animal behavior,
Utopian literature, phallic flowers, Russian film, the poems of Anne
Carson, and secret societies. She hopes to one day be an archivist and
perhaps a chef.


From passages@rdrop.com Thu May 12 11:38:40 2005
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	Sunday May 22
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Spare Room Reading Series presents . . .

Charles Alexander

Joseph Bradshaw

Sunday, May 22nd
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 2 Christian Bok -- Solo Sound Poetry Performance
July 17 Joanna Fuhrman and Jeffrey Lee
August 20 Sarah Mangold and Gale Czerski


Bios:

Charles Alexanders books of poetry include Hopeful Buildings, arc of 
light / dark matter, and Near or Random Acts; Certain Slants is 
forthcoming. He founded, directs, and is book artist at Chax Press, 
publisher of poetry and artists books, in Tucson, Arizona. (For more 
information about this important and fiercely independent small press, 
visit www.chax.org.) He teaches at the University of Arizona Poetry 
Center, Pima Community College, and Naropa University.

Joseph Bradshaw was born in 1979 in a hospital in Idaho. Since then he 
has moved out of the hospital and currently lives in Portland, where he 
co-edits FO A RM Magazine and anticipates rejection letters from other 
magazines daily. He is a member of the Spare Room reading series 
organizing cabal.


**


every pattern has a chaos

and chaos has a plan

for tea in the afternoon

and sex in the morning

regular like ticking until

a tree falls through the

wall and into our life


from Near or Random Acts
by Charles Alexander




Behind my mustache
you couldn't hear the chirping from the alley
and the slurping I made as I sucked
the pits of your mangos
and they were even more delicious than
your old disguises, the squirting lapel flower
or the bathtub you filled up with toasters
and after you emptied my shaving kit
you couldn't find your body in the glass, being
stopped in every direction by something invisible
I could see your face smashed from the other side
all color draining out as the skin struggled
for oxygen, wondering why
streaks of snot and saliva just hung in the air
like that, why your face is so
wet when there's no sweat, no panic
and hardly ever a reason to rhyme
someone else with yourself
or danger with yellow.

Joseph Bradshaw





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Spare Room Reading Series presents . . .

Charles Alexander

Joseph Bradshaw

Sunday, May 22nd
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 2 Christian Bok -- Solo Sound Poetry Performance
July 17 Joanna Fuhrman and Jeffrey Lee
August 20 Sarah Mangold and Gale Czerski


Bios:

Charles Alexanders books of poetry include Hopeful Buildings, arc of 
light / dark matter, and Near or Random Acts; Certain Slants is 
forthcoming. He founded, directs, and is book artist at Chax Press, 
publisher of poetry and artists books, in Tucson, Arizona. (For more 
information about this important and fiercely independent small press, 
visit www.chax.org.) He teaches at the University of Arizona Poetry 
Center, Pima Community College, and Naropa University.

Joseph Bradshaw was born in 1979 in a hospital in Idaho. Since then he 
has moved out of the hospital and currently lives in Portland, where he 
co-edits FO A RM Magazine and anticipates rejection letters from other 
magazines daily. He is a member of the Spare Room reading series 
organizing cabal.


**


every pattern has a chaos

and chaos has a plan

for tea in the afternoon

and sex in the morning

regular like ticking until

a tree falls through the

wall and into our life


from Near or Random Acts
by Charles Alexander




Behind my mustache
you couldn't hear the chirping from the alley
and the slurping I made as I sucked
the pits of your mangos
and they were even more delicious than
your old disguises, the squirting lapel flower
or the bathtub you filled up with toasters
and after you emptied my shaving kit
you couldn't find your body in the glass, being
stopped in every direction by something invisible
I could see your face smashed from the other side
all color draining out as the skin struggled
for oxygen, wondering why
streaks of snot and saliva just hung in the air
like that, why your face is so
wet when there's no sweat, no panic
and hardly ever a reason to rhyme
someone else with yourself
or danger with yellow.

Joseph Bradshaw

From passages@rdrop.com Wed Jun 22 18:27:42 2005
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Spare Room presents . . .


*Christian Bk*


Saturday, July 2nd
7:30 pm

New American Art Union
922 SE Ankeny Street

*$5-15 sliding scale*

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 17 Joanna Fuhrman and Jeffrey Lee
August 20 Sarah Mangold and Gale Czerski

and, in the fall (dates to be announced):

* Joshua Beckman, Paul Naylor, and others
* Publication party for the Oregon coast anthology, Salt
* Jackson Mac Low memorial/tribute


====================================


Renowned Canadian author, artist, linguist, and virtuoso sound poet 
Christian Bk
will make a rare appearance in Portland on Saturday, July 2nd, 2005.

Christian Bk is the author not only of Crystallography (Coach House 
Press, 1994),
a pataphysical encyclopedia nominated for the Gerald Lampert Memorial 
Award,
but also of Eunoia (Coach House Press, 2001), a work of experimental 
literature
that has become a Canadian bestseller, and which has gone on to win the
Griffin Prize for Poetic Excellence. Bk has created artificial 
languages for two television
shows (Gene Roddenberrys Earth: Final Conflict and Peter Benchleys 
Amazon),
earned global recognition for his virtuoso performances of sound poetry 
(particularly
the Ursonate by Kurt Schwitters), and has exhibited conceptual artworks 
at the
Marianne Boesky Gallery in New York (including books built out of 
Rubiks cubes
and Lego bricks). Bk is currently a Professor of English at the 
University of Calgary.

Christian Bks contribution to the Spare Room reading series will be 
far from ordinary.
His linguistic contortions not only generate sounds unfamiliar to the 
ear, they also exhibit an
exhaustive contemplation of the limits of language. (His poem And 
Sometimes, for example,
is a high-speed articulation of every English word that does not contain 
the vowels a, e, i, o, and u).

Bk states, Whatever kind of research or experimental activity Im 
indulging in is totally
informed by a playful and whimsical dimension. Its supposed to be fun, 
interesting,
and stimulating. Although his speech sounds range from a sputtering 
motor to an alien
hymn, the content is also literary. Spare Room invites you to a night 
with a Dada bard as daft as Tzara.

To hear performances by Christian Bk, and for additional 
bio/bibliographical information
and links to his writings, please see the Christian Bk author pages at
PennSound (www.writing.upenn.edu/pennsound/x/Bok.html), and at the
Electronic Poetry Center (http://epc.buffalo.edu/authors/bok).



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Spare Room Reading Series presents . . .

Jonathan Skinner

Reading and Publication Party

Sunday, June 26nd
7:30 pm

*Please note location*

Pacific Switchboard
4637 N. Albina Avenue
(just south of Alberta street and just east of the I-5
freeway exit. You can reach us by taking the #4
Fessenden bus.)

FREE ADMISSION

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 2 Christian Bok -- Solo Sound Poetry Performance
July 17 Joanna Fuhrman and Jeffrey Lee
August 20 Sarah Mangold and Gale Czerski


======================================================


Please join us for a reading by Jonathan Skinner to
celebrate the publication of his new book, Political
Cactus Poems (Palm Press).

Jonathan Skinner edits ecopoetics
<http://www.factoryschool.org/ecopoetics>
in Buffalo, NY where he misidentifies birds along the
Niagara River.

His work engages the various meanings of life
outdoors, in the shape of a changing response to
questions posed by the environments the poet 
physically inhabits. In part, the poetry operates as
an instrument of research into a particular natural
environment or a geological formation or species. In
exchange, it offers forms of life measured to
particular places, an invitation to inhabit the
evolutionary imagination of the senses and of 
those places. His first book-length collection,
Political Cactus Poems, which stem from the poet's
life in the Southwest, challenges the pristine 
agenda of nature poetry by hybridizing themes from the
lives of humans and cacti. 

PRAISE FOR JONATHAN SKINNER'S Political Cactus Poems:

If cactuses could talk, poets be out of work. In the
meantime, Jonathan 
Skinner's *Political Cactus Poems *are primers of
attentive engagement; not 
only its pleasures responsibilities, but also its
animations and 
metamorphoses. It's not just that we read what we see;
Skinner imagines that 
we are read by what sees us. "Matter's clatter" is the
echo of unheard 
songs. In these poems, the saguaro drinks our words
and leaves us thirsty 
for more.

--Charles Bernstein

This is *Very* *Good* (*that's* *WHY* *I* *used* *it*
when I taught at 
Mills, his *Little* *Dictionary* *Of* *Sounds*--I
played the *Tape* *Of* *The 
Sounds* & GAVE THEM THE POEMS *he* *had*
*written*!--*I* *didn't* *have* *to
* *TEACH*!!) -- *'VOCABULARY'* + *'STUDY'* (somehow)
Evidences *THE* *WORLD* 
*AT* *LARGE* in ManyWritten Poems--BRAVO!!

--Robert Grenier

The fact is, humanity's a drop in the bucket. But only
scantily has poetry 
looked at the rest of the bucket. Jonathan Skinner in
*Political Cactus 
Poems* makes a wonderful stab in that omnidirection.
The language lays out 
its dynamics "as if" human and nature were one. The
reader feels 
connections' displays not so much in terms of grammar
as of a great series 
of metonymic grids, that feel like chemistry. Meanings
dance rather than 
submit to linear equations. On p. 33 one of Skinner's
dense but unadorned 
"tope prisms" ends
"spots taking on chronologies of their own
expanding in a series of rotational slides
not yet confirmed. For the individual,
stationary in the blast of current events
no true point of balance is ever found."
Mostly, they show-don't-tell. These down-to-earth
cylinders, pulled from the 
air, are forwarding explorations in the most important
direction poetry 
can go: out. Yet they're plenty human and fun to read.

A macro-micro delight.

--Jack Collom

Jonathan Skinner with his journal *ecopoetics *has
been showing us how it is 
all connected. all systemic, all wonderful even while
at risk. The poems in 
*Political Cactus Poems *do similar work as they tell
the sad stories of 
contemporary politics (Milosevic and Bush show up at
various moments) with 
the specific stories of various cacti. These poems
direct and redirect our 
attention to the larger ethical issues of political
and natural 
environments. They are tight, luminous poems that
illustrate how the world 
is more complicated than most of us acknowledge.

--Juliana Spahr


Political Cactus Poems
Price: $12.00. ISBN 0-9743181-1-6 
Perfect-bound. Printed with soy-based ink on recycled
paper, 100% 
post-consumer waste.
120 pages. 
 
To order *Political Cactus Poems*, visit this link at
the press website: 
http://www.palmpress.org/chapbooks.html
HAPPY EARTH DAY 2005,
 Jane Sprague, Editor
www.palmpress.org <http://www.palmpress.org>

__________________________________________________
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

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Spare Room presents . . .


the indescribable, inimitable, unforgettable


*Christian Bk*


Saturday, July 2nd
7:30 pm

New American Art Union
922 SE Ankeny Street

*$5-15 sliding scale*

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 17 Joanna Fuhrman and Jeffrey Lee
August 20 Sarah Mangold and Gale Czerski

and, in the fall (dates to be announced):

* Joshua Beckman, Paul Naylor, and others
* Publication party for the Oregon coast anthology, Salt
* Jackson Mac Low memorial/tribute


====================================


Renowned Canadian author, artist, linguist, and virtuoso sound poet 
Christian Bk
will make a rare appearance in Portland on Saturday, July 2nd, 2005.

Christian Bk is the author not only of Crystallography (Coach House 
Press, 1994),
a pataphysical encyclopedia nominated for the Gerald Lampert Memorial 
Award,
but also of Eunoia (Coach House Press, 2001), a work of experimental 
literature
that has become a Canadian bestseller, and which has gone on to win the
Griffin Prize for Poetic Excellence. Bk has created artificial 
languages for two television
shows (Gene Roddenberrys Earth: Final Conflict and Peter Benchleys 
Amazon),
earned global recognition for his virtuoso performances of sound poetry 
(particularly
the Ursonate by Kurt Schwitters), and has exhibited conceptual artworks 
at the
Marianne Boesky Gallery in New York (including books built out of 
Rubiks cubes
and Lego bricks). Bk is currently a Professor of English at the 
University of Calgary.

Christian Bks contribution to the Spare Room reading series will be 
far from ordinary.
His linguistic contortions not only generate sounds unfamiliar to the 
ear, they also exhibit an
exhaustive contemplation of the limits of language. (His poem And 
Sometimes, for example,
is a high-speed articulation of every English word that does not contain 
the vowels a, e, i, o, and u).

Bk states, Whatever kind of research or experimental activity Im 
indulging in is totally
informed by a playful and whimsical dimension. Its supposed to be fun, 
interesting,
and stimulating. Although his speech sounds range from a sputtering 
motor to an alien
hymn, the content is also literary. Spare Room invites you to a night 
with a Dada bard as daft as Tzara.

To hear performances by Christian Bk, and for additional 
bio/bibliographical information
and links to his writings, please see the Christian Bk author pages at
PennSound (www.writing.upenn.edu/pennsound/x/Bok.html), and at the
Electronic Poetry Center (http://epc.buffalo.edu/authors/bok).

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Spare Room Reading Series presents . . .


Joanna Fuhrman

Jeffrey Lee


Sunday, July 17th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:
 
August 20 Sarah Mangold and Gale Czerski

Fall schedule (dates to be announced):

* Joshua Beckman, Paul Naylor, David McAleavy, and others
* Publication party for the Oregon coast anthology, Salt
* Jackson Mac Low memorial/tribute


==============================================================


Bios:


Visiting all the way from Brooklyn, Joanna Fuhrman is the author of two
books of poetry published by Hanging Loose Press, Freud in Brooklyn (2000)
and Ugh Ugh Ocean (2003). Her third book, Moraine, is forthcoming early 
next
year. Her poems have appeared in New American Writing, Lit, Fence, The 
Germ,
and other journals and anthologies. From 2001-03, she was the curator of 
the
Monday night readings at the Poetry Project at Saint Mark's Church. Even 
though
she once lived in Seattle, this is her first trip to Portland.


Jeffrey Lee is a writer and bookdealer living in Albuquerque, New Mexico.
The proprietor of Crane's Bill Books, and the publisher of the broadside 
and
chapbook series Crane Papers, he has also been a staff writer for the 
Weekly Alibi.
In October  he will be curating a land/language exhibition at THE 
LAND/an art site,
an outdoor exhibition space near Mountainair, NM, devoted to site-specific,
environmentally low-impact, land-based art.





The Shaman Figurine Car Ornament Explains the Accident then Naps

We were lured by color:
the only periwinkle left
in the decomposing empire,
I mean, restaurant,
so we opened it--
allowed a light to circumnavigate
the dancer's limb, allowed
a margin to expand,
past the fleshy cylinder,
back to the migrating parts.

   -- Joanna Fuhrman




ventail (de Mme. Mallarm)

Tent Injures Opera Hat With Scepter of Pink Deviations . . .   
Stagnating sours
the ballast of selection under the plangent hum of a subtitle.  Kindly 
beat the future
with codicils that purchase with each grain a little invisible furnace 
of niter
for personnel or a large empty space feigning the Voice of Firestone to 
avoid
the enmity of a bracelet, while a mime cowers behind a mirror, refusing 
a parcel.

   -- Jeffrey Lee








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Spare Room Reading Series presents . . .


Joanna Fuhrman

Jeffrey Lee


Sunday, July 17th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

August 20 Sarah Mangold and Gale Czerski

Fall schedule (dates to be announced):

* Publication party for the Oregon coast anthology, Salt
* Joshua Beckman, Paul Naylor, David McAleavy, and others
* Jackson Mac Low memorial/tribute


==============================================================


Bios:


Visiting all the way from Brooklyn, Joanna Fuhrman is the author of two
books of poetry published by Hanging Loose Press, Freud in Brooklyn (2000)
and Ugh Ugh Ocean (2003). Her third book, Moraine, is forthcoming early 
next
year. Her poems have appeared in New American Writing, Lit, Fence, The 
Germ,
and other journals and anthologies. From 2001-03, she was the curator of 
the
Monday night readings at the Poetry Project at Saint Mark's Church. Even 
though
she once lived in Seattle, this is her first trip to Portland.


Jeffrey Lee is a writer and bookdealer living in Albuquerque, New Mexico.
The proprietor of Crane's Bill Books, and the publisher of the broadside 
and
chapbook series Crane Papers, he has also been a staff writer for the 
Weekly Alibi.
In October  he will be curating a land/language exhibition at THE 
LAND/an art site,
an outdoor exhibition space near Mountainair, NM, devoted to site-specific,
environmentally low-impact, land-based art.





The Shaman Figurine Car Ornament Explains the Accident then Naps

We were lured by color:
the only periwinkle left
in the decomposing empire,
I mean, restaurant,
so we opened it--
allowed a light to circumnavigate
the dancer's limb, allowed
a margin to expand,
past the fleshy cylinder,
back to the migrating parts.

  -- Joanna Fuhrman




ventail (de Mme. Mallarm)

Tent Injures Opera Hat With Scepter of Pink Deviations . . .   
Stagnating sours
the ballast of selection under the plangent hum of a subtitle.  Kindly 
beat the future
with codicils that purchase with each grain a little invisible furnace 
of niter
for personnel or a large empty space feigning the Voice of Firestone to 
avoid
the enmity of a bracelet, while a mime cowers behind a mirror, refusing 
a parcel.

  -- Jeffrey Lee


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Spare Room Reading Series presents . . .


Sarah Mangold

Gale Czerski


Sunday, August 21st
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

September 25: Publication party for SALT: Poetry of the Oregon Coast
*Please note: NAAU will be taking a much-deserved vacation in September;
the location of this event will be announced very soon*

October 23: Paul Naylor and TBA
November 6: Joshua Beckman and Geoffrey Nutter
December 11: David McAleavey and TBA


==============================================================


Bios:


Sarah Mangold received a BA in English literature from the University of 
Oklahoma and an MFA in creative writing from San Francisco State 
University. Her first book, Household Mechanics (New Issues, 2002) was 
selected by C. D. Wright for the New Issues Poetry Prize. Other books 
include two chapbooks, Blood Substitutes (Potes & Poets Press, 1998) and 
Boxer Rebellion (gong, 2004). She is the recipient of an Individual 
Artist Award from the Seattle Arts Commission and a MacDowell Colony 
fellowship. She lives in Seattle and publishes/edits Bird Dog, a journal 
of innovative writing and art (www.birddogmagazine.com). Recent work 
appears in Traverse, Colorado Review, and the Chicago Review.


Gale Czerski: the little door slid back somewhere in Ohio, 1959 (?).
For several years unable to tell the difference between time and locality.
For several years unable to sleep (cf. Keats' negative capability).
Eva, a black cat, and then Portland, a treehouse, red.



Poems:


Up to nine tiny moons


More than chicken
about our situation
household tap

a container
but also the life
at a makeshift
and in the clothes

process of catastrophe
to applaud a show
rummy for money
stare at the camera

where you can say and hear
in her chosen field
a lens of their own
writers clothing
increasingly addled by gin

workers refuse to set in type
all the genres of paint

take a pair of scissors
in the late nineteen-forties
the benches are made

blindness the willfulness
he does not apologize
dressing to produce
quotation marks

the sensual Charlotte
open to a depth
revered and loved
leave the river
of the tiresome daily job

observations to share about her
improve my chances
claimed that he had seen
real differences between
but the exact number

-- Sarah Mangold






"Could it be that red is the one colour that is asking for a body?"
(I Send You this Cadmium Red: A Correspondence between John Berger and 
John Christie)

Red asking for a body
was bleeding everywhere as if the skin was only a permeable vessel for red
searching for a body. Red was leaving everywhere through permeable skin 
as if body bleeding
everywhere was a deception for skin.
We were kneading blood.
You are swimming through red and from a distant tomato you wave.

But red is more than enough room to pace in you. That is, a color that 
won't compromise.
In fact you have never existed outside of clay. Other colors that fail 
to hold red are burned skin.
Not restrained in its intention, red will never settle for peach.
Red is uncompromising in its search for an elegy dense with beets.
Though your elegy is beet, roses shedding color leave lingering accounts 
of your losses.
Outside of ghosts looking for a body, red is wandering through rows of 
tombstones, searching
for metamorphic rock.

-- Gale Czerski




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Here are short notes about three literary events in September . . .
as they say, mark your calendar!


+ - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + -


Friday 9/2, 7:30 pm, $5
Pulliam Deffenbaugh Gallery
522 NW 12th
seating limited -- doors open at 7:00

S.F. Poets Theatre

Kevin Killian (playwright, poet, co-author of biography of Jack Spicer, 
etc.)
presents the play
The Red and the Green
in collaboration with Karla Milosevich;
also, short readings by Bay Area writers
Dodie Bellamy, Jocelyn Saidenberg,
Larry Rinder, and Elaine Smith

presented in conjunction with the exhibition "Bay Area Bazaar"
curated by Laurie Reid, which opens on First Thursday, 9/1
www.pulliamdeffenbaugh.com/Shows-Detail.cfm?ShowsID=71


+ - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + -


Monday 9/12, 7:00 pm, free
Borders downtown, in the cafe
708 SW 3rd

I Love Monday! Poetry night
David Abel, Lisa Steinman, Jeff Jensen

Dan Raphael's monthly series, entering its second decade, I think?
www.bordersstores.com/events/event_detail.jsp?SEID=47428


+ - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + - + -


Sunday 9/25, 7:00 pm, free
Portland Art Center
2045 SE Belmont

SALT: A Collection of Poetry on the Oregon Coast
Reading and publication party for the recently released anthology,
edited by Amanda Deutch

Short readings, food, drink, music, vintage slides --
a guaranteed good time.

Cosponsored by Spare Room,
Portland Art Center, and Nestucca Spit Press.

Readers will include Maryrose Larkin, Alicia Cohen,
Endi Hartigan, Leonard Schwartz, Zhang Er,
Leanne Grabel, & David Abel.

Full details to come soon.
www.flim.com/spareroom












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Two calls for participants


I. Matthew Marble: Listening Events in September

II. From Liberty Heise: Poets Correspond

=========================================================================

 I.

Matt Marble (hamletist@hotmail.com) writes:

Hello all,

This is Mat(thew) Marble. I am writing now from Meridian, Mississippi. I 
will be returning to Portland on September 2nd and as i have found a 
window of time in the month of september i intend on using it! Following 
is an invite to participate in some events i have been conceptualizing 
for some time. I am anticipating 2-3 practice meetings, each two hours, 
on the weekend. The final event would take place on the weekend of 
September 23-25 and may be spread out over the course of two days. All 
of the events will take place at an outdoor location, though i am still 
debating on where exactly (any suggestions are welcome).

These works focus less on aesthetics (though mine are certainly present 
in the choice of sounds, etc) or 'music' (experimental or otherwise) and 
more on modes of listening used to explore various ways in which we can 
interact with each other and our environment. In general, these works 
are structured to include as many people as possible and at all 'skill' 
levels (you do NOT need to be 'musical') - despite the fact that the 
majority of these works have focused on adult participation, children 
are more than welcome! Some works are simply more difficult than others. 
The instrumentation is predominantly supplied by nature (sticks, stones, 
etc) but for many of the works musical instruments are welcome or 
encouraged. The more the merrier!!!! I am expecting around 25 or so, but 
hoping for 40+ - either way the presence all will be cherished! So, 
PLEASE, forward this to anyone whom you think might be interested in 
participating. I am assuming the weekends will work best for all (though 
of course, not 'all') and i'm thinking 2:00pm or 6:00pm. However, in 
organizing so many people i will be unable to work around everyone's 
schedule. For those of you whom like to cook i believe the final event 
would benefit from a potluck - so, email me if you're interested in 
facilitating that. Otherwise, i'll be coming up with something to make 
things a bit more enticing. In any case do let me know what works best 
for you all. More soon on practical matters.

Below you will find 'brief' descriptions of the individual works that 
you might be helping to realize. Any feedback concerning your interest 
or understanding/confusion is welcome. If interested I will provide you 
with scores and other information, and i look forward to seeing you 
(perhaps meeting you for the first time!) at our first meeting. Well, 
more soon. Do let me know if this interests you and, again, forward into 
the unknown! I thank you all in advance,

Matt

:::::: :: : : : : : : : :

matthew eliott marble 1612 SE 11th Ave. Portland, OR 97214

hamletist@hotmail.com <mailto:hamletist@hotmail.com>



:::::::::::::::::::::::::::::::: works :::::::::::::::::::::::::::::::::

I. Forms of Attraction

Some of you helped participate in a variation of this work a year ago. 
This is the "cicada" piece. It makes use of notations made by a Swiss 
entomologist in the 1940's who was researching the calls of Swiss 
cicadas. To do so he applied musical, phonetic, and descriptive 
notation. This September version differs greatly from the previous 
'performance'. for up to 96 participants with musical and non-musical 
instruments all, are dispersed in an open field. all begin their 
individual call (taken from Ossiannilsson's work) and listen to the 
other calls aroung them for a considerable amount of time. Then, each is 
to move closer towards the call (or groups of calls) which most attracts 
them. Prior to performance all become familiar with 4 styles of 'chorus 
interaction' which they will choose from in the groups they find 
themelves attracted to. When each has 'lost attraction' each falls 
silent. should one's attractor fall silent then one must seek another 
attractor. This work ends when all are silent. Cicada calls arise from 
an urgency to mate... i wanted to address this and its structuring of 
our collective listening without asking you to have sex with one another 
(- though, by all means...). In this work we are asked to engage the 
sounds around us based on our personal preferences. Our movement and 
orientation in space, thus, becomes a public expression of the personal. 
As attraction draws us closer, our individual sounds blend into an 
undifferentiated whole and all other voices are tuned out. I am 
interested in drawing our awareness into this act of focusing, 
discernment, and privileging based on pleasure. Duration to be determined.

...........................................................................

II. Conformation

In this work 20+ people are given stones, branch chimes (which i am 
beginning to make), bells, rattles, etc and grouped into a circular 
formation with various internal off shoots. The work begins at one point 
of the circle (taken by the eldest of those present) and, much as in the 
domino effect, the sound is passed in succession from one person to the 
next. sounds from the offshoots combine with those of the circle. This 
repeats, loops until the initial person ceases his/her sounding. This 
will be the more challenging as its structure, the roles of individuals, 
and the instruments utilized are determined only in the presence of all 
involved. Still, individual participation is made to be simple. Inspired 
by D'Arcy Thompson's morphological studies and L.A. composer Liam 
Mooney. Our listening becomes localized to the voice of our neighbor. 
And our responsibility to his or her voice manifests as our own - it is 
in no way a 'passive' listening. Indeed, we may listen to the whole but 
if we stray to long from the immediacy of our neighbor's voice the work 
will come to a complete stop. Would love many people for this one! 
Duration dependant on number of participants.

..........................................................................

III. Mask of the Inner Ring

This work requires very little practice (though practice is built into 
its realization!). It involves innumerable people divided into two 
groups. One is concentrated into a circle. The individuals of this group 
are asked to choose a tone and sing it (pausing when needed) at a fixed 
volume. Another group surrounds the inner group. The outer group is 
given instruments which produce short iterative sounds (stones, wood 
clappers, etc); they are asked to adjust their collective volume so as 
to 'almost' mask the inner voices. It will take time to tune into this 
awareness and it will be difficult to achieve; but i am most interested 
in the inbetween fluctuations of this 'difficulty'. Likewise, our 
listening is constantly solicited and we /learn/ collectively to 
negotiate in sound volume. At the same time we have the opportunity to 
attend to the limits of an entity, which is a rather profound task. When 
does one 'sound' stop and another begin? When do I stop and when does 
the an other begin? Duration to be determined.

.........................................................................

IV. Hymn of the Lake

Several instrumentalists surround a lake, which has been tonotopically 
mapped (each person plays a specific tone at a specific place). the 
larger the lake the louder the instruments should be (e.g. horn, wooden 
clappers, etc); conversely a smaller lake would welcome softer sounds 
(violin, voice, rattles). One by one a person gets in a boat and travels 
to the center of a lake where they may remain for as long as they wish. 
Instrumentalists may pause and listen and may have a turn in the boat as 
well. This work, more than any other, requires a great degree of 
patience from all participants. That is, it may well last hours. It is 
important to me that this openness of time be respected and allowed. For 
some paticipants this may be a sacrifice of sorts, for no one will have 
the same listening exerience; and many will be, in effect, separated 
from others. This is not a shared listening; it is, rather, a gift. For 
whomever is in the boat on the lake is hearing what noone else can hear. 
He or she floats on sound as much as water. Again, we are listening to 
the ambiguity between one sound and another, between sound and 
soundlessness.

............................................................................

V. Iteration March

Using musical instruments, hand clapping, stomping, any sound... all 
make a short sound simultaneously and together maintain a pulse. each 
may start or stop when they desire. It is a march from one place to 
another. Its duration is determined by the time it takes to get from 
here to there. This is simple, but that does not mean our listening lies 
down. Here we are able to perceive infinite timbral modulations, the 
ever shifting 'quality' of a sound, of /our/ sound. Often we will sense 
the entire group, though on occasion, if we are listening, we may tune 
into individuals; we may discern the unique components of our sound. As 
well, the brief nature of these iterations enable us to more effectively 
solicit the resonance of the space we are in; so that the 'silences' 
between iterations become yet another voice, the one that grounds us.



 ====================================================================

Liberty Heise (liberty.heise@gmail.com) writes:

Dear Poet,

Lately, I have felt as if there is no way out of this box which was once 
mental but has now become physical. As dramatic as that sounds it has 
forced me to come to terms with some larger issues of my personal 
standard and how much I long for some personal correspondence regarding, 
well, anything at all.

Today I read a poem by Galway Kinnell entitled "The 
correspondence-school instructor says goodbye to his poetry students." 
Here is the poem:

Goodbye, lady in Bangor,
who sent me snap
shots of yourself, after definitely hinting
you were beautiful;
goodbye, Miami Beach
urologist, who enclosed plain
brown envelopes for the return of your very
"Clinical Sonnets";
goodbye, manufacturer
of brassieres on the Coast, whose eclogues give
the fullest treatment in literature yet
to the sagging
breast motif; and
goodbye, you in San Quentin, who wrote,
"Being German my hero is Hitler!" instead of
"Sincerely Yours", at the end of
neat-scripted, scented letters demolished
the Pre-Raphaelites.

I swear to you, it was
just my way of cheering myself up,
as I licked
all the stamped, self-addressed envelopes,
the game I had
of trying to guess which one of you, this time,
had poisoned the glue. I did care.
I did read each poem entire.
I did say what I thought was the truth
in the mildest words I knew. But I admit
I am relieved it is over.
Toward the last I could feel only pity
for that urge toward
more life
your poems kept smothering in words, the odor
of which, days later, would tingle
in your nostrils, as new, God-given impulses
to write.

Goodbye,
you who have become for me, postmarks again
of unlikely towns - Burnt Cabins, Eureka, Hornell -
their loneliness
given away in poems, only their solitude
kept.


Now don't you feel like writing a letter? A letter in which a poem is 
attached on a scrap of onion skin paper? Some drawing, to someone, 
somewhere?

If so, if indeed, you feel inspired to connect with the unknown humanity 
around you then email me with your mailing address. In fact, you should 
send this email on to your wildly flung friends, the ones you met while 
overnighting in Ireland or on the north sea of France or on the back 
roads of Mississippi.

I will take the returns and pair them and then a pal of the pen shall 
ignite.

I look forward to hearing from you and all your poet friends.

l.h.


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Subject: [Spare Room/Passages] Reminder: Borders reading, Mon. 9/12
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I Love Monday! Poetry night,
series organized by Dan Raphael
(second Monday of every month)

September readers:

David Abel, Lisa Steinman, Jeff Jensen

Monday, September 12
7:00 pm, free

Borders bookstore (in the cafe)
708 SW 3rd
Portland

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	Sunday 9/25
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Spare Room,
  Portland Art Center, &
     Nestucca Spit Press

  present

A Publication Party & Reading for

Salt: A Collection of Poetry on the Oregon Coast

 * Short readings by poets featured in the anthology
 * Music by John Berendzen & the Parametric Orchestra
 * Food & Drink

Sunday, September 25
7:00 - 10:00 pm
free admission

Portland Art Center
2045 SE Belmont Street
503-239-5481
http://www.portlandart.org

in conjunction with the exhibition
Natura Naturans
by James Jack

For more information, contact: Amanda Deutch, trafficlotus@msn.com

==============================================================

Upcoming Spare Room events (at New American Art Union, unless otherwise 
noted):

September 29: Glenn Storhaug (at Lewis & Clark College)
October 6: Release party: Fo_A_rm issue #4, Topography
October 23: Paul Naylor and Endi Hartigan
November 6: Joshua Beckman and Geoffrey Nutter
December 11: David McAleavey and TBA

http://www.flim.com/spareroom
http://spareroom@flim.com

==============================================================

Please join Spare Room in celebrating the publication of Salt: A 
Collection of Poetry on the Oregon Coast, edited by Amanda Deutch, and 
published by Nestucca Spit Press of Pacific City.

A number of poets whose work appears in the anthology will give brief 
readings, in three sets spaced throughout the evening. (Readers will 
include David Abel, Alicia Cohen, Amanda Deutch, Zhang Er, Leanne 
Grabel, Endi Hartigan, Maryrose Larkin, David Pickering, and Leonard 
Schwartz.)

John Berendzen & the Parametric Orchestra will perform excerpts from 
their work in process, Standing Wave.

The reading and publication party coincides with James Jack's exhibition 
Natura Naturans. James Jack creates ephemeral installations and works on 
paper that use natural materials from the environment. In the case of 
this installation, which occupies the floor of the main gallery of 
Portland Art Center, the material is ochre gathered on the Oregon Coast, 
ground to a fine powder and used simultaneously as pigment and 
structure. The exhibition will be on view during the event.

Salt: A Collection of Poetry on the Oregon Coast features responses by 
thirty-two poets to a single location. (See complete list of 
contributors at the end of this message.) Published this year by 
Nestucca Spit Press (http://www.nestuccaspitpress.com), the anthology 
will be available for purchase at the publication party, and can also be 
found in most local bookstores.

 >From the editor's preface:

"The voices in these pages reflect the diversity of influence Oregon has 
exerted on American poetry over many decades -- from the Beat, Zen 
priest Philip Whalen and the "pure guts" Olympic runner Steve 
Prefontaine to pacifists, boxers, Pulitzer Prize-winning 
environmentalists, experimental language poets, commercial fishermen, 
and waitresses.

"What connects these vivid, disparate voices is a location, above all 
else. While the way we see a place, our relationship to it, and our 
experiences with it are always shifting, the place itself remains 
relatively fixed. Over time, rock faces erode, trees are clear-cut, new 
trees are planted, and capes shear down as ancient chunks fall off into 
the sea. But the place endures. We are the ones who change."


For more information, contact Amanda Deutch at trafficlotus@msn.com

Complete list of contributors to Salt: A Collection of Poetry on the 
Oregon Coast:

Gary Snyder
William Stafford
Philip Whalen
William Everson
James Beard
Lloyd Reynolds
Olga Broumas
Anthony Ostroff
Kim Stafford
Margaret Chula
Leanne Grabel
Maryrose Larkin
David Memmott
Leonard Schwartz
Travis Champ
Dorothy Blackcrow Mack
Amanda Deutch
Lorraine Kunigsky
Charles Ghigna
David Pickering
Endi Hartigan
Alicia Cohen
Scott T. Starbuck
Abram Goldman-Armstrong
Lilian Gael
Matt Sorenson
Melissa Madenski
Donna K. Wright
Carol Frischmann
Zhang Er
David Abel
Erika Staiti

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Two Spare Room events coming up in the next week:

* Sunday 9/25: Salt publication party
* Wednesday 9/28: Glenn Storhaug, from England, at Lewis & Clark College

read on for details

==============================================================

A Publication Party & Reading for

Salt: A Collection of Poetry on the Oregon Coast

* Short readings by poets featured in the anthology
* Music by John Berendzen & the Parametric Orchestra
* Moving image & text collage by Ashley Edwards and Samuel Miller
* Food & Drink

Sunday, September 25, 7:00 - 10:00 pm
free admission

Portland Art Center
2045 SE Belmont Street
503-239-5481
http://www.portlandart.org

For more information, contact: Amanda Deutch, trafficlotus@msn.com

==============================================================

Glenn Storhaug

cosponsored by Spare Room and Lewis & Clark College Special Collections

Wednesday, September 28
7:00 pm

Watzek Library, Lewis & Clark College

(to carpool, contact David Abel at passages@rdrop.com; if you're 
driving, see parking information below)


For thirty years, poet and translator Glenn Storhaug has published 
finely-printed books of poetry from his Five Seasons Press in Hereford, 
England, presenting work by Americans Allen Ginsberg, Gary Snyder and 
Wendell Berry, as well as British poets Michael Hamburger, Alan Halsey, 
Michael Horovitz, Ann Stevenson and Roy Fisher, among many others.

His recent publications are a translation of Swedish poet Mary Varme's 
wild satire The Lord of Misrule, and his own For Silver See Blue, a 
meditation on sea travel, northern and Mediterranean landscapes, and 
redemption, in the spirit of Pericles and The Tempest, continuing a 
theme first explored in his 1975 collection Sailing from Stavanger.

He is in residence at Lewis & Clark College's William Stafford Center 
for three weeks in September and October.


hold on to the story
in outcrops of limestone
seen here & there
like a rolling whale-back
under waves of scrub
of holm oak
of lost plots
of oak ache

     from For Silver See Blue


Driving Directions:

"The location will be The Watzek Library, Lewis & Clark College, 7:00. 
The nearest parking will be below the Fir Acres Theater. When arriving 
from the north along Terwilliger, take the first entrance into the 
college, downhill passing the football field on the right, then uphill 
to a large parking lot. Climb two small flights of steps, passing the 
theater on the right, to the grassy space in front of the new Howard 
Hall. The Library is at the far end of the grassy space."

==============================================================

Upcoming Spare Room events:
 
October 23: Paul Naylor and Endi Hartigan
November 6: Joshua Beckman and Geoffrey Nutter
Thanksgiving: Jack Collom (day/location TBA)
December 11: David McAleavey and TBA

http://www.flim.com/spareroom
http://spareroom@flim.com

==============================================================


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Spare Room Reading Series presents . . .


Paul Naylor

Endi Hartigan


Sunday, October 23rd
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.


www.flim.com/spareroom
spareroom@flim.com


UPCOMING READINGS
(Sundays at 7:30 pm, at New American Art Union)

November 6
Joshua Beckman and Geoffrey Nutter

November 27
Jack Collom and Dan Raphael

December 11
David McAleavey and Chuck Stebelton


==============================================================


Bios:

Paul Naylor is the author of two full-length books of poetry, Playing 
Well with Others (Singing Horse, 2004) and Arranging Nature (Chax, 
2005), as well as Poetic Investigations: Singing the Holes in History 
(Northwestern University, 1999), a critical study of five contemporary 
poets. Naylor has taught literature and philosophy at Kalamazoo College, 
University of Memphis, and University of California, San Diego. Formerly 
the editor of River City: A Journal of Contemporary Culture and 
co-editor of Facture: A Journal of Poetry and Poetics, he became 
director of Singing Horse Press in the summer of 2004.


Endi Hartigan's poetry has been published in Caveat Lector, The Antioch 
Review, Salt (anthology), Northwest Review, Hubbub, and other magazines, 
and is forthcoming in Insurance. She is editor and co-founder of 
Spectaculum, an annual journal devoted to poetic works that are best 
presented at length (www.spectaculum-press.com). She lives in Portland 
with her husband and son.



from Arranging Nature

Part 2: 1


Condense and collapse, cloud in cloud, an
embryonic sun forms nebula, forms gas accretes
and gathers in turbulent swirling birth.

So composed of starroot, Earth hurtles through
firmament.

Home sweet homea cold rock compiled of
iron, silicon, magnesium, aluminum, and oxygen.

What a thought we once had, just before dawn,
the sun a rumor soon to be fact.

Was it a garden we recalled or a night so dark
death would mean reprieve? Was it of a snake
hissing or of one become two, thickening the
plot?


-- Paul Naylor



The Third Thing (excerpt)


The third thing as the grass,
not the multitude of grasses.
A completion that was singular in nature as a nation is singular
and worse for it.

Someone proclaimed to the stiff eel grass they were right all along
because they were charged with the clearing.
A completion as tentative as clouds which must be announced
and announced toward formation.

A man in the marsh grass unlodging his boat, a man in the marsh grass
leaning and pushing through silt,
a man in the marsh grass starting to skim
through the shallow.

The dream of completion continually dreamed,
continually singular and receding,
Here, I thought, in the act that leaves
the chest gasping, depleted;

Here, in the lifting of feet up and forward through nettles.
The multitude of grasses used to weave a hat
for the old man unmoved by completion.
The multitude of grasses through which

a girl discovers the shivering fields, hopping off stones
beside a white bull. A woman burned herself up in the wind of a hill
in the whipping grasses for reasons unknown
that return, not a source--

And I am receding and moving,
I cannot remain matched to the heavens.
Someone proclaimed we are hearing ourselves in the splash of the field
and only ourselves.

Someone proclaimed I am weaving the hat made of corn silk
and torn flags and rain.
Or, what good is the hat?
Or, what good is the weaving for sake of the weaving?
. . .


-- Endi Hartigan




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Spare Room Reading Series presents . . .


Paul Naylor

Endi Hartigan


Sunday, October 23rd
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.


www.flim.com/spareroom
spareroom@flim.com


UPCOMING READINGS
(Sundays at 7:30 pm, at New American Art Union)

November 6
Joshua Beckman and Geoffrey Nutter

November 27
Jack Collom and Dan Raphael

December 11
David McAleavey and Chuck Stebelton


==============================================================


Bios:

Paul Naylor is the author of two full-length books of poetry, Playing 
Well with Others (Singing Horse, 2004) and Arranging Nature (Chax, 
2005), as well as Poetic Investigations: Singing the Holes in History 
(Northwestern University, 1999), a critical study of five contemporary 
poets. Naylor has taught literature and philosophy at Kalamazoo College, 
University of Memphis, and University of California, San Diego. Formerly 
the editor of River City: A Journal of Contemporary Culture and 
co-editor of Facture: A Journal of Poetry and Poetics, he became 
director of Singing Horse Press in the summer of 2004.


Endi Hartigan's poetry has been published in Caveat Lector, The Antioch 
Review, Salt (anthology), Northwest Review, Hubbub, and other magazines, 
and is forthcoming in Insurance. She is editor and co-founder of 
Spectaculum, an annual journal devoted to poetic works that are best 
presented at length (www.spectaculum-press.com). She lives in Portland 
with her husband and son.


From jdbradshaw@gmail.com Thu Oct 27 20:32:15 2005
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Subject: [Spare Room/Passages] Cathrine Wagner,
	Geoffrey Nutter and Joshua Beckman, Sunday 11-6
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Spare Room Reading Series presents . . .

Cathrine Wagner, Geoffrey Nutter and Joshua Beckman

Sunday, November 6th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.


www.flim.com/spareroom
spareroom@flim.com


UPCOMING READINGS
(Sundays at 7:30 pm, at New American Art Union)

November 27
Jack Collom and Dan Raphael

December 11
David McAleavey and Chuck Stebelton


==============================================================


CATHRINE WAGNER was born in Burma and grew up in Baltimore. She is the
author of two books of poems, Macular Hole (Fence 2004) and Miss
America (Fence 2001), and many chapbooks, recently including Exercises
(811 Books) and Imitating (Leafe Press, England). New work appears in
Black Clock, The Hat, and Electronic Poetry Review; more is
forthcoming in The New Review, Five Fingers Review, Fourteen Hills,
and Soft Targets. She lives in Boise, Idaho.

GEOFFREY NUTTER was born in Sacramento, California. He is the author
of A Summer Evening, winner of the 2001 Colorado Prize (Center for
Literary Publishing, 2001). His poems have appeared in many journals
and anthologies, including The Best American Poetry 1997 and The Iowa
Anthology of New American Poetries. He lives in Manhattan with his
wife, daughter and son.

JOSHUA BECKMAN is the author of four books of poems, most recently
YOUR TIME HAS COME (Verse Press, 2004). He is an editor at WAVE BOOKS
in Seattle WA.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

BIG BANG

A splat of mud and stones electrolaced
Began to crawl.

Somersaulted out on a cord of blood
Hit a climax of discomfiture
And recomposed itself to rot.

Make me an animal better than that.

-- Cathrine Wagner

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Titan Cement

Everyone loves Titan Cement.
The houses half-build, bristling
with steel rods in the sun beating down
on the asphalt will be made whole,
and all will be made whole.
And construction on the airport
is scattered across the horizon
like the brought points of the naked trees,
and Titan Cement will complete
its acrostic, which will spell out
something like a long dark column
and its shadow on the macadam.
It is broad daylight.
It is the whole world and headlessness.
It is broad sunlight, and long,
and past the signs for zinc and black tubes
rush the trucks bearing bags
of Titan Cement to the horizon.
Past the sad brick factory
and black cisterns, Titan Cement
is coming!

-- Geoffrey Nutter

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Unslide the door,
uncap the lazy little coffee cup.
The pasty people must be part of the dinner.
And a city turns its incapacity in,
foolish city. She was naked
and her halo all crushed against
the pillow while she slept, but I
didn't care. Wake and totter.
Place a hand over your mouth,
a hand over another.
A killing pain, a bag all organized,
an inch of skin along your leg.
It's like they kept making babies
and stopped making baby whistles.
Doable, yes, but here they
teach us something different.
It's a battery. It's a garden.
The glass box in which the lettuce grew
was broken by nasty raccoons
and we turned the other cheek.
The sun does rise and melt the frost,
the frost in little drops does fill
the empty lettuce, and in this way
the world is truly nourished.
No incredible silence, no
intangible calorie, just
bad raccoon in a good world.
Just coverless table and
silent drape awaiting breakfast.
Imagine how mean people
can be in dreams, and how
kind sleeping seems later.

-- Joshua Beckman


From maryrose@gmail.com Tue Nov  1 11:19:07 2005
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Subject: [Spare Room/Passages] Elizabeth Block at 23rd Street Books.
	November 3rd.
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Of interest to the greater Spare Room Audience:

Please come see and hear San Francisco based writer/poet/filmmaker,
Elizabeth Block read at Portland's Twenty-Third Avenue Books, Thursday,
November 3, 7:30 p.m. New York's Spuyten Duyvil Press just published
her debut novel, A Gesture Through Time.   The book was short-listed
for a Heekin Foundation first novel fellowship and a Starcherone
Fiction Prize.

Maxine Chernoff writes: "Elizabeth Block's A Gesture Through Time is a
novel for the new millennium.  Deft and funny and wise, it examines
authorship, narration, technology, love, and memory, and asks most
playfully what it means to tell a story. Always inventing and bravely
trying out new strategies, she puts most writers and their sorry
pretenses of invention to shame. In the spirit of Sterne's Tristram
Shandy, A Gesture Through Time captures the relation of muse and amuse,
taking the reader on a spirited, pleasure-filled journey."
Robert Clark Young writes (The Brooklyn Rail, September 2005)" "Reading
[it] is like wandering into the nexus between modernism and
postmodernism, with new-millennium versions of the poetry riffs, prose
poems, and stream-of-consciousness flights that are found in Ulysses or
"The Waste Land."

Block's work has been exposed or is forthcoming in/on TDR, Black Ice,
Alt-X, Chain, Eclectic Seizure Radio, San Francisco Bay Guardian,
ONTHEBUS, Drunken Boat, Documents Between, Camerawork, Chimera Review,
The Detroit Free Press, Anthology Film Archives, San Francisco
Cinematheque, Museum of Contemporary Art/Denver, Exploratorium Museum,
Santa Fe Art Institute, etc. Block has received writing grants and
fellowships from Djerassi Resident Artists Program, Mill Foundation,
Sigma Xi Society for Scientific Research, University of Michigan,
University of California, Santa Cruz, and San Francisco's Intersection
for the Arts.



A Gesture Through Time
the novel by Elizabeth Block
available October 2005
ISBN 1-933132-13-2
--
Maryrose Larkin
Northwest Research
Maryrose@gmail.com
503-819-9455


From jdbradshaw@gmail.com Sat Nov  5 17:55:39 2005
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Spare Room Reading Series presents . . .

Cathrine Wagner, Geoffrey Nutter and Joshua Beckman

Sunday, November 6th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.


www.flim.com/spareroom
spareroom@flim.com


UPCOMING READINGS
(Sundays at 7:30 pm, at New American Art Union)

November 27
Jack Collom and Dan Raphael

December 11
David McAleavey and Chuck Stebelton


==============================================================


CATHRINE WAGNER was born in Burma and grew up in Baltimore. She is the
author of two books of poems, Macular Hole (Fence 2004) and Miss
America (Fence 2001), and many chapbooks, recently including Exercises
(811 Books) and Imitating (Leafe Press, England). New work appears in
Black Clock, The Hat, and Electronic Poetry Review; more is
forthcoming in The New Review, Five Fingers Review, Fourteen Hills,
and Soft Targets. She lives in Boise, Idaho.

GEOFFREY NUTTER was born in Sacramento, California. He is the author
of A Summer Evening, winner of the 2001 Colorado Prize (Center for
Literary Publishing, 2001). His poems have appeared in many journals
and anthologies, including The Best American Poetry 1997 and The Iowa
Anthology of New American Poetries. He lives in Manhattan with his
wife, daughter and son.

JOSHUA BECKMAN is the author of four books of poems, most recently
YOUR TIME HAS COME (Verse Press, 2004). He is an editor at WAVE BOOKS
in Seattle WA.


From passages@rdrop.com Mon Nov 14 13:06:18 2005
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Spare Room Reading Series presents . . .

Jack Collom

Dan Raphael

Sunday, November 27th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

December 11  
David McAleavey & Chuck Stebelton

Winter scheduled TBA


============================================


Jack Collom teaches ecology-poetics and oversees Project Outreach at the 
Jack Kerouac School of Disembodied Poetics, where he has been resident 
faculty for over a decade. A prolific writer, he has been published in 
over a hundred magazines and anthologies in the United States and 
abroad. His books include Arguing With Something Plato Said, The Task, 
and Entering the City. He has worked extensively with the Teachers and 
Writers Collaborative in New York City and published his ars poetica on 
teaching poetry, Moving Windows, under their aegis. He has twice been 
awarded a National Endowment for the Arts Fellowship. Red Car Goes By (a 
selected poems 1955-2000) is published by Tuumba Press.  Jack Collom 
lives in Boulder CO.

Dan Raphael writes:
"What can I say here to entice you to come hear me read? I'm not sure 
how a list of books I've published (fifteen of them, including When a 
Flying City Falls, Greatest Hits, and Showing Light a Good Time), or of 
magazines or websistes where my poems have appeared will incline you to 
come hear me. I have a good performance track record--Bumbershoot, 
Wordstock, Powell's, Reed College, Burning Word, Seattle Poetry 
Festival, Silverton Poetry Festival, Portland Community College, the 
Super Bowl of Poetry, KBOO, and Portland Cable Access. Especially like 
working with musicians, which I've done w/ Salon des Refuse, Dave 
Captein, and Glenn Moore."


============================================


12-24-94

Crazy writings on the mottled, lighted sky,
Romantic slate, are trees, bare, ruined choirs
Perhaps but also branch essentials. Why
Question their configures, their live wires
To us all, this morning? Sheer potential
Holds the sky in fragments -- actualized
In rough, black bark. Eftsoons torrential
Sap will climb, and all be notarized.
Before I rose I spotted out my skylight,
By chance of space, just cast in arms of sumac,
Star-triangle marked on morning twilight,
Attenuate, a turn I took as runic.
It's not the thinness, much, that makes it "mine";
It's more the variation (angle, line).

                      Jack Collom



at night the street is more like my skin
my bones feel like fire escapes -- stretched   counterbalanced
            always requiring a leap to exit or enter --
i have an inner fear that prevents me from jumping into water
though i swim well enough its been so long i may no longer float
as water at night is less buoyant    hungrier     with a mind of its own
when all its natural outlets have closed til dawn
i dive off the pier like a cross between an owl and a pelican,
barely flapping,    barely a legs length from the surface,
with just one chance to impale the slippery answer
cause aroma is too long a book -- i need the quicker hit, the high speed 
unraveling,
as water always takes, is always sampling    saving    accumulating
in order to clone everything we do to it, sending a rain of our excess 
and industry

                    Dan Raphael (from Black Medicine)






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Subject: [Spare Room/Passages] First publicly announced "Puddle Poems" 
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3 Puddle Poems Placed at SE 16th and Ash on 11/20/05

mARK is beginning to place puddle poems around Portland, OR, and will 
continue doing so throughout the winter of 2005-06.

He will announce the date and the interesection in which each has been 
placed.

Thank You.


From passages@rdrop.com Wed Nov 23 13:29:33 2005
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Subject: [Spare Room/Passages] Reminder: Sunday 11/27,
	Jack Collom & Dan Raphael
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Spare Room Reading Series presents . . .

Jack Collom

Dan Raphael

Sunday, November 27th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

December 11  David McAleavey & Chuck Stebelton

January 22   Cat Tyc & TBA
February 12   Margareta Waterman publication party
February 26   Alan Halsey, Geraldine Monk, Martin Corless-Smith
April 23   Joshua Clover & Cynthia Kimball

============================================


Jack Collom teaches ecology-poetics and oversees Project Outreach at the 
Jack Kerouac School of Disembodied Poetics, where he has been resident 
faculty for over a decade. A prolific writer, he has been published in 
over a hundred magazines and anthologies in the United States and 
abroad. His books include Arguing With Something Plato Said, The Task, 
and Entering the City. He has worked extensively with the Teachers and 
Writers Collaborative in New York City and published his ars poetica on 
teaching poetry, Moving Windows, under their aegis. He has twice been 
awarded a National Endowment for the Arts Fellowship. Red Car Goes By (a 
selected poems 1955-2000) is published by Tuumba Press.  Jack Collom 
lives in Boulder CO.

Dan Raphael writes:
"What can I say here to entice you to come hear me read? I'm not sure 
how a list of books I've published (fifteen of them, including When a 
Flying City Falls, Greatest Hits, and Showing Light a Good Time), or of 
magazines or websistes where my poems have appeared will incline you to 
come hear me. I have a good performance track record--Bumbershoot, 
Wordstock, Powell's, Reed College, Burning Word, Seattle Poetry 
Festival, Silverton Poetry Festival, Portland Community College, the 
Super Bowl of Poetry, KBOO, and Portland Cable Access. Especially like 
working with musicians, which I've done w/ Salon des Refuse, Dave 
Captein, and Glenn Moore."


============================================


12-24-94

Crazy writings on the mottled, lighted sky,
Romantic slate, are trees, bare, ruined choirs
Perhaps but also branch essentials. Why
Question their configures, their live wires
To us all, this morning? Sheer potential
Holds the sky in fragments -- actualized
In rough, black bark. Eftsoons torrential
Sap will climb, and all be notarized.
Before I rose I spotted out my skylight,
By chance of space, just cast in arms of sumac,
Star-triangle marked on morning twilight,
Attenuate, a turn I took as runic.
It's not the thinness, much, that makes it "mine";
It's more the variation (angle, line).

                     Jack Collom



at night the street is more like my skin
my bones feel like fire escapes -- stretched   counterbalanced
           always requiring a leap to exit or enter --
i have an inner fear that prevents me from jumping into water
though i swim well enough its been so long i may no longer float
as water at night is less buoyant    hungrier     with a mind of its own
when all its natural outlets have closed til dawn
i dive off the pier like a cross between an owl and a pelican,
barely flapping,    barely a legs length from the surface,
with just one chance to impale the slippery answer
cause aroma is too long a book -- i need the quicker hit, the high speed 
unraveling,
as water always takes, is always sampling    saving    accumulating
in order to clone everything we do to it, sending a rain of our excess 
and industry

                   Dan Raphael (from Black Medicine)


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Subject: [Spare Room/Passages] David McAleavey & Chuck Stebelton,
	Sunday 12/11
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Spare Room Reading Series presents . . .

David McAleavey

Chuck Stebelton

Sunday, December 11th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

January 22 Cat Tyc & Cynthia Nelson
February 12 Margareta Waterman publication party
February 26 Alan Halsey, Geraldine Monk, Martin Corless-Smith
March TBA
April 23 Joshua Clover & Cynthia Kimball

============================================

David McAleavey, originally from Kansas, attended Cornell, then went to 
UC Berkeley to begin a PhD in
English, in 1968. Got to know Ron Silliman, David Melnick, and other 
poets. Dropped out of grad school, worked in SF, then returned to 
Ithaca, NY where he earned both an MFA and a PhD (dissertation on George 
Oppen). Also got involved in Ithaca House press, which published first 
books by Ron Silliman, David Melnick, and Bob Perelman, among others. He 
published his first book of poems, Sterling 403, in 1971, and began 
teaching at George Washington University in 1974. Other books include 
The Forty Days (1975), Shrine, Shelter, Cave (1980), and Holding 
Obsidian (1985). Chax Press published Huge Haiku this year.

Chuck Stebelton works as Literary Program Manager at Woodland Pattern 
Book Center, a non-profit arts organization in Milwaukee, and co-curates 
the Myopic Poetry Series, a weekly series of readings and occasional 
talks at Myopic Books in Chicago. He is the author of Circulation 
Flowers (Tougher Disguises, 2005) and Precious, an Answer Tag chapbook. 
Newer work appears in recent issues of Antennae, Jubilat, LVNG, Verse, 
and Chain 12: Facts. In June, 2005, along with Marcella Durand, Kristin 
Prevallet, Rich ORussa and Kimberly Lyons, he read his work as part of 
the Inspiration of Astronomical Phenomena conference at Adler 
Planetarium in Chicago; and recently collaborated with Cindy Loehr on 
Revival, "a cathedral of flame with a pre-recorded oration inside."

============================================


Written Next to a Page of Emerson

You should empower all the voices, since
what is strong enough makes a pattern of itself.
The sound of a line can make the next line easy.

Or thought can: further down you'll find
clear streams connecting unfathomed blanks.
Deeper still are the big rivers that make

the ground quake, the air chill and quick.
The landscape is glorious even if the music is
Unfamiliar. It makes the brave shiver.

Think about it: what do you care if you're lost?
Wouldn't you really rather hear the music? This
is after all the plot of earth where

those of us who think talk of music
can be music
talk.


-- David McAleavey//




THE NINETIES


Between 1929 and 1941

without changes, without an Ars


turned to summer and all

sold to the little peeps as pets


between 1939 and 1951

often hardens, so windows snow


collective desires to collect and share

between 1949 and 1961


twenty eight leap years ago
thirty head of lamb, sheep


between 1929 and 1941

between 1959 and 1971


-- Chuck Stebelton

From passages@rdrop.com Sat Dec 10 16:03:48 2005
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Subject: [Spare Room/Passages] Reminder: Sunday night,
	David McAleavey & Chuck Stebelton
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Spare Room Reading Series presents . . .

David McAleavey

Chuck Stebelton

Sunday, December 11th
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

January 22 Cat Tyc & Cynthia Nelson
February 12 Margareta Waterman publication party
February 26 Alan Halsey, Geraldine Monk, Martin Corless-Smith
March TBA
April 23 Joshua Clover & Cynthia Kimball

============================================

David McAleavey, originally from Kansas, attended Cornell, then went to 
UC Berkeley to begin a PhD in
English, in 1968. Got to know Ron Silliman, David Melnick, and other 
poets. Dropped out of grad school, worked in SF, then returned to 
Ithaca, NY where he earned both an MFA and a PhD (dissertation on George 
Oppen). Also got involved in Ithaca House press, which published first 
books by Ron Silliman, David Melnick, and Bob Perelman, among others. He 
published his first book of poems, Sterling 403, in 1971, and began 
teaching at George Washington University in 1974. Other books include 
The Forty Days (1975), Shrine, Shelter, Cave (1980), and Holding 
Obsidian (1985). Chax Press published Huge Haiku this year.

Chuck Stebelton works as Literary Program Manager at Woodland Pattern 
Book Center, a non-profit arts organization in Milwaukee, and co-curates 
the Myopic Poetry Series, a weekly series of readings and occasional 
talks at Myopic Books in Chicago. He is the author of Circulation 
Flowers (Tougher Disguises, 2005) and Precious, an Answer Tag chapbook. 
Newer work appears in recent issues of Antennae, Jubilat, LVNG, Verse, 
and Chain 12: Facts. In June, 2005, along with Marcella Durand, Kristin 
Prevallet, Rich ORussa and Kimberly Lyons, he read his work as part of 
the Inspiration of Astronomical Phenomena conference at Adler 
Planetarium in Chicago; and recently collaborated with Cindy Loehr on 
Revival, "a cathedral of flame with a pre-recorded oration inside."

============================================


Written Next to a Page of Emerson

You should empower all the voices, since
what is strong enough makes a pattern of itself.
The sound of a line can make the next line easy.

Or thought can: further down you'll find
clear streams connecting unfathomed blanks.
Deeper still are the big rivers that make

the ground quake, the air chill and quick.
The landscape is glorious even if the music is
Unfamiliar. It makes the brave shiver.

Think about it: what do you care if you're lost?
Wouldn't you really rather hear the music? This
is after all the plot of earth where

those of us who think talk of music
can be music
talk.


-- David McAleavey//




THE NINETIES


Between 1929 and 1941

without changes, without an Ars


turned to summer and all

sold to the little peeps as pets


between 1939 and 1951

often hardens, so windows snow


collective desires to collect and share

between 1949 and 1961


twenty eight leap years ago
thirty head of lamb, sheep


between 1929 and 1941

between 1959 and 1971


-- Chuck Stebelton

From passages@rdrop.com Sun Dec 18 19:05:47 2005
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Subject: [Spare Room/Passages] Spectaculum -- call for submissions
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Submissions are currently being accepted for SPECTACULUM, an annual 
independent journal devoted to lengthy selections of poetic works, 
including long poems, series, selections, projects, and experimental 
forms. For details, please go to www.spectaculum-press.com.

From passages@rdrop.com Sun Dec 18 19:13:49 2005
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Subject: [Spare Room/Passages] Olympia Salon
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Announcing the 2006 Olympia Writers Salon!

Please join other writers on 21 January 2006 to participate in reading 
poetry or fiction.

The event will take place in Olympia, WA @ 1104 Pioneer Avenue NE at 4 
p.m. Please bring something to drink and your writings. Also, please 
RSVP or call with questions or suggestions.  Please also send this 
announcement on to other writers who might be interested!

Liberty Heise
360-561-1844
360-790-1592
liberty.heise@gmail.com

From passages@rdrop.com Wed Jan  4 00:23:23 2006
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Subject: [Spare Room/Passages] Gertrude Stein's Doctor Faustus: defunkt
	theatre, Jan 13 - Feb 18
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This is a multi-part message in MIME format.
--------------040604000205010202020401
Content-Type: text/plain; charset=windows-1252; format=flowed
Content-Transfer-Encoding: 8bit

I'm very excited and honored to be collaborating on this production, in 
the role of Mephisto.

I hope you can make it! Tell your friends!

DA

PS: the press release is attached as a Word document; please feel free 
to post it


===========================================


defunkt theatre proudly presents

Gertrude Steins electrically lyrical and humorously skewed take on a 
well-known legend:

Doctor Faustus Lights the Lights

at the Back Door Theater
4319 SE Hawthorne Blvd., Portland, Oregon

Friday 13 January through Saturday 18 February, 2006
Thursday  Saturday at 8:00 pm (no Thursday show on opening weekend)

Pay What You Will Thursdays
$10-15 Friday and Saturday
Opening Weekend is FREE

Reservations are encouraged, as space is limited
Call 503.481.2960 or go to www.defunktheatre.com

    Very likely the whole thing is extraordinary

With Doctor Faustus Lights the Lights, Gertrude Stein mischievously 
kicks out the door most everything we know about the Faust legend. 
Doctor Faustus has indeed sold his soul to the devil, but this time for 
the power to light the lights. At his home, with a young boy and a 
talkative (and overly thankful) dog, lighting the lights is all he does. 
Into this absurdly static life enters Marguerite Ida and Helena Annabel 
(one woman with two names), who claims to have been bitten (or stung?) 
by a viper and whose true power shines brighter than Faustus (and 
perhaps even than the devil) can imagine. Equal parts absurd comedy, 
musical, and dramatic poem, Doctor Faustus Lights the Lights teasingly 
defies expectations, easy summaries, and consistent genres, while 
presenting a wholly unique and timely take on a well-known story about 
knowledge as ultimate power.

In a series of dramatic poems and essays written over half a century, 
Gertrude Stein took apart, analyzed, and reconstructed the idea of the 
play, in the process bringing her famed literary cubism to the 
stage. Written in 1938, Doctor Faustus Lights the Lights marries Steins 
literary techniques to a familiar tale. Director Kristan Seemel (A 
Murder of Crows) transforms the Back Door Theater into an in-the-round 
performance space, letting the audience surround the action  and, in a 
unique move, has Doctor Faustus do just what the title implies . . . . 
Add songs, bizarre rhyme schemes, and ballets of lights, and thats just 
the beginning! defunkts Doctor Faustus Lights the Lights is a 
multifaceted, playful dive into the unpredictable and eccentric world of 
Gertrude Stein.

    I knew it I knew it the electric lights they told me so

with:

Amaya Villazan (Fuente Ovejuna), James Moore (Mud), Danika Stochosky 
(Killing Game), Nick Sherbo (The Outsiders), Ben Plont (A Murder of 
Crows), Melissa Kaiser (Faust.Us. version 2.0), Skeeter Greene (Flyin 
West), Brooke Fletcher (Boston Marriage), and David Abel (The Resurrectory)

design by:

kollodi & Chris Rousseau (set), Frances Binder & James Moore (lights), 
Matthew Marble (sound & music), Lori Sue Hoffman (costumes), and Naomi 
Mos (props)

    I am I am I



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Subject: [Spare Room/Passages] Cat Tyc & Cynthia Nelson, Sunday 1/22/06
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Spare Room Reading Series presents . . .

Cat Tyc

Cynthia Nelson

Sunday, January 22nd
7:30 pm

New American Art Union
922 SE Ankeny Street
$5 suggested donation.

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

February 12 margareta waterman: reading & publication party
February 26 Alan Halsey, Geraldine Monk, & Martin Corless-Smith
March 5 Jonathan Brannen & TBA
April 23 Joshua Clover & Cynthia Kimball

============================================

Cat Tyc is a writer/videomaker recently transplanted to Portland from 
New York. Her poems have been published in the UK based litzine, /The 
Rising/, and other journals including /Wide Angle/ and /New York 
Nights/, as well as the Web sites http://www.nthposition.com, 
http://www.surgeryofmodernwarfare.com and http://www.xcp.bfn.org. She 
has a short story in the Orpheus edition of the Tiny Myth Series, a 
print/audio project that focuses on one Greek myth per issue 
(http://pocketmyths.blogspot.com/). Her video installations have shown 
at The Construction Company in Manhattan, the Collision Machine space in 
Brooklyn, as part of the Brooklyn Art Councils Film and Video Festival 
in 2004 at the Brooklyn Museum of Art, and at Ladyfest East. Her next 
video installation, The Night the Whole World Caught on Fire, will 
premiere at Anthology Film Archives in NYC as part of the New Filmmakers 
Series this month.


Cynthia Nelson is a recent transplant to Portland although she has spent 
lots of time on the West Coast, and everywhere else in the U.S. for that 
matter. With her bands Ruby Falls, Retsin, The Naysayer, and Cynthia 
Nelson, she has toured and toured, a veritable vagabond. Living in New 
York City off and on for fourteen years had her wrangling with its 
poetry scene and publishing three collections with the then-fledgling 
Soft Skull Press, most recently The Kentucky Rules, which chronicles 
time spent living in Louisville. Her final opus to New York, Libertina 
Serenade, is due out next year. She recently completed her MFA in Poetry 
at Bard College, and a collection of her work there is called Space in a 
Barely Moment. With regards to Oregon, it is all she can do not to write 
about trees.


=============================================

from "The Gravity Line"

4.

Words can be recycled. Truly bio-degradable. The only thing she is truly 
sure is organic.

Meaning warrants it even though language does have its own anatomy.

A string of letters between white spaces made for the use of the eyes, 
ears and mouth to represent a multitude of belief and desire.

The meaning in a verb: to express existence, possession, action, motion.

Now make it all dissolve.

To separate apathy from incredible, concentrate stress and the lack 
thereof.

Alone with English, the perpetrator is a process; slurring, swallowing, 
and cutting corners.

Reconstructing this veil is kind of like eating dirt.

Her favorite kind only breeds certain kinds of trees.

She is better at this than with bottles.

Secretly a surrealist, obsessed with objects and their displacement.

Sometimes the transferred oils from hands.

In so many of the lost poems, she referred to holes in herself.

In one, she opened her rib cage to offer soup. But, unlike the others, 
she never referred to her neck.

Aware of the Lego model aesthetic, but not interested in commenting on it.

Surprised but not much so by the initial apprehension to Robert Franks 
honest but bleak representation of America, she yearns to live in a 
creepy Edward Hopper house.

She is left with a new fear of mail fraud.

-- Cat Tyc



It Was Winter


It was winter it was winter. But now its
Creepy winter. Much after six, the evening sun
Slants, newspapers blowing all over dead grass.
Scattering plastic bags we are still closed up.
We are not free to roam we have been tantalized.
We get false spring a lot. It makes winter harder.
Starts us working to the tune of spring. Mentally the
Winterwears been packed away. Cant continue on
Ice roads screaming for betterment. Buds are cocoons,
Turning over in their grey putty-wombs.

-- Cynthia Nelson



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Subject: [Spare Room/Passages] Piuma/Braucher/Marriot at Borders,
	Monday 1/9/06
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Spare Room organizer Chris Piuma
will be reading along with Karen Braucher and Martin Marriot
in the Borders Books "I Love Mondays!" series,  hosted by Dan Raphael.

He is planning to read a poem for each person who attends; if you are  
planning on attending, let him know (e-mail him at chris@flim.com) so he 
can make sure that you get your own personalized poem.


Monday, January 9th
7:00 pm. Free.

Borders
708 SW Third, Portland



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Subject: [Spare Room/Passages] Abel/Larkin/Ryan reading at Bold-Sky,
	January 30
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The Bold-Sky Cafe Reading Series features

David Abel, Maryrose Larkin, and Craig Ryan.

Monday, January 30
7:30 p.m.

Bold-Sky Cafe
3943 N. Mississippi Avenue (at Shaver)
Portland, OR


David Abel is a poet, performer, editor, and bookseller. His 
publications include a chapbook  of poems, several artist's books and 
objects created in collaboration with book artist Katherine Kuehn and 
the Salient Seedling Press; and most recently poems in the journals 
Spectaculum, envelope, and foArm. He is currently appearing as Mephisto 
in the defunkt theatre production of Gertrude Stein's Doctor Faustus 
Lights the Lights (Thursdays through Saturdays, through Feb. 18, at the 
Back Door Theater on Hawthorne; www.defunktheatre.com).

Maryrose Larkin has recently had poems in Bird Dog and Gut Cult, and  
has poems forthcoming in Fascicle. She is a member of the Spare Room  
Poetry Collective, and a former founder of the now defunct FLASH + CARD, 
a postcard press. A chapbook, Inverse, will be available from  nine 
muses books in 2006.

Craig Ryan is the author of two nonfiction books: The Pre-Astronauts and 
Magnificent Failure. He worked for many years in the computer industry, 
served as a consultant on television and radio documentaries, and is a  
long-time contibutor to the Oregonian Sunday book section. He currently 
teaches writing at Portland State University and in the public schools 
under the auspices of Community of Writers.

Bold-Sky Cafe is a uniquely creative restaurant and bar that combines  
food, drink, music, art and community. The monthly Bold-Sky Reading  
Series is an expression of our commitment to pair creative heroics with 
soul-satisfying food.

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Subject: [Spare Room/Passages] 
	Spare Room: margareta waterman, Sunday 2/12/06, 7:30 pm
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Spare Room Reading Series &

nine muses books

present


/iteration: poems 1974-2004/ margareta waterman

book release celebration and reading


Sunday, February 12th
7:30 pm

New American Art Union
922 SE Ankeny Street

Free admission

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

February 26 Alan Halsey, Geraldine Monk, & Martin Corless-Smith
March 5 Jonathan Brannen & TBA
April 15 Dan Raphael presents Poetland: 100 Portland Poets in 10 Venues
April 23 Joshua Clover & Cynthia Kimball
May 21 Crag Hill and Mark Owens


 ============================================


/i am not a poet because i write poetry
i am a poet because
everything
is grist for the mill
that grinds me into illumination
so that only words are left

whether i like it or not

/ **********

She has a way of taking command of her lines with a distinctive 
assurance that is not only generous, as she fills the cadences with 
enlivening and revelatory inflection, but also demanding, as twists of 
her phrasings most reward those who pay attention. . . . as the thirty 
year career represented here demonstrates, writers do well to take 
responsibility for seeing their work through from conception to 
publication, in performance and in print. . . .
     She has presented her work in Seattle venues . . . and traveled the 
country with it extensively: standing behind podiums, rocking and roving 
barefoot around the stage and through the aisles, and singing and 
chanting in performances that combine words and music. . . .
     Although just one entire musical performance, "now and other 
times," a collaboration with Stephen Fandrich, appears in these pages, 
music infuses waterman's work. Rather than regular rhyme or meter, she 
seems to rely on an innate sense of rhythm to drive these poems, a 
rhythm that arises naturally, as it were, from her voice . . . Line 
breaks that create short, sharply tuned phrases or phrases that play off 
common locutions, and repetition of certain lines help set the tempo . . .
     In these thirty years' worth of selections, the voices of lovers 
and gods, of protestors and travelers, of those who suffer and those who 
triumph may sing, yowl, whisper, and harangue, as her self, an aspect of 
herself, or in character of someone else altogether. . . .
     Whether grouped in more or less traditional stanza-like clumps or 
set in parallel columns with italics setting off some sections, her 
lines read as scripts, with keys for emphases and pauses. Her tendency 
to take the part of gods and goddesses as she explores classical themes, 
her forthright sexual imagery, and her political barrages all have a 
certain confidence about them: this is a woman who is used to calling 
the shots. . . .
     By presenting her work again in this format, outside of earlier 
contexts, waterman gives it a new and different look, particularly since 
she has, to cite the mathematics definition of iteration, applied 
herself to achieving a desired result by repeating a sequence of steps, 
always getting closer, in a quest that never ends."

     from the Introduction by Doug Nufer



the process is holographical. a poem comes. i read it. it speaks to me. 
to gather some poems for a reading or a book creates a further song, a 
meta-text. to vary the elements or even the order varies the meta-text. 
trying to gather correctly, truthfully, from a lifetime of poems, i find 
a landscape of expandable dimensions, a meta-space, familiar, without 
definition. somehow intrinsic. implicit, corollary.

and so i chose to make this book a general survey of my characteristic 
landscapes. i tried not to leave out essential elements of the fractal 
image i seem to have drawn, despite the uneven quality of the poems. it 
is not my skills and talents that i mean to exhibit, but the visions 
they are indentured to.

     from the author's /apologia

/

 ============================================


/
iteration: poems 1974-2004 /
nine muses books   isbn 1-878888-45-5   232 pages, decorated in gold and 
red
special celebration price $18
(for mail orders: add $2 for postage and make check payable to margareta 
waterman)

nine muses books   nine muses mystery theatre
3541 kent creek road
winston, oregon 97496
541-679-6674
*
*nine muses is a non-profit artists' collective. the design of each book 
is seen as a further step in the same creative process as produced the 
writings. performance poets used to working with painters dancers and 
musicians extend to the printed book some of the qualities of live 
multi-media performance; a blending of the poet's and the painter's eye 
gives the books an unusual degree of visual interest and beauty.





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1. Reminder:  Spare Room Reading Series & nine muses books present

*/iteration: poems 1974-2004/  margareta waterman*

book release celebration and reading

Sunday, February 12th, 7:30 pm
New American Art Union, 922 SE Ankeny Street
Free admission

=========================================

Advance notice . . . details imminent:


2. William Fox, slide talk
for his recently released book

Terra Antarctica:
Looking into the Emptiest Continent

Thursday 2/23, 7:00 pm
Broadway Books
1714 NE Broadway


3. William Fox & David Abel
poetry reading

Saturday 2/25, 7:30 pm
Dave's Jazz Basement
2943 SE Salmon


4. Spare Room presents three British poets:
Alan Halsey / Geraldine Monk / Martin Corless-Smith

Saturday 2/26, 7:30 pm
New American Art Union
922 SE Ankeny Street



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William Fox will be in Portland next week to give a slide talk and book 
signing:

Terra Antarctica: Looking into the Emptiest Continent 
(Trinity University Press)

Thursday Feb. 23 
7:00 pm
Broadway Books
1714 NE Broadway
Free admission

Terra Antarctica is a slide lecture about the history of artistic, 
cartographic, and scientific images of the Antarctic, the world's most 
isolated continent. Fox shows how human cognition reacts to deserts, and 
then, when our neurophysiology fails to cope with such large and 
apparently empty spaces, how we deploy cultural means such as maps and 
pictures to compensate. He also conducts a guided tour of the world's 
largest desert -- its frozen expanses, the world's southernmost active 
volcano, the South Pole, and the Dry Valleys where it has not rained for 
two million years. Along the way, he traces how its art has changed 
since the first paintings were made inside the Antarctic Circle in 1773.


William L. Fox is a writer, independent scholar, and poet whose work 
constitutes a sustained inquiry into how human cognition transforms land 
into landscape. His nonfiction books, which rely upon fieldwork with 
artists and scientists in extreme environments, include Driving by 
Memory; The Void, the Grid, and the Sign: Traversing the Great Basin; 
Playa Works; Terra Antarctica; and In the Desert of Desire: Las Vegas 
and the Culture of Spectacle. Reading Sand: Selected Desert Poems 
1976-2000 was published by the University of Nevada Press in 2002.



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Please join us for the second event in the basement salon series hosted 
by David Grooters and Robin Russel:


A poetry reading by William Fox and David Abel

Saturday Feb. 25
7:30 pm

Dave's Jazz Basement
2943 SE Salmon
(at the NW corner of Salmon and SE 30th, entrance on 30th)
$5 suggested donation


Bill Fox will be reading from a manuscript of new poems, some of which 
have appeared in the most recent issue of the Portland journal 
Spectaculum; this occasion will also be the prepublication release of 
David Abel's chapbook Black Valentine (Chax Press).



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Spare Room Reading Series

presents

Alan Halsey, Geraldine Monk, & Martin Corless-Smith

Sunday, February 26th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com

Upcoming readings:

March 5 Jonathan Brannen & Megan Kaminski
April 15 Dan Raphael presents Poetland: 100 Portland Poets in 10 Venues
April 23 Joshua Clover & Cynthia Kimball
May 21 Crag Hill and mARK oWEns

=========================================================

/Alan Halsey and Geraldine Monk launched the Spare Room series with a 
terrific reading to a packed house in March of 2002. We're thrilled to 
welcome them back, with their friend and collaborator Martin 
Corless-Smith. Don't wait another four years to hear them!
/
Alan Halsey, poet, visual artist, publisher, and bookseller, was born in 
London in 1949. He ran the legendary Poetry Bookshop in Hay-on-Wye, 
Hereford, from 1979 to 1996. In 1994 he founded West House Books, 
dedicated to publishing contemporary poetry, which he and Geraldine Monk 
run from Sheffield. Among his many books, a few recent titles include: 
Marginalien, The Text of Shelley's Death, Wittgenstein's Devil, Dante's 
Barber Shop (text and graphics), Days of '49 (with Gavin Selerie), Fit 
to Print (with Karen Mac Cormack), and Memory Screens (interactive CD 
documenting an "impossible book"); for more information on these and 
other titles, see www.westhousebooks.co.uk.

Geraldine Monk was born in Blackburn, Lancashire, in the north of 
England. Noctivagations, her 2001 collection of poetry and other texts, 
was described as "wild, erotic and deeply strange. A poetry that reveals 
the unspeakable weirdness of the everyday." It has also been written 
that she "writes with a sense of fury that is almost drowned out by 
laughter." With composer Martin Archer she has brought out two CDs, 
Angel High Wires and Fluvium; they are currently working on their third. 
Her recent books include Selected Poems (Salt, 2003) and Escafeld 
Hangings (West House Books, 2005).

Martin Corless-Smith was born and raised in Worcestershire, England. His 
books include Swallows (forthcoming in March from Fence Books), Nota 
(Fence Books), Complete Travels (West House Books), and Of Piscator 
(University of Georgia). He teaches literature and creative writing at 
Boise State University.

=========================================================

Mercurialis the Younger, frag. LXVII

you'll find Mercurialis' house at the edge
of the city -- protected by two stone dogs
either side of his front door --
everybody knows he's found his true lover
and they've planted their garden on a ledge
above the road with aconite, borage,
clematis and hellebore --
say they prefer to manage
a modest estate with a bog
they call a pond and a symposium of frogs

   -- Alan Halsey



Heat that Feb ice.   Spell melt.
T'wild frozen waters in that
ittered sky pelt downd
sunless pitch
jagged -- it pricks the
soft cheeky brains.  Afeard minds.

   -- Geraldine Monk



Tumultuous versions
Quite put out
Really popular version
Of this quit spirit
You'd not even recognize
The face of God or Love
If she peeked through the hedge
Offering herself
Anima climax
Mismanaged outfit
No legs in those trousers
Get home stay there

   -- Martin Corless-Smith

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Spare Room Reading Series

presents

Jonathan Brannen
     &
Megan Kaminski

Sunday, March 5th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

April 15 Dan Raphael presents Poetland: 80 Poets in 8 Hours in 8 Venues
April 23 Joshua Clover & Cynthia Kimball
May 21 Crag Hill & mARK oWEns
June 11 Chris Putnam & Ethan Fugate

=========================================================


Jonathan Brannen is the author of twelve collections of poetry and three 
collections of visual literature. His most recent books are 
/Deacessioned Landscapes/ (Chax Press, 2005) and /No Place To Fall/ 
(Sink Press, 1999). He currently resides in St. Paul, Minnesota.


A recent transplant to Portland, Megan Kaminski just completed her MFA 
in Creative Writing at UC Davis. Before that she went back and forth 
across the Atlantic, mostly between Los Angeles, Paris, and Casablanca. 
She is a poet -- as well as a sometimes finance director, dancer, 
writing instructor, and knitter extraordinaire.  Her work has appeared 
most recently in the current issue of /can we have our ball back?/ and 
forthcoming publications and performances include collaborations on a 
choral piece and a short film.


=========================================================


*Deaccessioned Landscapes 28*

Is time really an aspect of experience?
Words come back to haunt us re-echoing
in the breathless sky as imprecise
as cantaloupes asleep in the sun.
"Oranges and lemons," say the bells of Saint
Clements. "Reconstituted or squeezed freshly?"
ask the bells of Saint Presley too hot to touch
in the warm Memphis sun. On the porch
we're all ears. Green is green and doing
is doing and what is certain is certain
because it's certainly impossible.
Throw out the much of muchness. A dog has fleas
say the bells that just sneezed to keep it
from brooding about being a dog.

   -- Jonathan Brannen




*an atlas of trees in far away fields*


the table is not yet trembling
by the eastern hedge in the distant hills
contained in the atlas of memory and sky

leaves dissolve in my warm hands
in front of a grid of concrete and sun and blue

he told her about the importance of the absence of nothing
and sent some men to retrace the route with him

migratory birds do not return to the same tree

unable to distinguish between the burning and the burnt
we are only kept alive through repeated beginnings

I fell into their net of dust  

   -- Megan Kaminski


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William Fox
slide talk for his recently released book

Terra Antarctica: Looking into the Emptiest Continent

Thursday 2/23, 7:00 pm
Broadway Books
1714 NE Broadway
Free


= = = = = = = = = = = = = = = = = =


William Fox & David Abel
poetry reading

Saturday 2/25, 7:30 pm
Dave's Jazz Basement
2943 SE Salmon
(corner of Salmon and SE 30th; entrance on 30th)
$5 suggested donation


= = = = = = = = = = = = = = = = = =


Spare Room presents three British poets:

Alan Halsey / Geraldine Monk / Martin Corless-Smith

Saturday 2/26, 7:30 pm
New American Art Union
922 SE Ankeny Street
$5 suggested donation

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Apologies for perpetuating my old error --

this reading is Sunday evening


==================================

Spare Room presents three British poets:

Alan Halsey / Geraldine Monk / Martin Corless-Smith

Sunday 2/26, 7:30 pm
New American Art Union
922 SE Ankeny Street
$5 suggested donation

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This weekend

Spare Room Reading Series

presents

Jonathan Brannen
     &
Megan Kaminski

Sunday, March 5th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

April 15 Dan Raphael presents Poetland: 80 Poets in 8 Hours in 8 Venues
April 23 Joshua Clover & Cynthia Kimball
May 21 Crag Hill & mARK oWEns
June 11 Chris Putnam & Ethan Fugate



		
---------------------------------
Yahoo! Mail
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<pre><tt><tt>This weekend<br><br>Spare Room Reading Series<br><br>presents<br><br>Jonathan Brannen<br>     &amp;<br>Megan Kaminski<br><br>Sunday, March 5th<br>7:30 pm<br><br>New American Art Union<br>922 SE Ankeny Street<br><br>$5 suggested donation<br><br>www.flim.com/spareroom<br><a href="Compose?To=spareroom@flim.com&amp;YY=5916&amp;order=down&amp;sort=date&amp;pos=1">spareroom@flim.com</a><br><br><br>Upcoming readings:<br><br>April 15 Dan Raphael presents Poetland: 80 Poets in 8 Hours in 8 Venues<br>April 23 Joshua Clover &amp; Cynthia Kimball<br>May 21 Crag Hill &amp; mARK oWEns<br>June 11 Chris Putnam &amp; Ethan Fugate<br><br></tt></tt></pre><p>
		<hr size=1>Yahoo! Mail<br>
Bring photos to life! <a href="http://pa.yahoo.com/*http://us.rd.yahoo.com/evt=39174/*http://photomail.mail.yahoo.com">New PhotoMail </a> makes sharing a breeze. 

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Reading and book launch

Lindsay Hill, Contango (Singing Horse Press)

Jules Boykoff, Once Upon a Neoliberal Rocket Badge (Edge Books)


Monday, March 20
7:30 pm

Powell's on Burnside
Free


========================================================

from *Contango*



At the crest of the frozen coils


The advertising executive was having difficulty determining whether he 
was a feature or a benefit


He died trying


He noticed that when the turbulence subsided all the bodies on the 
bottom became visible


Im buried everywhere he said

/
-- Lindsay Hill/



*Frederick "Toots" Hibbert Meets U.S. Secretary of Defense Donald 
Rumsfeld in the Kingston, JA Hilton to discuss their swervingly 
divergent views on "Old Europe," the fading charade of sex symbology, & 
the ever-unfolding handcuffery of trumped up charges**

*I want you to believe every word I say.
I want you to believe everything I do.
A familiar song of Jamaican
nuptials always in a foreign tongue.
Night is a sweet & dandy
numb-bodied multiplication table
a pressure dropped threat
treadmill exploding into massivity
an alphabet of promises
for your theoretical inventory.
The glimmer of a laughing trove.
The cartography of debt.
Surveillance is just a fragrance
just a silent handshake in 1983
just a de-mimeographed tragedy
of also but not additionally
of sweet & dandy pressure
drop come home to say hi.

/ -- Jules Boykoff/






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Reading and book launch

Lindsay Hill, Contango (Singing Horse Press)

Jules Boykoff, Once Upon a Neoliberal Rocket Badge (Edge Books)


Monday, March 20
7:30 pm

Powell's on Burnside
Free


========================================================

from *Contango*



At the crest of the frozen coils


The advertising executive was having difficulty determining whether he 
was a feature or a benefit


He died trying


He noticed that when the turbulence subsided all the bodies on the 
bottom became visible


Im buried everywhere he said

/
-- Lindsay Hill/



*Frederick "Toots" Hibbert Meets U.S. Secretary of Defense Donald 
Rumsfeld in the Kingston, JA Hilton to discuss their swervingly 
divergent views on "Old Europe," the fading charade of sex symbology, & 
the ever-unfolding handcuffery of trumped up charges**

*I want you to believe every word I say.
I want you to believe everything I do.
A familiar song of Jamaican
nuptials always in a foreign tongue.
Night is a sweet & dandy
numb-bodied multiplication table
a pressure dropped threat
treadmill exploding into massivity
an alphabet of promises
for your theoretical inventory.
The glimmer of a laughing trove.
The cartography of debt.
Surveillance is just a fragrance
just a silent handshake in 1983
just a de-mimeographed tragedy
of also but not additionally
of sweet & dandy pressure
drop come home to say hi.

/ -- Jules Boykoff



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Mayor Tom Potter has made it official: for one day, Saturday April 15, 
Portland becomes Poetland.

Masterminded by Dan Raphael, more than 80 poets will read, for ten 
minutes each, in 9 locations, in less than 8 hours, in this 
unprecedented festival.

Spare Room is hosting one of the readings at our usual venue, New 
American Art Union, from 5:00 to 7:00 pm. See below for the lineup for 
each of the venues.

Note that some readings overlap; events are running simultaneously in 
two or more venues. Check times carefully, and make your itinerary!

Free admission to all readings.

On April 15, visit Poetland.



LOOKING GLASS BOOKS
318 SW Taylor

1:00 pm

Scott Poole
David Elsey
margareta waterman
Christine Brolliar
Thomas Lowe Taylor

2:00 pm

Douglas Spangle
Elizabeth Archer
Dennis McBride
Sean Patrick Hill
Turiya Autrey


MISSISSIPPI PIZZA PUB
3552 N. Mississippi

1:00 pm

Carlos Reyes
Daniel Sisco
Paulann Peterson
Sage Cohen
David Abel

2:00 pm

Bob Phillips
Flora Durham
Howard Aaron
Pat Vivian
Jay Thiemeyer


BROADWAY BOOKS
1714 NE Broadway

2:00 pm

Steve Sander
Patricia McLean
Lindsay Hill
Duane Poncey
Carla Perry

3:00 pm

Leanne Grabel
Per Fagereng
Maryrose Larkin
Tim Barnes
Penelope Schott


POWELLS BOOKS
1005 W Burnside

2:30 pm

Brittany Baldwin
John Hogl
Lisa Steinman
Pat Hathaway
James Shugrue

3:30 pm

Arlo Voorhees
Hazel Dodge
Geraldine Foote
Curtis Whitecarrol
Tom Blood


URBAN GRIND IN THE PEARL
911 NW 14th Avenue

3:30 pm

Haiku Inferno:
Frank DAndrea
Elizabeth Miller
Kevin Sampsell
Frayn Masters


RAKE GALLERY
325 NW 6th

4:00 pm

Verlena Orr
Kate Gray
Joel Barker
Endi Hartigan
James Grabill

5:00 pm

Lisa Radon
mARK oWENs
Paul Ash
Christyne Sisk
Trevino Brings Plenty


NEW AMERICAN ART UNION / SPARE ROOM
922 SE Ankeny

5:00 pm

Patrick Coleman
Gail Czerski
Katie Drabek
Jules Boykoff
Chris Piuma

6:00 pm

Kaia Sand
Jason Mashak
Daneen Bergland
Cat Tyc
Walt Curtis



BORDERS BOOKS
708 SW 3rd

5:30 pm

Christopher Luna
Jeff Sargent
Claire Sykes
Ken Palmer
Jose Knighton

6:30 pm

David Nelson
Joe Wheeler
Kelly Lenox Allan
Jeff Ettlin
Jim Martin


TUG BOAT BREWING
711 SW Ankeny

6:30 pm

Bill Shively
Chris Cottrell
Joyce McMahon
Ed Morris
Karen Braucher

7:30 pm

Casey Bush
Patrick Bocarde
Serena Blossom Appel
Laura Winter
Dan Raphael



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Spare Room Reading Series
presents


Joshua Clover

Cynthia Kimball


Sunday, April 23rd
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

May 21 Crag Hill & mARK oWEns
(at New American Art Union)

June 11 Chris Putnam & Ethan Fugate
(venue to be announced)

=====================================

Joshua Clover has written for the Village Voice for ten years, and the 
New York Times for one; in that time, has published one monograph on the 
film The Matrix, and two books of poetry: Madonna anno domini (LSU, 
1997), and The Totality for Kids (UC Press, 2006). He teaches in the 
English Department at UC Davis and is the proprietor of jane dark's 
sugarhigh! (www.janedark.com), a blog covering music, movies, poetry and 
politics. His favorite candies are Jujyfruits and Good'n'Plenty, and he 
loves Miranda Lambert and E-40.

Cynthia Kimball is a native of the Pacific Northwest, and the author of 
the author of Annotations for Eliza (Meow Press, 1997). She is hoping, 
after having spent one-sixth of her then-lifespan at SUNY-Buffalo, now 
to keep teaching at Portland Community College until the year 2021, at 
which point she will go back to school to study geology and nano-tech.

=====================================

Maoist Towelette

That was an adventure that it was that
Trail of words followed back toward
The capital where what adventure that it was
Not raining again in the capital that we
Met at the station under the clock
And took the funicular up to July it was
That July that was after that
In a small and drastic hotel room
That June of extreme modern that it was that
Matinal and blessuring June from which that
It was hard to distinguish the great
Overturnings from a jacquerie of knick-knacks
That had just like that been that May
Student linguistic worker May delirium
Where find the source of what that
What mark to mark where the trail begins
What slogan what slinky vagabond what
Tru-pure rupture disaster cherie!

-- Joshua Clover


from Transient Moorage

I. Watershed

Think of all the water moving everywhere right now
Dad said
at once I did begin

And with many fine devices I am going
toward the ocean a kind
of whiteness at the horizon

malachite forests unread
lines cross the sky there

Plotting along a palms
imprinted confluence
as the mind measures a
watery beat
that is not the pulse

Think now crossing now
everywhere right now

-- Cynthia Kimball



From passages@rdrop.com Sat Apr 22 15:48:54 2006
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	Joshua Clover/Cynthia Kimball
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Spare Room Reading Series presents

Joshua Clover & Cynthia Kimball


Sunday, April 23rd
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

May 21 Crag Hill & mARK oWEns
(at New American Art Union)

June 11 Chris Putnam & Ethan Fugate
(venue to be announced)

=====================================

Joshua Clover has written for the Village Voice for ten years, and the 
New York Times for one; in that time, has published one monograph on the 
film The Matrix, and two books of poetry: Madonna anno domini (LSU, 
1997), and The Totality for Kids (UC Press, 2006). He teaches in the 
English Department at UC Davis and is the proprietor of jane dark's 
sugarhigh! (www.janedark.com), a blog covering music, movies, poetry and 
politics. His favorite candies are Jujyfruits and Good'n'Plenty, and he 
loves Miranda Lambert and E-40.

Cynthia Kimball is a native of the Pacific Northwest, and the author of 
the author of Annotations for Eliza (Meow Press, 1997). She is hoping, 
after having spent one-sixth of her then-lifespan at SUNY-Buffalo, now 
to keep teaching at Portland Community College until the year 2021, at 
which point she will go back to school to study geology and nano-tech.

=====================================

Maoist Towelette

That was an adventure that it was that
Trail of words followed back toward
The capital where what adventure that it was
Not raining again in the capital that we
Met at the station under the clock
And took the funicular up to July it was
That July that was after that
In a small and drastic hotel room
That June of extreme modern that it was that
Matinal and blessuring June from which that
It was hard to distinguish the great
Overturnings from a jacquerie of knick-knacks
That had just like that been that May
Student linguistic worker May delirium
Where find the source of what that
What mark to mark where the trail begins
What slogan what slinky vagabond what
Tru-pure rupture disaster cherie!

-- Joshua Clover


from Transient Moorage

I. Watershed

Think of all the water moving everywhere right now
Dad said
at once I did begin

And with many fine devices I am going
toward the ocean a kind
of whiteness at the horizon

malachite forests unread
lines cross the sky there

Plotting along a palms
imprinted confluence
as the mind measures a
watery beat
that is not the pulse

Think now crossing now
everywhere right now

-- Cynthia Kimball

From passages@rdrop.com Sat May 13 01:31:10 2006
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Subject: [Spare Room/Passages] Sunday May 21: Crag Hill & mARK oWEns
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Spare Room Reading Series

presents


Crag Hill

mARK oWEns


Sunday, May 21st
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

June 11 Chris Putnam & Ethan Fugate
(note: this reading will take place at the Portland Art Center)

July 16 Anne Gorrick & TBA
New American Art Union

=====================================


For eight years Mark Owens has been playing with concepts of language 
through the means of visual poetry, sound poetry, mail art, 
installation, performance, video, and photography.

Last year his visual poems were exhibited in the SoundVision / 
VisionSound III show at the Nave Gallery in Somerset, Massachusetts, and 
in the Land and Language exhibition at The Land/An Art Site in 
Mountainair, New Mexico, and he performed his Sign Event in NYC at 
Times Square.

He participated in the Fluxus Festival in Nice, France, in 2003, and had 
a solo show at the Casa de La Palabra in Guadalajara, Mexico, in 2001.

Curator of Spare Room's Sound Poetry Festivals in 2003 and 2004, his 
work has been published recently in the periodicals envelope, fo_a_rm, 
Ferrum Wheel, flim, and Take Out.

For this reading, his poems will be presented via video projection and 
performance.


Say this. There is a sentence
in my mouth.
Michel Palmer

So his speaking is a loop. Of
interior and outside.
Leslie Scalapino

Language does what it does most eloquently and least destructively when 
we let go the reins and give it its head . . . . it is a matter of 
feeling our way into the tiniest crevices of that language wants to do . 
. . a surrender . . . in which we can resonate.
Donnel Stern

Thought is made in the mouth.
Tristan Tzara



Crag Hill is a mountain in the North Western part of the English Lake 
District.

Crag Hill lives at 1015 NW Clifford Street, Pullman WA 99163.

It was formerly known as Eel Crag; however, the Ordnance Survey now mark 
Eel Crag as referring to the northern crags of the fell. It overlooks 
the valleys of Rannerdale on the west, and Coledale on the east.

Coeditor and publisher of Score (now Spore) magazine since 1983, and 
coeditor of /Writing to Be Seen/ (the first U.S. anthology of visual 
poetry in thirty years), Hill's books include /Another Switch/ (Norton 
Coker Press), /Yes James, Yes Joyce/ (Loose Gravel Press), /Dict: A 
Bridge/ (Xexoxial Endarchy), /The Week/ (Runaway Spoon Press), /American 
Standard/ (Runaway Spoon Press), and /Sixixix/ (Xexoxial Endarchy).

It is the second highest fell in the area of high ground between 
Whinlatter and Newlands, second to Grasmoor. It is 839 m (2753 feet) 
high, and has a relative height of 117 m.

Hill's tastes in poetry are eclectic, "ranging from expansive Walt 
Whitman to microscopic P. Inman, from traditional lyric technique 
embodied by James Galvin, Louise Gluck, through Olson, Creeley, Duncan, 
Eigner, Blackburn, Ginsberg, Snyder to the exploratory Coolidge, 
Silliman, Jake Berry, and others."

It is usually ascended as the highest point of the Coledale Horseshoe, a 
circuit of Coledale which takes in Causey Pike, Scar Crags, Sail and 
Grisedale Pike; other ascents are from Braithwaite, Stair or Buttermere.




=====================================


mostly standing water



small but necessary

each time with concomitant space



nuclear comedy

remembering to excavate



yawn of trapeze

now seems more evident



sundry

delay of synapse



book slid across carpeted floor

native tongues



slow and seemingly random

absolutes


-- Crag Hill









From passages@rdrop.com Tue May 16 19:32:35 2006
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Subject: [Spare Room/Passages] New reading series: May 27, Buuck, Cohen,
	& Sprage
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You are invited to attend the inaugural poetry reading of the Tangent 
Reading Series:

David Buuck (Oakland, CA)
Alicia Cohen (Portland)
Jane Sprague (Long Beach, CA)

will read their work on Saturday May 27 at 6:30 p.m.

Clinton Corner Caf
2633 SE 21st Ave.
(Corner of SE Clinton St. and 21st Avenue)


Reader bios:

David Buuck lives in Oakland, where he coedits Tripwire, and organizes 
BARGE, the Bay Area Research Group in Enviro-aesthetics. He is 
contributing editor at Artweek, and a grad student in the History of 
Consciousness program at UC-Santa Cruz.

Alicia Cohen is a poet, artist, critic, and teacher living in Portland. 
Her book of poems, Bear, was published by Handwritten Press in 2000 and 
in 2003 she wrote, directed, and produced a multimedia opera and gallery 
installation about Portland called Northwest Inhabitation Log. Recently 
a visiting professor of English at Reed College, she holds a PhD in 
poetics from SUNY Buffalo.

Jane Sprague's poems and reviews of contemporary art and poetry have 
been published in a variety of places including kultureflash, Kiosk, 
ecopoetics, Tinfish, Bird Dog and others. Her chapbooks include monster: 
a bestiary, break / fast, The Port of Los Angeles and fuck your 
pastoral. She is currently completing a book of poems that deal with 
globalization, ecology, and commerce as it is played out daily in the 
ports of Los Angeles and Long Beach, California where she currently lives.



From passages@rdrop.com Sat May 20 22:45:35 2006
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Subject: [Spare Room/Passages] Reminder: Crag Hill/mARK oWEns, Sunday 5/21,
	7:30 pm
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Spare Room Reading Series

presents


Crag Hill

mARK oWEns


Sunday, May 21st
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

June 11 Chris Putnam & Ethan Fugate
(note: this reading will take place at the Portland Art Center)

July 16 Anne Gorrick & TBA
New American Art Union


=====================================


For eight years Mark Owens has been playing with concepts of language 
through the means of visual poetry, sound poetry, mail art, 
installation, performance, video, and photography.

Last year his visual poems were exhibited in the SoundVision / 
VisionSound III show at the Nave Gallery in Somerset, Massachusetts, and 
in the Land and Language exhibition at The Land/An Art Site in 
Mountainair, New Mexico, and he performed his Sign Event in NYC at 
Times Square.

He participated in the Fluxus Festival in Nice, France, in 2003, and had 
a solo show at the Casa de La Palabra in Guadalajara, Mexico, in 2001.

Curator of Spare Room's Sound Poetry Festivals in 2003 and 2004, his 
work has been published recently in the periodicals envelope, fo_a_rm, 
Ferrum Wheel, flim, and Take Out.

For this reading, his poems will be presented via video projection and 
performance.


Say this. There is a sentence
in my mouth.
Michel Palmer

So his speaking is a loop. Of
interior and outside.
Leslie Scalapino

Language does what it does most eloquently and least destructively when 
we let go the reins and give it its head . . . . it is a matter of 
feeling our way into the tiniest crevices of that language wants to do . 
. . a surrender . . . in which we can resonate.
Donnel Stern

Thought is made in the mouth.
Tristan Tzara



Crag Hill is a mountain in the North Western part of the English Lake 
District.

Crag Hill lives at 1015 NW Clifford Street, Pullman WA 99163.

It was formerly known as Eel Crag; however, the Ordnance Survey now mark 
Eel Crag as referring to the northern crags of the fell. It overlooks 
the valleys of Rannerdale on the west, and Coledale on the east.

Coeditor and publisher of Score (now Spore) magazine since 1983, and 
coeditor of /Writing to Be Seen/ (the first U.S. anthology of visual 
poetry in thirty years), Hill's books include /Another Switch/ (Norton 
Coker Press), /Yes James, Yes Joyce/ (Loose Gravel Press), /Dict: A 
Bridge/ (Xexoxial Endarchy), /The Week/ (Runaway Spoon Press), /American 
Standard/ (Runaway Spoon Press), and /Sixixix/ (Xexoxial Endarchy).

It is the second highest fell in the area of high ground between 
Whinlatter and Newlands, second to Grasmoor. It is 839 m (2753 feet) 
high, and has a relative height of 117 m.

Hill's tastes in poetry are eclectic, "ranging from expansive Walt 
Whitman to microscopic P. Inman, from traditional lyric technique 
embodied by James Galvin, Louise Gluck, through Olson, Creeley, Duncan, 
Eigner, Blackburn, Ginsberg, Snyder to the exploratory Coolidge, 
Silliman, Jake Berry, and others."

It is usually ascended as the highest point of the Coledale Horseshoe, a 
circuit of Coledale which takes in Causey Pike, Scar Crags, Sail and 
Grisedale Pike; other ascents are from Braithwaite, Stair or Buttermere.




=====================================


mostly standing water



small but necessary

each time with concomitant space



nuclear comedy

remembering to excavate



yawn of trapeze

now seems more evident



sundry

delay of synapse



book slid across carpeted floor

native tongues



slow and seemingly random

absolutes


-- Crag Hill



From passages@rdrop.com Tue May 23 20:00:51 2006
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Cc: 
Subject: [Spare Room/Passages] 
	Spare Room on KBOO: Talking Earth, Monday 5/29, 10 pm
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This coming week on KBOO's Talking Earth program, Spare Room will join 
host Barbara LaMorticella to talk about poetry and the Spare Room 
reading series. Hope you can tune in, 90.7 FM in the Portland area, or 
online at www.kboo.fm


TALKING EARTH:
MONDAY MAY 29 10-11 pm:

Since 2002, the Portland literary collective Spare Room has presented 
more than fifty monthly readings and special events focused on 
experimental poetry. On tonight's Talking Earth, Lindsay Hill, Maryrose 
Larkin, Mark Owens, Chris Piuma, and David Abel of the collective will 
discuss what "experimental" poetry means to them (reading examples and 
playing recordings), and how Spare Room stands in Portland as an 
engagement with, and portal to, such work.


From passages@rdrop.com Fri May 26 14:27:42 2006
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Subject: [Spare Room/Passages] Reminder: Cohen/Buuck/Sprague reading,
	Saturday 5/27
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You are invited to attend the inaugural poetry reading of the Tangent 
Reading Series:

David Buuck (Oakland, CA)
Alicia Cohen (Portland)
Jane Sprague (Long Beach, CA)

will read their work on Saturday May 27 at 6:30 p.m.

Clinton Corner Caf
2633 SE 21st Ave.
(Corner of SE Clinton St. and 21st Avenue)


Reader bios:

David Buuck lives in Oakland, where he coedits Tripwire, and organizes 
BARGE, the Bay Area Research Group in Enviro-aesthetics. He is 
contributing editor at Artweek, and a grad student in the History of 
Consciousness program at UC-Santa Cruz.

Alicia Cohen is a poet, artist, critic, and teacher living in Portland. 
Her book of poems, Bear, was published by Handwritten Press in 2000 and 
in 2003 she wrote, directed, and produced a multimedia opera and gallery 
installation about Portland called Northwest Inhabitation Log. Recently 
a visiting professor of English at Reed College, she holds a PhD in 
poetics from SUNY Buffalo.

Jane Sprague's poems and reviews of contemporary art and poetry have 
been published in a variety of places including kultureflash, Kiosk, 
ecopoetics, Tinfish, Bird Dog and others. Her chapbooks include monster: 
a bestiary, break / fast, The Port of Los Angeles and fuck your 
pastoral. She is currently completing a book of poems that deal with 
globalization, ecology, and commerce as it is played out daily in the 
ports of Los Angeles and Long Beach, California where she currently lives.

From passages@rdrop.com Tue May 30 11:49:46 2006
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	Tue, 30 May 2006 11:49:46 -0700 (PDT)
Cc: 
Subject: [Spare Room/Passages] C.E. Putnam & Ethan Fugate,
 Sunday June 11th -- *AT PORTLAND ART CENTER*
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Spare Room Reading Series

presents


C.E. Putnam

Ethan Fugate


Sunday, June 11th
7:30 pm

Portland Art Center
32 NW 5th Avenue
www.portlandart.org

PLEASE NOTE THE LOCATION FOR THIS READING
(we will return to the New American Art Union in July)

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

Sunday, July 16th, 7:30 pm
New American Art Union
Anne Gorrick
Chris Piuma

August:
Daniel Comiskey & TBA

September and beyond:
Nico Vassilakis, Mary Burger, Kaia Sand, Maryrose Larkin, and many more

==============================================================

After a year away in Bangkok, Thailand, C.E. Putnam has returned to 
Seattle, Washington, where he maintains
P.I.S.O.R. (The Putnam Institute for Space Opera Research). Some of his 
chapbooks include /Manic Box/ (2001), /Did you ever hear of a thing like 
that? /(2001), and /Things Keep Happening/ (2003). /Monkey Puzzle, Bird 
Dog, Pom2, Ixnay, Pavement Saw, Tin Fish, Skanky Possum, lungfull!/ and 
http://canwehaveourballback.com/6putnam.htm contain some of his 
writings. He will be reading from a new manuscript in process, a series 
of Lessons, Tales and TimeSpace-Travelogues entitled /This Bunny is 
Making Me Happy/.


Ethan Fugate is the author of self published chapbooks /Pneumatics/ and 
/The Weight of the Sea in a Lazyboy Next Door/. His work has recently 
appeared in /The Brooklyn Rail/ and at Puppyflowers.com, and poems from 
the "Lazyboy" series may be heard on Tangent Radio at 
http://www.thetangentpress.org/radio.htm. Ethan is a coeditor of the 
journal POM2. He lives in Brooklyn with his beagle Coltrane and is 
currently finishing a book-length version of the "Lazyboy" poems.

==============================================================


Lesson 1: Even the little mice inside the walls could
not hear the silent tapping.



The earth-bound spirits were the first to write
by using pictures for words.


The Earth is in the shape of an orange.


The King was pleased with this orange
and granted the Monkeys a boon
by plunging them into working
for Mistress Cologne Factories.


This being the Golden Age of our surface ancestors

strumming their feathers.



The voice again: the red sea talking


I started smoking again

her yellow

flesh and bread.



We heard the cry of the wild
chicken we couldnt get
a word in.



There is a picture of what I had
already eaten in my whole life.

A long row of baby chicks.


BUNNY caresses the tender ones
3 strokes for Evol Deeds they carried out.



I was Death, looking
at the 400 trees
I spent seven
weeks beneath.


Everyone in our town is boring: only watching water
find its way back to the ocean.


A bedspread smeared
blood!
Dont turn here
I know a faster way.



And finally, if you respect me
have a deep astonishment
for those released from
their woe after I wipe
the glasses

I will show you
how to grind the mouse
meat into sweet
smelling scents.

-- C.E. Putnam



ALL I HAVE TO DO IS SNAP MY FINGERS

I know how to
put a song inside
your head.

Wide-screen adventure
and obsession with rain.
This dog is named Lousy.

Five pair dice and moonlight.
Time to suck in your stomach,
give your karaoke best.


This dog is named Terminal.


I know a way to implant this song.
Especially since it is a rain song
with five-part harmony and dogs.

If you put fresh vegetables in that rainy place
everyone would go there-even
the Tugboat people.

They don't name their dogs.
This dog is Bridge,
a little farther.


Experiments With Parallelograms is this dog's Indian name.


Should we even wait for the rain to shine?
For the mad lightning to power
the new mad science,

or just hit the bar and let Kay Sara,
(the drag queen) sing our blues away.
Call this pup The Charm.

A piano and some strings-
in the background the cartographer
meddles with a song about a dog.


The rain shining
has it.

-- Ethan Fugate

From passages@rdrop.com Thu Jun  8 02:32:42 2006
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Cc: 
Subject: [Spare Room/Passages] Reminder: Putnam/Fugate reading, Sunday 6/11
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Spare Room Reading Series presents

C.E. Putnam & Ethan Fugate

Sunday, June 11th, 7:30 pm

*Portland Art Center *
32 NW 5th Avenue
www.portlandart.org

PLEASE NOTE THE LOCATION FOR THIS READING
(we will return to the New American Art Union in July)

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

Sunday, July 16th, 7:30 pm
New American Art Union
Anne Gorrick
Chris Piuma

August and beyond:
Daniel Comiskey, Nico Vassilakis, Mary Burger, Kaia Sand, Maryrose 
Larkin, and many more

==============================================================

After a year away in Bangkok, Thailand, C.E. Putnam has returned to 
Seattle, Washington, where he maintains
P.I.S.O.R. (The Putnam Institute for Space Opera Research). Some of his 
chapbooks include /Manic Box/ (2001), /Did you ever hear of a thing like 
that? /(2001), and /Things Keep Happening/ (2003). /Monkey Puzzle, Bird 
Dog, Pom2, Ixnay, Pavement Saw, Tin Fish, Skanky Possum, lungfull!/ and 
http://canwehaveourballback.com/6putnam.htm contain some of his 
writings. He will be reading from a new manuscript in process, a series 
of Lessons, Tales and TimeSpace-Travelogues entitled /This Bunny is 
Making Me Happy/.


Ethan Fugate is the author of self published chapbooks /Pneumatics/ and 
/The Weight of the Sea in a Lazyboy Next Door/. His work has recently 
appeared in /The Brooklyn Rail/ and at Puppyflowers.com, and poems from 
the "Lazyboy" series may be heard on Tangent Radio at 
http://www.thetangentpress.org/radio.htm. Ethan is a coeditor of the 
journal POM2. He lives in Brooklyn with his beagle Coltrane and is 
currently finishing a book-length version of the "Lazyboy" poems.

==============================================================


Lesson 1: Even the little mice inside the walls could
not hear the silent tapping.



The earth-bound spirits were the first to write
by using pictures for words.


The Earth is in the shape of an orange.


The King was pleased with this orange
and granted the Monkeys a boon
by plunging them into working
for Mistress Cologne Factories.


This being the Golden Age of our surface ancestors

strumming their feathers.



The voice again: the red sea talking


I started smoking again

her yellow

flesh and bread.



We heard the cry of the wild
chicken we couldnt get
a word in.



There is a picture of what I had
already eaten in my whole life.

A long row of baby chicks.


BUNNY caresses the tender ones
3 strokes for Evol Deeds they carried out.



I was Death, looking
at the 400 trees
I spent seven
weeks beneath.


Everyone in our town is boring: only watching water
find its way back to the ocean.


A bedspread smeared
blood!
Dont turn here
I know a faster way.



And finally, if you respect me
have a deep astonishment
for those released from
their woe after I wipe
the glasses

I will show you
how to grind the mouse
meat into sweet
smelling scents.

-- C.E. Putnam



ALL I HAVE TO DO IS SNAP MY FINGERS

I know how to
put a song inside
your head.

Wide-screen adventure
and obsession with rain.
This dog is named Lousy.

Five pair dice and moonlight.
Time to suck in your stomach,
give your karaoke best.


This dog is named Terminal.


I know a way to implant this song.
Especially since it is a rain song
with five-part harmony and dogs.

If you put fresh vegetables in that rainy place
everyone would go there-even
the Tugboat people.

They don't name their dogs.
This dog is Bridge,
a little farther.


Experiments With Parallelograms is this dog's Indian name.


Should we even wait for the rain to shine?
For the mad lightning to power
the new mad science,

or just hit the bar and let Kay Sara,
(the drag queen) sing our blues away.
Call this pup The Charm.

A piano and some strings-
in the background the cartographer
meddles with a song about a dog.


The rain shining
has it.

-- Ethan Fugate


From passages@rdrop.com Wed Jul  5 13:40:27 2006
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	Wed, 05 Jul 2006 13:40:27 -0700 (PDT)
Cc: 
Subject: [Spare Room/Passages] Anne Gorrick & Chris Piuma, Sunday July 16th
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Spare Room Reading Series

presents


Anne Gorrick

Chris Piuma


Sunday, July 16th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

August 6: Stephen Vincent & TBA

September 24: Daniel Comiskey & Kaia Sand


Anne Gorrick's visit to Portland is supported in part by a travel grant 
from the New York Foundation for the Arts.


================================================================

In addition to being a bookmaker, Anne Gorrick also works in encaustic, 
printmaking and traditional Japanese papermaking. She lives in New 
Yorks Hudson Valley. Collaborating with artist Cynthia Winika, she 
recently produced a limited edition artists book called /Swans, the 
ice, she said/ through the Womens Studio Workshop in Rosendale, NY. 
Her work has appeared in: /American Letters and Commentary/, /Cortland 
Review, Dislocate, Fence, Goodfoot, Gutcult, Hunger, MiPOesias, No Tell 
Motel, Seneca Review, Sulfur /and/ word for/word.
/

Chris Piuma is one of the Spare Room organizers. He also has a band, the 
Minor Thirds, who are working on their fourth album, /Nebraska from 
Afar/. His poetry has not appeared in many places -- a little magazine 
here, an installation over twenty acres of New Mexican desert there -- 
because there are few people who have asked him for poems to publish. He 
has, however, unexpectedly been involved in dancing (with Linda Austin's 
Boris & Natasha Dancers) and theatre (with a role in Liminal's 
production /The Resurrectory/) in the past few years, only because 
people have asked him. He does what is asked of him, is the moral of 
this biographical statement.

================================================================

/for Joanie Lunsford// /

This Pyrex appears exquisite!



/for Karen Jaffe/

He is the poster boy
for boys who pose on posters.


-- Chris Piuma




The August Garden


Even A Japanese maple assembled from pennies
Three summers of hydrangeatotal: tit-high brown
heart splittingly
my In wind, hot light and gold
sunk into the green of August
Even my conscience gardens
conscience The back deck is a ship filled with pink germaniums
the pink of a sugar refinery
White alyssum rubs against an intelligent blue
gardens A germination factory!

The small garden has shifted from the I
to that of the entire world
Hydrangeas tit-high: pink brown and blue
When color is a verb
Not much the flowers
in addition the heart is wonderful splittingly

Azaleas are small in accumulation
The azalea spring is a type of factory
The center splendid splittingly

Fact: Hours are amended and clear
Augusts gold sunk inside green
it will Fact: it will come out and snap off by winter
The garden dozes beside its reputation
come Shepherds Purse floats over deep-red, top dark
Colors freeze to death in the christophii allium
out Gorgeous with hazard

We open up the hours
Cyan, the salvia, ascension
Deep red and high that it is dark
A confidential room open for suggestions
The end of apprehend
Gorgeous with intelligence and danger

Check against the authoritative text
and you will find the hour has opened
the gold sunk into an internal green
Facts are exterior, gasps
are Controls put in place against
the founded text, the open hour
descended In August, the wind and the gold
are descended from all forms of green
from all Blue-dark, fresh white
Green noises rearrange into dark red by night
forms The Japanese maple: an attempt at possibility
and its factory of subordinate components
of Compare the tree to the idea that germinates it
green Its green intelligence is splittingly dangerous

-- Anne Gorrick


From passages@rdrop.com Sat Jul 15 12:13:32 2006
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Cc: 
Subject: [Spare Room/Passages] Reminder: Chris PIuma/Anne Gorrick,
	Sunday 7/16
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Spare Room Reading Series

presents


Anne Gorrick

Chris Piuma


Sunday, July 16th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

August 6: Stephen Vincent & David Abel
September 24: Daniel Comiskey & Kaia Sand
October 8: Mary Burger & TBA
November 12: Elizabeth Arnold & Patrick Hartigan


Anne Gorrick's visit to Portland is supported in part with funds from 
the Strategic Opportunity Stipends (SOS) program through the New York 
Foundation for the Arts and the New York State Council on the Arts, 
administered in the Mid-Hudson region by the Garrison Art Center.


================================================================

In addition to being a bookmaker, Anne Gorrick also works in encaustic, 
printmaking and traditional Japanese papermaking. She lives in New 
Yorks Hudson Valley. Collaborating with artist Cynthia Winika, she 
recently produced a limited edition artists book called /Swans, the 
ice, she said/ through the Womens Studio Workshop in Rosendale, NY. 
Her work has appeared in: /American Letters and Commentary/, /Cortland 
Review, Dislocate, Fence, Goodfoot, Gutcult, Hunger, MiPOesias, No Tell 
Motel, Seneca Review, Sulfur /and/ word for/word.
/

Chris Piuma is one of the Spare Room organizers. He also has a band, the 
Minor Thirds, who are working on their fourth album, /Nebraska from 
Afar/. His poetry has not appeared in many places -- a little magazine 
here, an installation over twenty acres of New Mexican desert there -- 
because there are few people who have asked him for poems to publish. He 
has, however, unexpectedly been involved in dancing (with Linda Austin's 
Boris & Natasha Dancers) and theatre (with a role in Liminal's 
production /The Resurrectory/) in the past few years, only because 
people have asked him. He does what is asked of him, is the moral of 
this biographical statement.

================================================================

/for Joanie Lunsford// /

This Pyrex appears exquisite!



/for Karen Jaffe/

He is the poster boy
for boys who pose on posters.


-- Chris Piuma




The August Garden


Even A Japanese maple assembled from pennies
Three summers of hydrangeatotal: tit-high brown
heart splittingly
my In wind, hot light and gold
sunk into the green of August
Even my conscience gardens
conscience The back deck is a ship filled with pink germaniums
the pink of a sugar refinery
White alyssum rubs against an intelligent blue
gardens A germination factory!

The small garden has shifted from the I
to that of the entire world
Hydrangeas tit-high: pink brown and blue
When color is a verb
Not much the flowers
in addition the heart is wonderful splittingly

Azaleas are small in accumulation
The azalea spring is a type of factory
The center splendid splittingly

Fact: Hours are amended and clear
Augusts gold sunk inside green
it will Fact: it will come out and snap off by winter
The garden dozes beside its reputation
come Shepherds Purse floats over deep-red, top dark
Colors freeze to death in the christophii allium
out Gorgeous with hazard

We open up the hours
Cyan, the salvia, ascension
Deep red and high that it is dark
A confidential room open for suggestions
The end of apprehend
Gorgeous with intelligence and danger

Check against the authoritative text
and you will find the hour has opened
the gold sunk into an internal green
Facts are exterior, gasps
are Controls put in place against
the founded text, the open hour
descended In August, the wind and the gold
are descended from all forms of green
from all Blue-dark, fresh white
Green noises rearrange into dark red by night
forms The Japanese maple: an attempt at possibility
and its factory of subordinate components
of Compare the tree to the idea that germinates it
green Its green intelligence is splittingly dangerous

-- Anne Gorrick



Anne Gorrick's visit to Portland is supported in part with funds from 
the Strategic
Opportunity Stipends (SOS) program through the New York Foundation for
the Arts and the New York State Council on the Arts, administered in
the Mid-Hudson region by the Garrison Art Center.

From passages@rdrop.com Mon Jul 24 02:02:52 2006
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	Stephen Vincent <steph484@pacbell.net>
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Spare Room Reading Series

presents


Stephen Vincent

David Abel


Sunday, August 6th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

September 24: Daniel Comiskey & Kaia Sand
October 8: Mary Burger & Nico Vassilakis
November 12: Elizabeth Arnold & Patrick Hartigan

================================================================

Poet, essayist, editor, and long-time resident of San Francisco, Stephen 
Vincent was founder, publisher, and editor of Momo's Press and Shocks 
magazine in the nineteen-seventies. During the eighties and early 
nineties, he was the founding Director of Bedford Arts, Publishers, 
which became an internationally renowned publisher of art books.

Stephen Vincent's most recent books of poetry include Walking (Junction 
Press), A Walk Toward Spicer (Cherry On the Top Press), and two ebooks, 
Sleeping With Sappho (http://www.fauxpress.com/e/vincent/), and Triggers 
(http://www.shearsman.com/pages/books/ebooks/ebooks_home.html). Walking 
Theory is scheduled for publication in 2007.

Vincent maintains a popular blog of new poetry, art, and political 
commentary, occasionally including photos  
(http://stephenvincent.net/blog), and has recently returned from a 
reading tour that included the Soundeye Poetry Festival in Cork, 
Ireland, and Glasgow and Edinburgh, Scotland.



David Abel has the most extraordinary air of self-satisfaction. Yet, if 
we stop to examine those Chinese writings of his that he so 
presumptuously scatters about the place, we find that they are full of 
imperfections. Someone who makes such an effort to be different from 
others is bound to fall in people's esteem, and I can only think that 
his future will be a hard one. He is a gifted man, to be sure. Yet, if 
one gives free rein to one's emotions even under the most inappropriate 
circumstances, if one has to sample each interesting thing that comes 
along, people are bound to regard one as frivolous. And how can things 
turn out well for such a man?  (Diary of Murasaki Shikibu)

================================================================

from Triggers:

Ascend and dive
and don't tell me a thing
I've got a good love on the loose

A wet madrone, skin pealing, its bone bare trunk

Never stop for thought,
especially when the going's good

She's inside me, then out,
tactile as a banana or something to munch
Spasms spring tender illuminations
mauve and pink -

I am a young man now and a young man then:
Live live live.

     -- Stephen Vincent




Past's coast is peril's shipwreck

Coast's past is shipwreck's peril

Shipwreck's peril is past's coast

Peril's coast is shipwreck's past



Street's father is package's acid

Tube's marker is holiday's chain

Bucket's knot is hearsay's skirt

Shuffle's schedule is solstice's mold


     -- David Abel




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Eclipse

A sound installation by John Berendzen and David Abel

August 3 through September 3

Light & Sound Gallery
Portland Art Center
Free admission

Opening reception: First Thursday, August 3, 6:00 - 10:00 pm

Artist's talk: Thursday, August 24, 7:00 pm

In the ten-channel sound installation Eclipse, text and vocals by David 
Abel are harmonically and spatially treated by composer and electronic 
sound designer John Berendzen.

Portland Art Center
32 NW 5th Avenue (at Couch, downtown)
503-236-3322 www.portlandart.org
Gallery hours: Wed. - Sun., 12:00 - 6:00 pm

==========================================================

Also opening August 3, and on exhibit through September 3 at Portland 
Art Center:

Main Gallery

Focus Group
Installation by Houston

Focus Group is a selection of sculptures, photographs and video from a 
series called Market Penetration, begun in 2003. The work is produced by 
"Houston" a logo, a brand, a group or an individual. The work has the 
look and feel of consumer-grade mass-production, and along with the logo 
on each piece, suggests "product." Like a product line, the pieces share 
a color palette, materials and textures. They act as props arranged to 
create a narrative, a psychological space, a sense of a ritualistic 
moments caught in stasis. The elements diagram the American Spirit, 
through the form of 'product' and branded experience.

Waiting Room
Installation by Scott Wayne

Waiting Room is composed of 39 axes lodged into the ceiling. The space 
below will remain open, taunting a viewer to experience 39 axes hovering 
12 feet above. The axes will be installed into a 12ft x 12ft section of 
the ceiling.


Open Space Gallery

Art Media Employees: Past and Present

David Mosher, one of the owners of Art Media, has made contact with many 
of the past employees, many who are still working artists, for an 
exhibit of their work. Past employees will be joined by Art Medias 
current employees, whos art you often see in the Art Media Employee 
Window Gallery on 9th and Yamhill.




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 Vincent/Abel reading, Sunday 8/6
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Eclipse: A sound installation by John Berendzen and David Abel

August 3 through September 3

Opening reception: First Thursday, August 3, 6:00 - 10:00 pm

Light & Sound Gallery
Portland Art Center
32 NW 5th Avenue (at Couch, downtown)

503-236-3322 www.portlandart.org
Gallery hours: Wed. - Sun., 12:00 - 6:00 pm

==============================================================

Spare Room Reading Series presents

Stephen Vincent & David Abel

Sunday, August 6th, 7:30 pm
New American Art Union
922 SE Ankeny Street
$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com

Upcoming readings:

September 24: Daniel Comiskey & Kaia Sand
October 8: Mary Burger & Nico Vassilakis
November 12: Elizabeth Arnold & Patrick Hartigan
December 17: Tony Christy and Jules Boykoff

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	Saturday 8/12
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An illustrated lecture on artist's books
by Betty Bright

Saturday, August 12, 2:00 pm
U.S. Bank Room
Central Library
801 SW 10th Avenue
Free admission

=============================================

As part of the current exhibition in the Collins Gallery, "Treasures of
the John Wilson Special Collections," the Wilson room will present an
illustrated lecture by Betty Bright,

Betty Bright is an independent scholar, curator and teacher. She received
a doctorate in art history from the University of Minnesota, and is the 
author
of an important critical work, No Longer Innocent: Book Art in America,
1960-1980 (Granary Books, 2005), the first history to trace the emergence
of the artist's book in the United States during the 1960s and 1970s.
She co-founded the Minnesota Center for Book Arts, served as program
director for nine years, and curated more than 50 exhibitions.

The exhibition in the Collins Gallery at Central Library features work from
all areas of the Wilson Room's special collections, including contemporary
book arts. Artists exhibited include Catherine Alice Michaelis (May Day 
Press);
Emily Larned (Red Charming Press); Claire Van Vliet (Janus Press); Sandy
Tilcock (lone goose press); Jessica Spring (Springtide Press); Diane Jacobs
(Scantron Press), Jules Remedios Faye (Street of Crocodiles Printery), 
Chris
Stern (Grey Spider Press), and Kathy Kuehn (Salient Seedling Press).
Works by William Morris, Walter Hamady, and Leonard Baskin are also on 
display.

For more information, see 
http://www.multcolib.org/events/collins/treasuresjwsc.html
or contact John Wilson Special Collections Librarian Jim Carmin
at 503.988.6287 or jimc@multcolib.org.

Jim Carmin
John Wilson Special Collections Librarian
Multnomah County Library
801 SW 10th Avenue
Portland, OR 97205
jimc@multcolib.org
phone: 503-988-6287
fax: 503-988-5226


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	Daniel Comiskey & Kaia Sand
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Spare Room Reading Series

presents


Daniel Comiskey

Kaia Sand


Sunday, September 24th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

October 8: Mary Burger & Nico Vassilakis
November 12: Elizabeth Arnold & Patrick Hartigan

December 17: Tony Christy & Jules Boykoff
(location for December reading tba)

================================================================

Daniel Comiskey lives and works in Seattle. He was coeditor of /Monkey 
Puzzle/, a magazine of poetry and prose, and worked as literary manager 
for The Poet's Theater, which produced readings of dramatic works 
written by poets. He has collaborated with other poets on a number of 
projects, the most recent of which is the long poem "Crawlspace," 
written with C.E. Putnam and forthcoming from P.I.S.O.R. publications. 
His translations of Hu Xudong, produced in conjunction with Ying Qin, 
will appear later this year in the /Talisman Anthology of Contemporary 
Chinese Poetry/.


Kaia Sand is the author of the collection of poems /interval/ (Edge 
Books) and co-editor of the /Tangent/, which publishes a zine, 
pamphlets, and chapbooks. Her poetry most recently appeared in the 
/Ixnay Reader/; /Tool: A Magazine/ < http://www.toolamagazine.com/>; and 
an issue of /Dusie/ comprised entirely of chapbooks <www.dusie.org>. 
Work is forthcoming in /McSweeney's Quarterly Concern /and /Effing 
Magazine/. She lives in Portland, Oregon.

================================================================


Did


hopped first
shook twice

fizzed close
talked spot

filled moon
tripped road

built wave
tubbed big

treed smell
bused west

had way more at home


-- Daniel Comiskey



I know you through girlish glasses
I do love all your faces
A vanity is a bureau
Can I age compellingly
Can I age completely
My father was a sweetheart
Hes loosening the steering wheel
Hes tamping down the starter
He will no longer transport us
He will no longer transport us
He will no longer transport us
He will no longer transport us
He will no longer transport us
Im a woman with a last name
All my words are in the dictionary
My body is not Freedom Plaza
Im a whisper in the amphitheater
A deserter reporting why
Poaching soybeans in the county
He will no longer transport us
I cannot stomach that pretension
But all of you are so very lovely
Ive armed this poem with small pistols
Id mortgage our swooning t.v.
Im no apple-fearing woman
I do love all your faces
But he will no longer transport us
Im a woman reporting why

-- Kaia Sand (previously published in /PomPom Magazine/)


From passages@rdrop.com Thu Sep 21 23:18:43 2006
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Spare Room Reading Series

presents


Daniel Comiskey

Kaia Sand


Sunday, September 24th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

October 8: Mary Burger & Nico Vassilakis
November 12: Elizabeth Arnold & Patrick Hartigan
December 17: Tony Christy & Jules Boykoff
(Note: December 17 reading at Portland Art Center)

================================================================

Daniel Comiskey lives and works in Seattle. He was coeditor of /Monkey
Puzzle/, a magazine of poetry and prose, and worked as literary manager
for The Poet's Theater, which produced readings of dramatic works
written by poets. He has collaborated with other poets on a number of
projects, the most recent of which is the long poem "Crawlspace,"
written with C.E. Putnam and forthcoming from P.I.S.O.R. publications.
His translations of Hu Xudong, produced in conjunction with Ying Qin,
will appear later this year in the /Talisman Anthology of Contemporary
Chinese Poetry/.


Kaia Sand is the author of the collection of poems /interval/ (Edge
Books) and co-editor of the /Tangent/, which publishes a zine,
pamphlets, and chapbooks. Her poetry most recently appeared in the
/Ixnay Reader/; /Tool: A Magazine/ < http://www.toolamagazine.com/>; and
an issue of /Dusie/ comprised entirely of chapbooks <www.dusie.org>.
Work is forthcoming in /McSweeney's Quarterly Concern /and /Effing
Magazine/. She lives in Portland, Oregon.

================================================================


Did


hopped first
shook twice

fizzed close
talked spot

filled moon
tripped road

built wave
tubbed big

treed smell
bused west

had way more at home


-- Daniel Comiskey



I know you through girlish glasses
I do love all your faces
A vanity is a bureau
Can I age compellingly
Can I age completely
My father was a sweetheart
Hes loosening the steering wheel
Hes tamping down the starter
He will no longer transport us
He will no longer transport us
He will no longer transport us
He will no longer transport us
He will no longer transport us
Im a woman with a last name
All my words are in the dictionary
My body is not Freedom Plaza
Im a whisper in the amphitheater
A deserter reporting why
Poaching soybeans in the county
He will no longer transport us
I cannot stomach that pretension
But all of you are so very lovely
Ive armed this poem with small pistols
Id mortgage our swooning t.v.
Im no apple-fearing woman
I do love all your faces
But he will no longer transport us
Im a woman reporting why

-- Kaia Sand (previously published in /PomPom Magazine/)


From passages@rdrop.com Tue Sep 26 21:40:19 2006
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	October 8: Mary Burger & Nico Vassilakis
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Spare Room Reading Series

presents


Nico Vassilakis

Mary Burger


Sunday, October 8th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

November 12: Elizabeth Arnold & Patrick Hartigan
December 17: Tony Christy & Jules Boykoff
(*Note:* December reading at Portland Art Center, 32 NW 5th)

Coming up in early 2007:
Kate Greenstreet & Janet Holmes; Mark Wallace & Lorraine Graham;
John Olson, Maryrose Larkin, and more . . .



================================================================

Nico Vassilakis comes from NYC, but lives in Seattle. An ex-wife said, 
Thrum. He is a founder of the Subtext Collective. A recent guest editor 
of White Wall of Sound #35 - Northwest Concrete & Visual Poetry. Latest 
chapbook, ASKEW is available from bcc press and a forthcoming chap, POND 
RING, from 9muses press.


Mary Burgers book Sonny, a narrative prose work about the Manhattan 
Project and the failures of ethical reason, was published in 2005 by 
Leon Works. Mary is coeditor of Biting the Error: Writers Explore 
Narrative (Coach House, 2004), an anthology of critical essays on 
experimental narrative, and also coedits the companion Web site 
Narrativity. Since 1998, she has edited Second Story Books, publishing 
new works of experimental narrative with emphasis on cross-genre 
writing. An Apparent Event: A Second Story Books Anthology was published 
in 2006.

================================================================


In other words, you see.

Distraction in the natural world is functional.

Tension applied to the next few feet of material is material.

The busyness of ideas accrues forming a larger non-idea.

Surprise of a handwritten end losing its loveliness.

The lump sum of delirious collisions make an alphabet restored.

As formula becomes lip-synched routine so do clouds make rain.

Twine line long strands of chewing gum pulled from the mouth.

The encrusted deflated diligent ability of signs & fractures.

Hourly return of soils & a name derived by chance share common strands.

Nostalgia for risk is wanting more risk than can be mentioned.

Than can be mentioned in bird watching societies.

One location is the new york city broadcasting system.

Bone density of a flower caught in negative spindles.

Repeating color fields actually detract from its significance.

Classically what emanates from a point is not another dot but circles.

For convenience the river was disfigured to suite the local economy.

Deceit in this situation made the table of edibles unappetizing.

Moving within time we are forced to create a timeline of ourselves.

The true measure of a person is metric.

-- Nico Vassilakis




A Certain Kind of Consciousness


Modernisms after-image, we say, these clean lines, we knew all along 
what they were for.

We make the soft break from a certain kind of consciousness, its hard 
to measure what it took. This consciousness dares to say, Im not 
asking. This consciousness dares to fall apart under questioning. This 
consciousness is inadequate, and yet it takes place. This consciousness 
proceeds without procedure. This consciousness cannot stand aside and 
provide a map to visitors. This consciousness might make for a mild, 
poignant feature article -- /musty fifth-floor walkup, newspapers 
stacked floor to ceiling with rabbit-warren pathways in between, 
sunlight and street noise filter in through an unseen window, in the 
kitchen a single energy-saving fluorescent bulb, a heavy 
restaurant-grade ceramic coffee mug, chipped, a porcelain sink with rust 
stains where the faucet had dripped for forty years/.

-- Mary Burger

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Subject: [Spare Room/Passages] [Local events] Sunday,
	October 8: Mary Burger & Nico Vassilakis
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Spare Room Reading Series

presents


Nico Vassilakis

Mary Burger


Sunday, October 8th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

November 12: Elizabeth Arnold & Patrick Hartigan
December 17: Tony Christy & Jules Boykoff
(*Note:* December reading at Portland Art Center, 32 NW 5th)

Coming up in early 2007:
Kate Greenstreet & Janet Holmes; Mark Wallace & Lorraine Graham;
John Olson, Maryrose Larkin, and more . . .



================================================================

Nico Vassilakis comes from NYC, but lives in Seattle. An ex-wife said, 
Thrum. He is a founder of the Subtext Collective. A recent guest editor 
of White Wall of Sound #35 - Northwest Concrete & Visual Poetry. Latest 
chapbook, ASKEW is available from bcc press and a forthcoming chap, POND 
RING, from 9muses press.


Mary Burgers book Sonny, a narrative prose work about the Manhattan 
Project and the failures of ethical reason, was published in 2005 by 
Leon Works. Mary is coeditor of Biting the Error: Writers Explore 
Narrative (Coach House, 2004), an anthology of critical essays on 
experimental narrative, and also coedits the companion Web site 
Narrativity. Since 1998, she has edited Second Story Books, publishing 
new works of experimental narrative with emphasis on cross-genre 
writing. An Apparent Event: A Second Story Books Anthology was published 
in 2006.

================================================================


In other words, you see.

Distraction in the natural world is functional.

Tension applied to the next few feet of material is material.

The busyness of ideas accrues forming a larger non-idea.

Surprise of a handwritten end losing its loveliness.

The lump sum of delirious collisions make an alphabet restored.

As formula becomes lip-synched routine so do clouds make rain.

Twine line long strands of chewing gum pulled from the mouth.

The encrusted deflated diligent ability of signs & fractures.

Hourly return of soils & a name derived by chance share common strands.

Nostalgia for risk is wanting more risk than can be mentioned.

Than can be mentioned in bird watching societies.

One location is the new york city broadcasting system.

Bone density of a flower caught in negative spindles.

Repeating color fields actually detract from its significance.

Classically what emanates from a point is not another dot but circles.

For convenience the river was disfigured to suite the local economy.

Deceit in this situation made the table of edibles unappetizing.

Moving within time we are forced to create a timeline of ourselves.

The true measure of a person is metric.

-- Nico Vassilakis




A Certain Kind of Consciousness


Modernisms after-image, we say, these clean lines, we knew all along 
what they were for.

We make the soft break from a certain kind of consciousness, its hard 
to measure what it took. This consciousness dares to say, Im not 
asking. This consciousness dares to fall apart under questioning. This 
consciousness is inadequate, and yet it takes place. This consciousness 
proceeds without procedure. This consciousness cannot stand aside and 
provide a map to visitors. This consciousness might make for a mild, 
poignant feature article -- /musty fifth-floor walkup, newspapers 
stacked floor to ceiling with rabbit-warren pathways in between, 
sunlight and street noise filter in through an unseen window, in the 
kitchen a single energy-saving fluorescent bulb, a heavy 
restaurant-grade ceramic coffee mug, chipped, a porcelain sink with rust 
stains where the faucet had dripped for forty years/.

-- Mary Burger
_______________________________________________
Local events/Spare Room/Passages mailing list
Unsubscription requests to passages@rdrop.com


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	10/14
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 From Jules Boykoff and Kaia Sand:


Please join us for the second installment of The Tangent Reading Series.

Come celebrate the release of Maryrose Larkins Inverse from nine muses 
books!

Witness Brooklyn, New York bumping bellies with Portlands own Brooklyn 
neighborhood!

Allison Cobb (Brooklyn, NY)
Jen Coleman (Brooklyn, NY)
Maryrose, Larkin (Portland)

will read their work on Saturday, 14 October at 6:30 p.m.

Clinton Corner Caf
2633 SE 21st Ave.
(Corner of SE Clinton St. and 21st Avenue)

Admission is free.

Reader bios:

Allison Cobb is the author of Born 2 (Chax Press), Cell (Portable 
Press), The Little Box Book (Situation Press) and co-author with Jen 
Coleman and CE Putnam of Communal Bebop Canto (50 Cents Off Press). She 
is also co-editor of POM2 magazine. She was born in Los Alamos, New 
Mexico, as was the atomic bomb. She now lives in Brooklyn, New York.

Jen Colemans poetry has appeared in Chain, Tolling Elves, Ixnay Reader, 
Tangent radio and more. She's also co-author of the chapbook Communal 
Bebop Canto with CE Putnam and Allison Cobb. She is also co-editor of 
POM2 magazine. Born in Minneapolis, she now lives in Brooklyn, New York.

Maryrose Larkin lives in Portland, Oregon, where she works as a 
freelance researcher. She is the author of Inverse (nine muses books), 
Whimsy Daybook 2007 (FLASH+CARD), and the forthcoming Book of Ocean 
(i.e. press). Maryrose is part of Spare Room, a group of people who 
organize readings and other events in Portland.


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Subject: [Spare Room/Passages] Ofelia Zepeda, 10/13, PSU
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O'odham Poems as Stories of a People
Ofelia Zepeda

Friday, October 13, 7:00 pm

Native American Student & Community Center, PSU
(SW Broadway & Jackson)

Admission: $10-20 sliding scale


The Natural Way, Indigenous Voices, a program of Earth & Spirit Council, 
invites you to a special presentation by MacArthur award winning poet 
and linguist Ofelia Zepeda.

Ofelia Zepeda is a poet and former director of the American Indian 
Studies Program at the University of Arizona. She was born and raised 
near the Tohono O'odham (Papago) and Akimel O'odham (Pima) reservations 
of Arizona and received her B.A., M.A., and Ph.D. from the University of 
Arizona. She is currently a professor of linguistics there and is 
considered the foremost authority in Tohono O'odham language and 
literature. In 1999, she was awarded a MacArthur Fellowship for her work 
as a linguist, poet, editor, and community leader devoted to maintaining 
and preserving Native American languages and to revitalizing tribal 
communities and cultures.

Co-sponsored by Ecotrust and the American Indian Science and Engineering 
Society.

More information at www.earthandspirit.org


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Subject: [Spare Room/Passages] Reminder: Sunday 10/8,
	Mary Burger/Nico Vassilakis
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Spare Room Reading Series

presents


Nico Vassilakis

Mary Burger


Sunday, October 8th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

November 12: Elizabeth Arnold & Patrick Hartigan
December 17: Tony Christy & Jules Boykoff
(*Note:* December reading at Portland Art Center, 32 NW 5th)

Coming up in early 2007:
Kate Greenstreet & Janet Holmes; Mark Wallace & Lorraine Graham;
John Olson, Maryrose Larkin, and more . . .



================================================================

Nico Vassilakis comes from NYC, but lives in Seattle. An ex-wife said,
Thrum. He is a founder of the Subtext Collective. A recent guest editor
of White Wall of Sound #35 - Northwest Concrete & Visual Poetry. Latest
chapbook, ASKEW is available from bcc press and a forthcoming chap, POND
RING, from 9muses press.


Mary Burgers book Sonny, a narrative prose work about the Manhattan
Project and the failures of ethical reason, was published in 2005 by
Leon Works. Mary is coeditor of Biting the Error: Writers Explore
Narrative (Coach House, 2004), an anthology of critical essays on
experimental narrative, and also coedits the companion Web site
Narrativity. Since 1998, she has edited Second Story Books, publishing
new works of experimental narrative with emphasis on cross-genre
writing. An Apparent Event: A Second Story Books Anthology was published
in 2006.

================================================================


In other words, you see.

Distraction in the natural world is functional.

Tension applied to the next few feet of material is material.

The busyness of ideas accrues forming a larger non-idea.

Surprise of a handwritten end losing its loveliness.

The lump sum of delirious collisions make an alphabet restored.

As formula becomes lip-synched routine so do clouds make rain.

Twine line long strands of chewing gum pulled from the mouth.

The encrusted deflated diligent ability of signs & fractures.

Hourly return of soils & a name derived by chance share common strands.

Nostalgia for risk is wanting more risk than can be mentioned.

Than can be mentioned in bird watching societies.

One location is the new york city broadcasting system.

Bone density of a flower caught in negative spindles.

Repeating color fields actually detract from its significance.

Classically what emanates from a point is not another dot but circles.

For convenience the river was disfigured to suite the local economy.

Deceit in this situation made the table of edibles unappetizing.

Moving within time we are forced to create a timeline of ourselves.

The true measure of a person is metric.

-- Nico Vassilakis




A Certain Kind of Consciousness


Modernisms after-image, we say, these clean lines, we knew all along
what they were for.

We make the soft break from a certain kind of consciousness, its hard
to measure what it took. This consciousness dares to say, Im not
asking. This consciousness dares to fall apart under questioning. This
consciousness is inadequate, and yet it takes place. This consciousness
proceeds without procedure. This consciousness cannot stand aside and
provide a map to visitors. This consciousness might make for a mild,
poignant feature article -- /musty fifth-floor walkup, newspapers
stacked floor to ceiling with rabbit-warren pathways in between,
sunlight and street noise filter in through an unseen window, in the
kitchen a single energy-saving fluorescent bulb, a heavy
restaurant-grade ceramic coffee mug, chipped, a porcelain sink with rust
stains where the faucet had dripped for forty years/.

-- Mary Burger

From passages@rdrop.com Tue Oct 17 15:30:26 2006
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Subject: [Spare Room/Passages] Poetry and music, Saturday 10/28: Larkin,
 Winter, Marx, Muller, and Powell
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Poetry and improvised music:
publication party for Take Out magazine

Saturday, October 28
7:00 p.m. doors open

Daves Jazz Cellar
2943 SE Salmon
(at the NW corner of SE 30th & Salmon,
entrance from SE 30th -- look for gate and sign)

$5 to $10 suggested donation. All proceeds go to the artists.

For more information: winterlaura@earthlink.net or 503-236-1887


Take Out #7 is in the bag. Come celebrate the release of this issue with 
a night of poetry and music improvisation. Poets Maryrose Larkin, Laura 
Winter, and Doug Marx, and musicians Torsten Mller (bass) and Garth 
Powell (drums/percussion) mix it up for a power packed evening of new 
sounds and visions

Take Out is a bag-a-zine of art, music and poetry from voices around the 
world. Gathered in a paper bag, the loose pages beg to be pulled out, 
mixed up and enjoyed!


Bio information on the performers:

Torsten Mller, Bass
Torsten lives in Vancouver, Canada where he curates the Time Flies 
Festival of Improvised Music. He has played in Portland most recently 
with Michael Zerang and Fred Lomberg-Holm. Torsten has performed 
concerts all over the world with diverse improvisers such as: Evan 
Parker, Jon Rose, Joelle Landre, John Zorn, Arto Lindsay, Lol Coxhill, 
Alexander Schlippenbach, Paul Lovens, Phil Minton, Charles Gayle, Peter 
van Bergen.

Garth Powell, Drums-Percussion-Composition
Garth lives in Santa Rose, California. Hes involved in numerous 
projects, most recently the Zen Widow project with Gianni Gebbia. You 
may have caught this project when they performed in Portland. Garth has 
performed all over the world with artists such as Steve Adams, Marshall 
Allen, Bonnie Barnett, Rob Blakeslee, Eugene Chadbourne, Nels Cline, 
Dominic Duvall, Gianni Gebbia, Phillip Greenlief, Vinny Golia, Mats 
Gustafsson, Henry Kaiser, Pauline Oliveros, Wadada Leo Smith, Glenn Spearman

Maryrose Larkin, Poetry
Maryrose lives in Portland, Oregon, where she works as a freelance 
researcher. She is the author of Inverse (nine muses books), Whimsy 
Daybook 2007 (FLASH+CARD), and the forthcoming Book of Ocean (i.e. 
press). Maryrose is part of Spare Room, a group of people who organize 
readings and other events in Portland.

Laura Winter, Poetry
Laura Winter lives in Portland. She is the publisher of TAKE OUT, now in 
its 10th year. She is the author of four poetry chapbooks, Stone Fog, 
skin into dust, No Gravy Baby and sleeping leaves. In addition to 
writing poetry, Laura is involved a variety of poetry/music projects 
that explore the percussive and tonal nature of words. Her writing 
follows the Objectivist tradition in the economy of language, 
crystalline images filled with music.

Doug Marx, Poetry
Doug lives in Portland as a poet, musician, teacher, land surveyor, 
Saturday night poker player and family guy, not necessarily in that 
order. His poems and essays have appeared in Willow Creek, Left Bank, 
The Alaska Review and Harpers Magazine, and many other journals and 
little magazines. His chapbook Sufficiency was an Oregon Book Award 
finalist in poetry.

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Subject: [Spare Room/Passages] Writers and Their Research, free panels,
	10/21 and 10/26
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Where imagination meets the world: writers and their research
Robin Cody, Martha Gies, & Robin Schauffler

Saturday, October 21, 1:00-2:30 p.m.

Central Library, U.S. Bank Room
SW 10th between Salmon and Taylor

How does research fit into our narratives, enriching them with texture 
and authenticity? How, when and where do we begin? Which questions -- 
architectural styles? train schedules? exchange rates? weather? -- need 
answers and which can we safely invent? In this panel, Portland writers 
Robin Cody, Martha Gies and Robin Schauffler talk about the role of 
research in their past and current work.



Binford Reading Series:
Martha Gies, Molly Gloss, Evan Morgan Williams

Thursday, October 26, 7:30 pm

The Old Library (Admin 200), BP John Administration Bldg.
Marylhurst University, 17600 Pacific Highway (Hwy 43), Marylhurst, OR 
97036-0261

Portland authors Martha Gies, Molly Gloss and Evan Morgan Williams 
discuss how research fits into a writer's narrative.

Martha Gies is the author of Up All Night (Oregon State University 
Press, 2004), and of many short stories and essays published over the 
last 30 years. She teaches at Lewis & Clark's Northwest Writing 
Institute and at an annual summer writing workshop in Veracruz.

Molly Gloss is the author of several award-winning novels, including The 
Jump-Off Creek and Wild Life. Her work, which ranges widely from science 
fiction to historical and Western, often explores questions of landscape 
and the human response to wilderness.

Evan Morgan Williams has published short stories in Alaska Quarterly 
Review, Northwest Review and numerous smaller magazines. His most recent 
work can be found in Alimentum, Fourth River and Ecotone. He teaches 
middle-school language arts in Portland.

For more information, contact the English Literature and Writing 
Department at 503.636.8141.

These events are funded in part by the Regional Arts & Culture Council.


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 From Melanie Noel:

Dear Portlanders & friends of Portlanders,

As you may know, the poetry bus will arrive in portland on Tuesday. It 
will be their second to last stop on an epic adventure through fifty 
cities in fifty days. They're among my favorite writers and I can't 
recommend the reading highly enough. If you are free, please come and 
hear them in your beautiful city of bridges.

Wave Books Poetry Bus: <http://www.poetrybus.com/about>

Tuesday, October 24
7:00 p.m.

Mississippi Studios
3939 N Mississippi Avenue

$5 suggested donation

PERFORMERS: Joshua Beckman, Edwin Torres, Matthew Zapruder, Travis 
Nichols, Christian Hawkey, Vis a Vis Society (Sierra Nelson and Rachel 
Kessler of The Typing Explosion), Dean Gorman, Scott Poole, Zhang Er, 
Edwin Torres, Philip Jenks, Lisa Fishman, Richard Meier, Michael Earl 
Craig, Crystal Curry




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Spare Room presents


Eugene Ostashevsky

Craig Foltz

Wayne Chambliss


Saturday, November 11
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

Sunday, November 12: Elizabeth Arnold & Patrick Hartigan

Saturday, December 9: J. Reuben Appelman, Adrian Kien, Tyler McMahon, 
and Erich Schweikher
(location TBA)

Sunday, December 17: Tony Christy & Jules Boykoff
Portland Art Center, 32 NW 5th (at Couch)

==========================================================

Eugene Ostashevsky's books of poetry include Iterature and Infinite 
Recursor Or The Bride of DJ Spinoza, both available through Ugly 
Duckling Presse. His work has also appeared in Best American Poetry, 
Jubilat, Boston Review, and Fence. A recipient of a 2005 poetry 
fellowship from NYFA, he also translates Russian absurdist literature of 
the 1930s, and is the editor of OBERIU: An Anthology of Russian 
Absurdism, published by Northwestern University Press.

Craig Foltz is a writer and multimedia artist whose work has appeared in 
numerous journals including; 14 Hills, Alaska Quarterly Review, Juxta, 
580 Split, and Fiction International among others. He has released two 
chapbooks on the sadly defunct Loudmouth Collective. A book of poetry, 
The 50 States and Washington, D.C., is forthcoming from Ugly Duckling 
Presse. His photos will be included in a group show at the Hoxie Gallery 
in Connecticut, Summer 07. He lives and works in New Zealand, on the 
slopes of a dormant volcano.

Wayne Chambliss is a poet and a translator. His work has recently 
appeared in Fence, jubilat, Octopus, Fascicle, The Germ, Drunken Boat, 
and other literary journals. He has a chapbook, The Traveling Salesman 
Problem (The Caitlins, 2006), and his translations of Andrea Zanzotto 
will be published in The Disappearing Pheasant: An Anthology of Italian 
Poetry 1950-2000 (Agincourt, 2007). Wayne moved to Portland from New 
York City earlier this year.

==========================================================


Dear Owl


Dear Owl
you have big eyes

feathers that stick in all different directions
you wake up

your panties are funny
You hear

the sounds words make
as they plead for life

thats all that remains
of the language of language

O Owl
among leaves

what is this forest
of letters, black light

of unintelligible suns
I cannot see

who I am
who you are

the difference between good and evil
the end of human desire

how to tell the truth
and why

Is this my life
Are you in it

-- Eugene Ostashevsky


Go -

stumbling on a past life in the head
of a microbrew. widmer hefeweizen and
fresh bread. if the willamette meets
the columbia it will be in spite of
phrasal construction. jars of water keep
unwanted words off of lawns. composting
strategies instead of wigwams. baroque
and dewish. the headlines proclaim a loser
before a winner. clyde the glide shoots
and misses. homeless kids in chinatown
rue the day. ween stagedive at the satyricon
means a kick in the head. still, beats
shakespeare in the foothills anyday. x-ray
cafe matinee. the long walk home from
dots cafe. a new york knicks cap abandoned
at mt hood. double u. pee. aye. shelley duvals
eyes bulge after they blink. the way that a yard
predates a meter. im with you. you say,
thats how well say it went down. a trestle
for planking. a bridge for a canyon. the big
houses of astoria are cluttered with parts
of speech. blow wind blow. a patio where
there used to be the roof of a mouth. deck chairs
for teeth. stay with me. the rain is nearly gone.

-- Craig Foltz


San Francisco Postcard 2

Like Seneca in his bath,
sunset crimsons the footpath
as a wedge of cranes, true to its course,
like a less-than sign, increases the North
by its migration.

The ossification
of rivers. Jackrabbit tracks. Stacks of wood.
Ensconced in the bed like a fossil, your dreams are black as mud:
a colossal expanse of empty tundra
too hard as yet, thank God, for ones going under.

-- Wayne Chambliss


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 part 2: Elizabeth Arnold & Patrick Hartigan, Sun. 11/12
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Spare Room Reading Series

presents


Elizabeth Arnold

Patrick Hartigan


Sunday, November 12th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

Saturday, December 9: J. Reuben Appelman, Adrian Kien, Tyler McMahon, 
and Erich Schweikher
(location TBA)

Sunday, December 17: Tony Christy & Jules Boykoff
Portland Art Center, 32 NW 5th (at Couch)

===================================================================


Elizabeth Arnold grew up in northeast Florida and attended Oberlin 
College and the University of Chicago. She is presently on the faculty 
at the Warren Wilson and University of Maryland MFA programs. Arnold has 
received a Whiting Writers Award and fellowships from the Fine Arts 
Work Center and the Institute for Advanced Studies at Radcliffe. Her 
poems and essays have appeared in /Slate/, /TriQuarterly/, 
/Conjunctions/, /Chicago Review/, /Pequod/, and Antioch Review. She 
discovered a complete, unpublished manuscript of the British poet Mina 
Loys novel, /Insel/, which she edited for Black Sparrow Press in 1991. 
Her first book of poems, /The Reef/, was published in 1999 by the 
University of Chicago Press. Her second, /Civilization/, appears this 
September from Flood Editions.

Patrick Hartigan lives in Portland, Oregon with his wife, Endi, and son, 
Jackson. He adds: "I have found that this statement is my one, true 
biographical statement -- that it does not state anything that either I, 
my friends, or a disinterested reader would take exception to."


===================================================================


AT KAXOB


In the first millennium BCE, in present-day Belize, a man
maybe in a dazed state after dinner, or in the morning, half-awake

saw how the objects in a room look different

from the doorway, say, or from the floor,
the house completely empty now, the air inside it still

so that perspective, once shifted, if only from a slightly tilted chin,

breathed the space alive. The man stood up and felt the difference,
built a platform, a little stage inside the room.

The pyramids came after that.

-- Elizabeth Arnold



Rockaway Visit

Look at the green all
this green the forest
is so green. Look how
green a forest can be

See the sky over seas
green and blue my eye
catches sky over seas
green or blue & green

Look at his face this
boy this look at this
face this man or look
at the trees the seas

-- Patrick Hartigan


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	Sunday
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Spare Room presents


Eugene Ostashevsky, Craig Foltz, & Wayne Chambliss

Saturday, November 11
7:30 pm

* * *

Elizabeth Arnold & Patrick Hartigan

Sunday, November 12
7:30 pm


New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings -- *please note days and locations*

Saturday, December 9
J. Reuben Appelman, Adrian Kien, Tyler McMahon, and Erich Schweikher
Concordia Coffee House, 2909 NE Alberta

Sunday, December 17
Tony Christy and Jules Boykoff
Portland Art Center, 32 NW 5th (at Couch)

==========================================================

Eugene Ostashevsky's books of poetry include /Iterature/ and /Infinite
Recursor Or The Bride of DJ Spinoza/, both available through Ugly
Duckling Presse. His work has also appeared in /Best American Poetry/,
/Jubilat/, /Boston Review/, and /Fence/. A recipient of a 2005 poetry
fellowship from NYFA, he also translates Russian absurdist literature of
the 1930s, and is the editor of /OBERIU: An Anthology of Russian
Absurdism/, published by Northwestern University Press.

Craig Foltz is a writer and multimedia artist whose work has appeared in
numerous journals including /14 Hills/, /Alaska Quarterly Review/, /Juxta/,
/580 Split/, and /Fiction International/. He has released two
chapbooks with the sadly defunct Loudmouth Collective. A book of poetry,
/The 50 States and Washington, D.C./, is forthcoming from Ugly Duckling
Presse. His photos will be included in a group show at the Hoxie Gallery
in Connecticut, Summer 07. He lives and works in New Zealand, on the
slopes of a dormant volcano.

Wayne Chambliss is a poet and a translator. His work has recently
appeared in /Fence, jubilat, Octopus, Fascicle, The Germ, Drunken Boat/,
and other literary journals. He has a chapbook, /The Traveling Salesman
Problem/ (The Caitlins, 2006), and his translations of Andrea Zanzotto
will be published in /The Disappearing Pheasant: An Anthology of Italian
Poetry 1950-2000/ (Agincourt, 2007). Wayne moved to Portland from New
York City earlier this year.

Elizabeth Arnold grew up in northeast Florida and attended Oberlin
College and the University of Chicago. She is presently on the faculty
at the Warren Wilson and University of Maryland MFA programs.
She discovered a complete, unpublished manuscript of the British poet
Mina Loys novel, Insel, which she edited for Black Sparrow Press in
1991. Her first book of poems, The Reef, was published in 1999 by the
University of Chicago Press. Her second, Civilization, appeared this
September from Flood Editions.

Patrick Hartigan lives in Portland, Oregon with his wife Endi and son
Jackson. He has published recently in /eye-rhyme, Hubbub, Great Bear
Deluxe, zyzzyva/, and/ Pacific Coast Journal/, and was coeditor of /
Spectaculum./ He works as a trademark paralegal at Stoel Rives LLP.
Patrick is seeking publication for the manuscript "Blue Combine."




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Spare Room Reading Series

presents

 From Boise with Love:
J. Reuben Appelman, Adrian Kien, Tyler McMahon, and Erich Schweikher


Saturday, December 9th
7:30 pm

Concordia Coffee House
2909 NE Alberta

free admission

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

December 17, 7:30 pm
Tony Christy & Jules Boykoff
Portland Art Center, 32 NW 5th

Coming up in early 2007:
Linda Russo & Joel Bettridge; John & Roberta Olson; Kate Greenstreet & 
Janet Holmes; Mark Wallace & Lorraine Graham; Susanne Dyckman; Elizabeth 
Treadwell; Maryrose Larkin & Catherine Daly; and more . . .

===============================================================

J. Reuben Appelman is currently at work producing the feature film, 
CHEMISTRY. He is a recent grant recipient from the Idaho Commission on 
the Arts, and his first collection of poems, MAKE LONELINESS, was an 
Action Books December Prize Finalist. He lives in Boise, Idaho.

Adrian Kien is a poet of little consequence. He lives in Boise, ID.
Adrian Kien is a poet and sometimes performance artist.
Adrian once met a taxidermist with whom he discussed wearing socks.
Adrian is well fed. Is your name Walter?
Adrian Kien is a poet who lives in Boise, ID where he teaches English. 
He reads poetry but he can read other stuff too, just ask him.
Adrian Kien is a poet. He is killing you right now and you don't even 
know it. He is like the sun.
Adrian Kien is a bilingual ungulate. Hear him moo.
Adrian Kien lives and teaches in Boise, ID where he is in his third year 
of the MFA program at Boise State University.

Tyler McMahon is an editor of the non-fiction anthology "Surfing's 
Greatest Misadventures" as well as of the literary magazine Cold-Drill. 
In 2005, he won the Glenn Balch award for fiction. Currently, Tyler 
teaches writing in Idaho and surfing in California.

Erich Schweikhers aspirations to play professional baseball ended in 
eighth grade when he couldnt hit a tight curveball. At the moment he is 
editing a cycling anthology and working as a tutor for Portland's public 
schools. Occasionally hell write a poem or two, maybe compose a few 
lines of prose.


From passages@rdrop.com Tue Dec  5 14:10:54 2006
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Spare Room Reading Series

presents

Tony Christy & Jules Boykoff


Saturday, December 17th
7:30 pm

Portland Art Center
32 NW 5th Avenue
(at the corner of Couch)

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

HAPPY NEW YEAR!

January 28 Linda Russo & Joel Bettridge
February ? Rebecca Loudon & TBA
March 19 Kate Greenstreet & Janet Holmes
March 25 Mark Wallace & Lorraine Graham


===============================================================

Tony Christy writes: "As a child I grew gills and drowned. My father was 
a scrap surgeon my mother a mitt mender. I worked in a restaurant full 
of half-stiffs and box bleeders; the customers ate the food, the servers 
ate the help. Upon graduation from the institute of technical friction I 
took a position with the broke bureau."

Jules Boykoff is the author of /Once Upon a Neoliberal Rocket Badge/ 
(Edge, 2006), /The Metal Sunset of Tomorow's Ascending Dissension/ 
(Dusie, 2006), & and a 'wee-chap' called /Gringostroika/, just out from 
Dusie Press. With Kaia Sand he co-curates the Tangent Reading Series in 
Portland. His poems have been
published recently or are forthcoming in /Tinfish,/ /Traffic,/ 
/XConnect,/ & the /Oregonian/. He lives
in Southeast Portland.

===============================================================

Excerpt from MINUTES ACTUEL

1) Wheel international 350 tractor model, pippin 120 Backhoe, Bucket 
14, Front 9 cu. Ft. backfill.
2) 1 Backhoe pippin bucket
BEARD & IMPLEMENT CO.,
1 Rubber massey ferguson mh 50 back-hoe tractor, buckets ..5,050.00
(Into first delivery divided upon payment)
1 J.I. 310 case industrial hydraulic end loader 101
1 Davis Model Back Hoe
1 Model wide dozer
1 65-20 loader backfill blade , 12 and 18 bucket loader
1 International davis 300 front special Shawnee net blade..$4,7809.00
A. Estimate #3 on Dake Sewer statement for work on said clean-u

Item J to be held up on paving etc. To meet in south part of city even 
if over-all plans on this matter were being explored for lots 5 and 6 
block from A B by B.L.
A quorum was transacted with prayer minutes not prepared in final form 
in connection with G heirs to develop price for information unanimously 
adopted by s. harry to wit:
/Whereas, to them a certain lying league of purposes using the same 
grounds as land for a dangerous ordinance and the shooting of all kinds 
of fire under advisement that the hertefore area conveyed in the event 
should not recover during construction. /
W.D.
E. A. Gibbs
Milligan
Early
Being absent, thus constituting a letter for a proposed bon ton to 
present action as matter of exception moved by B.F. whence repealed to 
confirm Citys unanimous yea:
Convened at City with following
Brack Gage rifle V.F.target interest headed a bon-ton to secure 70 
people on a 2 inch line and furnish them in behalf of toilets of pit 
type to check on elected wards number 2 and 4.

-- Tony Christy



Hope is a category, an object, a toothbrush, an unmarked door, a metric 
of leisure, a decolonized
mind. Hope is a volcano, a train platform, an island, a thumbtack, an 
impediment, a bombshell, an
intellectual pitbull
Or,
Hope Is a Full-Time Job


9. where death means death & not the end

9. where closer to closure means not quite there

9. whereas closer to closure, closer to fine

9. where finite closure meant death without end

9. where closure lived swimmingly without love in the end

9. whereas love in the end meant closure to that question

9. where closer to death meant fine thanks, fine thanks

9. where your moxie rocked up life without end

9. where death meant life on a highway without stars

9. where death meant life on a highway without stars

9. whereby whereas whereupon we must live

-- Jules Boykoff


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	Tony Christy and Jules Boykoff
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My apologies: Please disregard the incorrect date in the previous 
announcement.

===================================

Spare Room Reading Series

presents

Tony Christy & Jules Boykoff

*Sunday*, December 17th
7:30 pm

Portland Art Center
32 NW 5th Avenue
(at the corner of Couch)

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

HAPPY NEW YEAR!

January 28 Linda Russo & Joel Bettridge
February ? Rebecca Loudon & TBA
March 19 Kate Greenstreet & Janet Holmes
March 25 Mark Wallace & Lorraine Graham


===============================================================

Tony Christy writes: "As a child I grew gills and drowned. My father was 
a scrap surgeon my mother a mitt mender. I worked in a restaurant full 
of half-stiffs and box bleeders; the customers ate the food, the servers 
ate the help. Upon graduation from the institute of technical friction I 
took a position with the broke bureau."

Jules Boykoff is the author of /Once Upon a Neoliberal Rocket Badge/ 
(Edge, 2006), /The Metal Sunset of Tomorow's Ascending Dissension/ 
(Dusie, 2006), & and a 'wee-chap' called /Gringostroika/, just out from 
Dusie Press. With Kaia Sand he co-curates the Tangent Reading Series in 
Portland. His poems have been
published recently or are forthcoming in /Tinfish,/ /Traffic,/ 
/XConnect,/ & the /Oregonian/. He lives
in Southeast Portland.

===============================================================

Excerpt from MINUTES ACTUEL

1) Wheel international 350 tractor model, pippin 120 Backhoe, Bucket 
14, Front 9 cu. Ft. backfill.
2) 1 Backhoe pippin bucket
BEARD & IMPLEMENT CO.,
1 Rubber massey ferguson mh 50 back-hoe tractor, buckets ..5,050.00
(Into first delivery divided upon payment)
1 J.I. 310 case industrial hydraulic end loader 101
1 Davis Model Back Hoe
1 Model wide dozer
1 65-20 loader backfill blade , 12 and 18 bucket loader
1 International davis 300 front special Shawnee net blade..$4,7809.00
A. Estimate #3 on Dake Sewer statement for work on said clean-u

Item J to be held up on paving etc. To meet in south part of city even 
if over-all plans on this matter were being explored for lots 5 and 6 
block from A B by B.L.
A quorum was transacted with prayer minutes not prepared in final form 
in connection with G heirs to develop price for information unanimously 
adopted by s. harry to wit:
/Whereas, to them a certain lying league of purposes using the same 
grounds as land for a dangerous ordinance and the shooting of all kinds 
of fire under advisement that the hertefore area conveyed in the event 
should not recover during construction. /
W.D.
E. A. Gibbs
Milligan
Early
Being absent, thus constituting a letter for a proposed bon ton to 
present action as matter of exception moved by B.F. whence repealed to 
confirm Citys unanimous yea:
Convened at City with following
Brack Gage rifle V.F.target interest headed a bon-ton to secure 70 
people on a 2 inch line and furnish them in behalf of toilets of pit 
type to check on elected wards number 2 and 4.

-- Tony Christy



Hope is a category, an object, a toothbrush, an unmarked door, a metric 
of leisure, a decolonized
mind. Hope is a volcano, a train platform, an island, a thumbtack, an 
impediment, a bombshell, an
intellectual pitbull
Or,
Hope Is a Full-Time Job


9. where death means death & not the end

9. where closer to closure means not quite there

9. whereas closer to closure, closer to fine

9. where finite closure meant death without end

9. where closure lived swimmingly without love in the end

9. whereas love in the end meant closure to that question

9. where closer to death meant fine thanks, fine thanks

9. where your moxie rocked up life without end

9. where death meant life on a highway without stars

9. where death meant life on a highway without stars

9. whereby whereas whereupon we must live

-- Jules Boykoff

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	Tony Christy & Jules Boykoff
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Spare Room Reading Series

presents

Tony Christy & Jules Boykoff

Sunday, December 17th
7:30 pm

Portland Art Center
32 NW 5th Avenue
(at the corner of Couch)

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

HAPPY NEW YEAR!

January 28 Linda Russo & Joel Bettridge
February ? Rebecca Loudon & TBA
March 19 Kate Greenstreet & Janet Holmes
March 25 Mark Wallace & Lorraine Graham


===============================================================

Tony Christy writes: "As a child I grew gills and drowned. My father was
a scrap surgeon my mother a mitt mender. I worked in a restaurant full
of half-stiffs and box bleeders; the customers ate the food, the servers
ate the help. Upon graduation from the institute of technical friction I
took a position with the broke bureau."

Jules Boykoff is the author of Once Upon a Neoliberal Rocket Badge
(Edge, 2006), The Metal Sunset of Tomorow's Ascending Dissension
(Dusie, 2006), & and a 'wee-chap' called Gringostroika, just out from
Dusie Press. With Kaia Sand he co-curates the Tangent Reading Series in
Portland. His poems have been published recently or are forthcoming in
/Tinfish/, /Traffic/, XConnect, & the Oregonian. He lives in Southeast 
Portland.

===============================================================

Excerpt from MINUTES ACTUEL

1) Wheel international 350 tractor model, pippin 120 Backhoe, Bucket
14, Front 9 cu. Ft. backfill.
2) 1 Backhoe pippin bucket
BEARD & IMPLEMENT CO.,
1 Rubber massey ferguson mh 50 back-hoe tractor, buckets ..5,050.00
(Into first delivery divided upon payment)
1 J.I. 310 case industrial hydraulic end loader 101
1 Davis Model Back Hoe
1 Model wide dozer
1 65-20 loader backfill blade , 12 and 18 bucket loader
1 International davis 300 front special Shawnee net blade..$4,7809.00
A. Estimate #3 on Dake Sewer statement for work on said clean-u

Item J to be held up on paving etc. To meet in south part of city even
if over-all plans on this matter were being explored for lots 5 and 6
block from A B by B.L.
A quorum was transacted with prayer minutes not prepared in final form
in connection with G heirs to develop price for information unanimously
adopted by s. harry to wit:
/Whereas, to them a certain lying league of purposes using the same
grounds as land for a dangerous ordinance and the shooting of all kinds
of fire under advisement that the hertefore area conveyed in the event
should not recover during construction. /
W.D.
E. A. Gibbs
Milligan
Early
Being absent, thus constituting a letter for a proposed bon ton to
present action as matter of exception moved by B.F. whence repealed to
confirm Citys unanimous yea:
Convened at City with following
Brack Gage rifle V.F.target interest headed a bon-ton to secure 70
people on a 2 inch line and furnish them in behalf of toilets of pit
type to check on elected wards number 2 and 4.

-- Tony Christy



Hope is a category, an object, a toothbrush, an unmarked door, a metric
of leisure, a decolonized mind. Hope is a volcano, a train platform,
an island, a thumbtack, an impediment, a bombshell, an intellectual pitbull
Or,
Hope Is a Full-Time Job


9. where death means death & not the end

9. where closer to closure means not quite there

9. whereas closer to closure, closer to fine

9. where finite closure meant death without end

9. where closure lived swimmingly without love in the end

9. whereas love in the end meant closure to that question

9. where closer to death meant fine thanks, fine thanks

9. where your moxie rocked up life without end

9. where death meant life on a highway without stars

9. where death meant life on a highway without stars

9. whereby whereas whereupon we must live

-- Jules Boykoff



From passages@rdrop.com Sat Dec 30 08:41:17 2006
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	Orleans: 4 days only!]
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-------- Original Message --------
Subject: 	Call 4 Submissions: 4 Poems 4 New Orleans: 4 days only!
Date: 	Thu, 28 Dec 2006 18:46:22 -0800
From: 	orlo <bear@orlo.org>
To: 	WRITERS <bear@orlo.org>, CALL TO ARTISTS <bear@orlo.org>



Call 4 Submissions: 4 Poems 4 New Orleans: 4 days only!
 
PLEASE FORWARD FAR AND WIDE
 
On Wednesday, January 3, a representative from The Bear Deluxe Magazine will
travel from Portland, Oregon, to New Orleans, Louisiana. While there he will
deliver 4 poems 4 New Orleans. Writers, artists, students and others are
encouraged to participate in this cross-pollination-poetry-project by
submitting their 4 poems via email by 5 p.m., January 2 (PST).
 
The collected poems (and short-prose, small graphics) will be posted around
Katrina-stricken neighborhoods, offering reflective and encouraging
testimonials to citizens of New Orleans from afar. Several compilations will
be distributed to City Hall, the New Orleans Pubic Library and the New
Orleans Times-Picayune.
 
SUBMISSION GUIDELINES
Deadline: 5 p.m., January 2, PST
Open to All
Wanted: 4 poems 4 New Orleans
(or short prose, black and white graphics)
Must fit on 1 letter-sized page.
Submit as plain email text (no HTML), Mircosoft Word or PDF doc
Submit any graphics as PDF docs (1 mb max)
Email to: bear@orlo.org
Subject line: 4 Poems 4 New Orleans
 
This text must appear at the bottom of the page:
Your name
City, State, Country
Citizens of N.O.: These writings are included in the 4 Poems 4 New Orleans
Project, instituted and organized by The Bear Deluxe Magazine. Poems were
submitted between December 28, 2006, and January 2, 2007. Based in Portland,
Oregon, The Bear Deluxe Magazine is published by Orlo, a nonprofit
organization that uses the creative arts to explore environmental issues.
 
###



Orlo
The Bear Deluxe Magazine
The Orlo Exhibition Space
Mailing address: P.O. Box 10342
Street address: 2516 NW 29th Bldg. 9
(see www.orlo.org for directions)
Portland, Oregon  97296
Phone: 503-242-1047
email: bear@orlo.org
url: www.orlo.org 








From passages@rdrop.com Fri Jan 12 00:38:55 2007
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Subject: [Spare Room/Passages] Sunday January 28: Linda Russo & Joel
	Bettridge
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Spare Room Reading Series

presents


Linda Russo

Joel Bettridge


Sunday, January 28th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

February 11: Rebecca Loudon & Rodney Koeneke
March 19: Kate Greenstreet & Janet Holmes
March 25: Mark Wallace & Lorraine Graham
April 22: Susanne Dyckman & TBA
May 20: Rachel Zolf & Elizabeth Treadwell


================================================================

Linda Russo is a graduate of the poetics program at SUNY Buffalo, and 
teaches at the University of Oklahoma. Her books include MIRTH (Chax 
Press, 2007), secret silent plan (curricle patterns, 2001), and o going 
out (Potes & Poets, 1999); while in Buffalo she coedited verdure 
magazine. The excerpt below, along with other poems, can be found in the 
online magazine Jacket (issue 28).

Joel Bettridge's first book of poems, That Abrupt Here, is forthcoming 
from The Cultural Society Press, and he is currently editing a 
collection of essays on Ronald Johnson for the National Poetry 
Foundation's Life and Work series. He teaches at Portland State University.

================================================================



from "Remedies of Love (After Ovid)"

Here is love and peace
except that I am wounded
and have no faith.
I want to be taught in the school,
like a scholar, to itemize
my booty, but I'm much too nice to
be bothered and besides
I am wounded
and troubled and
delighted and aroused and appalled.

-- Linda Russo




For All Appearance


Impressed into affection
after all
the kind of talk we
come to expect to hear from
elected officials and

bedfellows
for example
To make palatable

my choices of
formal organization
a problem of
your neckline and what it
suggests of what Im sure

are any number of

personal qualities
The dilemma of using
pathology

for bedding As if
I could repent of
my wish for my need of

repentance
Indecorous a one type of
allusion standing

in for another
something like
to cite an instance
Bets placed on
naming

indiscernible parts of speech

-- Joel Bettridge






From passages@rdrop.com Fri Jan 12 16:17:52 2007
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Jack Hart: Writer Coach and Managing Editor for The Oregonian
1/31 Smith 238 7pm

Suzan-Lori Parks:  Pulitzer Prize-winning playwright, screenwriter and
novelist
2/9 Smith 238 9am

Marianne Boruch: Acclaimed Poet and Essayist, Winner of two Pushcart prizes
2/13 Smith 236 2pm

Larisa Szporluk: Widely anthologized poet and author of four books of 
poetry
4/4 Smith 238 7pm

Paul Collins: Author of three books and regular contributor to
McSweeney?s, NPR and the New York Times
4/17 Smith 333 7pm

Debra Gwartney: Writer, editor, and instructor. Co-editor of Home
Ground: Language for an American Landscape
4/24 Smith 238 7pm

Charles D'Ambrosio: Short story writer, essayist and author of a New
York Times Notable Book of the Year
5/2 Smith 333 7pm

Marvin Bell:  Award-Winning author of nineteen poetry collections and
Iowa's first Poet Laureate
5/15 Smith 333 7pm

--Lori Huskey
Literary Arts Coordinator
Portland State University
503.725.5666
litac@pdx.edu




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Subject: [Spare Room/Passages] PSU auditions rescheduled
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AUDITIONS for the Student Directed One-act Play Festival have been 
rescheduled.

Lincoln Hall, Portland State University

Wednesday Jan 24th, 2:00 - 4:00 pm, Rm 121
Thursday Jan 25th, 11:00 am - 1:00 pm, Rm 7

Callbacks: Friday Jan 26th, 12:00 - 4:00 pm, Rm 121


Performances: each play will have two runs during the weeks of March 6th 
 16th.
Tuesdays, Wednesdays, & Thursdays noon hour schedule, Fridays super-box.

Please contact us at directing207@gmail.com or by phone at (503) 223-1535.
We will be using "sides" with scenes for audition pieces. These are 
available in Lincoln Hall, main floor, at the TASO board. Or, you can 
take time before your audition slot to look over the material.

Note: a few roles are written for Asian American actors.

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	Linda Russo & Joel Bettridge
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Spare Room Reading Series


Linda Russo

Joel Bettridge


Sunday, January 28th
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

February 11: Rebecca Loudon & Rodney Koeneke
March 19: Kate Greenstreet & Janet Holmes
March 25: Mark Wallace & Lorraine Graham
April 22: Susanne Dyckman & TBA
May 20: Rachel Zolf & Elizabeth Treadwell


================================================================

Linda Russo is a graduate of the poetics program at SUNY Buffalo, and
teaches at the University of Oklahoma. Her books include /Mirth/ (Chax
Press, 2007), /secret silent plan/ (curricle patterns, 2001), and /o going
out/ (Potes & Poets, 1999); while in Buffalo she coedited verdure
magazine. The excerpt below, along with other poems, can be found in the
online magazine /Jacket/ (issue 28).

Joel Bettridge's first book of poems, /That Abrupt Here/, is forthcoming
from The Cultural Society Press, and he is currently editing a
collection of essays on Ronald Johnson for the National Poetry
Foundation's Life and Work series. He teaches at Portland State University.

================================================================



from "Remedies of Love (After Ovid)"

Here is love and peace
except that I am wounded
and have no faith.
I want to be taught in the school,
like a scholar, to itemize
my booty, but I'm much too nice to
be bothered and besides
I am wounded
and troubled and
delighted and aroused and appalled.

-- Linda Russo




For All Appearance


Impressed into affection
after all
the kind of talk we
come to expect to hear from
elected officials and

bedfellows
for example
To make palatable

my choices of
formal organization
a problem of
your neckline and what it
suggests of what Im sure

are any number of

personal qualities
The dilemma of using
pathology

for bedding As if
I could repent of
my wish for my need of

repentance
Indecorous a one type of
allusion standing

in for another
something like
to cite an instance
Bets placed on
naming

indiscernible parts of speech

-- Joel Bettridge




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A bumper crop of readings coming up in the next two weeks.

Listed here cumulatively, rather than in half a dozen separate mailings, 
for convenience.

Jan 27 K. Silem Mohammad & Vincent Craig Wright (Powell's)
Jan 28 Linda Russo & Joel Bettridge (Spare Room)
Feb 2 Rob Halpern & Matthew Stadler (Tangent)
Feb 5 Robin Blaser (Evergreen)
Feb 6 Clayton Eshleman's Complete Vallejo (Powell's)
Feb 7 Clayton Eshleman/Vallejo (Reed)

Details below; admission free unless otherwise noted.


* * * *


K. Silem Mohammad & Vincent Craig Wright

Saturday, January 27, 7:30 pm
Powell's Books on Hawthorne


/A Thousand Devils/, the new poetry book from sometime "Flarfer" and 
blogger K. Silem Mohammad "demonstrates the aggressive responses to all 
conventions, the hostility and frustration toward mainstream meanings 
and mainstream media, and the sometimes exhilarating parody, which Flarf 
(along with predecessors from William Burroughs to Bruce Andrews) 
manifests" (Publishers Weekly). /

Redemption Center,/ a debut collection of stories by Vincent Craig 
Wright, delivers a funny, troubling, and sometimes hallucinatory look at 
modern American life, love, faith, and work.


* * * *


Rob Halpern & Matthew Stadler

Friday, February 2, 7:00 pm
Clinton Corner Cafe
2633 SE 21st

Please join us for the third installation of the The Tangent Reading Series!

Rob Halpern is the author of /Rumored Place/ (Krupskaya 2004) and 
/Disaster Suite/ (Vigilance Society 2006). Currently, hes co-editing 
the poems of the late Frances Jaffer together with Kathleen Fraser, 
writing a collaborative poem with Taylor Brady, and translating the 
early essays of Georges Perec, the first of which is forthcoming in 
/Chicago Review/. He lives in San Francisco.

Matthew Stadler is the author of four novels, including /Landscape: 
Memory/ and /Allan Stein/. He was the literary editor of /Nest Magazine/ 
and is the co-founder and editor of Clear Cut Press. His non-fiction has 
been published widely in North America and Europe, and he is currently 
researching the early history of
North Pacific America, for a series of lectures and essays. He lives in 
North Portland.

For more information about the Tangent Reading Series, and for samples 
of Rob Halpern's and Matthew Stadler's work, see: 
www.thetangentpress.org/readings.html


* * * *


Prologomena Reading Series presents

Robin Blaser

Monday, February 5, 7:00 pm

Sem 2 A1105
Evergreen State College
Olympia WA

Robin Blaser found his beginnings as a poet in the excitement of the New 
American postmodern, particularly as it began to take shape in the work 
of his companions Jack Spicer and Robert Duncan in the late 1940s. 
Unlike many of his peers, however, Blaser has developed as a writer 
through subsequent generations and poetic movements; his work thus 
extends beyond the era in which it began.

An immigrant to Vancouver, British Columbia, in 1966, and a Canadian 
citizen since 1972, Blaser has established himself as a key figure on 
the west coast of B.C. and an important influence among Canadian 
experimental poets such as George Bowering, Steve McCaffery, bp Nichol, 
Erin Moure, and Daphne Marlatt. The Holy Forest, a lifelong serial poem 
composed of many books, is his major work in poetry and is still in process.

In 2000, Blaser published a libretto for The Last Supper, an opera with 
music by British composer Sir Harrison Birtwistle. And just out from 
University of California Press are two eagerly awaited volumes: the 
expanded edition of The Holy Forest, adding more than 200 pages to the 
1993 Coach House Press edition;
and The Fire: Collected Essays, certain to be a landmark of North 
American poetics and criticism.

Don't miss this rare opportunity to hear one of our most impassioned and 
dedicated voices.


* * * *


Clayton Eshleman

Two readings in celebration of the new University of California 
publication of Eshleman's Vallejo translations, Complete Poetry: A 
Bilingual Edition, the culmination of forty years of work

Tuesday, Feb. 6, 7:30 pm
Powell's City of Books, W. Burnside

Wednesday, Feb. 7, 4:30 pm
Reed College, Psychology Building Auditorium (Psych. 105).






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FROM: Crane's Bill Books

CALL FOR SUBMISSIONS

Crane's Bill Books seeks writing on any subject and in any style for a 
very spare anthology. Must be (1) prose, (2) untitled, and (3) exactly 
thirty-one words. Multiple submissions okay.

THIRTY-ONE will be published in 2007 as a small, inexpensive, desktop 
artist's book. Payment will be in copies. Feel free to forward this 
announcement to anyone you think might be interested.

Thanks!

Jeffrey

cranesbill@cybermesa.com
www.torriblezone.com/cp2.html


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Subject: [Spare Room/Passages] Feb. 3: recycle your hard-to-recycle plastics
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Master Recycler Plastic Roundup

On February 3rd, you can drop off your hard-to-recycle plastics at three 
Portland locations. Master Recyclers will collect it, and Agri-Plas, a 
recycler located in Brooks, Oregon, will recycle the plastic into new 
products.

Saturday February 3
9:00 am - 2:00 pm

PCC Rock Creek Campus,17705 NW Springville Rd
PCC Sylvania,12000 SW 49th
Floyd Light Middle School 10800 SE Washington


Please Sort and Rinse plastics into the following categories:

* Plastic bags (dry cleaning, store sacks, bubble wrap, clean freezer 
bags, zip lock bags, etc.)
* Plant containers and trays (please knock out dirt ahead of time)
* Please rinse and sort plastics with numbers by numbers (bags and pots 
go in the first categories)
* Miscellaneous plastics without numbers:
bottle caps, drink lids, DVDs, CDs, CD cases, straws, lawn/patio 
furniture, toys
(think Big slides!), pet igloos, laundry baskets, kiddy pools & more.
(Bring it, we'll try to take it.)
* Plastic reuse items (good lawn chairs, tables, cat litter buckets & more)


We are sorry we CANNOT accept:

Styrofoam blocks, Styrofoam peanuts, Styrofoam food trays or egg cartons
milk jugs (recycle at curb) PVC pipe
food-contaminated or dirty plastic VHS and cassette tapes
small toys foam rubber
plastic with metal inside, or plastic that contained hazardous materials.

Questions?

Email: plastic.recyclers@gmail.com
or check commonly asked questions at www.masterrecycler.org

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Here's a welcome reminder about another simple solution for 
hard-to-recycle materials, from Elizabeth Grossman (author of High Tech 
Trash: Digital Devices, Hidden Toxins, and Human Health):

"Far West Fibers (SE 28th, south of Steele; the entrance is next to that 
little red farm stand that's just beyond the Crystal Springs 
Rhododendron Garden and Reed if you're heading north on 28th) -- they 
take all the round tubs and containers, clamshells, trays, and flower 
pots as well as odd shaped plastics like old buckets and kitty litter 
trays. Also lids, caps and little fiddly bits and all manner of plastic 
bags. Even old gym shoes. Basically everything that isn't taken in 
yellow curbside bins, plus everything that is. They do charge $5 for any 
amount of styrofoam. And the people in the office are really helpful 
w/referrals for anything they don't take. And I do think they have a 
northern Portland location as well.
   They take carboard, paper, glass, and cans as well, so it's a perfect 
place for the clean-out!
   When I find someplace closer than Earth Protection Services (good 
company but in Tigard) that takes compact fluorescents for recycling, 
I'll let you know!"


Far West Fibers maintains four locations in the Portland metro area. For 
locations, hours, and information about what they accept, see 
http://www.farwestfibers.com/public_depots.htm


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Subject: [Spare Room/Passages] Reminder: tomorrow night, Halpern/Stadler,
	and other readings
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from Jules Boykoff and Kaia Sand:

Please join us for the third installment of the The Tangent Reading Series!

Innovative writers Rob Halpern (San Francisco) and Matthew Stadler 
(Portland) will read their work this Friday, February 2nd at 7 p.m., 
Clinton Corner Caf, 2633 SE 21st Ave. Admission is free.

Rob Halpern is the author of Rumored Place (Krupskaya 2004) and Disaster 
Suite (Vigilance Society 2006). Currently, hes co-editing the poems of 
the late Frances Jaffer together with Kathleen Fraser, writing a 
collaborative poem with Taylor Brady, and translating the early essays 
of Georges Perec, the first of which is forthcoming in Chicago Review. 
He lives in San Francisco.

Matthew Stadler is the author of four novels, including Landscape: 
Memory and Allan Stein. He was the literary editor of Nest Magazine and 
is the co-founder and editor of Clear Cut Press. His non-fiction has 
been published widely in North America and Europe, and he is currently 
researching the early history of North Pacific America, for a series of 
lectures and essays. He lives in North Portland.

For more information about the Tangent Reading Series, and for samples 
of Rob Halpern's and Matthew Stadler's work, see: 
www.thetangentpress.org/readings.html

===============================================


Also coming up this week:

Monday, February 5, 7:00 pm

Robin Blaser

Sem 2 A1105
Evergreen State College
Olympia WA


Tuesday February 6, 7:30 pm

Clayton Eshleman, reading from his own work
Powell's City of Books, Burnside


Wednesday February 7, 4:30 pm

Clayton Eshleman, reading from the Complete Poetry of Cesar Vallejo
Reed College, Psychology Building Auditorium (Psych. 105)


Wednesday February 7, 7:30 pm

Lindsay Hill and C.E. Putnam
Subtext Series, Seattle
Richard Hugo House, 1634 11th Avenue (in Capitol Hill)


Sunday February 11, 7:30 pm

Rebecca Loudon and Rodney Koeneke
Spare Room
New American Art Union, 922 SE Ankeny
more information to come













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Subject: [Spare Room/Passages] Rebecca Loudon, Rodney Koeneke,
 & Susan Landers, Sunday February 11
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Spare Room Reading Series

presents


Rebecca Loudon

Rodney Koeneke

Susan Landers


Sunday, February 11
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

March 19: Kate Greenstreet & Janet Holmes
March 25: Mark Wallace & Lorraine Graham
April 22: Susanne Dyckman & TBA
May 20: Rachel Zolf & Elizabeth Treadwell


================================================================

Rebecca Loudon lives and writes in Seattle. She is the author of two 
collections of poetry, Tarantella (Ravenna Press 2004) and Radish King 
(Ravenna Press 2006) and a chapbook, Navigate, Amelia Earhart's Letters 
Home (No Tell Books 2006.) Rebecca is the librettist for composer Roupen 
Shakarian and is currently writing the libretto for an opera, Red Queen. 
She teaches poetry workshops to adults and violin to children.


Rodney Koeneke is the author of Musee Mechanique (BlazeVOX, 2006), Rouge 
State (Pavement Saw, 2003), and an obscure study of I.A. Richards in 
China. His work has been read or performed at Small Press Traffic, The 
Poetry Center at SFSU, the Pacific Film Archive, The Poetry Project at 
St. Marks Church, and the 2006 Flarf Festival in New York City. He lives 
with his wife Lesley Poirier and their young son Auden in the SE 
cantonment of Portland. He blogs about poetry & Portland at 
www.modampo.blogspot.com.


Susan Landers is the author of 248 mgs, a panic picnic (O Books, 2003) 
and co-editor of the journal Pom2 (www.pompompress.com). She lives in 
Brooklyn.


================================================================


When I was Laura Ingalls


The best parts of me were sewn shut.

I shaved my sister's head.

We set fire to a can of paint in the neighbor's garage.

I rolled my skirt high above my knees and got frostbite.

We were ordered to close our holes but we called them portals.

I stole sugar from the infirmary.

Ice cured everything and if it didn't we stayed sick.

We ate a barn owl for breakfast.

Lark drank poison and we just stood there.

Pa broke out the windows with his beak.

All our dogs were named Jacky-Lame-O.

The horses bled from their hooves.


  -- Rebecca Loudon, from Radish King



USE DIPS TO INITIATE

Whisker was first used
in the air-sparging tube
to regulate transient voltage dips
    for the whole modular village

hordes of unshorn unicorn
serves as insecticides and, when they expired,
    to initiate dialogue on exceptions:

that tape shall be used in every threaded fitting.
  that Cheese dips appear at the Welcoming Committees.
that Outfall from dips and lead-off ditches be fed
to native plants:

my little
bluestem, my wild rye
my fifteen colors
    of Tyred of Sidon
    hummus

Navy ships are never used
    to initiate ensign dips
but if originator dips ensign

up bloom striped flags.

  -- Rodney Koeneke



Every woman adores ousting a fascist.


 From Manhattan: sights and sounds the sheer how now of it massive.
The hope the air is full of. The poison. We say me always.
I fear speak a fire month of three or years revel in weather terror.
Lower be it so the boom and rain this pace empty.
America the audacity dragon has a daddy complex.

Concentrate: symbols and targets the raw why past of it resonates.
The rock to lie a head upon. The hard place. Lie puts safe under.
I swing hate a pawn orange of hook or by crook cyclone volition.
Uncross the butterfly statue let time wash its wound.
Do you need a minute to diagram this sentence?


You are safe. Code orange.
Shop tax free. Soft target.


  -- Susan Landers


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 From Sage Cohen:


Free poetry. Free chocolate. Free love.

Join Portland poets Chris Ridenour, Sage Cohen, Astrid, Brittany 
Baldwin, and Dan Raphael for a memorable night of free poetry, free 
chocolate, and free love.

Date: Friday, February 9
Time: 7:00 p.m.
Where: Dragonfly Coffee House, 2387 NW Thurman Street, Portland

With kind thanks to our sponsors: Food Front Cooperative Grocery and the 
Dragonfly Coffee House





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Subject: [Spare Room/Passages] Pacific University Readings
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Pacific University's Spring Readings Begin

Feb 6, 2007, 7:30 PM

Location: Taylor Auditorium, Marsh Hall
Pacific University, Forest Grove, OR

Pacific writers and faculty Kathlene Postma, Jules Boykoff, and Darlene 
Pagan read from their poetry, nonfiction and fiction. Come to hear 
political poetics, family secrets and reflections on the moon and just 
about everything else.


Pacific's 2007-2008 Writers' Series

Spring Readers

February 6

Darlene Pagn has published poetry in The MacGuffin, West Wind Review, 
and the anthology Voices from the Outside. Her essays have won a first 
prize from Literary Latte and The Nebraska Review. She teaches writing 
and literature at Pacific, has completed a chapbook and is working on a 
collection of essays. Jules Boykoff is the author of the poetry 
collections Once Upon a Neoliberal Rocket Badge (Edge Books, 2006), The 
Metal Sunset of Tomorrow's Ascending Dissension, and Philosophical 
Investigations Inna Neocon Roots-Dub Styley. He teaches political 
science at Pacific. Kathlene Postma also teaches writing at Pacific and 
has published stories, poetry and essays in Red Rock Review, Hawaii 
Review, Natural Bridge, and other magazines. Her essay, "Becoming 
Foreign" was chosen as a notable for Best American Travel Writing. She 
is writing a novel about adoption.


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Subject: [Spare Room/Passages] PSU reading Feb. 13
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from the Literary Arts Committee at PSU;

Marianne Borcuh

poet & essayist

reading February 13th, 2:00 pm
PSU, Smith Center room 236

Free and open to the public!

She will host a craft talk and books will be available.


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Subject: [Spare Room/Passages] Sunday Feb. 11: Loudon/Koeneke/Landers
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A reminder about this coming weekend's Spare Room reading.

Note: By special request, Rodney Koeneke will be performing his 
"neo-benshi" narration along with a film clip from a 1950s Bollywood 
melodrama. For more information about "neo-benshi," see the July 2006 
S.F. Cinematheque announcement pasted in at the very end of this message.

=====================================================

Spare Room Reading Series

presents


Rebecca Loudon

Rodney Koeneke

Susan Landers


Sunday, February 11
7:30 pm

New American Art Union
922 SE Ankeny Street

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

March 19: Kate Greenstreet & Janet Holmes
March 25: Mark Wallace & Lorraine Graham
April 22: Susanne Dyckman & TBA
May 20: Rachel Zolf & Elizabeth Treadwell


================================================================

Rebecca Loudon lives and writes in Seattle. She is the author of two
collections of poetry, Tarantella (Ravenna Press 2004) and Radish King
(Ravenna Press 2006) and a chapbook, Navigate, Amelia Earhart's Letters
Home (No Tell Books 2006.) Rebecca is the librettist for composer Roupen
Shakarian and is currently writing the libretto for an opera, Red Queen.
She teaches poetry workshops to adults and violin to children.


Rodney Koeneke is the author of Musee Mechanique (BlazeVOX, 2006), Rouge
State (Pavement Saw, 2003), and an obscure study of I.A. Richards in
China. His work has been read or performed at Small Press Traffic, The
Poetry Center at SFSU, the Pacific Film Archive, The Poetry Project at
St. Marks Church, and the 2006 Flarf Festival in New York City. He lives
with his wife Lesley Poirier and their young son Auden in the SE
cantonment of Portland. He blogs about poetry & Portland at
www.modampo.blogspot.com.


Susan Landers is the author of 248 mgs, a panic picnic (O Books, 2003)
and co-editor of the journal Pom2 (www.pompompress.com). She lives in
Brooklyn.


=============================================================


San Francisco Cinematheque announcement, July 2006:


NEO-BENSHI: The Latter Day Art of Live Film Narration

A "benshi" was a film-teller, someone who wrote a script to narrate and 
act out from the stage what's happening on the movie screen. This was a 
major profession in Korea and Japan in the silent film era. Sometimes 
the benshi ventriloquized the characters in the movie, sometimes just 
narrated the action, sometimes remained silent.

They always wrote their own scripts.

Neo-benshi warps that format to a modern entertainment-art of taking 
back the movies. In this festival of alternate readings, six scenes from 
major films are wrested from the studios by turning the sound off, and 
re-telling them in real time.


Six writer/performers from the Bay Area will re-present the following 
genres:

Brandon Brown 1930s Serial Western
Roxi Hamilton 1950s Hollywood Melodrama
Rodney Koeneke 1950s Bollywood Melodrama
Norma Cole & Mac McGinnes 1960s Crime Drama
Stephanie Young 1980s Sci-Fi Horror
David Larsen 2000s Historical Epic

From passages@rdrop.com Tue Feb 20 22:07:22 2007
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Subject: [Spare Room/Passages] Tangents reading, 3/3: Czerski, Fitterman,
	Hayes
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The Tangent Reading Series:

Poets Gale Czerski (Portland), Robert Fitterman (New York), and Jared 
Hayes (Portland) read their work.

Saturday, March 3rd, 7:00 p.m.

Clinton Corner Caf
2633 SE 21st Ave.
Admission is free.


Gale Czerskis work has appeared in recent issues of Bird Dog and Mirage 
#4 Period[ical]. Her poem 'Ambulatory Siren Songs' has been published in 
pamphlet form by Nine Muses Books. The chapbook, Invocation, is being 
published by FLASH+CARD. She is currently preparing a manuscript for 
Dusie Press' Wee Books series.

Robert Fitterman comes to Portland fresh from performing at the Museum 
of Modern Art (MoMA) in New York. He is the author of 9 books of poetry; 
3 of those books constitute his ongoing poem Metropolis. Metropolis 1-15 
was awarded the Sun & Moon New American Poetry Award (1997), and 
Metropolis 16-29 (Coach House Books, 2002) received the Small Press 
Traffic Book of the Year Award in 2003. Several of his other books are 
collaborations with visual artists, including most recently War, the 
musical (Subpress, 2006) with Dirk Rowntree. Fitterman lives in New York 
where he teaches writing at New York University.

Jared Hayes is working and living in Portland, Oregon. His poetry or his 
vis/po has appeared in or is forthcoming from Bombay Gin, Dusie, Five 
Fingers Review, Hot Whiskey, and Small Town. He participated in the 2006 
Dusie Kollectiv Projekt with the chapbook homage to Ted Berrigan, 
RecollecTed. He is the co-author, with Joseph Cooper, of Insuring the 
Wicker Man Shadow Created Delusion (Hot Whiskey Press, 2005).

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Subject: [Spare Room/Passages] OSPIRG Urgent Alert -- Act to Protect Oregon!
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Oregon is facing an unprecedented land grab that voters never intended 
when ballot measure 37 passed.

Out-of-state timber companies are rushing to develop tens of thousands 
of acres of forestlands on the Oregon Coast, and subdivisions are 
proposed everywhere from the Willamette Valley's wine country to Hood 
River's famous orchards.

The Legislature is currently considering proposals to address this 
problem and they could act as early as this week!

Please join us in calling on your legislators to act immediately to stop 
the harmful development that is threatening the Oregon we know and love.

Click here or paste this link into your browser to send an email to your 
state legislators:

http://pirg.org/alerts/route.asp?id=510&id4=ES


And please forward this email to your friends and family so the 
Legislature hears from as many Oregonians as possible.

BACKGROUND

Oregon's landscape is facing unprecedented threats. From the Coast to 
Hood River, from the Willamette Valley to the Wallowas, timber companies 
and developers want to turn hundreds of thousands of acres of farms, 
forestlands, and open space into subdivisions and industrial developments.

Oregon's land use planning laws have, for thirty years, been a national 
model of effectiveness in protecting our landscape. So how did this happen?

In 2004, Oregonians were told that ballot measure 37 would correct 
unfair aspects of land use planning and let individual land-owners in 
rural areas build a home for their family when rural zoning rules didn't 
allow it. But measure 37, bankrolled by big timber companies, has shown 
a dark side voters never intended.

Developers, timber companies, and other large corporate land-owners have 
rushed to file development claims on 500,000 acres in Oregon. Plum Creek 
Timber Company, an out-of-state company, is attempting to turn 32,000 
acres of coastal forests into subdivisions. Claims have been filed on 
more than 10,000 acres in Hood River County -- an area 8 times the size 
of the city of Hood River.

The good news is that, as more and more Oregonians who voted for Measure 
37 are saying they are now against it, the Oregon Legislature is 
stepping up and considering efforts to rein in the law. The 
Legislature's Special Committee on Land Use Fairness is holding hearings 
twice a week and could start acting on legislation as early as this week.

Please take a second right now to join us in calling on your legislators 
to act immediately to stop the harmful development that is threatening 
the Oregon we know and love.

Click here or paste this link into your browser to send an email to your 
state legislators:

http://pirg.org/alerts/route.asp?id=510&id4=ES

And please forward this email to your friends and family so the 
Legislature hears from as many Oregonians as possible.


Sincerely,

Maureen Kirk
OSPIRG Executive Director
MaureenK@ospirg.org
http://www.OSPIRG.org

P.S. Thanks again for your support. Please feel free to share this 
e-mail with your family and friends.




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Subject: [Spare Room/Passages] Monday 3/19: Janet Holmes & Kate Greenstreet
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Spare Room presents


Janet Holmes

Kate Greenstreet


Monday, March 19th, 7:30 pm
Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5 suggested donation

www.flim.com/spareroom spareroom@flim.com


Upcoming readings

(please note that readings this spring will take place in two different 
venues!)

Sun. 3/25 Mark Wallace/K. Lorraine Graham New American Art Union

Wed. 4/4 Corinne Fitzpatrick/tba Concordia Coffee House
Sun. 4/22 Susanne Dyckman/Rob Schlegel New American Art Union
Thurs. 4/26 Charles Alexander/tba tba

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al. tba
Sun. 5/20 Rachel Zolf/Elizabeth Treadwell New American Art Union

============================================================

Janet Holmes is author of F2F from University of Notre Dame Press, her
fourth book. She is editor of Ahsahta Press and teaches in the MFA program
at Boise State University.


Kate Greenstreet is the author of case sensitive (Ahsahta Press, 2006)
and Learning the Language (Etherdome Press, 2005). Visit her online
at kickingwind.com.

============================================================


List


Saying /writing
You are the only one I can talk to/

Hearing /reading
And you are the only one I can talk to/

You are not giggling under the tablecloth you are two adults sitting at 
expensive computers touch-typing (oh! yes) resting your index fingers on 
the F and the J waiting for the incoming ping of the instanter message 
like a starting gun

gd 2 c u again
wass^?

your form is never more than an extension of such content



no one sees you

and no one sees you

doing it


-- Janet Holmes



from See It Everywhere


swooningnot going to the UN but
never believed anything could be saved still
love seems a good idea: God willing
you will find a wife g-d willing in English

smile officers do and strip club bouncers do

nearly no one going is

~

polluted lagoons are pretty egrets dont avoid them

~

stuckout limb & a complicated telephone poll series cut off

what can I do / why go home? in my body are bilesyours, too
track by the track and fences self in everyone


-- K. Lorraine Graham





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(This poem should have been included in the previous Spare Room 
announcement)


*Bridge*

Watching a movie in which Im in a hospital, being experimented on. They 
tell me its
like a dream (my idea, that Im being experimented on)that, really, Im 
blindfolded.

The blindfold is so light, they say I cant feel it. (This is part of 
the treatment.) But I go
to the mirror and scream: I can see myself!

The doctor says yeah, thats a funny thing.
How you think you can see.

Where there is injury
Where there is doubt
I am melting, or
being flattened by the peach cotton pantsuit,
the saxophone
saved for a new life,
turned into cash

Stopped
to learn what is meant by:
a nice ass (braying) good
sex (boiling) liquid hours (stirring
with an iron bar, eating from your hand)

Stopped
to read a few things
from: the file Ideas/Old Dreams
(his eye unseen,
the particular valuelessness
of a dead mans eyeglasses,
contact lenses)

Where there is despair
Since the first log fell across water
it happened like this:

Doesnt anybody have the real potato salad? Wandering from one 
(imaginary) picnic
table to the next. The impulse to get under the table. The answer, in a 
way, is yes.

-- Kate Greenstreet


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Subject: [Spare Room/Passages] Sunday 3/25: Marc Wallace & K. Lorraine Graham
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Spare Room presents


Marc Wallace

K. Lorraine Graham


Sunday, March 25th
New American Art Union
922 SE Ankeny
www.newamericanartunion.com
$5 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

(please note: spring readings will take place in two different venues!)

Wed. 4/4 Corinne Fitzpatrick/tba Concordia Coffee House
Sun. 4/22 Susanne Dyckman/Rob Schlegel New American Art Union
Thurs. 4/26 Charles Alexander/tba tba

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al. tba
Sun. 5/20 Rachel Zolf/Elizabeth Treadwell New American Art Union

============================================================

Mark Wallace's books include Nothing Happened and Besides I Wasn't There;
Sonnets of a Penny-A-Liner; and Temporary Worker Rides A Subway. He is the
author of a multi-genre work, Haze, and a novel, Dead Carnival. With Steven
Marks, he edited Telling It Slant: Avant Garde Poetics of the 1990s 
(University of
Alabama Press). Forthcoming in 2007 is a book of short stories, Walking 
Dreams,
and in 2008 a book of poems, Felonies of Illusion. He is currently 
Assistant Professor
of Creative Writing at California State University San Marcos.

K. Lorraine Graham is the author of two chapbooks: Dear [Blank] I Believe
in Other Worlds (Phylum) and Terminal Humming (Slack Buddha). Moving
Walkways, a full-length chapdisk, is forthcoming from Narrowhouse
Recordings. Her work has appeared or is forthcoming in Foursquare, My
Spaceship, Magazine Cypress, H u n d r e d s, MiPoesias Magazine, No Tell
Motel, Rock Heals, Submodern Fiction, Dusie, Mirage#4/Periodical, Primary
Writing, HOW2, and elsewhere.

============================================================


PHOTOS FROM ABROAD

Castle and sandbox, interleague
craps hoot madhouse you're inside
miscues rattling down the road
delusions unfurled. You've come a long

hacked trap. Hawaiian real estate
not withholding loss or gain
in patented technique, what about
the people on the 39th floor?

Incredible no spill brain caps
offered in the best condos going
thereby leave top bugging systems
posing as heads of state.

We've got a shuttle launch to make
fooled scrunching, a comment
on why we're not home? A shine will counteract
unforseen last minute additions

of another lofty advancement ritual
for pilots too conflicted to fly.
Familiar harrowing transportation,
faked love and a frog in glass,

silly fluke to stake a career
on reports of heavy cheese.
Call it an adventure say.
Contact whoever's left to forget

side by side American sky deals
spinning in a first rate bubble,
two by two abandoned satellites
in the shadow of an international incident.

-- Marc Wallace



from See It Everywhere


swooningnot going to the UN but
never believed anything could be saved still
love seems a good idea: God willing
you will find a wife g-d willing in English

smile officers do and strip club bouncers do

nearly no one going is

~

polluted lagoons are pretty egrets dont avoid them

~

stuckout limb & a complicated telephone poll series cut off

what can I do / why go home? in my body are bilesyours, too
track by the track and fences self in everyone


-- K. Lorraine Graham









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Spare Room presents


Janet Holmes

Kate Greenstreet


Monday, March 19th, 7:30 pm
Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

(please note: readings this spring take place in two different venues)

Sun. 3/25 Mark Wallace/K. Lorraine Graham New American Art Union

Wed. 4/4 Corinne Fitzpatrick/tba Concordia Coffee House
Sun. 4/22 Susanne Dyckman/Rob Schlegel New American Art Union
Thurs. 4/26 Charles Alexander/tba tba

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al. tba
Sun. 5/20 Rachel Zolf/Elizabeth Treadwell New American Art Union

============================================================

Janet Holmes is author of F2F from University of Notre Dame Press, her
fourth book. She is editor of Ahsahta Press and teaches in the MFA program
at Boise State University.


Kate Greenstreet is the author of case sensitive (Ahsahta Press, 2006)
and Learning the Language (Etherdome Press, 2005). Visit her online
at kickingwind.com.

============================================================


List


Saying /writing
You are the only one I can talk to/

Hearing /reading
And you are the only one I can talk to/

You are not giggling under the tablecloth you are two adults sitting at
expensive computers touch-typing (oh! yes) resting your index fingers on
the F and the J waiting for the incoming ping of the instanter message
like a starting gun

gd 2 c u again
wass^?

your form is never more than an extension of such content



no one sees you

and no one sees you

doing it


-- Janet Holmes



Bridge

Watching a movie in which Im in a hospital, being experimented on. They 
tell me its like a dream (my idea, that Im being experimented 
on)that, really, Im blindfolded.

The blindfold is so light, they say I cant feel it. (This is part of 
the treatment.) But I go to the mirror and scream: I can see myself!

The doctor says yeah, thats a funny thing.
How you think you can see.

Where there is injury
Where there is doubt
I am melting, or
being flattened by the peach cotton pantsuit,
the saxophone
saved for a new life,
turned into cash

Stopped
to learn what is meant by:
a nice ass (braying) good
sex (boiling) liquid hours (stirring
with an iron bar, eating from your hand)

Stopped
to read a few things
from: the file Ideas/Old Dreams
(his eye unseen,
the particular valuelessness
of a dead mans eyeglasses,
contact lenses)

Where there is despair
Since the first log fell across water
it happened like this:

Doesnt anybody have the real potato salad? Wandering from one 
(imaginary) picnic table to the next. The impulse to get /under/ the 
table. The answer, in a way, is yes.

-- Kate Greenstreet



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Spare Room presents


Marc Wallace

K. Lorraine Graham


Sunday, March 25th
7:30 pm

*New American Art Union*
922 SE Ankeny
www.newamericanartunion.com
$5 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

(please note: spring readings take place in two different venues!)

Wed. 4/4 Corinne Fitzpatrick/tba Concordia Coffee House
Sun. 4/22 Susanne Dyckman/Rob Schlegel New American Art Union
Thurs. 4/26 Charles Alexander/tba tba

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al. tba
Sun. 5/20 Rachel Zolf/Elizabeth Treadwell New American Art Union

============================================================

Mark Wallace's books include Nothing Happened and Besides I Wasn't 
There; Sonnets of a Penny-A-Liner; and Temporary Worker Rides A Subway. 
He is the author of a multi-genre work, Haze, and a novel, Dead 
Carnival. With Steven Marks, he edited Telling It Slant: Avant Garde 
Poetics of the 1990s (University of Alabama Press). Forthcoming in 2007 
is a book of short stories, Walking Dreams, and in 2008 a book of poems, 
Felonies of Illusion. He is currently Assistant Professor of Creative 
Writing at California State University San Marcos.

K. Lorraine Graham is the author of two chapbooks: Dear [Blank] I 
Believe in Other Worlds (Phylum) and Terminal Humming (Slack Buddha). 
Moving Walkways, a full-length chapdisk, is forthcoming from Narrowhouse 
Recordings. Her work has appeared or is forthcoming in Foursquare, My 
Spaceship, Magazine Cypress, H u n d r e d s, MiPoesias Magazine, No 
Tell Motel, Rock Heals, Submodern Fiction, Dusie, Mirage#4/Periodical, 
Primary Writing, HOW2, and elsewhere.

============================================================


PHOTOS FROM ABROAD

Castle and sandbox, interleague
craps hoot madhouse you're inside
miscues rattling down the road
delusions unfurled. You've come a long

hacked trap. Hawaiian real estate
not withholding loss or gain
in patented technique, what about
the people on the 39th floor?

Incredible no spill brain caps
offered in the best condos going
thereby leave top bugging systems
posing as heads of state.

We've got a shuttle launch to make
fooled scrunching, a comment
on why we're not home? A shine will counteract
unforseen last minute additions

of another lofty advancement ritual
for pilots too conflicted to fly.
Familiar harrowing transportation,
faked love and a frog in glass,

silly fluke to stake a career
on reports of heavy cheese.
Call it an adventure say.
Contact whoever's left to forget

side by side American sky deals
spinning in a first rate bubble,
two by two abandoned satellites
in the shadow of an international incident.

-- Marc Wallace



from See It Everywhere


swooningnot going to the UN but
never believed anything could be saved still
love seems a good idea: God willing
you will find a wife g-d willing in English

smile officers do and strip club bouncers do

nearly no one going is

~

polluted lagoons are pretty egrets dont avoid them

~

stuckout limb & a complicated telephone poll series cut off

what can I do / why go home? in my body are bilesyours, too
track by the track and fences self in everyone


-- K. Lorraine Graham




From passages@rdrop.com Tue Mar 27 21:46:06 2007
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	Concordia
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Spare Room presents


Corinne Fitzpatrick

Geneva Chao


Wednesday, April 4th, 7:30 pm
Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

(please note: readings this spring take place in several venues)

Sun. 4/22 Susanne Dyckman / Rob Schlegel   New American Art Union
Thurs. 4/26 Charles Alexander / tba   tba

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al.   
Concordia Coffee House
Sun. 5/20 Rachel Zolf / Elizabeth Treadwell   New American Art Union

Sun. 6/17 Publication party: Maryrose Larkin / Catherine Daly / Donna 
Stonecipher
(A Portland - Los Angeles - Berlin summit, with new books from all three 
poets)

============================================================


Corrine Fitzpatrick is the author of the chapbook "On Melody Dispatch"
(Goodbye Better, 2007) and the forthcoming "Zamboaguea" (sona books,
2007). Other poems appear in or on The Brooklyn Rail, EOAGH, Cock Now
and sonaweb. She is the Program Assistant and Friday Late Night Series
Coordinator for the Poetry Project at St. Mark's Church in NYC and she
lives in Brooklyn.


Geneva Chao is the former editor of flux, and has published work in
Boxkite, Can We Have Our Ball Back?, Word for Word, Diagram, and others.
She has contributed translations to Roof Books' anthology of the late
Christophe Tarkos's work, Ma Langue est Potique and to the DoubleChange
collective's Paris reading series. She has a chapbook forthcoming from
Taxt Press in Oakland.


============================================================

    O, cigarette
    I smoke you
    from bo blow    
                            perch
    this side of
    the action

    fail to tender consequence
    fail to fight
    the fight
    monetary might
    sooth rectify
    my rump

    an ass you are
    our precedent


      (excerpt from "On Melody Dispatch")

      --  Corinne Fitzpatrick




    april in paris

    a frame within which the limitations of promiscuity devolve.  an
    unnumbered classroom outside of which you find the book you lost in
    eighth grade.  une invitation   la valse.  a host of mythological
    figures who await you with towels and lozenges.  the libraries of
    perpetuity.  the crookedness of sunlit mornings.    the thought that
    the sun will not hurt you in this place.  the innocence of discrete
    porcelain measurements.  a proposition based upon the idea that life
    is as it is in novels.  a proposition based upon the novel.  an
    endearment of forwardness.  the hope for a better tomorrow.   the
    shockingness of the idea of a   tomorrow.  an accumulation of greed
    augmented by habit.  a velvety white paper en dpit de tout a.  the
    dulcet tones of stereolab on the rue du faubourg st-antoine.  the
    efforts of a full stop.  the best w.c. this side of tokyo.  a
    fascination with the fastidious and with the vertiginous sandwich.
    a voluptuousness of wheelbarrows full of orange fruit.  a
    reconfiguration of the fork as   ornament.  a reamplification of the
    potential for violence.   an embarassment of red blazers and
    conventions of deference.  the recurrence of clmentines as a
    variation on a theme by nietzsche. the willingness to spell
    'nietzsche' in foreign alphabets. the disorder of spring showers.
    the disapparition of nationality.  a warning against tooth decay.
    the insistance of a man who speaks in tongues.  the insistence on
    the significance of tongues.  an importunate assortment of tourists
    forming a chateau-fort around the bathroom.  a vase of sangria with
    two   straws.  the inevitability of coffee.  an association of
    hairstyle with national origin.  a disavowal of national origin.
    the effusion of unrestrained gesture.  the tightening of a circle.
    a tightening of knuckles.  the insistence on kissing as many cheeks
    as possible.  the omission of the 'r.'  a threat of horreurs varis
    en sirop by south asian spies.  the concept of the spy novel
    refigured to include linen heists and clandestine appliances.  a man
    with a face like a newborn ostrich.  a man with a face like the love
    of your life.  a   disappointment of proustian proportions.  a
    disgust with all notions of proportion.  an embarassment of
    resemblance.  a velvety midnight aux clats de noisettes.  the
    proposal that we mix words and pictures.  the proposal that we mix
    cells and   fronts.  the proposal that we cross-pollinate.  an
    abnegation of proposals.  the tendency to remain untouched by human
    hands.  a standing offer of contact   sports.  the formation of an
    organisation to make all of this possible.  a frame within which the
    limitations of possibility dissolve.



      -- Geneva Chao


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Subject: [Spare Room/Passages] Seattle: Sound/Visual/Digital Poetry, 3/30
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Subtext presents

An Evening of Sound / Visual / Digital Poetries

Crag Hill, Geof Huth, Jim Andrews, & Nico Vassilakis


Friday, March 30, 7:30 PM

Chapel Performance Space
at Good Shepherd Center in Wallingford, Seattle

Suggested donation: $5 at the door


Subtext is pleased to present a special evening of ound / Visual / 
Digital Poetries at the future home of the Subtext reading series, which 
is moving from Hugo House to the Chapel Performance Space in June. 
Performers for the evening are Jim Andrews (from Victoria, BC), Crag 
Hill (Moscow ID), Geof Huth (Schanectady NY), & Nico Vassilakis (Alki 
Beach).

Performer biographies and details at http://gschapel.blogspot.com

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Subject: [Spare Room/Passages] Liminal presents The Theory of Love,
	April 13-29
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The Theory of Love

a traveling multimedia lecture-opera
from Liminal Performance Group


Collaborators:

David Abel  bass, librettist
Leo Chapeau  contralto, love practitioner
Leo Daedalus  tenor, media/art director*, linguist
Anna Daedalus  soprano, art/media director*
Tomek Karwowski  still photographer*
Samuel Miller  16mm specialist*
Kate Sanderson  video cameraperson*
Jenny Fern Anderson  vestiary
John Berendzen  baritone, composer, director

* Metaplastic  media and publicity research & design partner


Portland Premiere:

Friday April 13 through Sunday April 15
Reed College, Eliot Hall, rm. 314

Friday April 20 through Sunday April 22
Pacific Northwest College of Art, rm. 201

Friday April 27 through Sunday April 29
Chapman Elementary School auditorium

Fridays and Saturdays at 8:00 and 10:00 pm
Sundays at 8pm

$815, pay-what-you-can
Limited seating

For the current weeks venue info, directions, and reservations: 
503-890-2993

liminal@liminalgroup.org
www.liminalgroup.org

==========================================================

Birds are suddenly appearing, and Liminal may have something to do with it.

Liminal's latest original work has arrived, this time in the form of a 
traveling multimedia lecture-opera entitled The Theory of Love. The 
Liminal Love Theorists have been at the blackboard for years of 
research, testing, and experimentation into the hidden workings of Love. 
All of its constituent elements and behaviors have now been successfully 
identified and analyzed, and the resulting formula is no less than 100% 
pure Love. This is the stuff. Not tested on animals, this new 
mixed-genre product proves conclusively that everyone's favorite emotion 
is more than mere hypothesis.

But hasnt enough been said about Love already?

It certainly has, says composer and project leader John Berendzen, 
and Liminal would like to have the last word. The Resurrectory (2005) 
was a complex and relentless sonic investigation into Death. The Theory 
of Love wrestles down the only other great subject with equal passion 
and intensity.

Now available for mass consumption in a readily digestible musical 
lecture format, The Theory of Love begins its tour of public 
presentations aimed at educating the senses. Special host partners Reed 
College, Pacific Northwest College of Art (PNCA), and Chapman Elementary 
School (NW) provide the multimedia classroom facilities appropriate for 
the Portland premiere undertaking

Leading the public experiment are singers David Abel (bass) and Ms. Leo 
Chapeau (alto). Their syllabus/libretto (devised by Abel) leads us down 
the corridors of Roland Barthes ravishing ruminations on the 
metaphysics of love, through the motherless monkey experiments of 
psychologist Harry Harlow (do we need love more than food?), and on to 
parts unknown. All throughout, the Loveplus video database  produced by 
research & design partner Metaplastic  informs the spoken and sung 
words with its imagery, turning information into beauty, and making 
beauty informative.

This classroom is no study hall, and Liminal assures audiences that 
there will be no risk of nodding off. Using alternative techniques of 
musical hypnosis for accelerated superlearning (pioneered by Soviet-bloc 
and Japanese researchers in the mid-20th century), audiences are invited 
into states of blissful, relaxed attentiveness as mind and sense 
hyper-saturate with full-spectrum vibrations of sound, light, and thought.

An experiment in harmonizing the poetic and the analytical, the sexy and 
the brainy, Love is a foray into a new form of communication, a 
full-body experience of sound, word, and image. As the frequencies of 
the left and right brain synchronize with each other and to the 
environment, The Theory of Love presents solutions to the long-sought 
equation of Love to the conscious and subconscious mind. Finally, you 
are left to answer the question for yourself:

Love -- is it just a theory?


Now celebrating its 10th anniversary, Liminal has produced more than 12 
original projects, winning numerous Portland Critics Circle (Drammy) 
awards for its productions of The Seven Deadly Sins, Three Plays Five 
Lives, The Resurrectory, and others.

Metaplastic is a new Portland collaborative art/culture/media 
production, research and design entity, on the web at www.metaplastic.com.

The Theory of Love is funded with support from RACC, The Kinsman 
Foundation, and individual donors. Sponsored by Willamette Week, Reed 
College Theatre Department, and the Pacific Northwest College of Art.

From passages@rdrop.com Sun Apr  1 22:18:52 2007
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Subject: [Spare Room/Passages] Reminder: Fitzpatrick/Chao, Wed. 4/4
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Spare Room presents


Corinne Fitzpatrick

Geneva Chao


Wednesday, April 4th, 7:30 pm
Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

(please note: readings this spring take place in several venues)

Sun. 4/22 Susanne Dyckman / Rob Schlegel   New American Art Union
Thurs. 4/26 Charles Alexander / tba   tba

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al.
   Concordia Coffee House
Sun. 5/20 Rachel Zolf / Elizabeth Treadwell   New American Art Union

Sun. 6/17 Publication party:
   Maryrose Larkin / Catherine Daly / Donna Stonecipher
   (A Portland - LA - Berlin summit, with new books from all three poets)

============================================================


Corrine Fitzpatrick is the author of the chapbook "On Melody Dispatch"
(Goodbye Better, 2007) and the forthcoming "Zamboaguea" (sona books,
2007). Other poems appear in or on The Brooklyn Rail, EOAGH, Cock Now
and sonaweb. She is the Program Assistant and Friday Late Night Series
Coordinator for the Poetry Project at St. Mark's Church in NYC and she
lives in Brooklyn.


Geneva Chao is the former editor of flux, and has published work in
Boxkite, Can We Have Our Ball Back?, Word for Word, Diagram, and others.
She has contributed translations to Roof Books' anthology of the late
Christophe Tarkos's work, Ma Langue est Potique and to the DoubleChange
collective's Paris reading series. She has a chapbook forthcoming from
Taxt Press in Oakland.


============================================================

   O, cigarette
   I smoke you
   from bo blow
   perch
   this side of
   the action

   fail to tender consequence
   fail to fight
   the fight
   monetary might
   sooth rectify
   my rump

   an ass you are
   our precedent


   (excerpt from "On Melody Dispatch")

   -- Corinne Fitzpatrick




   april in paris

   a frame within which the limitations of promiscuity devolve. an
   unnumbered classroom outside of which you find the book you lost in
   eighth grade. une invitation  la valse. a host of mythological
   figures who await you with towels and lozenges. the libraries of
   perpetuity. the crookedness of sunlit mornings. the thought that
   the sun will not hurt you in this place. the innocence of discrete
   porcelain measurements. a proposition based upon the idea that life
   is as it is in novels. a proposition based upon the novel. an
   endearment of forwardness. the hope for a better tomorrow. the
   shockingness of the idea of a tomorrow. an accumulation of greed
   augmented by habit. a velvety white paper en dpit de tout a. the
   dulcet tones of stereolab on the rue du faubourg st-antoine. the
   efforts of a full stop. the best w.c. this side of tokyo. a
   fascination with the fastidious and with the vertiginous sandwich.
   a voluptuousness of wheelbarrows full of orange fruit. a
   reconfiguration of the fork as ornament. a reamplification of the
   potential for violence. an embarassment of red blazers and
   conventions of deference. the recurrence of clmentines as a
   variation on a theme by nietzsche. the willingness to spell
   'nietzsche' in foreign alphabets. the disorder of spring showers.
   the disapparition of nationality. a warning against tooth decay.
   the insistance of a man who speaks in tongues. the insistence on
   the significance of tongues. an importunate assortment of tourists
   forming a chateau-fort around the bathroom. a vase of sangria with
   two straws. the inevitability of coffee. an association of
   hairstyle with national origin. a disavowal of national origin.
   the effusion of unrestrained gesture. the tightening of a circle.
   a tightening of knuckles. the insistence on kissing as many cheeks
   as possible. the omission of the 'r.' a threat of horreurs varis
   en sirop by south asian spies. the concept of the spy novel
   refigured to include linen heists and clandestine appliances. a man
   with a face like a newborn ostrich. a man with a face like the love
   of your life. a disappointment of proustian proportions. a
   disgust with all notions of proportion. an embarassment of
   resemblance. a velvety midnight aux clats de noisettes. the
   proposal that we mix words and pictures. the proposal that we mix
   cells and fronts. the proposal that we cross-pollinate. an
   abnegation of proposals. the tendency to remain untouched by human
   hands. a standing offer of contact sports. the formation of an
   organisation to make all of this possible. a frame within which the
   limitations of possibility dissolve.



   -- Geneva Chao

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Subject: [Spare Room/Passages] Lois Leveen: Delve Seminar on The Invisible
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Friends,

I'm doing another Literary Arts seminar this spring - the one this 
winter was excellent, and this is such a great book, I expect the 
experience will be even more powerful for participants. Please consider 
signing up, and please forward to anyone who you think might be interested.

Thanks,

Lois


Join a group of thoughtful readers to explore one of the greatest and 
most challenging works of American literature, through Literary Arts' 
groundbreaking program, Delve: Readers' Seminars

Published in 1952, Ralph Ellisons Invisible Man centers on an unnamed 
narrator who speaks directly to the reader about what it means to be, in 
the words of Louis Armstrong, so black and blue. Lyrically detailing a 
series of educational, sexual and political odysseys, the novel provides 
a dazzling exposure of American society. This seminar will focus both on 
close readings of Ellisons masterful prose and on exploring the 
historical and cultural contexts and allusions that shape this 
groundbreaking work.

Guide: Lois Leveen is a writer who holds a Ph.D. in English from the 
University of California at Los Angeles with a specialty in 
multicultural American literature. She has taught literature and 
humanities at Reed College and UCLA.

Wednesdays, May 16-June 20 (6 seminars)
6:30-8:30 p.m.
Wieden + Kennedy (224 NW 13th Avenue, Portland)
Tuition: $150

Call or email Kirsten Collins at 503.227.2583 or or 
kirsten@literary-arts.org to enroll.

From passages@rdrop.com Sat Apr  7 23:36:34 2007
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Subject: [Spare Room/Passages] Sunday 4/22, Dyckman/Schlegel, NAAU
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This is a multi-part message in MIME format.
--------------010000050308020209020309
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Spare Room presents


Rob Schlegel

Susanne Dyckman


Sunday, April 22nd, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com
$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

(please note: readings this spring take place in several venues)

Thurs. 4/26 Charles Alexander / David Abel
Lindsay & Nita Hill's, 3536 NE 17th Avenue (just above Fremont)

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al.
Concordia Coffee House

Sun. 5/20 Rachel Zolf / Elizabeth Treadwell
New American Art Union

Sun. 6/17 Publication party:
Maryrose Larkin / Catherine Daly / Donna Stonecipher
(A Portland - LA - Berlin summit, with new books from all three poets)

============================================================

Rob Schlegel lives in Missoula, MT. where he teaches poetry. His 
manuscript Iceblink was a finalist in the New California Poetry Series 
from UC Berkeley Press and his poems and reviews can be found in The 
Boston Review, VOLT, Barrowstreet, AGNI and The Grove Review. Currently 
he is teaching at Linfield College and Portland Community College.

Susanne Dyckman is the author of two chapbooks, Transiting Indigo 
(Etherdome Press) and Counterweight (Woodland Editions). Her first 
full-length book of poetry, equilibriums form, has just been released 
by Shearsman Books. Her work has appeared in a number of publications, 
most recently Marginalia and First Intensity. A thesis advisor for the 
University of San Francisco MFA program and an editor of the journal 
Five Fingers Review, she lives in Albany, California, where for the last 
three years she has hosted the Evelyn Ave. Summer Reading Series.

============================================================


Blue & ochre sheets fit tight
the mattress on which we lie
thick pitched crying-out beneath
the winter bedrooms open
window. Two or three deer
eat bunchgrass & lift their heads
to the sound of our nimble
sheet-screams. Neither arrive
nor depart, but modify constant;
coves pliable shore never so
permanent to regard itself
immortal. Bury we may brittle
bones within the ossuary. Crab-
apple or buried sun. Question
the one part of every sound
pining for a different pitch.

from "History of the West"

-- Rob Schlegel


(please see attached Word document for Susanne Dyckman's poem, which 
loses critical formatting in the body of a mail message -- thanks!)

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From passages@rdrop.com Mon Apr 16 19:59:31 2007
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After a rousing premiere weekend at Reed College, /The Theory of Love/ 
moves this week to our second venue: Pacific Northwest College of Art.

Seating is limited, and word will spread, so reserve your tickets soon 
for remaining shows!

See details below, and the Willamette Week preview at
http://www.wweek.com/editorial/3322/8813


THE THEORY OF LOVE

a traveling multimedia lecture-opera

from Liminal Performance Group

Liminal's latest original work has arrived, this time in the form of a 
traveling multimedia lecture-opera entitled The Theory of Love. Now 
available for mass consumption, The Theory of Love begins its tour of 
public presentations aimed at educating your senses. School has never 
sounded this good.

Leading the public experiment are singers David Abel (bass) and Ms. Leo 
Chapeau (alto). Their syllabus/libretto (devised by Abel) leads us down 
the corridors of the metaphysics of love in conjunction with a new sound 
score composed by John Berendzen. Visual aids are provided by Anna and 
Leo Daedalus (with assistance from Sam Miller and Tomek Karwowski), of 
research & design partner Metaplastic.

To read more about the project, go to: *http://www.liminalgroup.org*


*DATES and LOCATIONS*

Friday April 20  Sunday April 22  *Pacific Northwest College of Art*, 
rm. 201

Friday April 27  Sunday April 29  *Chapman Elementary School* auditorium


*TIMES and COST*

Fridays and Saturdays: 8 pm, late show at 10 pm
Sundays: 8 pm

(Times apply for all dates and locations)

$8 15, pay-what-you-can; limited seating


For venue info, directions, and reservations, visit the website:
*http://www.liminalgroup.org*
Or call: 503-890-2993
Or e-mail: liminal@liminalgroup.org


*ABOUT LIMINAL*

Now celebrating its 10th anniversary, Liminal has produced more than 12 
original projects, winning numerous Portland Critics Circle (Drammy) 
awards for its productions of The Seven Deadly Sins, Three Plays Five 
Lives, The Resurrectory, and others.


*COLLABORATORS AND SPONSORS*

Metaplastic is a new Portland collaborative art/culture/media 
production, research and design entity, on the web at: 
http://www.metaplastic.com.

"The Theory of Love" is funded with support from RACC, The Kinsman 
Foundation, and individual donors.

Sponsored by Willamette Week, Reed College Theatre Department, and the 
Pacific Northwest College of Art.


Please consider making a gift to help us pay artist fees and production 
costs. The Regional Arts & Culture Council (RACC) has challenged us to 
match 50% of its gift for Love. Our goal is to raise $2,500 from 
individual supporters who believe in our work. Help us meet this 
challenge today at: *http://www.liminalgroup.org/contribute*



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	Sunday 4/22
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Spare Room presents


Rob Schlegel

Susanne Dyckman


Sunday, April 22nd, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com
$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

(please note: readings this spring take place in several venues)

Thurs. 4/26 Charles Alexander / David Abel
Lindsay & Nita Hill's, 3536 NE 17th Avenue (just above Fremont)

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al.
Concordia Coffee House

Sun. 5/20 Rachel Zolf / Elizabeth Treadwell
New American Art Union

Sun. 6/17 Publication party:
Maryrose Larkin / Catherine Daly / Donna Stonecipher
(A Portland - LA - Berlin summit, with new books from all three poets)

============================================================

Rob Schlegel lives in Missoula, MT. where he teaches poetry. His 
manuscript Iceblink was a finalist in the New California Poetry Series 
from UC Berkeley Press and his poems and reviews can be found in The 
Boston Review, VOLT, Barrowstreet, AGNI and The Grove Review. Currently 
he is teaching at Linfield College and Portland Community College.

Susanne Dyckman is the author of two chapbooks, Transiting Indigo 
(Etherdome Press) and Counterweight (Woodland Editions). Her first 
full-length book of poetry, equilibriums form, has just been released 
by Shearsman Books. Her work has appeared in a number of publications, 
most recently Marginalia and First Intensity. A thesis advisor for the 
University of San Francisco MFA program and an editor of the journal 
Five Fingers Review, she lives in Albany, California, where for the last 
three years she has hosted the Evelyn Ave. Summer Reading Series.

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Spare Room presents


Charles Alexander

David Abel


Thursday, April 26th, 7:30 pm

Lindsay & Nita Hill's
3536 NE 17th Avenue

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

Sat. 5/12 Wig magazine pub. party w/Kit Robinson, Tim Shaner, et al.
New American Art Union

Sun. 5/20 Rachel Zolf / Nicole Simpson
New American Art Union

Sun. 6/17 Publication party:
Maryrose Larkin / Catherine Daly / Donna Stonecipher
(A Portland - LA - Berlin summit, with new books from all three poets)
location tba

Sun. 7/15 John & Roberta Olson
location tba

============================================================

Charles Alexander is a poet, publisher, and book artist. Director of 
Chax Press (www.chax.org) in Tucson, he is married to visual artist 
Cynthia Miller, father of two amazing daughters, teacher of poetry, 
writing, & critical thinking about lit at Poetry Center U of AZ, Naropa 
U (some summers), & Pima College, and sponsor of readings and other 
Tucson events through Chax and the literary organization POG. Junction 
Press recently published his collection Certain Slants.

Poet, performer, and interdisciplinary artist David Abel works as a 
freelance editor and a bookseller. His most recent publication is Let Us 
Repair (wax paper scissors, 2007, with Anna Daedalus). A founder of the 
Spare Room reading series, he devised the libretto for and is currently 
appearing in Liminal Performance Groups multimedia lecture-opera, The 
Theory of Love (www.liminalgroup.org).

============================================================



from Pushing Water 6


a mind a terrible of linguistic changes thing to minister as caroling, 
wondering what juxtapositions rejoice over hostages, dolls which eat the 
hair of children or even a clear stream of epithets, hurled unexpectedly 
at men and women walking on the street

stirring, making a perfect froth

day year's new on quiet is all


-- Charles Alexander





False Stop


the end of a line, an
implied horizon
any sentience wears
the grammar of that dwelling

false reclamation
scene inside the wind
no sky higher
than the top of my head

-- David Abel

From passages@rdrop.com Tue Apr 24 01:38:40 2007
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Date: Tue, 24 Apr 2007 01:38:48 -0700
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Subject: [Spare Room/Passages] Final weekend! Theory of Love at Chapman
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This weekend will be the last chance to experience The Theory of Love in 
its present incarnation . . . we encourage you to join us in the 
auditorium of Chapman Elementary School, at 1445 NW 26th (where the 
chimney swifts give their annual performance), for the culmination of 
our Portland tour.


See details below, and the Willamette Week preview at
http://www.wweek.com/editorial/3322/8813


THE THEORY OF LOVE

a traveling multimedia lecture-opera

from Liminal Performance Group

Liminal's latest original work has arrived, this time in the form of a
traveling multimedia lecture-opera entitled The Theory of Love. Now
available for mass consumption, The Theory of Love begins its tour of
public presentations aimed at educating your senses. School has never
sounded this good.

Leading the public experiment are singers David Abel (bass) and Ms. Leo
Chapeau (alto). Their syllabus/libretto (devised by Abel) leads us down
the corridors of the metaphysics of love in conjunction with a new sound
score composed by John Berendzen. Visual aids are provided by Anna and
Leo Daedalus (with assistance from Sam Miller and Tomek Karwowski), of
research & design partner Metaplastic.

To read more about the project, go to: *http://www.liminalgroup.org*


*Final Weekend*

Friday April 27  Sunday April 29  *Chapman Elementary School* auditorium


*TIMES and COST*

Fridays and Saturdays: 8 pm, late show at 10 pm
Sundays: 8 pm

(Times apply for all dates and locations)

$8 15, pay-what-you-can; limited seating


For venue info, directions, and reservations, visit the website:
*http://www.liminalgroup.org*
Or call: 503-890-2993
Or e-mail: liminal@liminalgroup.org


*ABOUT LIMINAL*

Now celebrating its 10th anniversary, Liminal has produced more than 12
original projects, winning numerous Portland Critics Circle (Drammy)
awards for its productions of The Seven Deadly Sins, Three Plays Five
Lives, The Resurrectory, and others.


*COLLABORATORS AND SPONSORS*

Metaplastic is a new Portland collaborative art/culture/media
production, research and design entity, on the web at:
http://www.metaplastic.com.

"The Theory of Love" is funded with support from RACC, The Kinsman
Foundation, and individual donors.

Sponsored by Willamette Week, Reed College Theatre Department, and the
Pacific Northwest College of Art.


Please consider making a gift to help us pay artist fees and production
costs. The Regional Arts & Culture Council (RACC) has challenged us to
match 50% of its gift for Love. Our goal is to raise $2,500 from
individual supporters who believe in our work. Help us meet this
challenge today at: *http://www.liminalgroup.org/contribute*

From passages@rdrop.com Sat Apr 28 14:59:45 2007
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By All Means: Artists Books & Objects

featuring work by

Barbara Tetenbaum
Diane Jacobs
Megan O'Connell
Inge Bruggeman
Sarah Horowitz
Rachel Wiecking
David Abel

curated by David Abel for NAAU


May 4  27

New American Art Union
922 SE Ankeny, Portland OR 97214
503-231-8294 www.newamericanartunion.org

Gallery hours: Thursday - Sunday, 12:00 - 6:00 pm

Opening Reception: First Friday, May 4, 7:00 - 10:00 pm


For more information, contact:
David Abel passages@rdrop.com 503-233-4562
Ruth Ann Brown naau@earthlink.net 503-231-8294

By All Means is funded in part by the Regional Arts & Culture Council 
and Work for Art

===========================================================


A book is simultaneously object and process, tradition and technology, 
actor and environment.

The work of the seven artists in this exhibition ranges in genre from 
the drawn and printed page, to sculptural objects and installations, to 
conceptual interventions and experimental poetry  all informed by the 
peculiar sensibility of the culture of the book.


By All Means, a collection of multiples published in conjunction with 
the exhibition (and including a new editioned work by each of the 
artists), will be available for purchase at the gallery.



Artist Biographies


Barbara Tetenbaum has been publishing limited edition artists books 
under the Triangular Press imprint
since 1979. In 2005, the John Wilson Room at the Multnomah County Public 
Library organized a retrospective exhibition of her work, which resulted 
in the publication of Half-Life: 25 Years of Books by Barbara Tetenbaum 
and Triangular Press. Barbaras work has been featured in numerous 
one-person exhibitions and installations, and can be found in many 
public collections in the US, Canada, and Europe. She has been a 
Fulbright Lecturer in Germany (1994) and the Czech Republic (2003), and 
is currently Associate Professor and Department Head of Book Arts at 
Oregon College of Art & Craft in Portland, OR.


Diane Jacobs received her MFA in printmaking from San Francisco State 
University in 1996. She was a 2005 recipient of an individual project 
grant from the Regional Arts & Culture Council. The San Francisco 
Foundations James D. Phelan Award in printmaking is the most recent of 
Dianes many awards and fellowships. She has exhibited nationally for 
the past ten years, and her books have been purchased by many important 
public collections, including The Getty Museum, The New York Public 
Library, The San Francisco Museum of Modern Art, The Walker Art Center, 
and Yale and Stanford Universities. She lives in Portland, and teaches 
letterpress printing at Oregon College of Art and Craft.


Megan O'Connell served as the first intern at Minnesota Center for Book 
Arts, later earning a self-designed BA in Book Arts at the University of 
Minnesota in 1988. Studies in intermedia resulted in an extension of her 
repertoire into new methods and nontraditional forms, including 
installation, video, and performance. For twelve years she taught 
courses in the University of Oregon Art Department, centering her 
pedagogy and practice around The Typography Lab. She has recently 
relocated to Portland, Maine, where she is setting up a new endeavor, 
The Bracket[t] Press, and continuing to produce under her former 
imprint, The Dead Skin Pressthe products of which are found in major 
collections throughout the country.


Inge Bruggeman received her MFA in Book Arts from the University of 
Alabama, Tuscaloosa, in 1994, and was artist-in-residence at the 
Minnesota Center for Book Arts and Lecturer at the University of 
California at Santa Barbara before moving to Portland. She is a 
recipient of an Oregon Arts Commission Individual Artist Fellowship and 
a Regional Arts & Culture Council Project Grant. In 200607, Inge 
exhibited in Portland, Charlotte, New York, Cincinnati, St. Louis, San 
Diego, Rome, Italy, and Rauma, Finland. Her work is also collected 
internationally. Inge is an Adjunct Faculty member in the Book Arts 
department at Oregon College of Art & Craft, and operates her own 
letterpress and design shop, Textura Printing.


Sarah Horowitz grew up in Switzerland and the United States. She 
received a BA in math and physics, with a thesis in printmaking, from 
Hampshire College, and did postgraduate work in printmaking at the 
studio of Hansjurg Brunner in Switzerland; the Edinburgh Printmakers 
Workshop in Scotland; and the University of Massachusetts. She has 
taught at the Portland Art Museum and Portland State University, and has 
been an artist member of Atelier Mars since 2000. Sarahs press, 
Weisedruck, is named after her grandfathers printing press in 
Switzerland, Schudeldruck, and the Wiese, a stream that marks the border 
between Switzerland and Germany and marked an escape route for Jewish 
refugees during WWII.


Rachel Wiecking has been a voracious reader and writer since childhood, 
but did not start making visual art until her twenties. She earned a BA 
in American Studies/Literature at the University of California at Santa 
Cruz and went on to earn her BFA in Book Arts at the Oregon College of 
Art and Craft in 2002. Her work is inspired by the connections between 
text and the body, and reflects a continuing interest in graphs, maps, 
grids and the gap between these logical systems and the chaos of 
feeling. She is currently the Victor Hammer Fellow in the Book Arts at 
Wells College in Aurora, NY, and continues to operate Matador Press in 
North Portland, to which she will return in 2008.


David Abel is a poet, performer, and interdisciplinary artist, working 
as a freelance editor and bookseller in Portland. He was the proprietor 
of Passages Bookshop & Gallery in Albuquerque in the mid 1990s and the 
Bridge Bookshop in New Yorks East Village in the late 1980s. Recent 
publications include Black Valentine (Chax Press, 2006) and Let Us 
Repair (wax paper scissors, 2007, with Anna Daedalus); recent 
performances and installations include The Theory of Love (Liminal 
Performance Group), Eclipse (Light and Sound Gallery, Portland Art 
Center; with John Berendzen), and Signs in Situ (Land and Language 
group exhibition, The Land/an art site, Mountainair, NM, with Paul Maurer).


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Correct URL for New American Art Union:
www.newamericanartunion.com

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Subject: [Spare Room/Passages] [Fwd: Job opening at Pinball Publishing]
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-------- Original Message --------
Subject: 	Job opening at Pinball Publishing
Date: 	Fri, 27 Apr 2007 10:37:18 -0700
From: 	Ashley Edwards <ashley@pinballpublishing.com>
To: 	cohenalicia@gmail.com



Hello friends!

Just wanted to pass this announcement along...

We are currently looking to hire a Print Production Assistant here at
Pinball Publishing. We are an environmentally sustainable, design-
oriented print shop located in SE Portland. Specializing in high-
quality, custom offset printing, we also manage our own record label
and artisan stationery line, and are currently laying the groundwork
for a new magazine focused on print and typography.

The print production assistant will be trained to operate 1 & 2-color
offset printing presses. The position will also include prepping
components for offset printing (trimming paper, stripping film,
preparing plates, and managing pressroom supplies).

If you, or anyone you know, are interested in learning more about the
position, please see our website for the job description and
application:

www.pinballpublishing.com/jobs

Best wishes,
~Ashley


Ashley Edwards, Project Coordinator at Pinball Publishing
ashley@pinballpublishing.com  (503) 238-4514  AIM: pinballashley



From passages@rdrop.com Tue May  8 13:27:50 2007
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Subject: [Spare Room/Passages] Wig magazine reading: Kit Robinson, Tim Shaner,
 Kristen Gallagher, Chris Alexander
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Spare Room presents


Wig Magazine reading and publication party:

Kit Robinson, Tim Shaner, Kristen Gallagher, & Chris Alexander


Saturday, May 12th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

Free admission

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

Sun. 5/20 Rachel Zolf / Natalie Simpson
New American Art Union

Sun. 6/17 Publication party:
Maryrose Larkin / Catherine Daly / Donna Stonecipher
(A Portland - LA - Berlin summit, with new books from all three poets)

Sun. 7/15 John Olson / Roberta Olson

============================================================


Please join us in welcoming editors Tim Shaner and Kristen Gallagher, 
and contributors Kit Robinson and Chris Alexander, who have flown in to 
Portland from both coasts (and Eugene) to read and to celebrate the 
publication of the premiere issue of Wig magazine, copies of which will 
be available for purchase.


 From the editors:

Wig is a low-budget magazine devoted to writing and art composed on the 
job. Not necessarily about work, the wig-artist employs labor for 
artistic ends that implicity critiquethrough the action of poaching 
company time and/or materialsthe productivist logic of what Hannah 
Arendt calls the laboring society. The title of the magazine alludes 
to Michel de Certeaus discussion of la perruque in The Practice of 
Everyday Life (1974):

La perruque is the workers own work disguised as work for his 
employers. It differs from pilfering in that nothing of material value 
is stolen. It differs from absenteeism in that the worker is officially 
on the job. La perruque may be as simple a matter as a secretarys 
writing a love letter on company time or as complex as a cabinet 
makers borrowing a lathe to make a piece of furniture for his living 
room. Under different names in different countries this phenomenon is 
becoming more and more general, even if managers penalize it or turn a 
blind eye on it in order not to know about it. Accused of stealing or 
turning material to his own ends and using the machines for his own 
profit, the worker who indulges in la perruque actually diverts time 
(not goods, since he uses only scraps) from the factory for work that is 
free, creative, and precisely not directed toward profit. (25)



Books by Kit Robinson include 9:45 (The Post-Apollo Press) and The Crave 
(Atelos). His work has appeared recently in 26, Damn the Caesars, 
Fulcrum, Hambone, mark(s), onedit, Shampoo, The Hat, The Poker, Tinfish, 
Tolling Elves, and Vanitas, and more is forthcoming in The Gig, Shiny 
and Worm in the Rain, and he is a co-author of The Grand Piano: An 
Experiment in Collective Autobiography, San Francisco, 1975-1980 (Mode 
A). He is currently director of corporate communications at Vontu, Inc. 
of San Francisco, and plays the Cuban tres guitar in a salsa band at 
Jazzschool in Berkeley.

Chris Alexander is a poet, graphic artist, and jack-of-all-trades. He 
co-edits the press RUBBA DUCKY, publishing chapbooks, pamphlets, and a 
few less-easily-categorized projects: "Poetry, Prose, Political Arts." 
He's also a member of the CAFF collective, a group of artists and others 
from around the U.S. who gather a few times yearly to make cheap art and 
set up public "temporary autonomous zones." He divides his time between 
Utopia and Brooklyn, New York.

Kristen Gallagher is a poet, the editor of handwritten press, and 
co-editor of Wig. She teaches creative writing at LaGuardia Community 
College in Queens, New York.

Tim Shaner is a poet and co-editor of Wig. Recent work has appeared in 
Shampoo and 88: A Journal of Contemporary American Poetry. He has a 
Ph.D. in poetics from SUNY-Buffalo and wrote his dissertation on the 
poetics of writing work. He teaches at Lane Community College in Eugene, 
Oregon.



From passages@rdrop.com Sat May 12 15:57:55 2007
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Subject: [Spare Room/Passages] Sunday May 20: Rachel Zolf & Natalie Simpson
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Spare Room presents

Two Canadian poets:

Rachel Zolf  (Toronto)  /  Natalie Simpson (Vancouver)


Sunday, May 20th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

Free admission

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

Sun. 6/17  Maryrose Larkin / Catherine Daly / Donna Stonecipher

Sun. 7/15  John Olson / Roberta Olson

Sun. 8/12  Joseph Bradshaw / Bethany Wright

Sun. 9/2  H.C. ten Berge / Lindsay Hill

============================================================

Rachel Zolf works days as a corporate communications consultant, 
churning out language to fire employees gently or convince them to toe 
the corporate line. Her new book Human Resources (Coach House, 2007) 
"repurposes" for artistic ends the words and energy she wastes daily. 
The book exposes the codes -- programming codes, social codes, political 
codes -- that we live under every day that tell us how to act, what to 
buy, who to love, who to bomb. Zolf is the author of the poetry 
collections Masque (The Mercury Press, 2004) and Her absence, this 
wanderer (BuschekBooks, 1999),  and was the founding poetry editor for 
Walrus magazine.

Natalie Simpson's first collection of poetry, accrete or crumble, was 
published by LINEbooks in 2006. She is also the author of several 
chapbooks, including Dirty Work, a found-poetry polemic against the oil 
industry published in 2005 by No Press. More of her poetry can be found 
in Shift & Switch: New Canadian Poetry (The Mercury Press) and 
Post-Prairie: An Anthology of New Poetry (Talonbooks). She is a former 
managing editor of filling station magazine in Calgary, AB, and now 
lives in Vancouver, BC.

============================================================


We're in a bit of a holding pattern right now providing
you with a pulse on 'inquiring minds' I'd kill this sen-
tence entirely.


On our side of the family my day got totally blown out of
the water push back if you think this is a 'must have.'


We make the call a non-event communication accompa-
niment I can suggest hoarding words like gold.


The new 'go forward' content tailored especially to I'd
wager a guess.


   -- Rachel Zolf, from Human Resources



heart learns, and quantity theories, and quantity theories correct.
the heart learns emotion, when didn't motion beat. the heart learns
beating two by two by sizes. when the heart beats distinction out,
when flash sounds temper.

constant and temper attractions. heart beats to attraction: the heart
is a fine weave.

   -- Natalie Simpson, from "bound out"




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[per usual practice, the suggested admission will be $5]


Spare Room presents

Two Canadian poets:

Rachel Zolf (Toronto) / Natalie Simpson (Vancouver)


Sunday, May 20th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

Sun. 6/17 Maryrose Larkin / Catherine Daly / Donna Stonecipher

Sun. 7/15 John Olson / Roberta Olson

Sun. 8/12 Joseph Bradshaw / Bethany Wright

Sun. 9/2 H.C. ten Berge / Lindsay Hill

============================================================

Rachel Zolf works days as a corporate communications consultant,
churning out language to fire employees gently or convince them to toe
the corporate line. Her new book Human Resources (Coach House, 2007)
"repurposes" for artistic ends the words and energy she wastes daily.
The book exposes the codes -- programming codes, social codes, political
codes -- that we live under every day that tell us how to act, what to
buy, who to love, who to bomb. Zolf is the author of the poetry
collections Masque (The Mercury Press, 2004) and Her absence, this
wanderer (BuschekBooks, 1999), and was the founding poetry editor for
Walrus magazine.

Natalie Simpson's first collection of poetry, accrete or crumble, was
published by LINEbooks in 2006. She is also the author of several
chapbooks, including Dirty Work, a found-poetry polemic against the oil
industry published in 2005 by No Press. More of her poetry can be found
in Shift & Switch: New Canadian Poetry (The Mercury Press) and
Post-Prairie: An Anthology of New Poetry (Talonbooks). She is a former
managing editor of filling station magazine in Calgary, AB, and now
lives in Vancouver, BC.

============================================================


We're in a bit of a holding pattern right now providing
you with a pulse on 'inquiring minds' I'd kill this sen-
tence entirely.


On our side of the family my day got totally blown out of
the water push back if you think this is a 'must have.'


We make the call a non-event communication accompa-
niment I can suggest hoarding words like gold.


The new 'go forward' content tailored especially to I'd
wager a guess.


-- Rachel Zolf, from Human Resources



heart learns, and quantity theories, and quantity theories correct.
the heart learns emotion, when didn't motion beat. the heart learns
beating two by two by sizes. when the heart beats distinction out,
when flash sounds temper.

constant and temper attractions. heart beats to attraction: the heart
is a fine weave.

-- Natalie Simpson, from "bound out"



From passages@rdrop.com Fri Jun  8 19:33:46 2007
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Spare Room presents a remarkable three-way international publication 
party and reading, with


Catherine Daly

Donna Stonecipher

Maryrose Larkin


Sunday, June 17th, 7:30 pm


New American Art Union
922 SE Ankeny
www.newamericanartunion.com

Free admission

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

Sunday 7/15 John Olson / Roberta Olson
Sunday 8/12 Joseph Bradshaw / Bethany Wright
Sunday 9/2 H.C. ten Berge / Lindsay Hill
Sunday 9/30 Michael Kelleher / tba


============================================================


CATHERINE DALY has 100 ISBNs, and she's going to use them to publish 
writing and art that engages both the eye and ear until the money from 
the sale of her first registered and insured car, a 1998 green Mustang 
convertible, runs out.

Books she's written that have been published are Locket (Tupelo Press, 
05), a golden book of love poems; DaDaDa (Salt, 05), a fat book of love 
poems; Paper Craft (Moria, 06), a two-format book of visual & sound 
poems; To Delite and Instruct (blue lion, 06), a giant manual of 
perception; Secret Kitty (Ahadada, 06), a flarfy eBook critique of 
flarf; and the new Chanteuse / Cantatrice (factory school, 07), a 
Heretical Texts series book about collaboration and complicity that can 
be read from both sides.



DONNA STONECIPHER grew up in Seattle and Teheran. She received her MFA 
from the University of Iowa Writers' Workshop in 2001. She is the author 
of The Reservoir (University of Georgia Press, 2002), and Souvenir de 
Constantinople (Instance Press, 2007). Her own poems and her 
translations of French and German poems have been published in many 
journals. She currently lives in Berlin.

Of Souvenir de Constantinople, Martin Corless-Smith wrote: "the 
impossible quest for self and other was never so luxuriousthe letter 
home never more admirably addressed," and Jonathan Raban called the book 
"mesmeric."



MARYROSE LARKIN lives in Portland, Oregon, where she works as a 
freelance researcher. Her first full-length collection, The Book of 
Ocean, has just been released as the inaugural title from Catherine 
Daly's i.e. Press in Los Angeles. She is also the author of Inverse 
(nine muses books) and Whimsy Daybook 2007. Maryrose is a member of 
Spare Room, a small group of people who organize poetry readings and 
other kindred events in Portland. She is the co-editor, with Sarah 
Mangold, of FLASH+CARD, a chapbook and ephemera press.

Andrew Joron writes that in The Book of Ocean, "Larkin has made language 
songful with the crescendos and recessions of bluest ocean, with an 
undertow of the blues . . . This work is informed by a counterpoint 
between time & vision, and so seems to me a poetry of arabesque, which 
(as 19th-century German aestheticians defined it) presents a perfect, & 
perhaps paradoxical, synthesis of enthusiasm & irony."


============================================================


Marguerite Monnot

daughter of an organist
a prodigy

free
editions de travail work
to become a persona non grata
technical problems, interpretation
intuition deaf to evil
what is authentic, national

"One can never train a child carefully enough" youth
today's dissonance sight singing (fixed-Do soflege)
not sight reading tomorrow's consonance
Boulanger
Grand Prix du Disque by L'Academie du Disque
the stranger, a policeman, a hooker whose

screw is slang for prison guard

arrester -- real boyfriend didn't want to work
at the fish market
but her working emasculated him
Ou Sont-Ils Mes Petits Copains?
where did Billy Wilder put song

Irma la Douce

Irma la Douce

where did Billy Wilder put song
Ou Sont-Ils Mes Petits Copains?
but her working emasculated him
at the fish market
arrester -- real boyfriend didn't want to work

screw is slang for prison guard

the stranger, a policeman, a hooker whose
Grand Prix du Disque by L'Academie du Disque
Boulanger
not sight reading tomorrow's consonance
today's dissonance sight singing (fixed-Do soflege)
"One can never train a child carefully enough" youth

what is authentic, national
intuition deaf to evil
technical problems, interpretation
to become a persona non grata
editions de travail work
free

a prodigy
daughter of an organist

Marguerite Monnot

-- Catherine Daly




THE POSTCARD-COLLECTORS ADDRESS

I know the world
only through

form. Mosaic
of views. It is said

melancholics
gravitate

toward miniatures.
It is said what is miniature is liberated

from the pretty tyranny
of use. Systematic

kindlers, tonic
postulants, distillations

of the garden
into flat vials, insects

Louvre, insects
Constantinople, wherever I go

my postcards go
with me. I saw my name

calligraphed on a grain
of rice. I saw the tiara

of spires held
in the pupils

dark embrace.
I closed up

the postcards in a jewelry
box where they remain

eternally
local.

-- Donna Stonecipher




Test Garden


have I forgotten to occur

we are a rose hour
or a swimming pool full of sky

Orpheus seed
and the whole of
sidewalk's wet stars

I wrote crows into the sky
today
a winter flock
radius song & eclipse

my hands bloom here through winter
bloom through the belly-up

-- Maryrose Larkin




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---------- A query from Lisa Steinman ----------

For a piece I am writing about contemporary poetry and its readers, I
would appreciate hearing answers to the following questions from
anyone who reads or listens to contemporary poetry at least several
times a year. I would like to be able to quote what you say, but I
will not use names.

1) Briefly, what do you read or turn to poetry for? What does poetry
offer you?

2) Is there a particular kind of poetry you like, and  if so  how
would you describe it?

3) Are you affiliated (even unofficially) with any poetry/literary
group or organization? Is so, which one(s) and in what way(s)? How
would you characterize this group or organization?

4) If you don't mind, would you say a few words about yourself (your
age, educational level, whether you write poetry yourself, etc.)?

Please respond to: steinn@reed.edu

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Subject: [Spare Room/Passages] Call for artists (all disciplines)
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Please feel free to forward widely:


THE LAND/an art site, Inc.
419 Granite NW, Albuquerque NM 87102
505 242-1501

theland@comcast.net
www.landartsite.org/siteunseen.html


THE LAND/an art site, Inc., announces a call to artists for proposals of 
ideas that can be variably realized by partner artists working at a 
specific outdoor site (or sites) in New Mexico. The resulting works will 
be featured in a show titled SITE UNSEEN, to run from September 28, 2008 
to October 19, 2008.

Selected artists will be asked to contribute, with no detailed knowledge 
of the site(s), a score, plan, or text, from which their on-site 
collaborator will devise a highly site-specific realization (or 
realizations). Ideas may be very specific or wide-open, and 
collaborations may range from blind to intensely cooperative. SITE 
UNSEEN will encourage artists to rethink traditional notions of 
collaboration and site-specificity, and will provide an opportunity for 
artists worldwide to be involved with THE LAND/an art site. Artists from 
outside the United States are especially encouraged to apply.

The proposal DEADLINE is September 14, 2007.

Selection of idea proposals will be completed and artists notified by 
November 10, 2007.

THE LAND/an art site, working jointly with other New Mexico arts 
organizations, will review separate proposals from artists to work 
on-site, and selection of these artists will be completed by November 
24, 2007. Work on realizations will begin March 1, 2008.

Applicants should send the following:

A proposal, artist's statement, resume, and examples/images on CD (or 
any other appropriate support materials). Please include a SASE if 
support materials are to be returned.



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Subject: [Spare Room/Passages] Roberta & John Olson, Sunday July 15
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Spare Room presents

John Olson

Roberta Olson


Sunday, July 15th, 7:30 pm


New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

8/12 Joseph Bradshaw / Bethany Wright
9/2 H.C. ten Berge / Lindsay Hill
9/30 Michael Kelleher / tba
10/19 Patrick Durgin / Jen Hofer / Dolores Dorantes / Jesse Seldes
12/9 Ken Rumble / Susan Briante

============================================================

John and Roberta Olson live in Seattle. Roberta's most recent book, All 
These Fair & Flagrant Things, was published in 2001 by etherdome press. 
Some Numerous Dwarf Rippings, a chapbook of poetry, is due out soon from 
Portland/Seattle's own Flash + Card Press. She also has work forthcoming 
in the Golden Handcuffs Review.

John is the author of seven books of poetry and prose poetry: The Night 
I Dropped Shakespeare On The Cat, Oxbow Kazoo, Free Stream Velocity, 
Echo Regime, Eggs & Mirrors, Logo Lagoon, and Swarm of Edges. 
Backscatter is forthcoming from Black Widow Press in February, 2008, and 
Souls of Wind, a novel about Arthur Rimbaud traveling in the American 
West, is due out soon from Quale Press.

============================================================


Zola At 62


Retirement, how ironic
Zola died of asphyxiation
The rock wall only seemed solid
It was designed
To stir things up but Zola
Found that even controversy can lead
To stagnation -- a rock in the flue
Or the sacred color in tubes
A translucent touch to both
Full of light and flesh


The headlight child finds
A new point of gravity
Looking at mountains
Thinking of light mostly looking
At one mountain and as the light
Changed the mountain changed
And the light dried his eyes
And steadied his hand and his sons
Icy body turned into a strange
Enthralling subject like a mountain
Reflecting light the hidden prisms
Rising like an incandescent smoke

-- Roberta Olson



Infundibulum

Infundibulum. What a magnificent word. There should be a poem with that 
word
in it. This could be that very poem. A poem with the word infundibulum 
in it.
Infundibulum vibrating and hard like a hammer. Like a piano string. Like a
hammer hitting a piano string. Infundibilum. The infundibulum sonata.
Infundibulum rotating and ridiculous like Tuesday. Infundibulum created 
by a mouth. By a
pair of lips moving up and down. A pair of lips moving up and down and a
tongue and the proper occasion for saying a word like infundibulum. A 
moment of
incense and rain. A moment of sand and knuckles and the goodness of 
style in the
way an octopus moves. Moves through an infundibulum. A funnel-shaped 
object of
metal languishing on the bottom of a harbor. Infundibulum sublime and fluid
like French. Blood and bone and infundibulum. Time convulsing in an
infundibulum of space and time and the funnels of eternity. Infundibulum 
weighing in the
mind like a thought ovulating letters and sounds. Infundibulum tattooed 
on the
arm of a woman involved with life. Involved with infundibulum. The
infundibulum of life. Infundibulum with a face of science and 
scintillating sonar.
Infundibulum with chimes and mummies and the hope of an eyebrow. A real
infundibulum. A large and tangible infundibulum. Please. Please take 
this offering. This
offering of an infundibulum. Take it and do with it what you will. 
Whatever it
is you do with an infundibulum. What anyone would do with an infundibulum.
This infundibulum. This infundibulum of stars and gravity and perfect
understanding. This contraction. This egg. This sack of air. This 
stimulation of nerves.
This lump of sound. This siphon of Cephalopoda. This infundibulum.

-- John Olson



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Subject: [Spare Room/Passages] FREE: JAW festival, Portland Center Stage,
	July 12-22
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Portland Center Stage's JAW new works festival, July 12 through July 22: 
free this year!


For information and schedules: http://www.pcs.org/season_jaw.html


Its All *FREE*.

No Tickets required.
No Subscriptions.
No RSVP.
Just show up.
First Come, First Serve.
Well see you there!

* Just Add Water* {JAW} is Portland Center Stage's developmental 
festival of new work for the stage. Every summer, PCS gathers together a 
company of professional playwrights, directors, actors, dramaturgs and 
other collaborators, who dedicate ten days of intense workshop time to 
some of the nation's most innovative works in progress. The Festival 
culminates in concert presentations of the plays, and includes a full 
slate of performance events, forums and other free activities. We're 
excited to hold the Festival for the first time in the new Gerding 
Theater at the Armory.

From passages@rdrop.com Thu Jul  5 11:36:19 2007
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Subject: [Spare Room/Passages] This Saturday: Itinerant Poetry Librarian
	comes to Portland!
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*"The Itinerant Poetry Librarian** travels the world with a library of 
Lost and Forgotten poetry 
<http://www.thepoetrycubicle.org.uk/libraryTPC.html#purpose>*, 
installing the library & librarian and recording the sounds, poems and 
poetry of the cities, peoples and countries she meets."


See her this Saturday, July 7, at the Independent Publishing Resource 
Center, 917 SW Oak #218 --


Read more:

The Itinerant Poetry Librarian
**********************************
http://www.itinerantpoetrylibrarian.blogspot.com




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Subject: [Spare Room/Passages] Tangent: Kevin Killian & Dodie Bellamy,
	Thursday 8/9
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The Tangent Reading Series presents

Dodie Bellamy and Kevin Killian

Thursday, August 9
7:00 p.m.

Clinton Corner Cafe
2633 SE 21st Ave. (503) 230-8035

Admission is free


Dodie Bellamy' essays and reviews have appeared in The Village Voice, The
San Francisco Chronicle, Bookforum, Out/Look and The San Diego Reader as
well as numerous literary journals and web sites. In January, 2006, she
curated an installation of Kathy Acker's clothing for White Columns, New
York's oldest alternative art space. With Kevin Killian, she has edited 
over
130 issues of the literary/art zine Mirage #4/Period(ical). Her latest
collection, Academonia, was published by Krupskaya in 2006. Other books
include Pink Steam and The Letters of Mina Harker. Her book Cunt-Ups won 
the
2002 Firecracker Alternative Book Award for poetry.

Kevin Killian has written a book of poetry, Argento Series (2001), two
novels, Shy (1989) and Arctic Summer (1997), a book of memoirs, Bedrooms
Have Windows (1989), and a book of stories, Little Men (1996) that won the
PEN Oakland award for fiction. A second collection, I Cry Like a Baby, was
published by Painted Leaf Books in 2001. He and Peter Gizzi are currently
(2007) editing Jack Spicer's complete poems. For the San Francisco Poets
Theater Killian has written thirty plays, including Stone Marmalade (1996,
with Leslie Scalapino) and Often (2001, with Barbara Guest). He is most
recently the author of Selected Amazon Reviews, edited by Brent Cunningham
(Hooke Press, 2006).



From passages@rdrop.com Sat Jul 28 11:43:34 2007
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Spare Room presents

Bethany Wright

Joseph Bradshaw


Sunday, August 12th, 7:30 pm


New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

9/2 H.C. ten Berge / Lindsay Hill
9/30 Michael Kelleher / tba
10/19 Patrick Durgin / Jen Hofer / Dolores Dorantes / Jesse Seldes
12/9 Ken Rumble / Susan Briante

============================================================


Joseph Bradshaw co-curated the Spare Room reading series for several 
years before leaving for Iowa, where he's pursuing an MFA in poetry with 
an undeclared minor in the Anthropology of Poetic Reification. A 
chapbook, The Way Birds Become, was recently published by Weather Press. 
His poetry and reviews can be found in current or forthcoming issues of 
Cannibal, Cultural Society, Denver Quarterly, Jacket, Mirage #4 / 
Period(ical), and elsewhere. He's back in Portland for the summer for 
nuptial engagements and such with Bethany Wright. He doesn't know how to 
swim.


Bethany Wright has authored three chapbooks, including Indeed, Insist (a 
mystery) [Ugly Duckling Presse]. Other poems can be found in Fascicle, 
Swerve, The Brooklyn Rail, SHIFTER, Bird Dog, and Arson. Excerpts of her 
solo performance work Hark the Harbingers have been presented at The 
Brooklyn Museum, PS122, and Zieher Smith Gallery in New York, and at 
Nocturnal Gallery and The Mizpah in Portland, OR. In 2002, she 
co-founded FO (A) RM magazine, and in 2006 co-directed / curated the 
Gilded Pony Performance Festival in upstate NY. Wright teaches Comp and 
film theory for beginners, and researches oracular bodies, additionally.


============================================================


HOST

Necessity lyrical to find
neighbor's window broke.

As chimney formed from smoke I go
to cicadas, alfalfa
the distance of house from where
feet'd tremble is Idaho, a coming
Host to wing smashed into a
you takes no stepping light

finding it harder to sleep at night.
Cold bed's to be bartered
&'s retarding, as the woe
of two round a tree

one falls the other
fells, hoy timber to follow
what hands or house one brings.

-- Joseph Bradshaw




Doe As Black Cloud, to Conceal


Does Doe slo-mo. Doe deemed herself
flown, then up in smoke, in through
gills, fabled breath froze Doe.
Down with the dishwater, daring dying, laying
low, lying down in long gone puffs, in coal dust.



Flitting their hallways, saying palpably
that her gold is crowned, her cusp forlorn. With her
robes un-tucked and flinging foreward. The plaster cast gracing
her front and naught. As it caught
her cold and seemingly yawning, daring dying, long blue
by now, its long drawn
songs neverend, neversong. Its long
drawn death comb, sucked into her fluff, bruised, and coming
to bleed on. Her scrim, her tusks agape. Her many-tongued
mouths remit her dawning. Entrance at last: Doe, doing somersaults, 
assails that stopwatch.

Emits a last cry, a full cry, a head culled outside her larynx;
a last breath, a full breath;
a pale toad, a firm toad, a feather of grass to plead it softly, then

~ to coax the juices relax their blossoms soft ~
~ to prod those pouches to recede from their blooming ~

Doe into duress, redressing, refitting.


-- Bethany Wright



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Subject: [Spare Room/Passages] RACC project grant deadline
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August 1 is the deadline for filing Intent to Apply forms for the 
current cycle (2008 calendar year), via the RACC online grants process.

See press release below -- RACC is eager to increase the number of 
applications from the literary community.



MEDIA RELEASE

Date: June 12, 2007  For Immediate Release

Contact:
Mary Bauer, Communications Associate
Regional Arts & Culture Council
108 NW 9th Avenue, Suite 300, Portland, OR 97209-3318
503.823.5111 | email: mbauer@racc.org

On the Web: www.racc.org

Regional Arts & Culture Council Requests Proposals for Artistic Projects 
in 2008

The Regional Arts & Culture Council (RACC) invites nonprofit 
organizations and individual artists in
Multnomah, Washington and Clackamas Counties to submit proposals for 
artistic projects and
cultural events that are planned for calendar year 2008. Intent to 
Apply forms must be submitted
online through RACCs website  www.racc.org -- before 5:00 p.m. on 
August 1.

For 12 years, RACC Project Grants have enhanced and supported a wide 
range of artistic activities
throughout the Portland metropolitan area. To receive RACC funding, 
projects must meet certain
eligibility requirements and involve the creation or presentation of a 
performance, exhibit, or other
work of art that is available to the general public. Awards range from 
$1,000 to $6,000 and are
available in two categories: Artistic Focus and Neighborhood Arts.

Guidelines and other important materials are available online at 
www.racc.org. All applications must
be submitted using RACCs online grants system; RACC provides computer 
access and technical
support for people who require assistance. RACC staff is also available 
by telephone and email to
guide applicants through the process of submitting a successful 
application.

First-time applicants should contact Helen Daltoso at 503.823.5402 or 
hdaltoso@racc.org for assistance.

Returning applicants should contact Ingrid Carlson at 503.823.5417 or 
icarlson@racc.org.

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Subject: [Spare Room/Passages] RACC press release (in full)
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(second half of press release was missing from previous message -- 
apologies for the clutter)


MEDIA RELEASE

Date: June 12, 2007  For Immediate Release

Contact:
Mary Bauer, Communications Associate
Regional Arts & Culture Council
108 NW 9th Avenue, Suite 300, Portland, OR 97209-3318
503.823.5111 | email: mbauer@racc.org

On the Web: www.racc.org

Regional Arts & Culture Council Requests Proposals for Artistic Projects 
in 2008

The Regional Arts & Culture Council (RACC) invites nonprofit 
organizations and individual artists in
Multnomah, Washington and Clackamas Counties to submit proposals for 
artistic projects and
cultural events that are planned for calendar year 2008. Intent to 
Apply forms must be submitted
online through RACCs website  www.racc.org -- before 5:00 p.m. on 
August 1.

For 12 years, RACC Project Grants have enhanced and supported a wide 
range of artistic activities
throughout the Portland metropolitan area. To receive RACC funding, 
projects must meet certain
eligibility requirements and involve the creation or presentation of a 
performance, exhibit, or other
work of art that is available to the general public. Awards range from 
$1,000 to $6,000 and are
available in two categories: Artistic Focus and Neighborhood Arts.

Guidelines and other important materials are available online at 
www.racc.org. All applications must
be submitted using RACCs online grants system; RACC provides computer 
access and technical
support for people who require assistance. RACC staff is also available 
by telephone and email to
guide applicants through the process of submitting a successful 
application.

First-time applicants should contact Helen Daltoso at 503.823.5402 or 
hdaltoso@racc.org for assistance.

Returning applicants should contact Ingrid Carlson at 503.823.5417 or 
icarlson@racc.org.

In addition to these one-on-one support opportunities, two free 
orientation sessions are being offered
to help applicants better understand RACC Project Grant guidelines and 
application procedures.

These orientations will be held at RACC offices, 108 NW 9th, Room 202, 
Portland. Please call
503.823.5111 to RSVP.

 An orientation for nonprofit organizations will be held Tuesday, June 
19, 2007, 3:00  5:00pm
 An orientation for individual artists will be held Tuesday, July 10, 
2007, 3:00  5:00pm

RACC encourages submissions from new, emerging, and established artists 
alike. Last year, 38 artists
and 59 nonprofit organizations received Project Grants from RACC; 51% of 
these were awarded to
applicants that had never before received RACC Project Grant funding. 
Proposals are grouped by
discipline and adjudicated by a panel of community volunteers with 
interest and experience in arts
and culture programming.

Intent to Apply forms are due August 1, 2007 at 5:00pm. RACC staff 
will notify applicants as to
whether their proposal meets the minimum eligibility requirements, and 
all final proposals must be
submitted online by August 15, 2007 by 5:00pm. Applicants submit copies 
of their proposal and
supplemental materials by August 22, 2007. Awards are announced by 
mid-December.

For more information, visit www.racc.org.

Through vision, leadership and service, the Regional Arts & Culture Council
works to integrate arts and culture in all aspects of community life

From passages@rdrop.com Fri Aug 10 18:54:51 2007
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Subject: [Spare Room/Passages] Reminder: Joseph Bradshaw & Bethany Wright,
	Sunday 8/12
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Spare Room presents

Bethany Wright

Joseph Bradshaw


Sunday, August 12th, 7:30 pm


New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

9/2 H.C. ten Berge / Lindsay Hill
9/30 Michael Kelleher / Kathleen Fraser
10/19 Patrick Durgin / Jen Hofer / Dolores Dorantes / Jesse Seldes
12/9 Ken Rumble / Susan Briante

============================================================


Joseph Bradshaw co-curated the Spare Room reading series for several
years before leaving for Iowa, where he's pursuing an MFA in poetry with
an undeclared minor in the Anthropology of Poetic Reification. A
chapbook, The Way Birds Become, was recently published by Weather Press.
His poetry and reviews can be found in current or forthcoming issues of
Cannibal, Cultural Society, Denver Quarterly, Jacket, Mirage #4 /
Period(ical), and elsewhere. He's back in Portland for the summer for
nuptial engagements and such with Bethany Wright. He doesn't know how to
swim.


Bethany Wright has authored three chapbooks, including Indeed, Insist (a
mystery) [Ugly Duckling Presse]. Other poems can be found in Fascicle,
Swerve, The Brooklyn Rail, SHIFTER, Bird Dog, and Arson. Excerpts of her
solo performance work Hark the Harbingers have been presented at The
Brooklyn Museum, PS122, and Zieher Smith Gallery in New York, and at
Nocturnal Gallery and The Mizpah in Portland, OR. In 2002, she
co-founded FO (A) RM magazine, and in 2006 co-directed / curated the
Gilded Pony Performance Festival in upstate NY. Wright teaches Comp and
film theory for beginners, and researches oracular bodies, additionally.


============================================================


HOST

Necessity lyrical to find
neighbor's window broke.

As chimney formed from smoke I go
to cicadas, alfalfa
the distance of house from where
feet'd tremble is Idaho, a coming
Host to wing smashed into a
you takes no stepping light

finding it harder to sleep at night.
Cold bed's to be bartered
&'s retarding, as the woe
of two round a tree

one falls the other
fells, hoy timber to follow
what hands or house one brings.

-- Joseph Bradshaw




Doe As Black Cloud, to Conceal


Does Doe slo-mo. Doe deemed herself
flown, then up in smoke, in through
gills, fabled breath froze Doe.
Down with the dishwater, daring dying, laying
low, lying down in long gone puffs, in coal dust.



Flitting their hallways, saying palpably
that her gold is crowned, her cusp forlorn. With her
robes un-tucked and flinging foreward. The plaster cast gracing
her front and naught. As it caught
her cold and seemingly yawning, daring dying, long blue
by now, its long drawn
songs neverend, neversong. Its long
drawn death comb, sucked into her fluff, bruised, and coming
to bleed on. Her scrim, her tusks agape. Her many-tongued
mouths remit her dawning. Entrance at last: Doe, doing somersaults,
assails that stopwatch.

Emits a last cry, a full cry, a head culled outside her larynx;
a last breath, a full breath;
a pale toad, a firm toad, a feather of grass to plead it softly, then

~ to coax the juices relax their blossoms soft ~
~ to prod those pouches to recede from their blooming ~

Doe into duress, redressing, refitting.


-- Bethany Wright




From passages@rdrop.com Sun Aug 12 14:15:25 2007
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Subject: [Spare Room/Passages] Next weekend: 5th Richard Foreman
	mini-festival, PWNW
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Performance Works NorthWest announces its annual August fundraiser:

THE FIFTH ANNUAL RICHARD FOREMAN MINI-FESTIVAL

Friday & Saturday
August 17 & 18
8:30 pm each night

Performance Works Northwest
4625 SE 67th Ave.
Portland Oregon

Tickets $15-$50 for one night
$25-$90 for both nights
sliding scale--pay what you can!

Reservations: 503-777-1907
Advance Tickets: http://www.brownpapertickets.com/event/17032

Once again a scintillating array of Portland theatre, dance and media 
artists rise to the challenge of creating a piece in ten days by 
cutting, pasting, mangling or otherwise adapting text selected from 
avant-garde writerdirector Richard Foreman's online notebooks 
http://ontological.com/RF/notebooks.html. On August 6 at 11:10pm , the 
performers were sent the text plus a few simple restrictions; ten days 
later audiences thrill to the amusing, shocking and enlightening results 
in two different programs over two nights of avant fun. See the lineup below

Eat & Drink: Snacks, cupcakes, beer and wine from A to Z Wineworks!
Raffle Prizes: White Bird Tickets & a PICA TBA Flex-Pass!

SEE BELOW FOR EACH NIGHT'S LINEUP

FRIDAY
Lois Leveen + Chuck Barnes
Karl Lind
Bryce Kasson
Miranda King + Devon Granmo
TOMA-DALEAN: Tony Christy + Mark Owens (with David Abel, Leo & Anna 
Daedalus)
M.E. Ragen
Chris Piuma
Tim DuRoche & LIsa Radon

SATURDAY
Ian Greenfield & Jason Eksuzian
Lily Gael
ANDALE-MATO: Anna & Leo Daedalus + David Abel (w Mark Owens & Tony Christy)
Woolly Mammoth Comes to Dinner
Katie Griesar + Danielle Vermette + Marc Weaver
Emily StoneSalvage Yard
Scott Smith + friends
Katrina O'Brien w Paige McKinney

BOTH NIGHTS
Bryan MarkovitzLiminal Performance Group
Linda Austin & the Boris & Natasha Dancers

++++++++++++++++++++++++++++++++++++
Linda Austin
Performance Works NorthWest
4625 SE 67th Ave.
Portland, OR 97206
503.777.1907

lindapaustin@mac.com
http://performanceworksnw.org






From passages@rdrop.com Mon Aug 20 00:30:11 2007
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Spare Room presents


H. C. ten Berge

Lindsay Hill


Sunday, September 2nd, 7:30 pm


New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

9/30 Michael Kelleher / Kathleen Fraser
10/19 Patrick Durgin / Jen Hofer / Dolores Dorantes / Jesse Seldes
12/9 Ken Rumble / Susan Briante

============================================================

H.C. ten Berge is a Dutch poet who has also published prose fiction, 
essays and translations. He was also the founder and sole editor of the 
literary quarterly Raster (Grid) in the Netherlands. A selected poems 
titled The White Shaman was translated into English and appeared in 
1991; his translations into Dutch of contemporary poets (including 
Pound, Tarn, Schwerner, and Villaurrutia) culminated in the publication 
of On a Mat of Yellow Feathers: Translations 1968-2003. His novel The 
Secret of a Cheerful Mood won the Multatuli Prize, and in 1996 he was 
awarded the prestigious Huygens Prize was his entire body of work. In 
2006 he received the P.C. Hooft Prize, the highest award for literature 
in the Netherlands.

Lindsay Hill was born in San Francisco and graduated from Bard College. 
He is the author of five books of poems including NdjenFerno (Vatic 
Humm) and, most recently, Contango (Singing Horse). His poetry has been 
widely published in journals including Caliban, Sulfur, To, and New 
American Writing. He is the former co-editor of the journal Facture. 
Lindsay lives in Portland and is a member of the Spare Room collective.

============================================================


from Down Piazzolla Street

Often its
the placing of objects
on a table
someone wrote in a letter.
The milk bottle, a hairpin,
a rose in a vase
without water
refreshed by the hand of a girl.

How you begin
is a question
that matters each time anew
no end in sight, the path
untrodden
you follow innate strategies,
conflicting bright ideas, supple
or unbending
and all contained by the rules of an enigmatic game.

-- H. C. ten Berge



from Comet

If you cant go to sleep wake me up.

A boy grew up beside a sea of hooks; and he learned to swim in that sea 
and to notice the hooks as they rose and fell and twisted in the tides; 
and he learned to feel his way; at first very slowly in the sea of 
hooks; and he noticed that all around him people had hooks in their 
skins and were being pulled in many directions; and many of the hooks 
were small and hard to see; barely silver in the glinting light down 
deep; barely visible and numerous; and some from the place of his birth 
would not put a toe in that sea; and some lived their entire lives full 
of hooks in the underneath.

-- Lindsay Hill

From passages@rdrop.com Mon Aug 20 11:35:29 2007
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Subject: [Spare Room/Passages] H. C. ten Berge & Lindsay Hill, Sunday 9/2
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Spare Room presents


H. C. ten Berge

Lindsay Hill


Sunday September 2nd, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

9/30 Michael Kelleher / Kathleen Fraser
10/19 Patrick Durgin / Jen Hofer / Dolores Dorantes / Jesse Seldes
12/9 Ken Rumble / Susan Briante

=====================================================

H. C. ten Berge is a Dutch poet who has also published prose fiction, 
essays, and translations. He was also the founder and sole editor of the 
literary quarterly Raster (Grid) in the Netherlands. A selected poems 
title The White Shaman appeared in English translation in 1991; his 
translations of contemporary poets (including Pound, Tarn, Schwerner, 
and Villaurrutia) culminated in the publication of On a Mat of Yellow 
Feathers: Translations 1968-2003. His novel The Secret of a Cheerful 
Mood won the Multatuli Prize, and in 1996 he was awarded the prestigious 
Huygens Prize for his entire body of work. In 2006 he received the P. C. 
Hooft Prize, the highest award for literature in the Netherlands.

Lindsay Hill was born in San Francisco and graduated from Bard College. 
He is the author of five books of poems, including NdjenFerno (Vatic 
Humm) and, most recently, Contango (Singing Horse). His poetry has been 
widely published in journals including Caliban, Sulfur, To, and New 
American Writing. He is the former co-editor of the journal Facture. 
Lindsay lives in Portland and is a member of the Spare Room collective.

=====================================================

from Down Piazzolla Street

Often it's
the placing of objects
on a table
        someone wrote in a letter.
The milk bottle, a hairpin,
a rose in a vase
without water
refreshed by the hand of a girl.

How you begin
is a question
that matters each time anew
no end in sight, the path
untrodden
you follow innate strategies,
conflicting bright ideas, supple
or unbending
and all contained by the rules of an enigmatic game.

     -- H. C. ten Berge


from Comet

If you can't go to sleep wake me up.

A boy grew up beside a sea of hooks; and he learned to swim in that sea 
and to notice th hooks as they rose and fell and twisted in the tides; 
and he learned to feel his way; at first very slowly in the sea of 
hooks; and he noticed that all around him people had hooks in their 
skins and were being pulled in many directions; and many of the hooks 
were small and hard to see; barely silver in the glinting light down 
deep; barely visible and numerous; and some from the place of his birth 
would not put a toe in that sea; and some lived their entire lives full 
of hooks in the underneath.

     -- Lindsay Hill


From passages@rdrop.com Mon Aug 27 10:31:25 2007
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-------- Original Message --------
Subject: 	workshop
Date: 	Sat, 25 Aug 2007 17:10:25 -0700
From: 	Paulann Petersen <Paulann@paulann.net>
To: 	passages@rdrop.com



Fall 2007 Workshop

Second Sight: Paulann Petersen

The word ?revision? offers us a bracing truth. To truly revise is to do 
much more than mere editing and tinkering: it?s learning to see our 
poems anew, moving them toward their strengths. In this workshop, we?ll 
spend the sessions critiquing your poems, looking at possible directions 
for revision. I?ll use these critiques as opportunities for short 
lessons, addressing issues of craft raised by the particular poem we?re 
looking at. There?s no way to predict exactly which craft issues will 
emerge, but surely line integrity (line breaks), sound form (musical 
devices), compression, tone, effectiveness of trope, and dramatic 
strategy will be among them. This workshop is open to writers of all 
levels of experience.

Instructor: Paulann Petersen

Meets: 7-10 p.m., 2 Wednesday evenings, September 26th & October 3rd

Enrollment: Maximum 12; minimum 6. $85 ($80 for MWS members)
Location: Looking Glass Bookstore in Sellwood

Workshop location:

New Sellwood Location!
Looking Glass Bookstore
7983 SE 13^th Avenue
Portland OR 97202

Mail registration form with a check or credit card information for the 
workshop deposit of $20 or enrollment fee to: Mountain Writers Series, 
2804 SE 27th, #2, Portland OR 97202

Questions? Folks should email pdxmws@mountainwriters.org or call 
503.232.4517 to speak with Bob Kreider or leave a message on the 
answering machine.

From passages@rdrop.com Thu Aug 30 12:23:54 2007
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Subject: [Spare Room/Passages] [Fwd: Spread the word to protect Oregon's
	forests and farms!]
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-------- Original Message --------
Subject: 	Spread the word to protect Oregon's forests and farms!
Date: 	Thu, 30 Aug 2007 13:41:10 -0500
From: 	Jeremiah Baumann, Environment Oregon Advocate 
<JeremiahB@environmentoregon.org>
To: 	passages@rdrop.com


*Tens of thousands of acres of subdivisions* in our coast range forests, 
including Stimson Lumber Company's plans to develop 36,000 acres in 
Washington County.

*Subdivisions and stripmalls* engulfing our pristine farmlands and 
vineyards, including threats to Sauvie Island berry farms and some of 
our best Willamette Valley vineyards.

*Billboards* cluttering our highways.

*Threats to open spaces* in Southern Oregon, including near Applegate 
River and a claim to build a 17,000-home subdivision in Klamath Falls.

*A huge Wal-mart* in Portland's Sellwood neighborhood.

*These, and many more, are the threats that Measure 37 has brought to 
Oregon.*

The good news is that on November 6th, Oregon voters have a chance to 
stop these threats and protect Oregon's forests and farms by passing 
Measure 49. We know Oregonians support this, but since this is a special 
election, many voters don't even know that there is an election! So, 
this is all about voter turnout. We need as many people to vote Yes on 
49 as possible.

Will you forward this message to seven of your friends and family to 
help us get the word out and urge them to Vote YES on 49 and protect 
Oregon's forests and farmlands?

Click here or paste this link into your browser to forward this message 
to 7 of your friends:

http://environmentoregon.org/action/preservation/measure-49-taf?id4=ES

Below is more information on Measure 49.

*BACKGROUND*

Oregon's landscape is facing unprecedented threats. From the Coast to 
Hood River, from the Willamette Valley to the Wallowas and the Klamath 
Basin, timber companies and developers want to turn hundreds of 
thousands of acres of farms, forestlands, and open space into 
subdivisions and industrial developments.

Oregon's land use planning laws have, for thirty years, been a national 
model of effectiveness in protecting our landscape. So how did this happen?

In 2004, Oregonians were told that ballot measure 37 would correct 
unfair aspects of land use planning and let individual land-owners in 
rural areas build a home for their family when rural zoning rules didn't 
allow it. But measure 37, bankrolled by big timber companies, has shown 
a dark side voters never intended.

Developers, timber companies, and other large corporate land-owners have 
rushed to file development claims on 750,000 acres in Oregon. Stimson 
Lumber Company is attempting to turn 36,000 acres of coastal forests 
into subdivisions. Claims have been filed on more than 10,000 acres in 
Hood River County, an area 8 times the size of the city of Hood River.

The good news is that, as more and more Oregonians who voted for Measure 
37 are saying they are now against it, the Oregon Legislature has 
referred the issue back to Oregonians to decide. On November 6, 2007, in 
a special election, we'll have the opportunity to fix the problems of 
Measure 37 by passing Measure 49.

Here's the ballot language for Measure 49:

*MODIFIES MEASURE 37; CLARIFIES RIGHT TO BUILD HOMES; LIMITS LARGE 
DEVELOPMENTS; PROTECTS FARMS, FORESTS, GROUNDWATER.*

With the initiative being part of a special election, the only way we 
can win is to turn out enough votes to protect Oregon's forests and farm 
lands. Please take a second right now to get 7 of your friends and 
family to pledge to VOTE YES on 49!

Click here or paste this link into your browser to forward this message 
to 7 of your friends:

http://environmentoregon.org/action/preservation/measure-49-taf?id4=ES

And please forward this email to your friends and family so that we can 
get as many people as possible to vote for Measure 49!



Sincerely,

Jeremiah Baumann
Environment Oregon Advocate
JeremiahB@environmentoregon.org
http://www.environmentoregon.org

P.S. Thanks again for your support. Please feel free to share this 
e-mail with your family and friends.

----------

This message was sent to passages@rdrop.com. If you want us to stop 
sending you e-mail then follow this link - 
http://www.environmentoregon.org/action/unsubscribe - to a web page 
where you can remove yourself.


From passages@rdrop.com Sat Sep  1 11:47:01 2007
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Subject: [Spare Room/Passages] [Fwd: Jules Boykoff reading,
	9/10 -- Beyond Bullets]
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Jules Boykoff

reading from

Beyond Bullets:
The Suppression of Dissent in the United States

Monday, September 10th
7:30 pm

Powell's Books on Hawthorne
3723 SE Hawthorne Blvd. (800) 878-7323

Focusing on a variety of movements for political, social, and economic 
change, Pacific University professor Jules Boykoff shows the tools used 
by government agents to undermine the long-term viability of opposition 
in this country. Beyond Bullets (AK Press) offers indispensable lessons 
to on-the-ground activists, as well as to those studying the forms of 
authoritarian rule in democratic societies.



From passages@rdrop.com Mon Sep 24 10:28:30 2007
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Subject: [Spare Room/Passages] Kathleen Fraser and Michael Kelleher,
	This Sunday 9/30
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Spare Room presents


Kathleen Fraser

Michael Kelleher


Sunday, September 30th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

10/19 Patrick Durgin / Jen Hofer / Dolores Dorantes / Jesse Seldes
12/9 Ken Rumble / Susan Briante

=====================================================

Kathleen Fraser has published seventeen books of poems, most recently W 
I T N E S S , a letterpress sequence with linoleum prints by Nancy Tokar 
Miller (Chax); Discrete Categories Forced into Coupling (Apogee); and hi 
dde violeth i dde violet (Nomados). Her collected essays, Translating 
the Unspeakable, Poetry and the Innovative Necessity, are part of the 
Contemporary Poetics Series from University of Alabama Press, and her 
Selected Poems, 1970-1995, il cuore : the heart, is available from 
Wesleyan University Press. A recent interview with Fraser can be found 
at Jacket magazine online 
<http://jacketmagazine.com/33/fraser-ivby-rosenthal.shtml>.
In 1973, Fraser founded The American Poetry Archives during her tenure 
as Director of The Poetry Center at San Francisco State University. 
Between 1983 and 1992, she published and edited HOW(ever), a journal for 
poets and scholars interested in modernist/ innovative directions in 
writing by women -- updated to the current electronic journal How2 : 
<www.how2journal.com>.
Fraser currently teaches in the graduate writing program at California 
College of the Arts/SF and lives for five months of each year in Italy, 
reading and lecturing widely on American poetry and actively translating 
work by contemporary Italian poets.


//Michael Kelleher is the author of two collections of poems from 
BlazeVOX: the just-released Human Scale (2007), and To Be Sung (2005), 
as well as the chapbooks Cuba (Phylum), Bacchanalia (Quinella: Three 
Poems Series), and The Necessary Elephant (Ota Molloy).
Kelleher's poems and essays have appeared at the Poetry Foundation 
Website, and in Brooklyn Rail, Ecopoetics, The Poetry Project 
Newsletter, Kiosk, Rampike, Queen St. Quarterly, verdure, murmur, The 
Transcendental Friend, Lagniappe, and others. With Ammiel Alcalay, he 
runs 'OlsonNow,' a project (including events and a blog) dedicated to 
the poetry and poetics of Charles Olson. He lives in Buffalo, NY, where 
he works as Artistic Director for Just Buffalo Literary Center and edits 
the artist book/poet's press Elevator.

=====================================================


Hotel Classic



The interior stress of a leaf was forming its own new section

when the hotel came under renovation. Steps led downward

to a drawing of trees, at least in the early draft pinned to his light box.

The architect described in his notes what he thought they wanted,

the clients equal to stargazers or foreign diplomats and wives of

officials from Milano, and he felt that something should happen

on the stairs, an event or motion, as if to rush towards

that noise of the entire tree in stress.



-- Kathleen Fraser






Nachtmusik


//

/Noir, noir,/
The night has come,

The human scale
Is tipped, the rut,

The groove, the frame
Of mind forming

Out of themselves
Themselves.

Out of the hearts
Dark corners

A single tolling note --
Clouds drift overhead

Slow, white --
In these moving shapes

A hidden ultimatum
Moves. One looks to

And listens for, say,
A future, in which

One imagines what is
Spoken has meaning, is

Carried over, as over
A causeway to a city

About to be sacked.
Around him now

The temple starts to burn.
He is singing.

/What is he singing?/
He is singing.

/Why is he singing?/
He is singing.

 From lowered eyes
A touch of malice

Twinkles. In lips
Trifling tremors,

In cheeks checked
Bloom -- a word,

A tone, a measure.
It might be true

The thing I hunger for
Is here in all its fullness,

Slightly obscured
And just out of reach.

Only give me
The name that

Calls it forth
To frighten and amaze

By the spectacle
Of its own privation.

The invisible sun
Within flickers still.

It burns. Let it burn.
For no one.


-- Michael Kelleher

From passages@rdrop.com Tue Sep 25 00:53:26 2007
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Spare Room presents


Kathleen Fraser

Michael Kelleher


Sunday, September 30th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

10/19 Patrick Durgin / Jen Hofer / Dolores Dorantes / Jesse Seldes
11/18 Dan Raphael / Rodney Koeneke
12/9 Ken Rumble / Susan Briante

=====================================================

Kathleen Fraser has published seventeen books of poems, most recently W 
I T N E S S , a letterpress sequence with linoleum prints by Nancy Tokar 
Miller (Chax); Discrete Categories Forced into Coupling (Apogee); and hi 
dde violeth i dde violet (Nomados). Her collected essays, Translating 
the Unspeakable, Poetry and the Innovative Necessity, are part of the 
Contemporary Poetics Series from University of Alabama Press, and her 
Selected Poems, 1970-1995, il cuore : the heart, is available from 
Wesleyan University Press. A recent interview with Fraser can be found 
at Jacket magazine online 
<http://jacketmagazine.com/33/fraser-ivby-rosenthal.shtml>.
In 1973, Fraser founded The American Poetry Archives during her tenure 
as Director of The Poetry Center at San Francisco State University. 
Between 1983 and 1992, she published and edited HOW(ever), a journal for 
poets and scholars interested in modernist/ innovative directions in 
writing by women -- updated to the current electronic journal How2 : 
<www.how2journal.com>.
Fraser currently teaches in the graduate writing program at California 
College of the Arts/SF and lives for five months of each year in Italy, 
reading and lecturing widely on American poetry and actively translating 
work by contemporary Italian poets.


Michael Kelleher is the author of two collections of poems from 
BlazeVOX: the just-released Human Scale (2007), and To Be Sung (2005), 
as well as the chapbooks Cuba (Phylum), Bacchanalia (Quinella: Three 
Poems Series), and The Necessary Elephant (Ota Molloy).
Kelleher's poems and essays have appeared at the Poetry Foundation 
Website, and in Brooklyn Rail, Ecopoetics, The Poetry Project 
Newsletter, Kiosk, Rampike, Queen St. Quarterly, verdure, murmur, The 
Transcendental Friend, Lagniappe, and others. With Ammiel Alcalay, he 
runs 'OlsonNow,' a project (including events and a blog) dedicated to 
the poetry and poetics of Charles Olson. He lives in Buffalo, NY, where 
he works as Artistic Director for Just Buffalo Literary Center and edits 
the artist book/poet's press Elevator.

=====================================================


Hotel Classic



The interior stress of a leaf was forming its own new section

when the hotel came under renovation. Steps led downward

to a drawing of trees, at least in the early draft pinned to his light box.

The architect described in his notes what he thought they wanted,

the clients equal to stargazers or foreign diplomats and wives of

officials from Milano, and he felt that something should happen

on the stairs, an event or motion, as if to rush towards

that noise of the entire tree in stress.



-- Kathleen Fraser






Nachtmusik



/Noir, noir,/
The night has come,

The human scale
Is tipped, the rut,

The groove, the frame
Of mind forming

Out of themselves
Themselves.

Out of the hearts
Dark corners

A single tolling note --
Clouds drift overhead

Slow, white --
In these moving shapes

A hidden ultimatum
Moves. One looks to

And listens for, say,
A future, in which

One imagines what is
Spoken has meaning, is

Carried over, as over
A causeway to a city

About to be sacked.
Around him now

The temple starts to burn.
He is singing.

/What is he singing?/
He is singing.

/Why is he singing?/
He is singing.

 >From lowered eyes
A touch of malice

Twinkles. In lips
Trifling tremors,

In cheeks checked
Bloom -- a word,

A tone, a measure.
It might be true

The thing I hunger for
Is here in all its fullness,

Slightly obscured
And just out of reach.

Only give me
The name that

Calls it forth
To frighten and amaze

By the spectacle
Of its own privation.

The invisible sun
Within flickers still.

It burns. Let it burn.
For no one.


-- Michael Kelleher


From passages@rdrop.com Fri Sep 28 01:15:10 2007
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Subject: [Spare Room/Passages] Rachel Wiecking & Ben Moorad at Ogle Gallery
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Desublimate the Sublime

collaborative visual arts and poetry exhibition
by Rachel Wiecking and Ben Moorad

October 4 - 27

Ogle Gallery
310 NW Broadway, Portland
http://www.ogleinc.com


Opening reception and reading

First Thursday
October 4
6:00 - 9:00 pm (reading at 7:00)


Desublimate the Sublime opens Oct. 4 with a reception and a reading of its
anchoring text, "The Hidden Black of Milk," nine new terza rima poems by Ben
Moorad. The 25-line poems move from Kentucky to Russia and back again, all
the while exploring how the urge to find form -- to make sense of the world
-- informs creative expression, erotic love, and our day-to-day experience.
Printed by Rachel Wiecking as a 4-by-13-foot field of translucent hand-made
books, the poems will seem to float in the gallery.

Mixed-media pieces by Wiecking -- including layered prints, insect boxes,
collage, drawing, typewriter drawing, and sculpture -- play with and against
Moorad's text, stripping it down and finding new forms in it. Alternately
ethereal and crass, Desublimate the Sublime pushes viewers to consider both
the intricate intentions and base instincts that engender artistic impulse.


***

Rachel Wiecking is the current Victor Hammer Fellow in the Book Arts at
Wells College in Aurora, New York. She has taught at the Oregon College of
Art and Craft, and her work has recently shown at the New American Art
Union, the Basil Hayward Gallery, the Savage Gallery, and as part of a
Portland Modern exhibition at the Ogle Gallery.

Ben Moorad has received three Regional Arts & Culture Council grants for
multimedia presentations of his poetry, all of which have run at the Ogle
Gallery. He is a co-founder of the nonprofit Write Around Portland, which
runs networks of free writing workshops for low-income and socially isolated
people throughout the area.



This project was funded in part by the Regional Arts and Culture Council.

From passages@rdrop.com Tue Oct  2 10:44:52 2007
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Subject: [Spare Room/Passages] Monday 10/8: Chris Piuma,
	Jenna "Astrid" Alexia, Per Fagereng
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I LOVE MONDAYS! poetry series

Monday October 8th
7:00 pm (pretty sharp), free admission

Borders Books (in the cafe)
SW 3rd and Yamhill, Portland


Spare Room organizer and emcee Chris Piuma reads along with Jenna
"Astrid" Alexia and Per Fagereng as part of this monthly series.

For his previous Borders appearance, Chris read a poem for each person
in the audience. He will not be doing that this time. Nevertheless,
attendance will be rewarded.

A sample poem from the Chris's previous Borders reading, to whet your 
appetite:

_for Joanie Lunsford_

This Pyrex appears exquisite!

From passages@rdrop.com Sun Oct  7 22:42:02 2007
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Subject: [Spare Room/Passages] Reminder: Monday 10/8,
	7:00 pm: Chris Piuma et al. at Borders
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I LOVE MONDAYS! poetry series

Monday October 8th
7:00 pm (pretty sharp), free admission

Borders Books (in the cafe)
SW 3rd and Yamhill, Portland


Spare Room organizer and emcee Chris Piuma reads along with Jenna
"Astrid" Alexia and Per Fagereng as part of this monthly series.

For his previous Borders appearance, Chris read a poem for each person
in the audience. He will not be doing that this time. Nevertheless,
attendance will be rewarded.


From passages@rdrop.com Sun Oct  7 23:09:39 2007
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Subject: [Spare Room/Passages] Friday 10/19: Patrick Durgin, Dolores Dorantes,
 Jen Hofer, & Jesse Seldes
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** please note that this reading takes place on a Friday rather than our 
usual Sunday slot **


Spare Room is especially pleased to present an evening with

Patrick Durgin
Dolores Dorantes
Jen Hofer
Jesse Seldes


who are criss-crossing the country to promote and celebrate recent books 
from Kenning Editions:

_Open House_ by Hannah Weiner, edited by Patrick Durgin
_sexoPUROsexoVELOZ and Septiembre_ by Dolores Dorantes, translated by 
Jen Hofer
_Who Opens_ by Jesse Seldes


Friday October 19
7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

11/18 Dan Raphael / Rodney Koeneke (with new neo-benshi!)
12/9 Ken Rumble / Susan Briante

=====================================================


Patrick F. Durgin is the proprietor of Da Crouton (www.da-crouton.com), 
a poet, scholar, and educator now living in Chicago. He was born in St. 
Paul, MN, moved to Iowa City, Buffalo, Berkeley, and Ypsilanti (the 
birthplace of Iggy Pop). All this time and for the most part, he has 
sought a living wage. Most of his poetry has been published in small 
press and fine press zines and chapbooks -- most recently, a short 
collection entitled _Imitation Poems_. He will be reading from that book 
and conducting performances from Hannah Weiners _Open House_, which he 
recently edited for Kenning Editions.


Dolores Dorantes was born in Crdoba, Veracruz in 1973, and has lived in 
Ciudad Jurez, Chihuahua, for the past 20 years. Her published books 
include _sexoPUROsexoVELOZ_ (2004), _Lola (cartas cortas)_ (2002), _Para 
Bernardo: un eco_ (2000) and _Poemas para nios_ (1999). She is founding 
director of the border arts collective Compaa Frugal, which supports 
autonomous projects in the arts and counts among its activities 
publication of the bi-weekly poetry broadside series _Hoja Frugal_, 
printed in editions of 4000 and distributed free throughout Mexico. She 
is an auto-didactic journalist and poet who was thoroughly disillusioned 
with her studies of Hispanomexican Literature at the Autonomous 
University of Ciudad Jurez. Her op-ed pieces, criticism and 
investigative texts have been published in Mexican newspapers such as 
_Poltica_ (Xalapa, Veracruz), _La Crnica_ (Mexico City), _La Jornada_ 
(Mexico City), _Sntesis_ (Tlaxcala) and _Diario de Jurez_, where she 
worked as an editor. Dolores stopped working in the news media thanks to 
the total lack of freedom of expression and increasing manipulation of 
information, but she maintains a blog where her opinions about art, 
politics and society continue to be made public on a regular basis: 
www.dorantes.blogspot.com.


In 2002, Jen Hofer moved from the Centro Histrico in Mexico City to 
Cypress Park in Los Angeles, where she teaches poetics in the MFA 
Writing Program at CalArts and works as a Spanish-language interpreter 
with the Los Angeles County Superior Courts. Her recent publications 
include _lip wolf_, a translation of Laura Solrzanos _lobo de labio_ 
(Action Books, 2007), _Sin puertas visibles: An Anthology of 
Contemporary Poetry by Mexican Women_ (University of Pittsburgh Press 
and Ediciones Sin Nombre, 2003), _slide rule_ (subpress, 2002), and the 
chapbooks _laws_ (Dusie Kollectiv, 2006) and _lawless_ (Seeing Eye 
Books, 2003). Her forthcoming books are _The Route_, an epistolary and 
poetic collaboration with Patrick Durgin (Atelos), _Laws_ (Dusie Books), 
and a book-length series of anti-war-manifesto poems titled _one_ (Palm 
Press). Jen is a member of the Little Fakers collective which creates 
and produces _Sunset Chronicles_, a neighborhood-based serial episodic 
drama populated entirely by hand-made marionettes inhabiting lost, 
abandoned, and ghost spaces in Los Angeles (www.sunsetchronicles.com). 
Jen and Patrick will read from The Route and Jen will read from her 
translations of and in tandem with Dolores Dorantes.


Jesse Seldess relocated from Chicago to Berlin and, more recently, to 
Karlsruhe. In Chicago, he co-curated The Discrete Reading and 
Performance Series with Kerri Sonnenberg. In Berlin, he organizes The 
Floating Series of exhibitions and events with Leonie Weber. In 
Karlsruhe, he continues to edit _Antennae_, a journal of experimental 
writing, music, and performance. Chapbooks of his poems have been 
published by Answer Tag Home Press, Bronze Skull Press, and the Chicago 
Poetry Project, and his book of poems, _Who Opens_, appeared from 
Kenning Editions early in 2006. He will be reading from that book and 
from recent texts.



From passages@rdrop.com Sun Oct  7 23:51:27 2007
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Subject: [Spare Room/Passages] Fwd: Saturday 10/13: Jim Dine, Vincent Katz,
	& Diana Michener
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The Tangent Reading Series presents

Jim Dine, Vincent Katz, and Diana Michener

Saturday, October 13
7:00 p.m.

Clinton Corner Cafe
2633 SE 21st Ave. (503) 230-8035

Admission is free


And the forthcoming reading:

10/20  Sarah Anne Cox, Dana Teen Lomax, and Jesse Morse
7:00 pm, The Press Club, 2621 SE Clinton St.

www.thetangentpress.org/readings.html


Jim Dine was born in 1935. He has been a painter, sculptor, and poet all 
his life. This is his second reading in 40 years.

Vincent Katz is a poet, translator, art critic, editor, and curator.  He 
is the author of nine books of poetry, including Cabal of Zealots (1988, 
Hanuman Books), Pearl (1998, powerhouse books), Understanding Objects 
(2000, Hard Press), and Rapid Departures (2005, with artist Mario 
Cafiero). His new book, Judge (2007, Charta/Libellum) is a collaboration 
with artist Wayne Gonzales that takes its words entirely from The New 
York Times. Katz writes frequently on contemporary art and has published 
essays or articles on the work of Jennifer Bartlett, Francesco Clemente, 
Jim Dine, Robert Rauschenberg, Kiki Smith, Philip Taaffe, and Cy 
Twombly.  He won the 2005 National Translation Award, given by the 
American Literary Translators Association, for his book of translations 
from Latin, The Complete Elegies of Sextus Propertius (2004, Princeton 
University Press).

Diana Michener was born in Boston in 1940. She has had many exhibitions 
of her photographs in the U.S. and Europe. In 2001, she was given a 
retrospective at the Maison Europene de la Photographie in Paris. A 
book of her photographs and writing, DOGS, FIRES, ME, was published by 
Steidl Verlag in 2005.



From passages@rdrop.com Mon Oct  8 23:09:53 2007
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Subject: [Spare Room/Passages] A Reading to Fight Hunger, Friday 10/19
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The 14th Annual

Magic Barrel: A Reading to Fight Hunger

takes place in Corvallis, Oregon on Friday, October 19th, starting at 6:30,
with readings at 7 p.m. by eight Oregon authors, including Craig Lesley.
More information below and at: http://www.magicbarrel.org

+++++++++++++++++++++++++++++++++++++++++++++

For Immediate Release

DATE: October 8, 2007

Oregon Authors Read To Raise Money for Hunger Relief
14th Annual Magic Barrel Features Art, Jazz, and Oregon Author Craig Lesley

For the 14th year, The Magic Barrel: A Reading to Fight Hunger will dish up
live literature, live music, and delectable desserts. New this year will be
an auction for a limited edition print by local artist Yuji Hiratsuka. Every
dime raised at the event goes directly to Linn-Benton Food Share to help
relieve hunger in the mid-Willamette Valley.

This years roster of authors includes one of Oregons most well known
writers, Craig Lesley, author of the novels Winterkill, Riversong, and other
works. Other readers include Paul Turner, owner of Corvallis Darkside
Cinema; marathon runner and Japanese translator, Clinton Morrison, who
chronicles his adventures in the new book, Running the Seven Continents;
award-winning OSU English professor Marjorie Sandor; Wendy Madar, who penned
a mystery novel under the nom de plume Ashna Graves; Eugene poets Ralph
Salisury and Ingrid Wendt, and memoirist Gail Wells whose memoir, The Little
Lucky: A Family Geography, came out last year from OSU Press. Emcee for the
evening will be OSU English professor and Oregon Book Award winner Tracy
Daugherty.

The Magic Barrel brings extraordinary, local literature to life onstage
while helping feed the hungry among us, said Gregg Kleiner, local writer
and a member of the organizing committee. Its an annual treat for anyone
who enjoys good stories and good company. The mix of styles and voices is
always a delight, and its a fine way to give to Linn Benton Food Share.

New this year is the auction of local painter and OSU art professor Yuji
Hiratsukas limited edition print, Visionarist, which is featured on the
event poster and valued at more than $600.

Live music by the Xtet (Rob Birdwell, John Bliss, and Jeff Viking Morre)
starts a half hour before the show begins and again after the readings, when
beverages and desserts from First Alternative Coop, Wildfire Restaurant and
Bar, Sunnyside Up Caf, and other eateries are served.

Custom cakes, baked and decorated by Mitra Kiani, will be frosted with
poetry so people can literally feed on literatureconsuming couplets and
feasting on metaphors. Grass Roots Books and Music will be on hand with
autographed books.

The event is named after the short story collection The Magic Barrel, which
the great American writer Bernard Malamud wrote while living in Corvallis
and teaching in the OSU English Department. The event, co-sponsored by the
OSU Center for the Humanities, takes place on Friday, October 19th, at 7
p.m. at the Majestic Theater in downtown Corvallis (115 SW Second St.). More
information is available on the website: http://www.magicbarrel.org

Admission is a suggested donation of $7 at the door, but everyone is
encouraged to give as much as possible, because one hundred percent of the
proceeds are donated to Linn-Benton Food Share for local hunger relief. No
one is turned away for lack of funds. For every dollar raised, Linn-Benton
Food Share will purchase and distribute 15 pounds of food for the hungry in
the local area. For more information, call Gregg Kleiner at 541-753-8080.

From passages@rdrop.com Wed Oct 10 11:49:29 2007
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 Jen Hofer, & Jesse Seldess
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** please note that this reading takes place on a Friday rather than our 
usual Sunday slot **


Spare Room is especially pleased to present an evening with

Patrick Durgin
Dolores Dorantes
Jen Hofer
Jesse Seldes


who are criss-crossing the country to promote and celebrate recent books 
from Kenning Editions:

_Open House_ by Hannah Weiner, edited by Patrick Durgin
_sexoPUROsexoVELOZ and Septiembre_ by Dolores Dorantes, translated by 
Jen Hofer
_Who Opens_ by Jesse Seldes


Friday October 19
7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

11/18 Dan Raphael / Rodney Koeneke (with new neo-benshi!)
12/9 Ken Rumble / Susan Briante

=====================================================


Patrick F. Durgin is the proprietor of Da Crouton (www.da-crouton.com), 
a poet, scholar, and educator now living in Chicago. He was born in St. 
Paul, MN, moved to Iowa City, Buffalo, Berkeley, and Ypsilanti (the 
birthplace of Iggy Pop). All this time and for the most part, he has 
sought a living wage. Most of his poetry has been published in small 
press and fine press zines and chapbooks -- most recently, a short 
collection entitled _Imitation Poems_. He will be reading from that book 
and conducting performances from Hannah Weiners _Open House_, which he 
recently edited for Kenning Editions.


Dolores Dorantes was born in Crdoba, Veracruz in 1973, and has lived in 
Ciudad Jurez, Chihuahua, for the past 20 years. Her published books 
include _sexoPUROsexoVELOZ_ (2004), _Lola (cartas cortas)_ (2002), _Para 
Bernardo: un eco_ (2000) and _Poemas para nios_ (1999). She is founding 
director of the border arts collective Compaa Frugal, which supports 
autonomous projects in the arts and counts among its activities 
publication of the bi-weekly poetry broadside series _Hoja Frugal_, 
printed in editions of 4000 and distributed free throughout Mexico. She 
is an auto-didactic journalist and poet who was thoroughly disillusioned 
with her studies of Hispanomexican Literature at the Autonomous 
University of Ciudad Jurez. Her op-ed pieces, criticism and 
investigative texts have been published in Mexican newspapers such as 
_Poltica_ (Xalapa, Veracruz), _La Crnica_ (Mexico City), _La Jornada_ 
(Mexico City), _Sntesis_ (Tlaxcala) and _Diario de Jurez_, where she 
worked as an editor. Dolores stopped working in the news media thanks to 
the total lack of freedom of expression and increasing manipulation of 
information, but she maintains a blog where her opinions about art, 
politics and society continue to be made public on a regular basis: 
www.dorantes.blogspot.com.


In 2002, Jen Hofer moved from the Centro Histrico in Mexico City to 
Cypress Park in Los Angeles, where she teaches poetics in the MFA 
Writing Program at CalArts and works as a Spanish-language interpreter 
with the Los Angeles County Superior Courts. Her recent publications 
include _lip wolf_, a translation of Laura Solrzanos _lobo de labio_ 
(Action Books, 2007), _Sin puertas visibles: An Anthology of 
Contemporary Poetry by Mexican Women_ (University of Pittsburgh Press 
and Ediciones Sin Nombre, 2003), _slide rule_ (subpress, 2002), and the 
chapbooks _laws_ (Dusie Kollectiv, 2006) and _lawless_ (Seeing Eye 
Books, 2003). Her forthcoming books are _The Route_, an epistolary and 
poetic collaboration with Patrick Durgin (Atelos), _Laws_ (Dusie Books), 
and a book-length series of anti-war-manifesto poems titled _one_ (Palm 
Press). Jen is a member of the Little Fakers collective which creates 
and produces _Sunset Chronicles_, a neighborhood-based serial episodic 
drama populated entirely by hand-made marionettes inhabiting lost, 
abandoned, and ghost spaces in Los Angeles (www.sunsetchronicles.com). 
Jen and Patrick will read from The Route and Jen will read from her 
translations of and in tandem with Dolores Dorantes.


Jesse Seldess relocated from Chicago to Berlin and, more recently, to 
Karlsruhe. In Chicago, he co-curated The Discrete Reading and 
Performance Series with Kerri Sonnenberg. In Berlin, he organizes The 
Floating Series of exhibitions and events with Leonie Weber. In 
Karlsruhe, he continues to edit _Antennae_, a journal of experimental 
writing, music, and performance. Chapbooks of his poems have been 
published by Answer Tag Home Press, Bronze Skull Press, and the Chicago 
Poetry Project, and his book of poems, _Who Opens_, appeared from 
Kenning Editions early in 2006. He will be reading from that book and 
from recent texts.

From passages@rdrop.com Thu Oct 11 11:47:46 2007
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I've been having a lot of problems with my mailing lists, so this is a 
test message and an explanation.

Many if not most of the announcements that I've posted recently have 
experienced delivery delays, sometimes extreme (e.g., arriving after the 
announced event has happened). As an example, several messages sent at 
the beginning of this week have yet to arrive. If you're actually 
reading this the day I send it (Thursday 10/11), I'll consider that a 
minor miracle.

I'm trying to get to the root of the problem, but it is mysterious, and 
may require my migration to an entirely new list structure.

In the meantime, duplicate messages may show up, as I try different ways 
to get the news through the pipe. I apologize in advance for that 
inconvenience.

yrs truly,

David Abel

From passages@rdrop.com Thu Oct 11 11:56:34 2007
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Subject: [Spare Room/Passages] Friday 10/19: Patrick Durgin, Dolores Dorantes,
 Jen Hofer, Jesse Seldes
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** please note that this reading takes place on a Friday rather than our 
usual Sunday slot **


Spare Room is especially pleased to present an evening with

Patrick Durgin
Dolores Dorantes
Jen Hofer
Jesse Seldes


who are criss-crossing the country to promote and celebrate recent books 
from Kenning Editions:

_Open House_ by Hannah Weiner, edited by Patrick Durgin
_sexoPUROsexoVELOZ and Septiembre_ by Dolores Dorantes, translated by 
Jen Hofer
_Who Opens_ by Jesse Seldes


Friday October 19
7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

11/18 Dan Raphael / Rodney Koeneke (with new neo-benshi!)
12/9 Ken Rumble / Susan Briante

=====================================================


Patrick F. Durgin is the proprietor of Da Crouton (www.da-crouton.com), 
a poet, scholar, and educator now living in Chicago. He was born in St. 
Paul, MN, moved to Iowa City, Buffalo, Berkeley, and Ypsilanti (the 
birthplace of Iggy Pop). All this time and for the most part, he has 
sought a living wage. Most of his poetry has been published in small 
press and fine press zines and chapbooks -- most recently, a short 
collection entitled _Imitation Poems_. He will be reading from that book 
and conducting performances from Hannah Weiners _Open House_, which he 
recently edited for Kenning Editions.


Dolores Dorantes was born in Crdoba, Veracruz in 1973, and has lived in 
Ciudad Jurez, Chihuahua, for the past 20 years. Her published books 
include _sexoPUROsexoVELOZ_ (2004), _Lola (cartas cortas)_ (2002), _Para 
Bernardo: un eco_ (2000) and _Poemas para nios_ (1999). She is founding 
director of the border arts collective Compaa Frugal, which supports 
autonomous projects in the arts and counts among its activities 
publication of the bi-weekly poetry broadside series _Hoja Frugal_, 
printed in editions of 4000 and distributed free throughout Mexico. She 
is an auto-didactic journalist and poet who was thoroughly disillusioned 
with her studies of Hispanomexican Literature at the Autonomous 
University of Ciudad Jurez. Her op-ed pieces, criticism and 
investigative texts have been published in Mexican newspapers such as 
_Poltica_ (Xalapa, Veracruz), _La Crnica_ (Mexico City), _La Jornada_ 
(Mexico City), _Sntesis_ (Tlaxcala) and _Diario de Jurez_, where she 
worked as an editor. Dolores stopped working in the news media thanks to 
the total lack of freedom of expression and increasing manipulation of 
information, but she maintains a blog where her opinions about art, 
politics and society continue to be made public on a regular basis: 
www.dorantes.blogspot.com.


In 2002, Jen Hofer moved from the Centro Histrico in Mexico City to 
Cypress Park in Los Angeles, where she teaches poetics in the MFA 
Writing Program at CalArts and works as a Spanish-language interpreter 
with the Los Angeles County Superior Courts. Her recent publications 
include _lip wolf_, a translation of Laura Solrzanos _lobo de labio_ 
(Action Books, 2007), _Sin puertas visibles: An Anthology of 
Contemporary Poetry by Mexican Women_ (University of Pittsburgh Press 
and Ediciones Sin Nombre, 2003), _slide rule_ (subpress, 2002), and the 
chapbooks _laws_ (Dusie Kollectiv, 2006) and _lawless_ (Seeing Eye 
Books, 2003). Her forthcoming books are _The Route_, an epistolary and 
poetic collaboration with Patrick Durgin (Atelos), _Laws_ (Dusie Books), 
and a book-length series of anti-war-manifesto poems titled _one_ (Palm 
Press). Jen is a member of the Little Fakers collective which creates 
and produces _Sunset Chronicles_, a neighborhood-based serial episodic 
drama populated entirely by hand-made marionettes inhabiting lost, 
abandoned, and ghost spaces in Los Angeles (www.sunsetchronicles.com). 
Jen and Patrick will read from The Route and Jen will read from her 
translations of and in tandem with Dolores Dorantes.


Jesse Seldess relocated from Chicago to Berlin and, more recently, to 
Karlsruhe. In Chicago, he co-curated The Discrete Reading and 
Performance Series with Kerri Sonnenberg. In Berlin, he organizes The 
Floating Series of exhibitions and events with Leonie Weber. In 
Karlsruhe, he continues to edit _Antennae_, a journal of experimental 
writing, music, and performance. Chapbooks of his poems have been 
published by Answer Tag Home Press, Bronze Skull Press, and the Chicago 
Poetry Project, and his book of poems, _Who Opens_, appeared from 
Kenning Editions early in 2006. He will be reading from that book and 
from recent texts.

From passages@rdrop.com Thu Oct 11 12:43:19 2007
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X-List-Received-Date: Thu, 11 Oct 2007 19:43:25 -0000

Thank you to everyone who wrote to say that my test message got through.

As soon as I received it myself, I excitedly sent the latest Spare Room 
reading announcement again (for the fourth time) . . . and like the 
first three times, it remains lost in cyberspace.

So here are the bare details (full details on the web site), in case 
these short messages have better luck slipping under the barbed wire:


** please note that this reading takes place on a Friday rather than our 
usual Sunday slot **

Spare Room is especially pleased to present an evening with
Patrick Durgin  +  Dolores Dorantes  +  Jen Hofer   +  Jesse Seldes

who are criss-crossing the country to promote and celebrate recent books 
from Kenning Editions:

_Open House_ by Hannah Weiner, edited by Patrick Durgin
_sexoPUROsexoVELOZ and Septiembre_ by Dolores Dorantes, translated by 
Jen Hofer
_Who Opens_ by Jesse Seldes

Friday October 19, 7:30 pm

New American Art Union
922 SE Ankeny    www.newamericanartunion.com

$5.00 suggested donation

www.flim.com/spareroom    spareroom@flim.com


Upcoming readings

11/18 Dan Raphael / Rodney Koeneke (with new neo-benshi!)
12/9 Ken Rumble / Susan Briante


From passages@rdrop.com Thu Oct 11 23:45:44 2007
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Date: Thu, 11 Oct 2007 23:45:43 -0700
From: David Abel <passages@rdrop.com>
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Subject: [Spare Room/Passages] Friday 10/19: Patrick Durgin, Dolores Dorantes,
 Jen Hofer, & Jesse Seldess
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X-List-Received-Date: Fri, 12 Oct 2007 06:45:45 -0000

(one last attempt to send this via automated list, as my provider has 
made some changes in list processing that might be a fix . . . before 
resorting to sending it "by hand")


** please note that this reading takes place on a Friday rather than our 
usual Sunday slot **

Spare Room is especially pleased to present an evening with

Patrick Durgin
Dolores Dorantes
Jen Hofer
Jesse Seldes

who are criss-crossing the country to promote and celebrate recent books 
from Kenning Editions:

_Open House_ by Hannah Weiner, edited by Patrick Durgin
_sexoPUROsexoVELOZ and Septiembre_ by Dolores Dorantes, translated by 
Jen Hofer
_Who Opens_ by Jesse Seldes


Friday October 19
7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com
$5.00 suggested donation

www.flim.com/spareroom spareroom@flim.com

Upcoming readings

11/18 Dan Raphael / Rodney Koeneke (with new neo-benshi!)
12/9 Ken Rumble / Susan Briante

=====================================================


Patrick F. Durgin is the proprietor of Da Crouton (www.da-crouton.com), 
a poet, scholar, and educator now living in Chicago. He was born in St. 
Paul, MN, moved to Iowa City, Buffalo, Berkeley, and Ypsilanti (the 
birthplace of Iggy Pop). All this time and for the most part, he has 
sought a living wage. Most of his poetry has been published in small 
press and fine press zines and chapbooks -- most recently, a short 
collection entitled _Imitation Poems_. He will be reading from that book 
and conducting performances from Hannah Weiners _Open House_, which he 
recently edited for Kenning Editions.


Dolores Dorantes was born in Crdoba, Veracruz in 1973, and has lived in 
Ciudad Jurez, Chihuahua, for the past 20 years. Her published books 
include _sexoPUROsexoVELOZ_ (2004), _Lola (cartas cortas)_ (2002), _Para 
Bernardo: un eco_ (2000) and _Poemas para nios_ (1999). She is founding 
director of the border arts collective Compaa Frugal, which supports 
autonomous projects in the arts and counts among its activities 
publication of the bi-weekly poetry broadside series _Hoja Frugal_, 
printed in editions of 4000 and distributed free throughout Mexico. She 
is an auto-didactic journalist and poet who was thoroughly disillusioned 
with her studies of Hispanomexican Literature at the Autonomous 
University of Ciudad Jurez. Her op-ed pieces, criticism and 
investigative texts have been published in Mexican newspapers such as 
_Poltica_ (Xalapa, Veracruz), _La Crnica_ (Mexico City), _La Jornada_ 
(Mexico City), _Sntesis_ (Tlaxcala) and _Diario de Jurez_, where she 
worked as an editor. Dolores stopped working in the news media thanks to 
the total lack of freedom of expression and increasing manipulation of 
information, but she maintains a blog where her opinions about art, 
politics and society continue to be made public on a regular basis: 
www.dorantes.blogspot.com.


In 2002, Jen Hofer moved from the Centro Histrico in Mexico City to 
Cypress Park in Los Angeles, where she teaches poetics in the MFA 
Writing Program at CalArts and works as a Spanish-language interpreter 
with the Los Angeles County Superior Courts. Her recent publications 
include _lip wolf_, a translation of Laura Solrzanos _lobo de labio_ 
(Action Books, 2007), _Sin puertas visibles: An Anthology of 
Contemporary Poetry by Mexican Women_ (University of Pittsburgh Press 
and Ediciones Sin Nombre, 2003), _slide rule_ (subpress, 2002), and the 
chapbooks _laws_ (Dusie Kollectiv, 2006) and _lawless_ (Seeing Eye 
Books, 2003). Her forthcoming books are _The Route_, an epistolary and 
poetic collaboration with Patrick Durgin (Atelos), _Laws_ (Dusie Books), 
and a book-length series of anti-war-manifesto poems titled _one_ (Palm 
Press). Jen is a member of the Little Fakers collective which creates 
and produces _Sunset Chronicles_, a neighborhood-based serial episodic 
drama populated entirely by hand-made marionettes inhabiting lost, 
abandoned, and ghost spaces in Los Angeles (www.sunsetchronicles.com). 
Jen and Patrick will read from The Route and Jen will read from her 
translations of and in tandem with Dolores Dorantes.


Jesse Seldess relocated from Chicago to Berlin and, more recently, to 
Karlsruhe. In Chicago, he co-curated The Discrete Reading and 
Performance Series with Kerri Sonnenberg. In Berlin, he organizes The 
Floating Series of exhibitions and events with Leonie Weber. In 
Karlsruhe, he continues to edit _Antennae_, a journal of experimental 
writing, music, and performance. Chapbooks of his poems have been 
published by Answer Tag Home Press, Bronze Skull Press, and the Chicago 
Poetry Project, and his book of poems, _Who Opens_, appeared from 
Kenning Editions early in 2006. He will be reading from that book and 
from recent texts.



From passages@rdrop.com Tue Oct 16 20:58:47 2007
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Subject: [Spare Room/Passages] Reminder: Friday 10/19,
	Durgin/Dorantes/Hofer/Seldes
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** please note: this reading is on Friday rather than Sunday **


Spare Room is especially pleased to present an evening with

Patrick Durgin
Dolores Dorantes
Jen Hofer
Jesse Seldes


Friday October 19
7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com
$5.00 suggested donation

www.flim.com/spareroom spareroom@flim.com

Upcoming readings

11/18 Dan Raphael / Rodney Koeneke (with new neo-benshi!)
12/9 Ken Rumble / Susan Briante

2008: Hank Lazer, Jennifer Bartlett, SF/Portland benshi fest, and more

=====================================================


Patrick F. Durgin is the proprietor of Da Crouton (www.da-crouton.com),
a poet, scholar, and educator now living in Chicago. He was born in St.
Paul, MN, moved to Iowa City, Buffalo, Berkeley, and Ypsilanti (the
birthplace of Iggy Pop). All this time and for the most part, he has
sought a living wage. Most of his poetry has been published in small
press and fine press zines and chapbooks -- most recently, a short
collection entitled _Imitation Poems_. He will be reading from that book
and conducting performances from Hannah Weiners _Open House_, which he
recently edited for Kenning Editions.


Dolores Dorantes was born in Crdoba, Veracruz in 1973, and has lived in
Ciudad Jurez, Chihuahua, for the past 20 years. Her published books
include _sexoPUROsexoVELOZ_ (2004), _Lola (cartas cortas)_ (2002), _Para
Bernardo: un eco_ (2000) and _Poemas para nios_ (1999). She is founding
director of the border arts collective Compaa Frugal, which supports
autonomous projects in the arts and counts among its activities
publication of the bi-weekly poetry broadside series _Hoja Frugal_,
printed in editions of 4000 and distributed free throughout Mexico. She
is an auto-didactic journalist and poet who was thoroughly disillusioned
with her studies of Hispanomexican Literature at the Autonomous
University of Ciudad Jurez. Her op-ed pieces, criticism and
investigative texts have been published in Mexican newspapers such as
_Poltica_ (Xalapa, Veracruz), _La Crnica_ (Mexico City), _La Jornada_
(Mexico City), _Sntesis_ (Tlaxcala) and _Diario de Jurez_, where she
worked as an editor. Dolores stopped working in the news media thanks to
the total lack of freedom of expression and increasing manipulation of
information, but she maintains a blog where her opinions about art,
politics and society continue to be made public on a regular basis:
www.dorantes.blogspot.com.


In 2002, Jen Hofer moved from the Centro Histrico in Mexico City to
Cypress Park in Los Angeles, where she teaches poetics in the MFA
Writing Program at CalArts and works as a Spanish-language interpreter
with the Los Angeles County Superior Courts. Her recent publications
include _lip wolf_, a translation of Laura Solrzanos _lobo de labio_
(Action Books, 2007), _Sin puertas visibles: An Anthology of
Contemporary Poetry by Mexican Women_ (University of Pittsburgh Press
and Ediciones Sin Nombre, 2003), _slide rule_ (subpress, 2002), and the
chapbooks _laws_ (Dusie Kollectiv, 2006) and _lawless_ (Seeing Eye
Books, 2003). Her forthcoming books are _The Route_, an epistolary and
poetic collaboration with Patrick Durgin (Atelos), _Laws_ (Dusie Books),
and a book-length series of anti-war-manifesto poems titled _one_ (Palm
Press). Jen is a member of the Little Fakers collective which creates
and produces _Sunset Chronicles_, a neighborhood-based serial episodic
drama populated entirely by hand-made marionettes inhabiting lost,
abandoned, and ghost spaces in Los Angeles (www.sunsetchronicles.com).
Jen and Patrick will read from The Route and Jen will read from her
translations of and in tandem with Dolores Dorantes.


Jesse Seldess relocated from Chicago to Berlin and, more recently, to
Karlsruhe. In Chicago, he co-curated The Discrete Reading and
Performance Series with Kerri Sonnenberg. In Berlin, he organizes The
Floating Series of exhibitions and events with Leonie Weber. In
Karlsruhe, he continues to edit _Antennae_, a journal of experimental
writing, music, and performance. Chapbooks of his poems have been
published by Answer Tag Home Press, Bronze Skull Press, and the Chicago
Poetry Project, and his book of poems, _Who Opens_, appeared from
Kenning Editions early in 2006. He will be reading from that book and
from recent texts.



From passages@rdrop.com Tue Oct 16 20:59:30 2007
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Subject: [Spare Room/Passages] Fwd: Tangent series, Saturday 10/20
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The Tangent Reading Series presents a poetry reading by

Sarah Anne Cox, Dana Teen Lomax, and Jesse Morse

Saturday, October 20
7:00 p.m.

The Press Club
2621 SE Clinton St, Portland

(Please note that is this a different location than our usual venue)

Admission is free

www.thetangentpress.org/readings.html

Sarah Anne Cox is the author of Parcel (O Books 2006) and Arrival 
(Krupsaya 2002). She lives in San Francisco where she teaches, windsurfs 
and cares for her two children. When not on the road, she is thinking 
about leaving and writing her new manuscript entitled Truancy.

Dana Teen Lomax is the author of Curreny (Palm Press), Room (a+bend 
press), and the co-editor of Letters To Poets, Conversations About 
Poetics, Politics and Community (Saturnalia Books, 2008). Her work has 
received the San Francisco Foundation's Joseph Henry Jackson prize for 
poetry, as well as Academy of American Poets, Ann Fields, and Leo Litwak 
awards. Supported by the California Arts Council, the Peninsula 
Community Foundation, the Zellerbach Family Fund, the Marin Arts 
Council, and other organizations, she is presently working on Q, "home 
movies" about raising a daughter on prison grounds. She lives in 
northern California with her family.

Jesse Morse lives and writes out of Portland, Oregon. His work, 
interviews and reviews have appeared or are forthcoming in American 
Drivel Review, One Less: Art on the Range, Jacket, Hobart, P.F.S. Post, 
Crane's Bill Books, Mirage #4/Period(ical), and CAB/NET Magazine. He 
edited Bombay Gin 30 and worked as an Associate Editor at Portland-based 
magazine Ellipsis for a year. He appeared on Portland KBOO's poetry show 
"The Talking Earth" and even had his own radio show once.

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Subject: [Spare Room/Passages] Sunday 11/18: Dan Raphael & Rodney Koeneke
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Spare Room presents


Dan Raphael

Rodney Koeneke


Sunday, November 18th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

12/9 Ken Rumble / Susan Briante

=====================================================

Dan Raphael is known for the linguisic richness of his poetry and his 
energetic performance of those words. Breath Test, his 16th book, was 
published this May (nine muses books.); other books include Showing 
Light a Good Time and When a Flying City Falls. Dan's poems have 
appeared in such publications as Central Park, Caliban, UrVox, Shattered 
Wig, and Tinfish, while current works appear in Otoliths, Skidrow 
Penthouse, Broken Word II, 31, and Refined Savage. His monthly poetry 
series at a downtown bookstore is in its 13th year; he previously edited 
26 Books and NRG Magazine.

Rodney Koeneke is the author of the poetry collections Musee Mechanique 
(BlazeVOX, 2006) and Rouge State (Pavement Saw, 2003). His new 
manuscript is called Etruria. Hobbies include flarf and neo-benshi, both 
of which will figure in this reading, where parts of a silent classic 
film will be screened to the poet's script. Rodney feeds almost daily 
content to his poetry blog, http://www.modampo.blogspot.com, and has 
flash-reviewed 100 poetry books for his latest time sink, GoodReads. 
Rodney lives in Portland with his wife, Lesley Poirier, and their 
curly-headed son.

=====================================================


Rain Stomps down my Face like a Juice with Legs --

face-time i cant face the place walls shedding like tarantulas
while fundamentalists of the silly get their beaks in a satellite
twisting alleged memories to hitchhike on the back of the world
i thicken with delight with positive alignment of weather, attitude and 
altitude --
a 6 point compass with holographic predictions
rolling dice for every person in the world every second, voice talking bout
low pressure data fronts, information stagnation, record highs
til the dawn of two long muscular legs, hair like well-ironed raven wings

changing shape with the wind speed & dow jones to follow the mitochondria
back to 7 mothers changing the world with 7-fngered godlings,
as if 1 continent internalized in each of us looking from the inside out
our impermissible coast lines warped from birth by cloth and design.
like when i get somewhere ive never been that seems familiar,
as each coin remembers its mold -- the shape moms canal assumed --
such narrow connections between such large worlds
as if each notch in the coastline is a souls cycle, notches in the 
lungs bark:

each april i wake up chewing til im solid again
like a glacier so deep in the back of my head i hear it echoing
where the forest hasnt yet been cleared for memory

-- Dan Raphael (from Breath Test)



nocturne

Across the news, the moon
to feed the hungry?
or trace silver cantos
in dark collegiate forecourts.
Its deeds are so minimal
by map it's still night
rich and lustrous and poor enough
for America's urban and suburban areas to shine into,
a satellite for motto
phone number of the inventor of the lyric
possibly Ambrel's party photo pics
a rite of custom brings us each together
to prefer or be judged by non-applause.

-- Rodney Koeneke



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Subject: [Spare Room/Passages] Fwd: Wed. 11/14: Tinfish Press reading,
	Pacific University
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Tinfish Press Readings: Experimental Poetry:

Lissa Wolsak, Deborah Meadows, Susan Schultz,
Lisa Linn Kanae, Craig Santos Perez, and Tiare Picard


Wednesday Nov. 14
7:30 PM

Marsh Hall Auditorium
Pacific University, Forest Grove


Map to Forest Grove campus: 
http://www.pacificu.edu/about/location/directions-forest-grove.cfm

Campus map (Marsh Hall near bottom): 
http://www.pacificu.edu/about/location/campusmap.cfm


Hear experimental poetry from the Pacific, including Hawai`i, New 
Zealand/Aotearoa, Australia, California, and western Canada. Presented 
by The Readings @ Pacific Series.

These writers have been published by Tinfish Press, which produces books 
and chapbooks of poetry and experimental prose, some of it written in 
Hawai`i Creole English (Pidgin). Each publication is designed by artists 
living in Hawai`i, under the direction of artist Gaye Chan.


Six readers who have published with Tinfish Press will share their 
creative writing.

Lissa Wolsak lives in Vancouver, B. C., where she works as an 
energy-field therapist and goldsmith. Sections of her work A Defence of 
Being has appeared in Tinfish #13. She is the author of several long 
poem sequences and essays. SQUEEZED LIGHT: Collected Works 1994 - 2006 
is forthcoming from Station Hill Press/Barrytown in the Fall of 2007 as 
well as various ana of the forthcoming Of Beings Alone, also from 
Tinfish and SIC.

Deborah Meadows teaches in the Liberal Studies department at California 
State Polytechnic University, Pomona. Her works of poetry include: 
involutia (Shearsman Press, UK, 2007), The Draped Universe (Belladonna 
Books, 2007), Thin Gloves (Green Integer, 2006), Representing Absence 
(Green Integer, 2004), Itinerant Men (Krupskaya, 2004), and two 
chapbooks, Growing Still (Tinfish Press, 2005) and "The 60's and 70's: 
from The Theory of Subjectivity in Moby-Dick" (Tinfish Press, 2003). Her 
Electronic Poetry Center author page is located: 
http://epc.buffalo.edu/authors/meadows/

Susan M. Schultz is editor and publisher of Tinfish Press, which she 
founded in 1995. She has written three books of poems, including Memory 
Cards & Adoption Papers (Potes & Poets, 2001) and And then something 
happened (Salt, 2004), as well as a book of essays, A Poetics of Impasse 
in Modern and Contemporary American Poetry (Alabama, 2005) and an edited 
book, The Tribe of John: Ashbery and Contemporary Poetry (Alabama, 
1995). She lives in Kane`ohe, Hawai`i on the island of O`ahu.

Born and raised on the island of O'ahu, Lisa Linn Kanae is the author of 
Sista Tongue; a memoir/essay that weaves the social history of Hawaii'i 
Creole English with personal experience. Some of Kanae's prose and 
poetry are published in 'Oiwi: A Native Hawaiian Journal, Bamboo Ridge 
Press publications, Hybolics, and Tinfish. She teaches writing and 
literature at Kapi`olani Community College.

Craig Santos Perez, a native Chamorro from the Pacific Island of Guahan 
(Guam), has lived in California since 1995. He is the co-founder of 
Achiote Press and author of two chapbooks: constellations gathered along 
the ecliptic (Shadowbox Press, 2007), and all with ocean views (Overhere 
Press, 2007). His book, from unincorporated territory, is forthcoming 
from Tinfish in 2008. His poetry, essays, fiction, reviews, and 
translations have appeared (or are forthcoming) in Pleiades, The Denver 
Quarterly, Jacket, Sentence, Rattle, and Rain Taxi, among others.

Tiare Picard is an MA student at the University of Hawai`i  Mnoa. Ka 
Lamakua (2006), Ka Leo O Hawai`i (2006), and The Honolulu Weekly (2007) 
have published her work. Two of her most recent poems appear in Tinfish 
17 (Tinfish Press, 2007).



Tinfish Press Artist Talk: Gaye Chan & Lian Litvin

Nov 15, 2007, 7:30 PM

Location: Marsh Hall - Taylor Auditorium

In this presentation Hawaii-based artists/designers Gaye Chan and Lian 
Litvin discuss their work.

Tinfish Presss print and electronic publications are akin to 
alternative art spaces that allow for dynamic experimental collaboration 
between poets, artists and designers. Art Director Gaye Chan and 
contributing designer Lian Litvin will jointly present Tinfishs methods 
of collaboration through examples of Tinfish Press past work.

Litvin will also discuss the ways in which Tinfish Press provides a rare 
creative opportunity for designers free from market-driven demands.

Presentors:

Gaye Chan is a visual and media artist. She is also Tinfish Press Art 
Director and professor at the University of Hawaii at Manoa, Department 
of Art and Art History. More information on her work can be found at 
www.gayechan.com.

Lian Litvin received her BFA in design from Holon Institution of 
Technology in Israel and practiced as a professional designer for two 
years in Tel Aviv. She is currently working toward a MFA at the 
University of Hawaii. She is the designer for Language as 
Responsibility and Corpse Watching.

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Subject: [Spare Room/Passages] Fwd: IPRC Benefit: 2nd Annual Text Ball,
	Saturday 11/17
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Greetings from the IPRC!

I'd like to personally invite you to join us for the 2nd Annual Text 
Ball, a benefit for the Independent Publishing Resource Center (IPRC). 
On Saturday November 17th, The Portland Art Center will come alive with 
text-related art & performance, including gypsy jazz by the Pete Krebs 
Trio and an illuminated piece by paper-artist Helen Hiebert.

We encourage you to come dressed with text as part of your evening 
attire. Our jury of distinguished authors, booksellers, publishers, 
fashion designers and artists will award prizes for the most artistic 
and/or grammatically-correct costumes, plus well pay tribute to the 
IPRCs Zine-of-the-Month authors.

Tickets are $10 for IPRC members, $15 for non-members. Students are $5. 
You can get your tickets at the IPRC Office (503.827.0249), Reading 
Frenzy or at the door. They will also be available at our booth this 
weekend at Wordstock. You can also purchase tickets on-line at Brown 
Paper Tickets: http://www.brownpapertickets.com 
<http://www.brownpapertickets.com/> , search word: Text Ball.

All proceeds will help to fund our excellent little center, as well as 
our new outreach programThe Media Action Project, which teaches youth 
about media literacy, violence prevention and body-positivity through 
zine-making.

We hope to see you there!

Thanks,

Justin Hocking
Executive Director
IPRC

The Second Annual Text Ball
A Benefit for the IPRC
Saturday, November 17, 2007
At The Portland Art Center
32 NW 5th, Downtown Portland
8 pm-12 midnight
For info call 503.827.0249 or visit www.iprc.org

About the IPRC:
The Independent Publishing Resource Center facilitates creative 
expression and identity by providing individual access to the resources 
and tools for the creation of independently published media and art. 
Since its inception in 1998 the center has been dedicated to encouraging 
the growth of a visual and literary publishing community by offering a 
space to gather and exchange information and ideas, as well as to 
produce work. The IPRC is an Oregon 501(c)(3) Nonprofit organization 
located at 917 SW Oak, Suite 218. Visit www.iprc.org 
<http://www.iprc.org/> . For information about the Portland Art Center 
visit www.portlandart.org <http://www.portlandart.org/> .

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Subject: [Spare Room/Passages] Usufruct exhibition, Linfield College,
	through 11/30
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USUFRUCT

curated by Seth Nehil

November 7 - 30, 2007
Linfield College Art Gallery

Miller Fine Arts Center
900 SE Baker Street
McMinnville, OR

Gallery Hours: Tuesday - Saturday, 12:00 - 5:00 pm

http://www.linfield.edu/art/gallery_intro.php

Gallery Talk:
Wednesday November 28th, 6:00 pm


The freedom of individuals in a community to appropriate resources 
merely by virtue of the fact that they are using them. -- Murray 
Bookchin, The Ecology Of Freedom

Exhibiting Artists:

Jan Anderzen (Finland)
Rebecca Davis (NYC)
Helki Frantzen (NYC)
Josh Hart (NYC)
Harvest Henderson (PDX)
Linda Hutchins (PDX)
Diana Lang (PDX)
Dirk Lange (Germany)
Rhoda London (PDX)
Melody Owen (NYC)
Sreshta Premnath (NYC)
Dan Senn (PDX)
Jonathan VanDyke (NYC)
Bethany Wright (PDX).

Usufruct brings together artists who engage trans-sculptural practices, 
taking inspiration from everyday objects and experiences. Working in 
collage, sculpture, installation, video and sound, these artists 
construct a material body from the formerly common, finding 
extraordinary ambiguities and producing work as a series of questions.

How do we engage the haphazard and informal while maintaining delicacy 
and precision? How do we invite structural vulnerability while 
fortifying the energy that animates our work? Do we accumulate beauty 
through simple labors? Can we poise craft on the edge of failure? How 
might we utilize the available and incorporate the everyday? How can we 
pay attention to the overlooked? In appropriating resources (either 
physical or intellectual), how are they transformed?

Accompanying this exhibition is the booklet Tools of Mind, edited by 
Matthew Marble and published by FO A RM magazine. A mosaic of creative 
processes and imaginal maps, this book explores various means of 
structuring and materializing ideas in the world. It includes 
perspectives from sound art, music, book arts, human physiology, village 
design, and a myriad of other sources.

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Subject: [Spare Room/Passages] Sunday 12/18: VENUE CHANGE for
	Koeneke/Raphael reading
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*Please note venue change: same date, same time, different location!*

Due to organizer oversight (i.e., my screwup), this Sunday's reading 
will be held at Concordia Coffee House. Thanks to Concordia for 
accomodating this change on such short notice.

+++++++++++++++++++++++++++++++++++++++++++++++++++

Spare Room presents

Dan Raphael
Rodney Koeneke

Sunday, November 18th, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

12/9 Ken Rumble / Susan Briante

=====================================================

Dan Raphael is known for the linguistic richness of his poetry and his
energetic performance of those words. Breath Test, his 16th book, was
published this May (nine muses books.); other books include Showing
Light a Good Time and When a Flying City Falls. Dan's poems have
appeared in such publications as Central Park, Caliban, UrVox, Shattered
Wig, and Tinfish, while current works appear in Otoliths, Skidrow
Penthouse, Broken Word II, 31, and Refined Savage. His monthly poetry
series at a downtown bookstore is in its 13th year; he previously edited
26 Books and NRG Magazine.

Rodney Koeneke is the author of the poetry collections Musee Mechanique
(BlazeVOX, 2006) and Rouge State (Pavement Saw, 2003). His new
manuscript is called Etruria. Hobbies include flarf and neo-benshi, both
of which will figure in this reading, where parts of a silent classic
film will be screened to the poet's script. Rodney feeds almost daily
content to his poetry blog, http://www.modampo.blogspot.com, and has
flash-reviewed 100 poetry books for his latest time sink, GoodReads.
Rodney lives in Portland with his wife, Lesley Poirier, and their
curly-headed son.

=====================================================


Rain Stomps down my Face like a Juice with Legs --

face-time i cant face the place walls shedding like tarantulas
while fundamentalists of the silly get their beaks in a satellite
twisting alleged memories to hitchhike on the back of the world
i thicken with delight with positive alignment of weather, attitude and
altitude --
a 6 point compass with holographic predictions
rolling dice for every person in the world every second, voice talking bout
low pressure data fronts, information stagnation, record highs
til the dawn of two long muscular legs, hair like well-ironed raven wings

changing shape with the wind speed & dow jones to follow the mitochondria
back to 7 mothers changing the world with 7-fngered godlings,
as if 1 continent internalized in each of us looking from the inside out
our impermissible coast lines warped from birth by cloth and design.
like when i get somewhere ive never been that seems familiar,
as each coin remembers its mold -- the shape moms canal assumed --
such narrow connections between such large worlds
as if each notch in the coastline is a souls cycle, notches in the
lungs bark:

each april i wake up chewing til im solid again
like a glacier so deep in the back of my head i hear it echoing
where the forest hasnt yet been cleared for memory

-- Dan Raphael (from Breath Test)



nocturne

Across the news, the moon
to feed the hungry?
or trace silver cantos
in dark collegiate forecourts.
Its deeds are so minimal
by map it's still night
rich and lustrous and poor enough
for America's urban and suburban areas to shine into,
a satellite for motto
phone number of the inventor of the lyric
possibly Ambrel's party photo pics
a rite of custom brings us each together
to prefer or be judged by non-applause.

-- Rodney Koeneke




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Artist's talk by Peter Kreider, at Reed College
Saturday at 4:30 pm

IPRC's 2nd Annual Text Ball, at Portland Art Center
Saturday, 8:00 pm - midnight

Fear No Music's first concert of the season, at the Old Church
Sunday at 3:00 pm

scroll down for full details

===================================================

The China Syndrome

A public talk by Peter Krieder

in connection with the Cooley Gallery exhibition, Marko Lulic / Peter 
Kreider

Saturday, November 17, 4:30 p.m.
Reed College, Eliot Hall, room 314

Peter Kreider on his sculpture project, Universal Remote:

When approached with the opportunity to participate in an exhibition in 
China I was immediately drawn to the idea of having a piece of sculpture 
fabricated there. For decades China has been the worlds workshop and 
is now increasingly using its assets (large work force and availability 
of new technology) in the transition to a market economy. After years of 
manufacturing, the east is now using its power not only to manufacture 
the worlds consumer goods but also counterfeit them. In a sense, the 
act of counterfeiting can be seen as an analogue to my own artistic 
practice.

As a sculptor, I am routinely examining, remaking and manipulating 
objects from the world. Through my own rudimentary process of reverse 
engineering, I reconstruct images and objects from the world in the 
interest of a sculptural statement. However, my work also relies on the 
fact that each object is interpreted by hand. This implied personal 
connection to the artist inspires a series of questions: How is the same 
subject matter interpreted in anothers hands? What is the role of the 
artist/craftsman in an era of appropriation? In the interest of these 
questions, I proposed to build a sculpture that embodied my own impulses 
as an object maker and embraced the trans-global filters of east to 
west, and idea to object.

Exhibition open before talk:

Marko Lulic / Peter Kreider
TuesdaySunday, noon to 6 p.m.
Closes December 9, 2007

A collaboration between the Cooley Gallery and PICA
Curated by Stephanie Snyder and Kristan Kennedy

Douglas F. Cooley Memorial Art Gallery, Reed College
3203 SE Woodstock Blvd.
503-777-7251

=================================================

The Second Annual Text Ball

A Benefit for the IPRC

Saturday, November 17
8:00 pm - midnight

Portland Art Center
32 NW 5th

For info call 503.827.0249 or visit www.iprc.org

Just a quick reminderthe IPRC's Second Annual Text Ball is this 
Saturday! Please join us at the Portland Art Center for an evening of 
text-based art and performances, including gypsy jazz by the Pete Krebs 
Trio. Along with a smorgasbord of text-based snacks, we'll have fine 
wines and plenty of Guinness on tap.

We encourage you to come dressed with text as part of your evening 
attire. Our jury of distinguished authors, booksellers, publishers, 
fashion designers and artists will award prizes for the most artistic 
and/or grammatically correct costumes.

Tickets are $10 for IPRC members, $15 for non-members. Students are $5. 
You can get your tickets at the IPRC Office (503.827.0249), Reading 
Frenzy or at the door. You can also purchase tickets on-line at Brown 
Paper Tickets: http://www.brownpapertickets.com 
<http://www.brownpapertickets.com/> , search word: Text Ball.


====================================================

fEARnoMUSIC

with special guests:
Janice Johnson, Molly Barth, Phillip Patti, Todd Kuhns, and Jennifer Craig

Sunday, November 18
3:00 pm

The Old Church
1422 S.W. 11th Avenue

(Reception to follow)

TICKETS AT THE DOOR:
$15 general admission, $10 seniors, $5 students and children under 13.


Program:

Mathew Burtner Mists (1996)
for computer noise controller and stone trio

Harry Somers Kuyas (1967)
for soprano, flute and percussion

Reza Vali Folk Songs Set No. 11b (1995)
for string quartet

John Adams John's Book of Alleged Dances (1994) (excerpts)
for string quartet

Luciano Berio Folk Songs (1964)
for voice and seven instruments

Folk songs and dances have inspired composers in every era, from the 
Renaissance through the Classical and Romantic periods to the legendary 
twentieth-century researches of Bartok and Kodaly. This is no less true 
today, and Berios landmark Folk Songs of 1964, written for his wife 
Cathy Berberian (and recently the subject of a sequel, Osvaldo 
Golijovs Ayres), form our stepping-off point for an exploration of 
contemporary approaches.

Reza Vali combines ethnic folk music and Western classical music in a 
unique way that is as appealing as it is original; John Adams gives us a 
series of alleged dances (alleged because their steps have yet to be 
invented); Mathew Burtner, who embeds environmental systems into musical 
and performance structures using new technologies, has us picking up 
stones; and Harry Somers brings us the language of the Cree people, who 
live in the prairies of British Columbia.

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Subject: [Spare Room/Passages] Reminder: Koeneke/Raphael reading,
	Sunday 11/18, 7:30 pm
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*Please note venue change*


Spare Room presents

Dan Raphael
Rodney Koeneke

Sunday, November 18th, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings

12/9 Ken Rumble / Susan Briante

=====================================================

Dan Raphael is known for the linguistic richness of his poetry and his
energetic performance of those words. Breath Test, his 16th book, was
published this May (nine muses books.); other books include Showing
Light a Good Time and When a Flying City Falls. Dan's poems have
appeared in such publications as Central Park, Caliban, UrVox, Shattered
Wig, and Tinfish, while current works appear in Otoliths, Skidrow
Penthouse, Broken Word II, 31, and Refined Savage. His monthly poetry
series at a downtown bookstore is in its 13th year; he previously edited
26 Books and NRG Magazine.

Rodney Koeneke is the author of the poetry collections Musee Mechanique
(BlazeVOX, 2006) and Rouge State (Pavement Saw, 2003). His new
manuscript is called Etruria. Hobbies include flarf and neo-benshi, both
of which will figure in this reading, where parts of a silent classic
film will be screened to the poet's script. Rodney feeds almost daily
content to his poetry blog, http://www.modampo.blogspot.com, and has
flash-reviewed 100 poetry books for his latest time sink, GoodReads.
Rodney lives in Portland with his wife, Lesley Poirier, and their
curly-headed son.



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	C. Tyc
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The Tangent Reading Series presents

K. Silem Mohammad, Vincent Craig Wright, & Cat Tyc

Saturday, December 1st
7:00 pm

Clinton Corner Caf
2633 SE 21st Ave.
(503) 230-8035.

Admission is free.

www.thetangentpress.org/readings.html


K. SILEM MOHAMMAD is the author of Breathalyzer (Edge Books,
2008), A Thousand Devils (Combo Books, 2004), and Deer Head Nation
(Tougher Disguises, 2003), one of the first books of Flarf poetry, an
experimental literary movement that creates poems from Google search 
results.
He has co-edited two books of essays: The Undead and Philosophy (2006)
and Quentin Tarantino and Philosophy (2007). He teaches at Southern
Oregon University in Ashland, and maintains the popular poetics blog
Lime Tree (http://lime-tree.blogspot.com).

VINCENT CRAIG WRIGHT is the Fiction Writer at Southern Oregon University.
He studied with James Dickey at the University of South Carolina, where 
he was
the recipient of The South Carolina Academy of Authors Fiction Prize.
Redemption Center, his debut collection of stories, was published by Bear
Star Press in 2006.

CAT TYC is a writer/video maker living in Portland. She is representing
Oregon in The Anthology of Younger Poets that will be published by Outside
Voices press in January.


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Spare Room presents


Susan Briante

Ken Rumble


Sunday, December 9th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Stay tuned for the Spare Room Winter/Spring 2008 schedule, coming
soon to an inbox near you, and featuring:

Hank Lazer, Steve McCaffery, Laura Feldman, Jennifer Bartlett,
Jim Stewart, Joseph Noble, the inaugural Portland -- Bay Area
Neo-Benshi fest, and more!

=====================================================

Susan Briantes first collection of poetry, /Pioneers in the Study of 
Motion/, was recently published by Ahsahta Press. Poet CD Wright 
describes the book as a work of shuddering velocity an ode, a screed, 
a lament, a love song of pristine and inarticulate mornings. 
Briantes poetry, essays and translations have recently appeared in 
/Damn the Caesars, Fascicle, Bombay Gin/ and /The Believer/. From 
1992-1997, she lived in Mexico City where she worked for the magazines 
/Artes de Mxico/ and /Mandorla/. Briante is an assistant professor of 
aesthetic studies at the University of Texas at Dallas.

Ken Rumble is the author of /Key Bridge /(Carolina Wren Press, 2007), 
and the marketing director for the Green Hill Center for North Carolina 
Art. His poems have appeared in /Cutbank, Parakeet, The Hat, the tiny, 
XConnect, Carolina Quarterly/, and other journals. He is currently at 
work with his father on a book about ozone, the early earths 
atmosphere, and Antarctica.

=====================================================



SUNSET ON THE FIRST DAY OF STANDARD TIME


So cool, you feel the heat rise off parked cars.

The trees have their own calls.

Wrong flag on every corner.

Ask a question and the short answer is: after 1969.


-- Susan Briante




from 24 HOUR BREAKFAST


Lemonade is out of sorry

***

singing for my stutter

haute house followers

leaf quake

I am full
of hungry

***

coffee mate

little peanut,
behave

***

bun jabber

tiny cracker

time to get off the pot

***

-- Ken Rumble

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Subject: [Spare Room/Passages] Wed. 12/5: Alison Knowles in Seattle
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NOTE: Carpools may be forming for this Seattle performance, if you are 
interested in a ride,
or in offering to drive, please reply to passages@rdrop.com

==================================================================

Nonsequitur
and the Subtext Reading Series
present legendary Fluxus artist

ALISON KNOWLES

Wednesday, December 5
8:00 pm
 
Chapel Performance Space at Good Shepherd Center
4649 Sunnyside Ave. N (4th floor)
Seattle (in Wallingford, west of I-5, just south of 50th St.)
206-789-1939  http://gschapel.blogspot.com

$5 - $15 sliding scale donation, at the door

Alison Knowles, a pioneering visual/book/sound artist and key 
participant in the legendary Fluxus group, presents an intermedia 
performance of her text "North Water Song," accompanied by her daughter 
Jessica Higgins (movement) and Joshua Selman (sound).

This performance is presented by Nonsequitur (http://nseq.blogspot.com; 
206-789-1939) and Subtext Reading Series 
(http://subtextreadingseries.blogspot.com)

Born in New York in 1933, Knowles has been closely associated with 
Fluxus, an international group of artists concerned with blurring the 
boundaries between the various artistic disciplines and everyday life. 
For her first appearance in Seattle, she will present "North Water 
Song," originally composed as a tribute to John Cage on his 75th 
birthday and realized as a sound work commissioned by West German Radio.

A close friend and collaborator with Cage, Knowles uses chance 
operations to extract random fragments from a variety of texts, 
including her own writings as well as Thoreau's Journal, the I Ching, 
and other water-related publications. This performance will include 
three simultaneous realizations of the score, with spoken text by Alison 
Knowles, movement by her daughter Jessica Higgins, and sound by Joshua 
Selman. Nonsequitur is especially pleased to renew our association with 
Ms. Knowles, having previously released her only solo CD "Frijoles 
Canyon" on our What Next? Recordings label.

ARTIST BIO:

Alison Knowles makes performances, books, poems, and visual artworks. 
Since the 1960s she has been a key participant in Fluxus, along with 
Yoko Ono, Nam June Paik, Joseph Beuys, Dick Higgins, and many other 
international artists working in/across various disciplines.

For Something Else Press she created "Notations," an anthology of 
graphic scores co-edited with John Cage, and "Coeurs Volants" with 
Marcel Duchamp. Other book-related projects have included the "Bean 
Rolls," a canned book that appeared in The American Century at the 
Whitney Museum (2000) and "The Big Book" (1967), a walk-in book with 
8-foot pages; a second walk-in book, "The Book Of Bean" (1983) appeared 
in Venice. Her "House of Dust" was the first computerized poetry on 
record, winning her a Guggenheim fellowship.

In the 1970s, she was Associate Professor of Art at the newly-born 
California Institute of the Arts with Alan Kaprow. Since the 1980s she 
has worked in Italy, Germany, and Japan making multiples, unique pieces, 
and sound works for radio. Her only commercial solo CD, "Frijoles 
Canyon," was released by Nonsequitur in 1992 on its What Next? label. In 
2001, she performed and exhibited her new paper/sound works at the 
Drawing Center in New York.

Her graphic scores were exhibited and performed recently at the Kitchen 
in NYC, and she will perform at the Guggenheim Museum in 2009.

=================

More artist info:
http://www.aknowles.com
http://en.wikipedia.org/wiki/Alison_Knowles
http://www.ubu.com/contemp/knowles/index.html

Interviews:
http://jacketmagazine.com/33/knowles-ivby-burnett.shtml
http://fluxusblog.blogspot.com/2007/09/interview-with-alison-knowles-by-ruud.html 

http://musicmavericks.publicradio.org/features/


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The Press Club and No Tell Motel present

Joseph Bradshaw
Susan Denning
Dean Gorman
Rebecca Loudon


Thursday, January 10th
7:00 p.m.

Press Club
2621 SE Clinton St.
(503) 233-5656

This reading is free and open to the public


Four Northwest poets reading in conjunction with the December release of 
the anthology The Bedside Guide To The No Tell Motel: Second Floor.


Joseph Bradshaw's poetry and criticism can be found in recent or 
forthcoming issues of Cannibal, Cultural Society, Denver Quarterly, 
Jacket, and elsewhere. Bradshaw's first chapbook, The Way Birds Become, 
was published by Weather Press last year. A second chapbook, This Ocean, 
will be published by Cannibal Press later this year.

Susan Denning edits the online magazine, Caffeine Destiny. Her work has 
appeared recently in Cranky, Pindledyboz and Rattle, and is forthcoming 
in New York Quarterly. She works at Literary Arts in Portland.

Dean Gorman's writing has appeared in or in forthcoming in Forklift, 
Ohio; The  Portland Mercury; No Tell Motel; Oregon Humanities; and  
Unpleasant Event Schedule.  He is co-editor of Pilot Magazine & Books.

Rebecca Loudon lives and writes in Seattle. She is the author of two 
collections of poetry, Tarantella and Radish King. Her work has appeared 
in various journals including The Seattle Review, Fine Madness, Cranky, 
Burnside Review, Borderlands: Texas Poetry Review, Crab Orchard Review  
and Forklift Ohio


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Please forgive duplications; I'll be updating my mailing lists as I 
switch to a web-based format this coming year.

=================================================

THE LAST BOOK

(A Project by Luis Camnitzer, sponsored by the National Library of Spain)

Open call for collaborations

The Last Book is a project to compile written as well as visual 
statements in which the authors may leave a legacy for future 
generations. The premise of the project is that book-based culture is 
coming to an end. On one hand, new technologies have introduced cultural 
mutations by transferring information to television and the Internet. On 
the other, there has been an increasing deterioration in the educational 
systems (as much in the First World as on the periphery) and a 
proliferation of religious and anti-intellectual fundamentalisms. The 
Last Book will serve as a time-capsule and leave a document and 
testament of our time, as well as a stimulus for a possible reactivation 
of culture in case of disappearance by negligence, catastrophe or 
conflagration.

Contributions to this project will be limited to one page and may be 
e-mailed to lastbook.madrid@gmail.com or mailed to Luis Camnitzer, 124 
Susquehanna Ave., Great Neck NY 11021, USA. In case of submission of 
originals, these will not be returned. The book will be exhibited as an 
installation at the entrance of the Museum of the National Library of 
Spain in Madrid at some point of 2008. Pages will be added during the 
duration of the project, with the intention of an eventual publication 
of an abridged version selected by Luis Camnitzer, curator of the 
project. The tentative deadline is March 31, 2008.

This call is open and we hope that it will be resent to as many 
potential contributors as possible.

 


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Three upcoming readings:

Thu 1/10
No Tell Motel publication reading (details below)

Sat 1/12
Marathon reading of H.D.'s Helen in Egypt (details to follow)

Mon 1/14
David Abel, Kathleen Halme, & Pamela Crow

I Love Mondays! reading series, hosted by Dan Raphael
Borders Books (in the cafe)
SW 3rd and Yamhill

7:00 pm (pretty sharp), free admission


=====================================

The Press Club and No Tell Motel present

Joseph Bradshaw  Susan Denning  Dean Gorman  Rebecca Loudon

Thursday, January 10th
7:00 p.m.

Press Club
2621 SE Clinton St.
(503) 233-5656

This reading is free and open to the public

Four Northwest poets reading in conjunction with the December release of
the anthology The Bedside Guide To The No Tell Motel: Second Floor.


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Spare Room presents a marathon reading of

H.D.'s Helen in Egypt


Saturday, January 12
7:00 pm -- ??
free admission

4932 NE 16th Avenue, Apartment A  (just below Alberta)


Scheduled readers include:

David Abel  *  Sarah Bartlett  *  Joseph Bradshaw  *  Gale Czerski  *  
Ashley Edwards  *  Laura Feldman  *  Endi Hartigan  * Patrick Hartigan  
*  Rodney Koeneke  *  Maryrose Larkin  *  Sam Lohmann  *  Chris Piuma  
*  Dan Raphael  *  margareta waterman


Hear H.D.s booklength narrative poem Helen in Egypt (published in 1960) 
read aloud by a dozen or so Portland poets and writers. We'll also 
listen to a 1955 recording of H.D. reading excerpts from the text.

Drop in for an hour or two at any point, or stay for the entire book. 
(Estimated duration of the reading is 4-6 hours.) Light snacks and 
beverages will be available.


[Note: For an H.D.-related visual treat, see 
http://brblroom26.wordpress.com, the blog of the American Literature 
Collection of the Beinecke Library at Yale. Scroll down to the entry 
titled "Ancient and Modern." In honor of our marathon reading, the 
assistant curator of the collection, poet Nancy Kuhl, posted scans of 
collage pages from H.D.'s scrapbook combining classical figures with 
photographs of H.D. and friends.]


Upcoming readings:
Sunday Feb. 10  Hank Lazer & Laura Feldman
Sunday March 2  Steve McCaffery, Karen Mac Cormack, & Mark Owens


From passages@rdrop.com Tue Jan  8 13:00:11 2008
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The Press Club and No Tell Motel present

Joseph Bradshaw
Susan Denning
Dean Gorman
Rebecca Loudon


Thursday, January 10th
7:00 p.m.

Press Club
2621 SE Clinton St.
(503) 233-5656

This reading is free and open to the public


Four Northwest poets reading in conjunction with the December release of
the anthology The Bedside Guide To The No Tell Motel: Second Floor.


From passages@rdrop.com Wed Jan  9 18:44:20 2008
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. . . is it a story told,
a shadow of a shadow,

has it ever happened,
or is it yet to come?
do I myself invent

this tale of my sister's fate?

   -- from Helen in Egypt


Spare Room presents a marathon reading of

H.D.'s Helen in Egypt

Saturday, January 12, 7:00 pm -- ??
free admission

4932 NE 16th Avenue, Apartment A (just below Alberta)


Scheduled readers include:

David Abel * Joseph Bradshaw * Ashley Edwards * Laura Feldman
Endi Hartigan * Patrick Hartigan * Rodney Koeneke * Maryrose Larkin
Sam Lohmann * Christopher Luna * Chris Piuma * Dan Raphael
margareta waterman


Hear H.D.'s booklength narrative poem Helen in Egypt (published in 1960)
read aloud by a dozen or so Portland poets and writers. We'll also
listen to a 1955 recording of H.D. reading excerpts from the text (which 
can also be found at http://writing.upenn.edu/pennsound/x/HD.html).

Drop in for an hour or two at any point, or stay for the entire book.
(Estimated duration of the reading is 4-6 hours.) Light snacks and
beverages will be available.


[Note: For an H.D.-related visual treat, see
http://brblroom26.wordpress.com, the blog of the American Literature
Collection of the Beinecke Library at Yale. Scroll down to the entry
titled "Ancient and Modern." In honor of our marathon reading, the
assistant curator of the collection, poet Nancy Kuhl, posted scans of
collage pages from H.D.'s scrapbook combining classical figures with
photographs of H.D. and friends.]


Upcoming readings:
Sunday Feb. 10 Hank Lazer & Laura Feldman
Sunday March 2 Steve McCaffery, Karen Mac Cormack, & Mark Owens



From passages@rdrop.com Mon Jan 14 09:53:56 2008
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David Abel, Kathleen Halme, & Pamela Crow

I Love Mondays! reading series, hosted by Dan Raphael

Borders Books (in the cafe)
SW 3rd and Yamhill

7:00 pm (pretty sharp), free admission



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Connecticut-based book artist/printer, Robin Price,
will be in Portland at the beginning of February. She
will give a free illustrated lecture at the Museum of
Contemporary Craft and a fast-paced one-day workshop
at OCAC. Information is below. Hope you can make it to
one of these events! - Barbara Tetenbaum


ARTIST'S TALK

"Purposeful Chance in Contemporary Artists' Books"

Museum of Contemporary Craft -- in collaboration with
Oregon College of Art & Craft -- is excited to welcome
Robin Price to give an illustrated lecture about the
use of chance and randomness in contemporary artists'
books. Price is an artist, letterpress printer, and
publisher. An exploration of earlier twentieth century
examples will be examined, including the methodologies
used by John Cage.

Free admission.
Sunday, February 3, 2 PM, The Lab, Museum of
Contemporary Craft
724 Northwest Davis Street | Portland, Oregon 97209
tel 503.223.2654 | fax 503.223.0190 |
info@MuseumofContemporaryCraft.org

And Robin will be teaching a one-day workshop at OCAC:

Mixing Chance & Choice: A Lettepress (and more) Extravaganza
BA701 Saturday, February 2, 9:00 am - 6:00 pm
$125; Studio Fee $25

Chance operations inspired by Jean Arp, the
Surrealists, and John Cage will be our guiding light
as we proceed through making one-of-a-kind artists
books. We will use pre-printed sheets as palimpsest
and springboard, and explore the integration of text
and imagery, using letterpress, collage (with drymount
press), and paper manipulations. We will work both in
solo and in an ensemble in this fast-paced one-day
workshop. Prerequisite: some letterpress experience
helpful but not necessary. Location: Print and
Calligraphy studios. Max. enroll: 12
Robin Price

Robin Price is an artist, letterpress printer, and
publisher who primarily creates limited edition
artists books that are collected and exhibited
internationally. She collaborates with contemporary
artists, writers, and artisans, striving for
synergistic books. She has worked with authors Amy
Bloom, Yusef Komunyakaa, and the late William Everson,
the musician Pepe Romero, and artists Barbara Benish,
Jordan Tierney, and Joyce Cutler Shaw. A favorite area
of exploration is the use of chance in creative work;
several recent works involve elements of chance in
their concept and/or execution. 2009 marks the
twenty-five year anniversary of the press. BA Pomona
College.

Call 503-297-5544 to register, or over the web at
www.ocac.edu


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A jam-packed weekend of experimental poetry --
with Lyn Hejinian, Joan Retallack, and more --
right here in Portland!

Friday 2/8: Symposium & readings at PSU
Saturday 2/9: Symposium & readings at Lewis & Clark
Sunday 2/10: Spare Room reading

details follow



Friday, February 8
2:00 - 4:00 pm

Lyn Hejinian, Joan Retallack, Hank Lazer, Marjorie Perloff

Symposium on Radical Poetics and Avant-Garde Poetry

Portland State University, Smith Memorial Union, Room 238
Free admission

Perloff will offer a critical perspective on the tradition of 
avant-garde or experimental writing, and each of the three poets will 
give a brief reading. An open conversation with the participants will 
follow.



Saturday, February 9
1:00 - 5:00 pm

What's the Use of Poetry?
Two poets and a critic attend to experiments with language and formthe 
radical artifice of contemporary poetriesin search of what it means 
to live in the complexity of todays world.

Lewis & Clark College, Smith Hall
Free admission

1:00 - 2:00
Unoriginal Genius: A Genealogy
With Reflections on the Poetics of Lyn Hejinian and Joan Retallack
(Lecture by Marjorie Perloff)

2:15 - 3:30
Poetry Readings by Joan Retallack (2:15-2:50) & Lyn Hejinian (2:55-3:30)

3:45 - 4:45
Panel Discussion: Marjorie Perloff, Joan Retallack, Lyn Hejinian
with a reception & book signing to follow



Sunday, February 10
7:30 pm

Spare Room presents

Hank Lazer & Laura Feldman

New American Art Union
922 SE Ankeny
$5 suggested donation









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Spare Room presents


Hank Lazer

Laura Feldman


Sunday, February 10th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

March 2: Steve McCaffery, Karen Mac Cormack, & Mark Owens
March 30: David Meltzer & Michael Rothenberg
April 20: Jordan Scott, Steven Collis, & Donato Mancini
May 3: Portland - San Francisco Neo-Benshi Festival

=====================================================

Hank Lazer's books of poetry include The New Spirit (Singing Horse, 
2005), Elegies & Vacations (Salt, 2004), and Days (Lavender Ink, 2002). 
He is a Professor of English at the University of Alabama, where he is 
also an administrator serving as the Associate Provost for Academic 
Affairs. With Charles Bernstein, he edits the Modern and Contemporary 
Poetics Series for the University of Alabama Press. Lyric & Spirit: 
Selected Essays 1996-2008, just out from Omnidawn (www.omnidawn.com), 
will be available at the reading.

Laura Feldman has published two chapbooks, Caf Songs (Apetulous Press, 
1984) and Prosthetic Landscapes (Full Deck, 2002). She was one of the 
founding members of Spare Room, and has been a percussionist with the 
Mambo Queens, a singer with the Afro-Cuban performing ensemble Omo Ir, 
and a percussionist with the Lions of Batucada Samba band in Portland.

=====================================================

an excerpt from "6" (in The New Spirit)


soul upon waters       soul in air       soul goes thinking

 

scribe sky      soonest mended      shut eyes       embrace shining after-image

 

verb without complication

                      that state of being

                    air bubbles

rise to surface       & burst     as we are lived

 

bells toll

                each quarter-hour arrives     departs

       reaches the surface

against that face

        bursts    bell-toll absorbed       within recurring sky


   -- Hank Lazer



How To Write About Africa

1. Maribou stork next to Peace Corps office in Kampala

2. Patricias pig

3. Road to district office

4. Catholic church in Bujuni Parish. My house down below

5. My front door

6. Back of my house with my book and Jack fruit --two of my favorite 
past times

7. My first housekeeper Agnes burning my storage pot for water

8. Chapati maker in Karuguza, the nearest trading center

9. Nyamugura Primary school

10. You were burned up other in it. As you meant as it was meant. You 
make peace with your destiny on these roads. Muzungu how are you?

11. Pupils of St. Therezas slashing the compound under the direction of 
Sr. John Mary

12. One of the shops in Karuguza

13. Not an unusual way for folks to travel

14. Kitaba Primary School

15. Some of my friends in town

16. Find the Colubus monkey

17. Road to St. Luanga Kikaada primary school. On the way back it rained 
and it took me two hours to go 4 kls. on my bike

18. Daren and her friend coloring

19. A typical family shamba (farm)

20. Me and Jenny one of my language trainers

21. St. Olivias Speech Day which happens at the end of the term when 
the parents come to see
their children perform

-- Laura Feldman

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A jam-packed weekend of experimental poetry --
with Lyn Hejinian, Joan Retallack, and more --
right here in Portland!

Friday 2/8: Symposium & readings at PSU
Saturday 2/9: Symposium & readings at Lewis & Clark
Sunday 2/10: Hank Lazer/Laura Feldman Spare Room reading

details follow



Friday, February 8
2:00 - 4:00 pm

Lyn Hejinian, Joan Retallack, Hank Lazer, Marjorie Perloff

Symposium on Radical Poetics and Avant-Garde Poetry

Portland State University, Smith Memorial Union, Room 238
Free admission

Perloff will offer a critical perspective on the tradition of
avant-garde or experimental writing, and each of the three poets will
give a brief reading. An open conversation with the participants will
follow.



Saturday, February 9
1:00 - 5:00 pm

What's the Use of Poetry?
Two poets and a critic attend to experiments with language and formthe
radical artifice of contemporary poetriesin search of what it means
to live in the complexity of todays world.

Lewis & Clark College, Smith Hall
Free admission

1:00 - 2:00
Unoriginal Genius: A Genealogy
With Reflections on the Poetics of Lyn Hejinian and Joan Retallack
(Lecture by Marjorie Perloff)

2:15 - 3:30
Poetry Readings by Joan Retallack (2:15-2:50) & Lyn Hejinian (2:55-3:30)

3:45 - 4:45
Panel Discussion: Marjorie Perloff, Joan Retallack, Lyn Hejinian
with a reception & book signing to follow



From passages@rdrop.com Thu Feb  7 14:26:02 2008
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	Hank Lazer & Laura Feldman
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Spare Room presents


Hank Lazer

Laura Feldman


Sunday, February 10th, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

March 2: Steve McCaffery, Karen Mac Cormack, & Mark Owens
March 30: David Meltzer & Michael Rothenberg
April 20: Jordan Scott, Steven Collis, & Donato Mancini
May 3: Portland - San Francisco Neo-Benshi Festival

=====================================================

Hank Lazer's books of poetry include The New Spirit (Singing Horse,
2005), Elegies & Vacations (Salt, 2004), and Days (Lavender Ink, 2002).
He is a Professor of English at the University of Alabama, where he is
also an administrator serving as the Associate Provost for Academic
Affairs. With Charles Bernstein, he edits the Modern and Contemporary
Poetics Series for the University of Alabama Press. Lyric & Spirit:
Selected Essays 1996-2008, just out from Omnidawn (www.omnidawn.com),
will be available at the reading.

Laura Feldman has published two chapbooks, Caf Songs (Apetulous Press,
1984) and Prosthetic Landscapes (Full Deck, 2002). She was one of the
founding members of Spare Room, and has been a percussionist with the
Mambo Queens, a singer with the Afro-Cuban performing ensemble Omo Ir,
and a percussionist with the Lions of Batucada Samba band in Portland.

=====================================================

an excerpt from "6" (in The New Spirit)


soul upon waters soul in air soul goes thinking



scribe sky soonest mended shut eyes embrace shining after-image



verb without complication

that state of being

air bubbles

rise to surface & burst as we are lived



bells toll

each quarter-hour arrives departs

reaches the surface

against that face

bursts bell-toll absorbed within recurring sky


-- Hank Lazer



How To Write About Africa

1. Maribou stork next to Peace Corps office in Kampala

2. Patricias pig

3. Road to district office

4. Catholic church in Bujuni Parish. My house down below

5. My front door

6. Back of my house with my book and Jack fruit --two of my favorite
past times

7. My first housekeeper Agnes burning my storage pot for water

8. Chapati maker in Karuguza, the nearest trading center

9. Nyamugura Primary school

10. You were burned up other in it. As you meant as it was meant. You
make peace with your destiny on these roads. Muzungu how are you?

11. Pupils of St. Therezas slashing the compound under the direction of
Sr. John Mary

12. One of the shops in Karuguza

13. Not an unusual way for folks to travel

14. Kitaba Primary School

15. Some of my friends in town

16. Find the Colubus monkey

17. Road to St. Luanga Kikaada primary school. On the way back it rained
and it took me two hours to go 4 kls. on my bike

18. Daren and her friend coloring

19. A typical family shamba (farm)

20. Me and Jenny one of my language trainers

21. St. Olivias Speech Day which happens at the end of the term when
the parents come to see
their children perform

-- Laura Feldman



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Spare Room presents


Steve McCaffery

Karen Mac Cormack

mARK


Sunday, March 2nd, 7:30 pm

New American Art Union
922 SE Ankeny
www.newamericanartunion.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

March 30: David Meltzer & Michael Rothenberg
April 20: Jordan Scott, Steven Collis, & Donato Mancini
May 3: The New Talkies: Portland - San Francisco Neo-Benshi Cabaret

=====================================================

Steve McCaffery is the author of over twenty-five volumes of poetry and 
three critical books. With bp nichol, he conducted the Toronto Research 
Group, and was a member (also with bp) of the pioneering sound-poetry 
and performance ensemble The Four Horsemen. Recent books of McCaffery's 
poetry include The Black Debt, The Cheat of Words, and Seven Pages 
Missing (in two volumes); his critical titles include North of 
Intention, Prior to Meaning, and the dazzlingly ambitious anthology 
Imagining Language (coedited with Jed Rasula). A founding theorist of 
Language Poetry, his work has been translated into more than a dozen 
languages. A long-time resident of Toronto, he now lives in Buffalo, New 
York, where he is The David Gray Chair of Poetry and Letters at SUNY 
Buffalo.

Born in Luanshya, Zambia, Karen Mac Cormack is the author of thirteen 
books of poetry, including Nothing by Mouth, Quill Driver, Quirks & 
Quillets, At Issue, and Vanity Release. Volume 1 of her polybiography 
Implexures was published by Chax Press / West House Books in 2003, and 
Implexures in its entirety is forthcoming from the same publishers in 
Spring 2008. Her poetry has been translated into French, Portuguese, 
Swedish, and Norwegian. Of dual British / Canadian citizenship, she 
currently lives in the USA and teaches at the State University of New 
York at Buffalo.

Due to no fault of your own, mARK's last name is currently under 
scrutinous examination. His poems are typically found tangled in lines 
between concepts, sound, visual art, and performance. His designs have 
been unveiled in Portland; Seattle; Guadalajara, Mexico; Mexico City; 
Boston; New York City; Nice, France; and Dayton, OH. He organized the 
Northwest Sound Poetry Festivals in Portland, OR, in 2003 and 2004, and 
he is a founding member of Spare Room.

=====================================================


Ars Poetica 5


Poems?


or minotaur catastrophes of concrete objects
in a paper domain?


What's that other word for silence?


The analogical opera?

The little object /b /
before aporia kills it?


-- Steve McCaffery



/faculty of perceiving, as if by hearing, what is inaudible (cf. 
clairvoyance) */


Knowledge of the remarking of instance
closed eyes when touches this sound
that so-to sound accompanying if (sound)
rendered measure musical
unstilled channels nuance to frames visual
perhaps as condition not instance
reverberates to part when parcelled particular
juxtapose stream inundate category
cauterized apprehension as in
situ, scene, some-time sounds in
perspectives skew
clavicle and score separate account for
the spilling when nothing is full


/* clairaudience/


-- Karen Mac Cormack




Puddle Poems

1) On a rainy day, open up the comics section of the newspaper.
2) From these comics, cut out all speech bubbles that could be considered
common talk (fragments that could be overheard from any conversation).
3) Separate these speech bubbles into sections according to the number 
of words in them
(a section of bubbles with one word, another section of bubbles with two 
words, etc.).
4) Go outside, setting each section into a separate puddle.
5) Revisit these puddle poems until no words can be found.


Broom (for Alison Knowles)

1) Lay any alphabet on a stage
2) Slowly sweep the letters
3) Pronounce the sounds of the letters in front of the broom
4) Sweep the alphabet off stage, down the aisle and outside


-- mARK


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The Unwin-Dunraven Literary Ecclesia presents a reading by


Joshua Marie Wilkinson

&

Noah Eli Gordon


Thursday, March 6th, 7:00PM

The Mizpah Church (located in Ladds Addition)
2456 SE Tamarack Ave.

Venue website: www.funkychurch.com
Cost: $5  12, sliding scale
(admission price includes a chapbook, produced for the occasion)


About the readers:

Joshua Marie Wilkinson is the author of three books, most recently 
Figures for a Darkroom Voice with Noah Eli Gordon (Tarpaulin Sky, 2007). 
A new chapbook is just out with Pilot books, and Portland's own Pinball 
Publishing released his first book, Suspension of a Secret in Abandoned 
Rooms, in 2005. A new full-length collection, The Book of Whispering in 
the Projection Booth, will be out next year with Tupelo Press, along 
with his first film, a tour documentary about the band Califone, and an 
anthology of younger poets in conversation with their mentors from 
University of Iowa Press.
After growing up in Seattle, and going to college in the Northwest, he 
lived briefly in Turkey, Slovakia, and for longer in Arizona, Ireland, 
and Colorado before recently settling in Illinois to take a teaching job 
at Loyola University Chicago.


Noah Eli Gordons first book, The Frequencies, was published by Tougher 
Disguises Press in 2003. Since then, he has had five other books appear, 
including Novel Pictorial Noise, which was selected by John Ashbery for 
the National Poetry Series, and published last year by Harper Perennial. 
Last year also saw the release of Figures for a Darkroom Voice, a book 
written in collaboration with Joshua Marie Wilkinson. He writes a column 
on chapbooks for Rain Taxi: Review of Books, and his reviews and essays 
have appeared in numerous journals, including The Review of Contemporary 
Fiction, Publishers Weekly, Boston Review, and Denver Quarterly. He 
teaches creative writing at the University of Colorado in Denver, and is 
the puppeteer for Ohios Book Corner, a video book review. See him 
reading with Joshua Marie Wilkinson here: 
http://youtube.com/watch?v=aSENrRf0pNw


About UDLE:

The Unwin-Dunraven Literary Ecclesia is a new literary convergence, 
encompassing a quarterly reading & performance series, finespun 
publications, special events, and extensive online archives, all in flux 
with our interest in Gnostic narrative, imagined cartographies, oracular 
utterance, and the alchemy of language.

Website: www.unwin-dunraven.org
Contact: editors@unwin-dunraven.org


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Fresh Impressions: Letterpress Printing in Contemporary Art

February 28 -- March 20, 2008

Hoffman Gallery
Oregon College of Art & Craft
8245 SW Barnes Road
503-297-5544

Opening reception Thursday, February 28, 4:00 - 7:00 pm
Regular gallery hours 10:00 am - 5:00 pm daily

Curated by artists Inge Bruggeman and Heather Watkins, "Fresh 
Impressions" explores the relevance of letterpress printing in 
contemporary art, while seeking to define its significance to current 
art making practices.

An exhibition catalog, funded in part by the Regional Arts & Culture 
Council and Work for Art, will be available for purchase.

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*
PLEASE NOTE VENUE AND TIME CHANGE*


Spare Room presents

Steve McCaffery
Karen Mac Cormack
mARK

Sunday, March 2nd, 5:00 pm

Someday Lounge
125 NW 5th Avenue
www.somedaylounge.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

March 30: David Meltzer & Michael Rothenberg
April 20: Jordan Scott, Steven Collis, & Donato Mancini
May 3: The New Talkies: Portland - San Francisco Neo-Benshi Cabaret

=====================================================

Steve McCaffery is the author of over twenty-five volumes of poetry and
three critical books. With bp nichol, he conducted the Toronto Research
Group, and was a member (also with bp) of the pioneering sound-poetry
and performance ensemble The Four Horsemen. Recent books of McCaffery's
poetry include The Black Debt, The Cheat of Words, and Seven Pages
Missing (in two volumes); his critical titles include North of
Intention, Prior to Meaning, and the dazzlingly ambitious anthology
Imagining Language (coedited with Jed Rasula). A founding theorist of
Language Poetry, his work has been translated into more than a dozen
languages. A long-time resident of Toronto, he now lives in Buffalo, New
York, where he is The David Gray Chair of Poetry and Letters at SUNY
Buffalo.

Born in Luanshya, Zambia, Karen Mac Cormack is the author of thirteen
books of poetry, including Nothing by Mouth, Quill Driver, Quirks &
Quillets, At Issue, and Vanity Release. Volume 1 of her polybiography
Implexures was published by Chax Press / West House Books in 2003, and
Implexures in its entirety is forthcoming from the same publishers in
Spring 2008. Her poetry has been translated into French, Portuguese,
Swedish, and Norwegian. Of dual British / Canadian citizenship, she
currently lives in the USA and teaches at the State University of New
York at Buffalo.

Due to no fault of your own, mARK's last name is currently under
scrutinous examination. His poems are typically found tangled in lines
between concepts, sound, visual art, and performance. His designs have
been unveiled in Portland; Seattle; Guadalajara, Mexico; Mexico City;
Boston; New York City; Nice, France; and Dayton, OH. He organized the
Northwest Sound Poetry Festivals in Portland, OR, in 2003 and 2004, and
he is a founding member of Spare Room.

=====================================================


Ars Poetica 5


Poems?


or minotaur catastrophes of concrete objects
in a paper domain?


What's that other word for silence?


The analogical opera?

The little object /b/
before aporia kills it?


-- Steve McCaffery



/faculty of perceiving, as if by hearing, what is inaudible (cf.
clairvoyance) */


Knowledge of the remarking of instance
closed eyes when touches this sound
that so-to sound accompanying if (sound)
rendered measure musical
unstilled channels nuance to frames visual
perhaps as condition not instance
reverberates to part when parcelled particular
juxtapose stream inundate category
cauterized apprehension as in
situ, scene, some-time sounds in
perspectives skew
clavicle and score separate account for
the spilling when nothing is full


/* clairaudience/


-- Karen Mac Cormack




Puddle Poems

1) On a rainy day, open up the comics section of the newspaper.
2) From these comics, cut out all speech bubbles that could be considered
common talk (fragments that could be overheard from any conversation).
3) Separate these speech bubbles into sections according to the number
of words in them
(a section of bubbles with one word, another section of bubbles with two
words, etc.).
4) Go outside, setting each section into a separate puddle.
5) Revisit these puddle poems until no words can be found.


Broom (for Alison Knowles)

1) Lay any alphabet on a stage
2) Slowly sweep the letters
3) Pronounce the sounds of the letters in front of the broom
4) Sweep the alphabet off stage, down the aisle and outside


-- mARK

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Reed College and Wesleyan University Press present

A celebration for the release of

The Collected Poems of Philip Whalen
 
Saturday, March 29th
7:30 PM

Reed College
Eliot Chapel
3203 SE Woodstock Blvd.

Free and open to the public. 
A reception will follow the event. 

For more information call 503-777-7755 or e-mail cep@reed.edu

Participants will include Pancho Savery, Michael Rothenberg, David Meltzer,
David Abel, Terri Carrion, Hammond Guthrie, Rodney Koeneke, Moshe Lenske,
Kaia Sand, Lindsay Hill, and Gay Walker. 

 
-------------------------------------------------------
 
The mountain is THERE (between two lakes) 
I brought back a piece of its rock 
Heavy dark-honey color 
With a seam of crystal, some of the quartz 
Stained by its matrix 
Practically indestructible 
A shift from opacity to brilliance 
(The Zenbos say, "Lightning-flash & flint-spark") Like the mountains where
it was made
 
What we see of the world is the mind's 
Invention and the mind 
Though stained by it, becoming 
Rivers, sun, mule-dung, flies- 
Can shift instantly 
A dirty bird in a square time 
 
Gone 
Gone 
REALLY gone 
Into the cool 
O MAMA! 
 
Like they say, "Four times up, 
Three times down." I'm still on the mountain. 
 
-from Sourdough Mountain Lookout




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Due to illness, David Meltzer has had to cancel his trip to Portland. 
Thus the Spare Room reading by David Meltzer and Michael Rothenberg, 
scheduled for Sunday March 30, has been cancelled.

We are sorry for any inconvenience.

The announcement for our April reading -- Jordan Scott, Steven Collis, 
and Donato Mancini, on 4/20 -- will arrive in your mailbox soon.

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Reed College and Wesleyan University Press present

A reading and celebration for the publication of

The Collected Poems of Philip Whalen

Saturday, March 29th
7:30 PM

Reed College
Eliot Chapel
3203 SE Woodstock Blvd.

Free and open to the public.
A reception will follow the event.

For more information call 503-777-7755 or e-mail cep@reed.edu

Participants will include Pancho Savery, Michael Rothenberg, David Abel, 
Terri Carrion, Hammond Guthrie, Rodney Koeneke, Moshe Lenske, Kaia Sand, 
Lindsay Hill, and Gay Walker.

-------------------------------------------------------

The mountain is THERE (between two lakes)
I brought back a piece of its rock
Heavy dark-honey color
With a seam of crystal, some of the quartz
Stained by its matrix
Practically indestructible
A shift from opacity to brilliance
(The Zenbos say, "Lightning-flash & flint-spark") Like the mountains where
it was made

What we see of the world is the mind's
Invention and the mind
Though stained by it, becoming
Rivers, sun, mule-dung, flies-
Can shift instantly
A dirty bird in a square time

Gone
Gone
REALLY gone
Into the cool
O MAMA!

Like they say, "Four times up,
Three times down." I'm still on the mountain.

  -- from Sourdough Mountain Lookout




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Portland State University presents a reading by

Joanna Klink and Prageeta Sharma

Smith 238
Thursday, April 3
7:00 p.m.

For more information contact Michele Glazer at glazer@pdx.edu.


Joanna Klink will also read at Lewis & Clark College on Friday, April 4, 
3:00 p.m., Aubrey Watzek Library, Pamplin Room.

For further information contact Megan Cahn at 503-768-7405.


The poems in Joanna Klinks second collection is Circadian (Penguin, 
2007), take as their guiding vision circadian clocks. Klink uses rhythm 
and lyricism to explore both inner and outer landscapes in poems that 
tie human life to the systems and cadences of nature. The poet Linda 
Gregg writes that Joanna Klinks intensity makes the world visible. 
Klinks first book was They Are Sleeping (University of Georgia Press, 
2000). She teaches poetry at the University of Montana.

Prageeta Sharma is the author of three books of poetry, Bliss to Fill 
(Subpress Collective, 2000), The Opening Question (Fence Books, 2004. 
Winner of the 2004 Fence Modern Poets Prize) and Infamous Landscapes 
(Fence Books, 2007). In her newest collection, Sharma writes of the 
experiences of a class-displaced, first-generation Hindoo Romantic, and 
her landscapes and language follow whimsically and cannily from that 
position. Sharma is the Director of Creative Writing at the University 
of Montana.


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>From Carole Zoom (please forward widely):

I thought you might be interested in my idea to create a multi-tenant 
nonprofit and/or arts building in Portland.

On Wednesday, April 16 at 6:00 pm, I'm hosting an informal meeting to 
discuss the possibility of creating a multi-tenant nonprofit building in 
Portland. I am asking your help to make sure the folks you believe are 
interested in this idea will attend  the meeting.


Background:

I am buying a commercial building in Portland this summer or fall and am 
looking for nonprofit tenants interested in filling it (possibly at a 
reduced rate) and then buying it from me. As a former nonprofit 
director, I know how hard it can be to make this happen without 
partners, and I have already made this concept happen in Eugene. Now I'd 
like it to happen here in Portland.


MidTown Arts Center:

In Eugene in 2005 I purchased a building with my personal nestegg in 
order to consolidate 8 arts organizations under one roof, allow them 
shared infrastructure so that they could use more of their money for 
their missions. The Eugene Ballet took leadership on the nonprofit side 
and pulled together the tenants for the 14,000 sq ft building. Our 
arrangement allowed them reduced rent for 3 years so that they could do 
a capital campaign to purchase the building from me in 3 years. That 
building, called MidTown Arts Center, is now used by the Eugene Ballet 
and 7 other arts organizations, and they are purchasing the building 
from me this summer.

I am searching now for tenants in Portland for a similar set up: my goal 
is to buy a building in summer large enough for numerous nonprofits to 
use and work together to raise funds to purchase it from me as their 
fundraising allows. I am not rich and am not able to give the building 
to nonprofits, but I want my investment to work for justice in the 
community.

If you would be interested in discussing this possibility with me, 
please email me at carolezoom@mac.com or call 541-954-8373. I am hosting 
an informal meeting on 4/16/2008 at 6 pm for those interested in meeting 
to discuss this idea. For details, contact me.

Carole Zoom
www.carolezoom.com



From passages@rdrop.com Thu Apr  3 09:15:37 2008
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(Note: this is Chris Daniels' first reading in Portland in four and a 
half years, and one of the few that he's given since the publication of 
his extraordinary translation of the Collected Poems of Alberto Caeiro, 
by Fernando Pessoa.)


The Tangent Reading Series presents

Chris Daniels & David Abel

Sat. April 12
7:00 p.m.

Clinton Corner Cafe
2633 SE 21st Ave. in Portland

Admission is free

Come early, and have dinner, if you like. Please stay after and join us 
for conversation and festivities!

www.thetangentpress.org/readings.html

The perfervidly anti-capitalist, godless, internationalist son of 
well-known language-artist maestro David Daniels, CHRIS DANIELS was born 
in NYC in 1956. He dropped out of high school to become a dishwasher and 
never bothered with college. He worked as a cook and played electric 
bass guitar for many years. In 1980, he moved to the San Francisco Bay 
Area, where he still lives and sells his labor at a terrible loss. For 
reasons still unclear to him, he passed the GED and received a high 
school diploma in 1996. His translation, The Collected Poems of Alberto 
Caeiro, by Fernando Pessoa, has just been published by Shearsman. In 
2003, Manifest Press published his translation of selected poems by 
Josely Vianna Baptista, On The Shining Screen of the Eyelids. He is 
working on a huge, fascicular anthology of Lusophone poetry, which he 
publishes and distributes to friends in very small, cheaply produced 
editions.

DAVID ABEL is an editor, bookseller, raga singer, and poker player 
residing in Portland, Oregon. He was the proprietor of the obscure yet 
beloved Bridge Bookshop in New York City in the late 1980s, and Passages 
Bookshop & Gallery in Albuquerque in the mid 1990s. He has collaborated 
with book artists, composers, filmmakers, and other writers on objects, 
performances, and installations, and in recent years has appeared in 
productions with local  experimental theater companies such as defunkt 
and Liminal. In 2006 he curated the exhibition By All Means: Artsts 
Books & Objects for the New American Art Union, editing and producing a 
collection of multiples by the same name. His recent publications 
include the chapbooks Twenty- (Crane's Bill), Let Us Repair (wax paper 
scissors), and Black Valentine (Chax), with an as-yet-untitled 
full-length collection of poetry forthcoming from Chax.



From passages@rdrop.com Mon Apr  7 09:42:54 2008
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Spare Room presents

three Canadian poets:

Jordan Scott
Steven Collis
Donato Mancini


Sunday, April 20th, 5:00 pm

Someday Lounge
125 NW 5th Avenue
www.somedaylounge.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

May 3: The New Talkies: Portland - San Francisco Neo-Benshi Cabaret
May 18: Joseph Noble & tba
May 25: Steve Dickison & Susan Gevirtz
June: Sarah Mangold & Chris Piuma
July: Jennifer Bartlett & Jim Stewart

=====================================================

Originally from Coquitlam, British Columbia, Jordan Scott now lives and 
works in Toronto. Jordans first book of poetry, Silt, was nominated for 
the Dorothy Livesay Poetry Prize. Craig Dworkin writes that his new 
book, Blert, "is the most original poetic project I have read in years. 
Undertaking a 'poetics of stutter,' the book is not primarily a mimetic 
representation of stuttering, or the reproduction of stammered speech, 
but rather an investigation into how the stutter originates." In the 
fall of 2006, Jordan worked on the final sections of Blert while acting 
as the writer in residence at the International Writers and 
Translators Centre in Rhodes, Greece.

Poet and critic Stephen Collis is the author of three books of poetry, 
Mine (New Star), Anarchive (New Star), and The Commons (Talonbooks). He 
edited Companions & Horizons: An Anthology of Simon Fraser University 
Poetry (WCL), and is the author of Phyllis Webb and the Common Good 
(Talonbooks) and Through Words of Others: Susan Howe and 
Anarcho-Scholasticism (ELS Editions). A member of the Kootenay School of 
Writing collective, he teaches American literature, poetry, and creative 
writing at Simon Fraser University.

Donato Mancinis first book of poetry, Ligatures (New Star Books 2005) 
was shortlisted for a ReLit award. Just out are his second book, thel, 
from New Star, and a new chapbook published by Perro Verlag in the Hell 
Passport series. He has work forthcoming in the anthologies Decalogue 3, 
and Boredom Fighters!, and in the magazines West Coast Line, Open 
Letter, Rampike, and FRONT.

=====================================================


Mandible chatter, a gatling hopscotch:

herring clatter buccal cove, yokel coconut acoustic.

Plankton trek trachea, an ice packed hightop waltz. Walrus flop tongue. 
Chomp tusk onto ice sizzle. Air sac ebb: eco racket dome slow ice 
furrow, dorsal rip katabatic overflow tectonic chattermarks riprap 
frazil ice. Mucous globs gumbotill until syrup sweet lymph between the 
words.



Rehearse in verse. Horn spat. Rest. Speedbag glottal. Rise. Bumblebee 
yodel. Again.


-- Jordan Scott




POEM BEGINNING WITH THE TITLE OF A CY TWOMBLY PAINTING


/Fifty days at Iliam/ writing

A small dictionary of debts

Recollecting recompense the structural epic

How we any of us

Depopulate scorn throwing contingency up

On the wounds ethics wears

Or take from a poem

Small candle window worn to

Speak into tongues most sequent

Wry whisper or voices valves



Look -- it shook secrets from

Our agents who wore mirth

Like a salient whim or

Chipped sugar onto larks backs

To swoop from romantic piers

And stupid like we werent

Ninjas swooping into politics pretending

Farce and forced open our

Ocular throats to bleat against

Gain and murders plunder gore



Or like this painting where

Each brush stroke is borrowed

 From another or coiled

In canvas culture chirps

In another tree language is

Links everything stolen is free

To form affinity frames light

And pure colorists divine ardor

As a way of being

Oneself in anothers delicate skin



This is to be reiteration

Echo quote figure trope troubled

Lyric can you hear me

Now pointillism is my point

To make a mend in

Rent fabrics torn of voice

Scattered and weathered versions thereof

Every poem written as after

Subsumed but not bearing debts

Laughter as origin propertyless press



Thus like a fire that

Consumes all before it an

Eagle drops skies scars and

Pallas fierce drives where thickest

Making war or poems without

Fame fled to paint rages

As ages hence we are

Still standing a precipice treed

To overlook our angers destructions

Or boil our debts oil

-- Steven Collis

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  from Paulann Petersen:

Anyone's Domain: A Basic Poetry Writing Workshop

Poetry is not the domain of just a few. Its as natural and accessible 
as heartbeat and breath. Writing poetry requires nothing more than a 
love of words and a willingness to let your pen move across a page, 
following language wherever it takes you. Join Paulann Petersen in an 
afternoon devoted to creating poems and talking about some of the basic 
elements of poetry. Beginners welcome.

No workshop fee. Made possible by the National Endowment for the Humanities.

Saturday, April 26th, 2008
1-4 pm

Central Library, U.S. Bank Room
801 SW 10th
Portland, OR 97205

For teens and adults. Limited to 24 participants. Registration opened on 
April 5 and will close on April 26. (Almost half the spots are filled 
already, so please register quickly if you're interested.)

Go to www.multcolib.org and select EVENTS & CLASSES, or call 503-988-5123

---------------------------------------------------------------------------------------
Paulann Petersen
Please note e-mail change to paulann@paulann.net
Visit my web site at www.paulann.net


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The Tangent Reading Series presents

Chris Daniels & David Abel

Sat. April 12
7:00 p.m.

Clinton Corner Cafe
2633 SE 21st Ave. in Portland

Admission is free

Come early, and have dinner, if you like. Please stay after and join us 
for conversation and festivities!

www.thetangentpress.org/readings.html


The perfervidly anti-capitalist, godless, internationalist son of 
well-known language-artist maestro David Daniels, CHRIS DANIELS was born 
in NYC in 1956. He dropped out of high school to become a dishwasher and 
never bothered with college. He worked as a cook and played electric 
bass guitar for many years. In 1980, he moved to the San Francisco Bay 
Area, where he still lives and sells his labor at a terrible loss. For 
reasons still unclear to him, he passed the GED and received a high 
school diploma in 1996. His translation, The Collected Poems of Alberto 
Caeiro, by Fernando Pessoa, has just been published by Shearsman. In 
2003, Manifest Press published his translation of selected poems by the 
contemporary Brazilian experimental poet Josely Vianna Baptista, On The 
Shining Screen of the Eyelids. He is working on a huge, fascicular 
anthology of Lusophone poetry, which he publishes and distributes to 
friends in very small, cheaply produced editions.

DAVID ABEL is an editor, bookseller, raga singer, and poker player 
residing in Portland, Oregon. He was the proprietor of the obscure yet 
beloved Bridge Bookshop in New York City in the late 1980s, and Passages 
Bookshop & Gallery in Albuquerque in the mid 1990s. He has collaborated 
with book artists, composers, filmmakers, and other writers on objects, 
performances, and installations, and in recent years has appeared in 
productions with local experimental theater companies such as defunkt 
and Liminal. In 2006 he curated the exhibition By All Means: Artists 
Books & Objects for the New American Art Union, editing and producing a 
collection of multiples by the same name. His recent publications 
include the chapbooks Twenty- (Crane's Bill), Let Us Repair (wax paper 
scissors), and Black Valentine (Chax), with an as-yet-untitled 
full-length collection of poetry forthcoming from Chax.


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Spare Room presents

three Canadian poets:

Jordan Scott
Steven Collis
Donato Mancini


Sunday, April 20th, 5:00 pm

Someday Lounge
125 NW 5th Avenue
www.somedaylounge.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

May 3: The New Talkies: Portland - San Francisco Neo-Benshi Cabaret
May 18: Joseph Noble & tba
May 25: Steve Dickison & Susan Gevirtz
June: Sarah Mangold & Chris Piuma
July: Jennifer Bartlett & Jim Stewart

=====================================================

Originally from Coquitlam, British Columbia, Jordan Scott now lives and
works in Toronto. Jordans first book of poetry, Silt, was nominated for
the Dorothy Livesay Poetry Prize. Craig Dworkin writes that his new
book, Blert, "is the most original poetic project I have read in years.
Undertaking a 'poetics of stutter,' the book is not primarily a mimetic
representation of stuttering, or the reproduction of stammered speech,
but rather an investigation into how the stutter originates." In the
fall of 2006, Jordan worked on the final sections of Blert while acting
as the writer in residence at the International Writers and
Translators Centre in Rhodes, Greece.

Poet and critic Stephen Collis is the author of three books of poetry,
Mine (New Star), Anarchive (New Star), and The Commons (Talonbooks). He
edited Companions & Horizons: An Anthology of Simon Fraser University
Poetry (WCL), and is the author of Phyllis Webb and the Common Good
(Talonbooks) and Through Words of Others: Susan Howe and
Anarcho-Scholasticism (ELS Editions). A member of the Kootenay School of
Writing collective, he teaches American literature, poetry, and creative
writing at Simon Fraser University.

Donato Mancinis first book of poetry, Ligatures (New Star Books 2005)
was shortlisted for a ReLit award. Just out are his second book, thel,
from New Star, and a new chapbook published by Perro Verlag in the Hell
Passport series. He has work forthcoming in the anthologies Decalogue 3,
and Boredom Fighters!, and in the magazines West Coast Line, Open
Letter, Rampike, and FRONT.

=====================================================


Mandible chatter, a gatling hopscotch:

herring clatter buccal cove, yokel coconut acoustic.

Plankton trek trachea, an ice packed hightop waltz. Walrus flop tongue.
Chomp tusk onto ice sizzle. Air sac ebb: eco racket dome slow ice
furrow, dorsal rip katabatic overflow tectonic chattermarks riprap
frazil ice. Mucous globs gumbotill until syrup sweet lymph between the
words.



Rehearse in verse. Horn spat. Rest. Speedbag glottal. Rise. Bumblebee
yodel. Again.


-- Jordan Scott




POEM BEGINNING WITH THE TITLE OF A CY TWOMBLY PAINTING


/Fifty days at Iliam/ writing

A small dictionary of debts

Recollecting recompense the structural epic

How we any of us

Depopulate scorn throwing contingency up

On the wounds ethics wears

Or take from a poem

Small candle window worn to

Speak into tongues most sequent

Wry whisper or voices valves



Look -- it shook secrets from

Our agents who wore mirth

Like a salient whim or

Chipped sugar onto larks backs

To swoop from romantic piers

And stupid like we werent

Ninjas swooping into politics pretending

Farce and forced open our

Ocular throats to bleat against

Gain and murders plunder gore



Or like this painting where

Each brush stroke is borrowed

 From another or coiled

In canvas culture chirps

In another tree language is

Links everything stolen is free

To form affinity frames light

And pure colorists divine ardor

As a way of being

Oneself in anothers delicate skin



This is to be reiteration

Echo quote figure trope troubled

Lyric can you hear me

Now pointillism is my point

To make a mend in

Rent fabrics torn of voice

Scattered and weathered versions thereof

Every poem written as after

Subsumed but not bearing debts

Laughter as origin propertyless press



Thus like a fire that

Consumes all before it an

Eagle drops skies scars and

Pallas fierce drives where thickest

Making war or poems without

Fame fled to paint rages

As ages hence we are

Still standing a precipice treed

To overlook our angers destructions

Or boil our debts oil

-- Steven Collis




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Spare Room presents

three Canadian poets:

Jordan Scott
Steven Collis
Donato Mancini


Sunday, April 20th, 5:00 pm

Someday Lounge
125 NW 5th Avenue
www.somedaylounge.com

$5.00 suggested donation


www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

May 3: The New Talkies: Portland - San Francisco Neo-Benshi Cabaret
May 18: Joseph Noble & tba
May 25: Steve Dickison & Susan Gevirtz
June: Sarah Mangold & Chris Piuma
July: Jennifer Bartlett & Jim Stewart

=====================================================

Originally from Coquitlam, British Columbia, Jordan Scott now lives and
works in Toronto. Jordans first book of poetry, Silt, was nominated for
the Dorothy Livesay Poetry Prize. Craig Dworkin writes that his new
book, Blert, "is the most original poetic project I have read in years.
Undertaking a 'poetics of stutter,' the book is not primarily a mimetic
representation of stuttering, or the reproduction of stammered speech,
but rather an investigation into how the stutter originates." In the
fall of 2006, Jordan worked on the final sections of Blert while acting
as the writer in residence at the International Writers and
Translators Centre in Rhodes, Greece.

Poet and critic Stephen Collis is the author of three books of poetry,
Mine (New Star), Anarchive (New Star), and The Commons (Talonbooks). He
edited Companions & Horizons: An Anthology of Simon Fraser University
Poetry (WCL), and is the author of Phyllis Webb and the Common Good
(Talonbooks) and Through Words of Others: Susan Howe and
Anarcho-Scholasticism (ELS Editions). A member of the Kootenay School of
Writing collective, he teaches American literature, poetry, and creative
writing at Simon Fraser University.

Donato Mancinis first book of poetry, Ligatures (New Star Books 2005)
was shortlisted for a ReLit award. Just out are his second book, thel,
from New Star, and a new chapbook published by Perro Verlag in the Hell
Passport series. He has work forthcoming in the anthologies Decalogue 3,
and Boredom Fighters!, and in the magazines West Coast Line, Open
Letter, Rampike, and FRONT.

From passages@rdrop.com Mon Apr 21 00:07:12 2008
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A reading by Canadian poets Jordan Scott, Stephen Collis, and Donato Mancini

Monday, April 21
7:00 pm

Broadway Books
1714 NE Broadway
Portland, OR


They gave a terrific reading for Spare Room on Sunday night at the 
Someday Lounge; now you have a second chance to hear them!



From passages@rdrop.com Mon Apr 21 13:56:04 2008
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*Spare Room and kino21 (San Francisco) bring the first Neo-Benshi Film & 
Poetry Cabaret to Portland*

/Writers/performers from San Francisco and Portland turn down the sound 
and talk back to the movies, updating the lost art of "film-telling."
/

Spare Room (Portland) and kino21 (San Francisco) copresent The New 
Talkies: A PortlandSan Francisco Neo-Benshi Cabaret. Inspired by the 
film-tellers, or benshis, of the silent era in Japan, neo-benshi invites 
contemporary artists to turn off the sound and perform their own scripts 
to brief scenes from films of their choosing. Previous installments of 
The New Talkies have brought together diverse audiences of poetry, 
performance, and film fans in New York, San Francisco, and Los Angeles.


*ONE NIGHT ONLY*

Saturday, May 3
7:00 pm

Admission $10 / $5 students

Due to limited seating, advance reservations are required:
email passages@rdrop.com or call 503-233-4562 to reserve tickets and for 
venue details


Performers include Portland-based writers and artists Leo Daedalus and 
David Abel, Maryrose Larkin and Eric Matchett, Kaia Sand, and Rodney 
Koeneke, joined by Bay Area poets and performers David Larsen, Mac 
McGinnes, Cynthia Sailers, and kino21s Konrad Steiner.

For more information, visit the Spare Room web site at 
www.flim.com/spareroom,
and kino21 at www.kino21.org.

================================

Performer Bios and Curator's Statement

David LARSEN
scene from Logan's Run (Michael Anderson, 1976)
Larsen is a visual artist, writer, curator and teacher, living in San 
Francisco. He co-curated the New Yipes reading series in Oakland with 
Cynthia Sailers in 2005, and solo from 2006 to January 2008. He is a 
scholar of greek and arabic literature and the author of "The Thorn" 
(Faux Press, 2005), whose first benshi performance to a scene from 
"Troy" in 2005 earned wide praise.

Maryrose LARKIN / Eric MATCHETT
scene from The Passion of Jeanne D'Arc (Carl Dreyer, 1928)
Larkin is the author of Inverse (nine muses), The Book of Ocean (i.e.), 
and Whimsy Daybook 2007 (FLASH+CARD). She is coeditor (with Sarah 
Mangold) of Flash+Card, a chapbook and ephemera press. She lives in 
Portland, and is a member of the Spare Room collective. Matchett's 
recent projects include Nest and Milk Crate Madness. Labor Day, an album 
made during August 2007, can be found at www.archive.org. He is member 
of The Taken Girls and Turkey Makes Me Sleepy. Eric is currently 
creating a glitch dub album with Tape Mountain's Jake Anderson.

Leo DAEDALUS / David ABEL
scene from Solaris (Andrei Tarkovsky, 1972)
Daedalus, who works in every medium except needlepoint, is the director 
of Helsinqi, a Portland design/media startup. He dons his videographer 
and performer hats for his first neo-benshi turn, and lives online at 
www.leodaedalus.com. Abel is a Portland wordsmith and gadabout, and one 
of the founding organizers of the Spare Room reading series, now in its 
seventh year. A dyed-in-the-wool Hollis Frampton fan, he was also a 
member of the Four Wall Cinema collective.

Rodney KOENEKE
scene from Mary Poppins (Robert Stevenson, 1964)
Koeneke moved to Portland from San Francisco in 2006 and is the author 
of two books of poems, Musee Mechanique (BlazeVOX, 2006) and Rouge State 
(Pavement Saw, 2003). He has performed neo-benshi pieces for Guru Dutt's 
Bollywood weepie "Pyaasa" (1957) and Paul Wegener's silent classic "The 
Golem" (1921). He co-curates The Tangent Reading Series in Portland with 
poets Kaia Sand and Jules Boykoff.

Kaia SAND
home movie footage by William Cheney, Pacific Northwest inventor and 
machinist (ca. 193545)
Sand is the author of interval (Edge Books 2004), selected as a Small 
Press Traffic Book of the Year 2004, and several chapbooks through Dusie 
(www.dusie.org). She co-authored with Jules Boykoff the recently 
released Landscapes of Dissent: Guerrilla Poetry & Public Space (Palm 
Press 2008) and co-curates with Rodney Koeneke & Jules Boykoff the 
Tangent Reading Series in Portland, Oregon, where she lives.

Konrad STEINER
scene from Minority Report (Stephen Spielberg, 2002)
Steiner is a filmmaker and independent curator living in San Francisco. 
His films have shown in off-multiplex screens around the world. He has 
been involved in the production of many live film narration events since 
2003 in SF, New York, and Los Angeles. He was a film programmer at SF 
Cinematheque for four years (2003-2006) and currently with Irina 
Leimbacher he co-curates the kino21 screening series in San Francisco.

Cynthia SAILERS
scenes from The Passion of Anna (Ingmar Bergman, 1969)
Sailers lives in Alameda, California, is the author of Lake Systems 
(Tougher Disguises, 2004), and currently serves on the board of Small 
Press Traffic in San Francisco and is a former co-curator of the New 
Yipes reading series in Oakland. She is currently writing a dissertation 
on narcissism and perversion in pathological group organization for the 
Wright Institute in Berkeley, CA.

Mac McGINNES / Norma COLE
scene from "Judex" (Georges Franju, 1963)
Cole is a poet, translator, visual artist and teacher, painter living in 
San Francisco. She is the author of many books of poetry, including the 
CD-ROM "Scout" (Krupskaya, 2004) and "Collective Memory" (Poetry Center 
and Granary Press, 2006). McGinnes lives in San Francisco and has been 
involved in theater as a director and actor for many years, most 
recently working with Poets Theater productions in San Francisco. Cole 
wrote the script for the scene chosen by McGinnes, who performed it 
first in July 2005 in San Francisco.

Statement

The "benshi" is the name for the accomplished actor/writer who wrote 
scripts to narrate live film in Japan, where the profession reached its 
commercial and popular apex in the 1920s, more than in any other 
country, mainly because of a prosperous and prolific Japanese film industry.

There have been many variations of talking during a movie over the 
global history of film. The long tradition behind this current wave of 
interest in the form includes hecklers in theaters, dads in living rooms 
with their home movies, professional narrators of silent documentaries, 
the reknowned film-tellers in Europe and Asia, right up to TV shows like 
Jay Ward's "Fractured Flickers" in the 1960s and "Mystery Science 
Theater" in the 1990s.

The task of accompanying silent film is usually left to musicians. It 
becomes the task of writers to silence the talkies and revive the image 
whose meaning has been controlled and even restricted by the corporate 
culture of mass entertainment and mass profit. The benshi can take back 
the cinema, and anyone with a DVD player and a remote can give it a shot.

Konrad Steiner

From passages@rdrop.com Mon Apr 21 14:24:27 2008
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Forwarded on behalf of Kathleen Holt.

Communications Assistant
Oregon Council for the Humanities

OCH, a nonprofit affiliate of the National Endowment for the Humanities,
seeks an individual to assist the Communications Director/Editor with all
communications and publications, including Oregon Humanities magazine.
Qualifications for this .5 FTE, salaried position ($17,160 + prorated
benefits) include a B.A.; minimum two years experience in publishing,
marketing, and/or communications; proven excellence in writing and editing;
proficiency with Mac-based word processing, desktop publishing, and HTML
editing programs; and interest and experience in humanities-based
programming.

Please visit the OCH website (www.oregonhum.org <http://www.oregonhum.org/>
) to download and review the complete job description. By April 30, 2008,
send a resume, cover letter, two published writing samples, and three
professional references to the following address:

Kathleen Holt
Oregon Council for the Humanities
812 SW Washington St., Suite 225
Portland, OR 97205

No phone calls please.


-- 
Kathleen Holt
Communications Director/Editor of Oregon Humanities magazine
Oregon Council for the Humanities
812 SW Washington, Suite 225
Portland, OR 97205
(503) 241-0543 x15
http://www.oregonhum.org

From passages@rdrop.com Mon Apr 21 14:26:47 2008
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from PSU Literary Arts:

Dan Kaplan poetry reading

Tuesday April 22nd
7:00 pm
Smith Hall Rm 333
1825 SW Broadway, PSU

FREE

for more information see http://www.litac.groups.pdx.edu/

Dan Kaplan is the author of the forthcoming book Bill's Formal Complaint 
(The National Poetry Review Press, spring 2008) and the bilingual 
chapbook SKIN (Red Hydra Press, 2005). His work has appeared in Denver 
Quarterly, Barrow Street, POOL, Meridian, Indiana Review, the Norton 
anthology Flash Fiction Forward, and elsewhere. He teaches poetry at 
Portland State University and lives in Portland, Oregon.

From passages@rdrop.com Tue Apr 22 20:05:44 2008
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 Dada/Surrealism festival, Labor Day
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[PS: in addition to the obvious literary involvement(s), innovative 
musicians are especially sought and encouraged to participate]


from Richard Francis:

In the spring on 2001 I was on the phone with Daniel Flessas in the air 
room at KBOO just as Jennifer Robin walked in the door and just as I 
said to Daniel "Let's do a Dada/Surrealism festival.

In August of 2001, approximately 200 volunteer and previously non-radio 
community people engaged in a KBOO radio celebration of Dada & 
Surrealism which lasted over 80 hours spread over one week, won us 
national recognition and eventually engaged more radio "producers" than 
simply Jennifer, Daniel and myself.

We attempted to do all that we could to make it an historically-based, 
content-pure event with a strong emphasis on many of the original 
written texts transposed for radio mixed with locally produced, often 
live contemporary material created by local and regional artists in the 
tradition of Dada or Surrealism.

We are presently planning on organizing another celebration, this one 
theoretically running 101 hours continuous from Thursday evening at 7p 
until Monday night midnight, titled: "One hundred one hours of 
innumerable small events which may or may not be related to one 
another." Our Program Director, Chris has us "penciled in" for Labor Day 
weekend.

Richard Francis (me) and Jennifer Robin are again taking on the job of 
primary producer/organizers for the event, at least at the outset. But 
we hope to keep this event as open and egalitarian as the 2001 
celebration and are wide open for ideas, potential producers/engineers, 
artists and proposals.

You may produce only a 1 minute reading of a poem, you might produce a 
scattering of small mini-events, or you might take charge of several 
hours to produce your own major mini-event within the festival.

Right now we are just looking to see who might be interested in joining 
in the fun and how many of you there are who want to begin the groundwork.

If you find yourself to be among the interested, please contact this 
email address:

onehundredonehours@yahoo.com

This will enable us to contact you about any upcoming meetings and 
festival news plus it will open a channel for us to keep in touch. Or if 
you are still not internetted, contact either Richard or Jennifer 
through their real world mail boxes at the station.

I have been collecting many new translations of the historical material 
which I will make available for those interested in recreating some of 
the past. And you are free to do your own research or branch out into 
the latest developments in the tradition (or anti-tradition).

Please spread the word and please let us know.

Once we have collected email addresses of the interested, we will be 
contacting you soon about our first meeting where we will have a large 
collection of the original material for you to explore and we will be 
discussing potential events and the first major steps required to really 
get things rolling.

Thanks for your time and your interest.

Richard Francis
host of A Different Nature
primary producer for the 2001: Several Days of Innumerable Small Events 
Which May or May Not Be Related To One Another


From passages@rdrop.com Thu Apr 24 17:01:37 2008
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from Matthew Hein:

Fourth Installment of the 1,000 Words Reading Series: "Work"

Reading:

Mathew Hein
Kate Kallal
Erin Ergenbright
Lucie Bonvalet
Travis Brown
Mel Favara

Monday, May 5
7:00 pm

The Maiden
639 SE Morrison

Free admission


In this innovative reading series, five participants each present 1,000 
words written for the occasion.  Writers agree to produce 250 words per 
week for four weeks leading up to the reading; they are given a theme at 
the beginning (WORK, this time), and must include certain phrases and 
words in each weekly effort as capriciously assigned by the host.

Intermission music courtesy of We Play Quiet: two teenagers named Reid 
Trevarthen and Ethan Camp, from Vancouver, WA.


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from Dean Gorman:

Seven poets from near and far read at

The Press Club
2621 SE Clinton St
Tuesday, May 6, 7:00 p.m.

Lining up for your enjoyment, enlightenment, and entertainment:

Lauren Rusk, of Palo Alto and Oxford, England, reads from her book, 
Pictures in the Firestorm
Maureen Alsop flies in on silver wings from Palm Springs with Apparition 
Wren
Dean Gorman, appearing without his band or his poetry press
Annie Lighthart celebrates her return to Portland after three years in 
Vermont
Ron Klassnik, in from Puerto Vallarta, on the reading tour for his new 
book, Holy Land
Jamalieh Haley brings her talents for the stage and the page from right 
here in River City
Kelly Lenox rounds out the Portland contingent with translations of 
Slovenian poets


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from Jim Carmin at the Wilson Room / Collins Gallery:

Pierre Lecuire: livres de pote

May 2 -- June 12, 2008

Born in southern France in 1922, Pierre Lecuire is a poet who has 
devoted his lifetime to making books for his poems. Never content with 
commercial publishing, Lecuires books are linked to the European idea 
of livres dartistes by including the work of printmakers and other 
artists. But he goes beyond that tradition by having a more direct 
connection with his artists. Lecuire has described his ambition simply 
as: I want to write the poem and build a house for it.

This exhibition will be the first major West Coast show of Pierre 
Lecuires stunning work, and the first in the United States since 1994. 
It features more than 40 books with original art by Henry Moore, Serge 
Charchoune, Genevive Asse, Fermin Aguayo, Brigitte Simon, Raoul Ubac, 
Etienne Hajdu, and Nicholas de Stal. All materials are generously 
loaned for the exhibition by Mount Angel Abbey Library in St. Benedict, 
Oregon, and were a gift to the abbey from Nicholas Bez.


Opening Reception: Tuesday, May 6, 2008, 6:00 -- 7:30 p.m.

Please join us for the exhibition, refreshments, a brief talk by 
exhibition curator and John Wilson Special Collections Librarian Jim 
Carmin, and comments from Mount Angel Abbey Library Administrator 
Victoria Ertelt.


Gallery Talk: Tuesday, May 20, 2008, 6:30 -- 7:30 p.m.

Please join book artist Inge Bruggeman for an informal talk about Pierre 
Lecuires work, its significance and technical details.


C O L L I N S G A L L E R Y
3rd floor, Central Library
801 S.W. 10th Ave., Portland

Gallery hours:
Sun. noon -- 5:00 p.m.
Mon. 10:00 a.m. -- 6:00 p.m.
Tue. & Wed. 10:00 a.m. -- 8:00 p.m.
Thu. -- Sat. 10:00 a.m. -- 6:00 p.m.

For more information, contact:

Jim Carmin
503.988.6287
jimc@multcolib.org
www.multcolib.org/events/collins



From passages@rdrop.com Mon Apr 28 00:14:31 2008
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Limited seating -- reserve soon, while remaining seats are still 
available . . .

*****


Spare Room and kino21 (San Francisco)
bring the first Neo-Benshi Film & Poetry Cabaret to Portland


Writers/performers from San Francisco and Portland turn down the sound
and talk back to the movies, updating the lost art of "film-telling."


Spare Room (Portland) and kino21 (San Francisco) copresent The New
Talkies: A PortlandSan Francisco Neo-Benshi Cabaret. Inspired by the
film-tellers, or benshis, of the silent era in Japan, neo-benshi invites
contemporary artists to turn off the sound and perform their own scripts
to brief scenes from films of their choosing. Previous installments of
The New Talkies have brought together diverse audiences of poetry,
performance, and film fans in New York, San Francisco, and Los Angeles.


*ONE NIGHT ONLY*

Saturday, May 3
7:00 pm

Admission $10 / $5 students

Due to limited seating, advance reservations are required:
email passages@rdrop.com or call 503-233-4562 to reserve tickets and for
venue details


Performers include Portland-based writers and artists Leo Daedalus and
David Abel, Maryrose Larkin and Eric Matchett, Kaia Sand, and Rodney
Koeneke, joined by Bay Area poets and performers David Larsen, Mac
McGinnes, Cynthia Sailers, and kino21s Konrad Steiner.

For more information, visit the Spare Room web site at
www.flim.com/spareroom,
and kino21 at www.kino21.org.

================================

Performer Bios and Curator's Statement

David LARSEN
scene from Logan's Run (Michael Anderson, 1976)
Larsen is a visual artist, writer, curator and teacher, living in San
Francisco. He co-curated the New Yipes reading series in Oakland with
Cynthia Sailers in 2005, and solo from 2006 to January 2008. He is a
scholar of greek and arabic literature and the author of "The Thorn"
(Faux Press, 2005), whose first benshi performance to a scene from
"Troy" in 2005 earned wide praise.

Maryrose LARKIN / Eric MATCHETT
scene from The Passion of Jeanne D'Arc (Carl Dreyer, 1928)
Larkin is the author of Inverse (nine muses), The Book of Ocean (i.e.),
and Whimsy Daybook 2007 (FLASH+CARD). She is coeditor (with Sarah
Mangold) of Flash+Card, a chapbook and ephemera press. She lives in
Portland, and is a member of the Spare Room collective. Matchett's
recent projects include Nest and Milk Crate Madness. Labor Day, an album
made during August 2007, can be found at www.archive.org. He is member
of The Taken Girls and Turkey Makes Me Sleepy. Eric is currently
creating a glitch dub album with Tape Mountain's Jake Anderson.

Leo DAEDALUS / David ABEL
scene from Solaris (Andrei Tarkovsky, 1972)
Daedalus, who works in every medium except needlepoint, is the director
of Helsinqi, a Portland design/media startup. He dons his videographer
and performer hats for his first neo-benshi turn, and lives online at
www.leodaedalus.com. Abel is a Portland wordsmith and gadabout, and one
of the founding organizers of the Spare Room reading series, now in its
seventh year. A dyed-in-the-wool Hollis Frampton fan, he was also a
member of the Four Wall Cinema collective.

Rodney KOENEKE
scene from Mary Poppins (Robert Stevenson, 1964)
Koeneke moved to Portland from San Francisco in 2006 and is the author
of two books of poems, Musee Mechanique (BlazeVOX, 2006) and Rouge State
(Pavement Saw, 2003). He has performed neo-benshi pieces for Guru Dutt's
Bollywood weepie "Pyaasa" (1957) and Paul Wegener's silent classic "The
Golem" (1921). He co-curates The Tangent Reading Series in Portland with
poets Kaia Sand and Jules Boykoff.

Kaia SAND
home movie footage by William Cheney, Pacific Northwest inventor and
machinist (ca. 193545)
Sand is the author of interval (Edge Books 2004), selected as a Small
Press Traffic Book of the Year 2004, and several chapbooks through Dusie
(www.dusie.org). She co-authored with Jules Boykoff the recently
released Landscapes of Dissent: Guerrilla Poetry & Public Space (Palm
Press 2008) and co-curates with Rodney Koeneke & Jules Boykoff the
Tangent Reading Series in Portland, Oregon, where she lives.

Konrad STEINER
scene from Minority Report (Stephen Spielberg, 2002)
Steiner is a filmmaker and independent curator living in San Francisco.
His films have shown in off-multiplex screens around the world. He has
been involved in the production of many live film narration events since
2003 in SF, New York, and Los Angeles. He was a film programmer at SF
Cinematheque for four years (2003-2006) and currently with Irina
Leimbacher he co-curates the kino21 screening series in San Francisco.

Cynthia SAILERS
scenes from The Passion of Anna (Ingmar Bergman, 1969)
Sailers lives in Alameda, California, is the author of Lake Systems
(Tougher Disguises, 2004), currently serves on the board of Small
Press Traffic in San Francisco, and is a former co-curator of the New
Yipes reading series in Oakland. She is currently writing a dissertation
on narcissism and perversion in pathological group organization for the
Wright Institute in Berkeley, CA.

Mac McGINNES / Norma COLE
scene from "Judex" (Georges Franju, 1963)
Cole is a poet, translator, visual artist, and teacher living in
San Francisco. She is the author of many books of poetry, including the
CD-ROM "Scout" (Krupskaya, 2004) and "Collective Memory" (Poetry Center
and Granary Press, 2006). McGinnes lives in San Francisco and has been
involved in theater as a director and actor for many years, most
recently working with Poets Theater productions in San Francisco. Cole
wrote the script for the scene chosen by McGinnes, who performed it
first in July 2005 in San Francisco.

Statement

The "benshi" is the name for the accomplished actor/writer who wrote
scripts to narrate live to projected films in Japan, where the 
profession reached
its commercial and popular apex in the 1920s, more than in any other
country, mainly because of a prosperous and prolific Japanese film industry.

There have been many variations of talking during a movie over the
global history of film. The long tradition behind this current wave of
interest in the form includes hecklers in theaters, dads in living rooms
with their home movies, professional narrators of silent documentaries,
the reknowned film-tellers in Europe and Asia, right up to TV shows like
Jay Ward's "Fractured Flickers" in the 1960s and "Mystery Science
Theater" in the 1990s.

The task of accompanying silent film is usually left to musicians. It
becomes the task of writers to silence the talkies and revive the image
whose meaning has been controlled and even restricted by the corporate
culture of mass entertainment and mass profit. The benshi can take back
the cinema, and anyone with a DVD player and a remote can give it a shot.

Konrad Steiner




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Spare Room presents


Joseph Noble

Lisa Radon & Tim DuRoche


Sunday, May 18th, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

June Sarah Mangold & Chris Piuma
July Jennifer Bartlett & Jim Stewart
July 20 Steve Dickison & Susan Gevirtz
August 24 Lee Ann Brown & Cynthia Nelson

=====================================================

Joseph Noble's book of poems, An Ives Set, was published in November of 
2006 by lyric& Press. His essays on the work of George Oppen have 
appeared in Talisman and Aufgabe, and he was a coeditor of the journal 
26 for its first five issues. Poems have appeared in New American 
Writing, Five Fingers Review, The New Review of Literature, Hambone, 
Bird Dog, UrVox, and Aufgabe. He lives in the East Bay, and also plays 
the saxophone.

Poet Lisa Radon and sound artist Tim DuRoche have collaborated on 
sound/text works for jazz, poetry, and theater festivals since 2003. 
They performed "verse.chorus.bridge." on the banks of the Willamette 
River for Gallery Homeland's Scratching the Surface 2006; and created 
"Aqueous (E)vent No. 1," a sound installation for Red 76s Community 
Jukebox as part of the 2003 Core Sample Exhibition. They are currently 
recording and readying for Scratching the Surface 2008.

=====================================================

the celestial railroad

each track on separate hands
a mockingbird assembles singing
cell shrine to share

breathe the air
eyes thinking

ringing ground
trembles drum skin

throw out the life-line
a world offers homage

firefly and wine
kiss blissful feet

-- Joseph Noble (from An Ives Set)



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from Michelle Glazer:


Portland State University
Graduate Poetry Reading

Thursday, May 15
7:00 pm

Blackfish Gallery
420 NW 9th Avenue


Portland State University's MA candidates will read their work:

Shannon Carson, Chris Cottrell, Stacy Feder, Valentine Freeman, Regina 
Godfrey, Patrick Haas, Lori Huskey, and Wendy Noonan

From passages@rdrop.com Fri May  9 21:22:38 2008
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from The Illustrator's Partnership


Take Action: Dont Let Congress Orphan Your Work


THE ORPHAN WORKS BILL IS BACK.

And this time the wheels have been greased for quick passage.

Yesterday a revived Orphan Works Bill sailed through a House panel. 
Today the Senate bill will be marked up. These bills will expose any 
work of art to commercial infringement. This will include everything 
from professional paintings to personal photos placed on the net.

The bills will coerce you to register your work with for-profit 
registries as a condition of protecting your copyrights. Any 
unregistered pictures will be subject to Orphan Works infringement. This 
is a radical departure from international copyright law and normal 
business practice.

If you wish to oppose this legislation, you must act now.

Weve set up an online site for anyone to e-mail their Senators and 
Representatives with one click. This site is open to professional 
artists, photographers and any member of the image-making public. Weve 
provided sample letters from individuals representing different sectors 
of the visual arts. Illustrators, photographers, fine artists, reps, 
licensing firms, designers: If youre opposed to the Orphan Works act, 
this site is yours to use.

For international artists and our colleagues overseas, weve provided a 
special link, with a sample letter and instructions as to whom to write.

Two minutes is all it takes to write Congress and fight for your 
copyrights. Go here:
http://capwiz.com/illustratorspartnership/home/

Pick a sample letter or write your own. Type in your zip code. Your 
letter will be automatically addressed to your congressman and senators. 
Click and send.

For more information about the Orphan Works Act of 2008:

IPA Statement to House Subcommittee March 20, 2008:
http://www.illustratorspartnership.org/01_topics/article.php?searchterm=00261

IPA Senate Mark-up Comments April 30, 2008:
http://www.illustratorspartnership.org/ow_docs

Orphan Works Bill Catches Global Attention/ Intellectual Property Watch: 
http://www.ip-watch.org/weblog/index.php?p=1028

MP3 Interview: http://www.sellyourtvconceptnow.com/orphan.html

YouTube: http://youtube.com/watch?v=CqBZd0cP5Yc

Please post this message or forward it to any interested party.


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The Subterranean Yak: a new periodic reading series
presents

San Diego Poets
K. Lorraine Graham and Mark Wallace

Wednesday, May 28th
7:37 PM

College Inn (in the snuggery, aka the backroom)
4000 University Way NE, Seattle, WA

This event is free.

http://www.pisor-industries.org/subterraneanyak


The Subterranean Yak is pleased to welcome poets K. Lorraine Graham and 
Mark Wallace for their first Seattle performance.

After living for many years in Washington, DC, Mark and Lorraine now 
live in Carlsbad, California, a beach town north of San Diego. Thats 
good news for us, as they are close enough to head North to Seattle with 
their language luggage marked with a red tag: HEAVY.

So whats inside this bulging behemoth?

How about our whole contemporary world, dissembled and reformed: "a 
freakazoid meta-level zombie, Cessna crashes, Roderick Usher, would you 
like soup with your asbestos? funfunfun, test bubble dynamo specialists, 
money owns you, peaceful nuclear devices, vacuuming up spiders, terrible 
day jobs, calcium and mucus, 3000 people played this sequence and blew 
up the world every time. Call Security! a zesty omelette."

Long Republican Winter, the first poem in Mark Wallaces new book 
Felonies of Illusion encapsulates the struggles of living, working, 
writing, and loving in our current State of Collapse. These struggles 
are the life-gyro that powers Mark and Lorraines work, work that is 
playful and fierce, necessary and true.

***

BIO: K. Lorraine Graham is a writer and visual artist. She is the author 
of Terminal Humming, forthcoming from Edge Books in 2009. She is also 
the author of several chapbooks: including Large Waves to Large 
Obstacles, forthcoming from Take Home Project. Ron Silliman writes that 
"Terminal Hummingis a series of untitled prose pieces that join 
philosophy to sensation in ways that remind me fondly of Kathy 
Acker...My sense is that Graham is pushing her work as hard as possible 
 the ambition evident in just a few short pages is breath-taking." Her 
poetry, critical writing, and visual art has appeared or is forthcoming 
in Traffic, Jacket, Area Sneaks, Fold, Magazine Cypress, HOW2and 
elsewhere. A limited-edition CD of her work called Moving Walkwaysis 
available Narrowhouse Recordings. Lorraine has taught poetry and memoir 
at the Corcoran College of Art + Design in Washington, DC and at 
California State University in San Marcos. She lives in southern 
California with her partner Mark Wallace and Lester Young, a pacific 
parrotlet.


BIO: Mark Wallace is the author of a number of books and chapbooks of 
poetry, fiction, and criticism. Temporary Worker Rides A Subwaywon the 
2002 Gertrude Stein Poetry Award and was published by Green Integer 
Books. He is the author of a multi-genre work, Haze, and a novel, Dead 
Carnival. His critical articles and reviews have appeared in numerous 
publications, and along with Steven Marks, he edited Telling It Slant: 
Avant Garde Poetics of the 1990s(University of Alabama Press), a 
collection of 26 essays by different writers. Most recently he has 
published a collection of tales, Walking Dreams, and a book of poems, 
Felonies of Illusion. He currently teaches at California State 
University San Marcos.

***

Gone To Ground

Static bombast in a flower waste
what youre having? Much shirt of dissolve
flounders squeeze play.

Why downtown stadiums hardball.
Flushed back. Stratified over a basin
to have but not to hold. Doesnt

muck mean to do the bookend.
Stable table. That stack would ask
to happen again, flourish expertise

upon esteemed drubbings. What did
honey turn to true sweets or plural.
Two runs propel keys.

Thats no way to pull down the shelf
church of the row forlorn brit popsicle.
Ask me over easy.

Language and culture course health
drunken valet cleaners. Rid of
fast easy hair euphorically. Charm.

Entirely not to seek as plenty.
Together in cheese demise club beats.
Get into a zone and foggy.

-- Mark Wallace


The Tiara of the High Priestess

At night fucking night we do
it and do it but how can we
do it unless we take more of our
clothes off? Irresistible
sanctuary of battle blood appeasement.
Wild crows, men thrown over
walls dragged over rocks. Turn them
against your own body.
They are made for you.

~

This moment fingers digging, an idiot
gift giving multitude. Seizing
blooming laurel. Dialect scissor mouth.
Now coastline salt evaporation. Death at
best is tragic: die choking on chicken bones.

-- K. Lorraine Graham

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The U.S. Role in Iraq:
Can an Occupier Become a Peacemaker?

with Raed Jarrar

Monday, May 19
7:00 pm

Multnomah Friends Meetinghouse
4312 SE Stark
Portland

Raed Jarrar is an Iraqi political analyst and consultant to AFSCs Iraq 
Program currently based in Washington, D.C. After the U.S.-led invasion, 
Jarrar became the country director for CIVIC Worldwide, the only 
door-to-door casualty survey group in post-war Iraq. He then established 
Emaar, (meaning reconstruction in Arabic), a grassroots organization 
that provided humanitarian and political aid to Iraqi internally 
displaced persons (IDPs). Emaar delivered medicine and food as well as 
helped initiate micro-enterprise projects for IDPs. Additionally, Emaar 
engaged in political advocacy on behalf of displaced populations.

For more information:
American Friends Service Committee, 503-230-9427, kcampbell@afsc.org

-- 
Kelly Campbell
Portland Area Peace Director
American Friends Service Committee
2249 E. Burnside
Portland, OR 97214
503-230-9427
kcampbell@afsc.org
http://www.afsc.org/portland

Portland peace events and news http://www.pdxpeace.org

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Spare Room presents


Joseph Noble

Lisa Radon & Tim DuRoche


Sunday, May 18th, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

June 21 Sarah Mangold & Chris Piuma
July tba Jennifer Bartlett & Jim Stewart
July 20 Steve Dickison & Susan Gevirtz
August 24 Lee Ann Brown & Cynthia Nelson

=====================================================

Joseph Noble's book of poems, An Ives Set, was published in November of
2006 by lyric& Press. His essays on the work of George Oppen have
appeared in Talisman and Aufgabe, and he was a coeditor of the journal
26 for its first five issues. Poems have appeared in New American
Writing, Five Fingers Review, The New Review of Literature, Hambone,
Bird Dog, UrVox, and Aufgabe. He lives in the East Bay, and also plays
the saxophone.

Poet Lisa Radon and sound artist Tim DuRoche have collaborated on
sound/text works for jazz, poetry, and theater festivals since 2003.
They performed "verse.chorus.bridge." on the banks of the Willamette
River for Gallery Homeland's Scratching the Surface 2006; and created
"Aqueous (E)vent No. 1," a sound installation for Red 76s Community
Jukebox as part of the 2003 Core Sample Exhibition. They are currently
recording and readying for Scratching the Surface 2008.

=====================================================

the celestial railroad

each track on separate hands
a mockingbird assembles singing
cell shrine to share

breathe the air
eyes thinking

ringing ground
trembles drum skin

throw out the life-line
a world offers homage

firefly and wine
kiss blissful feet

-- Joseph Noble (from An Ives Set)

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from Paulann Peterson:


The final stop of the exhibition "How the Ink Feels" will be the Hoffman 
Gallery of Contemporary Art at Lewis & Clark College, June 5, 2008 
through July 13, 2008. This exhibit is cosponsored by the Friends of 
William Stafford and Lewis & Clark College.

Lewis & Clark College is located at 0615 SW Palatine Hill Road, 
Portland, Oregon.

How the Ink Feels has been traveling the country for almost a decade, 
bringing thousands to view its collection of fine poetry broadsides at 
sites ranging from Eugene to Chicago, Atlanta to Ketchikan.

In celebration of the exhibit's nine-year journey, an opening event will 
be held on June 5th, 2008, 5:00-8:00 pm.

Lawson Inada, Ingrid Wendt, Ralph Salisbury, Paulann Petersen, and Kim 
Stafford are among the poets who will read their work in the exhibit, 
plus broadsides with poems by others including William Stafford, Stanley 
Kunitz, Rita Dove, Naomi Shihab Nye, Li-Young Lee, Joy Harjo, E. 
Ethelbert Miller, Gary Snyder, and 37 others. The opening program will 
also feature a reading by Fred Marchant, editor of the newly published 
early poems of William Stafford, _Another World Instead _(Graywolf 
Press, 2008). A broadside printed for the occasion by Arizona artist 
Karla Elling will be available for those in attendance.

Summer gallery hours for public viewing are: Thursdays from 4:00-8:00 
pm, Saturdays and Sundays from noon - 4:00 pm. through July 15th, 2008. 
To make arrangements for additional viewing times or dates, please 
contact Doug Erickson, Lewis & Clark College Archivist and Head of 
Special Collections, 503-768-7254.

This project is supported in part by a grant from the Oregon Arts 
Commission and the National Endowment for the Arts, a federal agency.

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Subject: [Spare Room/Passages] Thursday,
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from margareta waterman:


hello friends,

after a gloriously successful second hip replacement in march, the new 
bionic me will read some kind of spring song.

it's been a while -- i much hope to see y'all.


*Open Mic Poetry
hosted by Christopher Luna
**
with this months featured reader,
margareta waterman

**Thursday, June 12, 2008
(and every second Thursday)
**7:00 pm

**Cover to Cover Books
1817 Main Street, Vancouver
(McLoughlin Blvd. & Main Street)

For more info call
360-514-0358 or 360-694-9653
always all ages and uncensored



*/what is there but love
to make the heart sing
to make the voice
come up out of the depths

/love, margareta





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Spare Room presents


Sarah Mangold

Chris Piuma


Saturday, June 21, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 13  Jennifer Bartlett & Jim Stewart
July 20  Steve Dickison & Susan Gevirtz
August 24  Lee Ann Brown & Cynthia Nelson

=====================================================

Sarah Mangold is the author of Household Mechanics (New Issues) and a 
slew of chapbooks, most recently Parlor, a limited edition print and 
e/chap from the Dusie Kollectiv. She publishes Bird Dog, a journal of 
innovative writing and art and co-edits with Maryrose Larkin, 
FLASH+CARD, a chapbook and ephemera press. She lives and works in Seattle.


Chris Piuma moved to Portland eight and a half years ago. He is a 
cofounder of Spare Room and has emceed maybe half their readings to 
date. And now he is leaving. He is moving to Toronto to go to grad 
school. He will miss you terribly.

This is your last chance to see him read in Portland for a while. So 
attendance is mandatory.

The last time attendance was mandatory at one of his readings, he read a 
poem for each of the people who attended the reading -- forty-seven 
poems personalized for the forty-seven people packed into the cafe at 
Borders. He is not going to read a poem personalized for each person who 
comes this time, and yet attendance is once again mandatory.

It will be a nice Saturday night in June in Portland, and you will have 
many options for what to do with yourself that night, but alas 
attendance is mandatory and you will be at the reading. His book 
Exercises in Penmanship came out in 2007 and is available under 
mysterious circumstances. His poetry blog, Buggeryville, can be read at 
http://buggeryville.blogspot.com.

As usual, he is writing what he will read specifically for this reading. 
And -- this cannot be stressed enough -- your attendance at this reading 
is mandatory.

=====================================================


an eternal appropriateness

he likes steps into tricks
and hot half-a-pineapple
dearly now to find hugeness
in human your human form

   -- Sarah Mangold



for Elijah

All these words here are all wrong.
All wrong words are here, among these words.

   -- Chris Piuma



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[The subject line for the original announcement mistakenly stated the 
day as Sunday; please note that it is Saturday.]


Spare Room presents


Sarah Mangold

Chris Piuma


Saturday, June 21, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 13 Jennifer Bartlett & Jim Stewart
July 20 Steve Dickison & Susan Gevirtz
August 24 Lee Ann Brown & Cynthia Nelson

=====================================================

Sarah Mangold is the author of Household Mechanics (New Issues) and a
slew of chapbooks, most recently Parlor, a limited edition print and
e/chap from the Dusie Kollectiv. She publishes Bird Dog, a journal of
innovative writing and art and co-edits with Maryrose Larkin,
FLASH+CARD, a chapbook and ephemera press. She lives and works in Seattle.


Chris Piuma moved to Portland eight and a half years ago. He is a
cofounder of Spare Room and has emceed maybe half their readings to
date. And now he is leaving. He is moving to Toronto to go to grad
school. He will miss you terribly.

This is your last chance to see him read in Portland for a while. So
attendance is mandatory.

The last time attendance was mandatory at one of his readings, he read a
poem for each of the people who attended the reading -- forty-seven
poems personalized for the forty-seven people packed into the cafe at
Borders. He is not going to read a poem personalized for each person who
comes this time, and yet attendance is once again mandatory.

It will be a nice Saturday night in June in Portland, and you will have
many options for what to do with yourself that night, but alas
attendance is mandatory and you will be at the reading. His book
Exercises in Penmanship came out in 2007 and is available under
mysterious circumstances. His poetry blog, Buggeryville, can be read at
http://buggeryville.blogspot.com.

As usual, he is writing what he will read specifically for this reading.
And -- this cannot be stressed enough -- your attendance at this reading
is mandatory.

=====================================================


an eternal appropriateness

he likes steps into tricks
and hot half-a-pineapple
dearly now to find hugeness
in human your human form

-- Sarah Mangold



for Elijah

All these words here are all wrong.
All wrong words are here, among these words.

-- Chris Piuma




From passages@rdrop.com Fri Jun 13 12:40:51 2008
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UDLE presents a reading by

Bethany Ides &
Emily Kendal Frey

with musical guest Arrington de Dionyso (of Old Time Relijun)


Thursday, June 19th
7:00 pm

The Mizpah Church
2456 SE Tamarack Ave.
www.funkychurch.com

Admission $5  12, sliding scale
(admission includes hand-sewn chapbook, wine, beer, and light snacks)


About the readers:

Bethany Ides (ne Wright) is a poet, performance-installation artist, 
teacher & independent curator, currently residing in Portland, Oregon. 
In 2005, she mounted versions of her solo performance piece, "Hark the 
Harbingers," at the Brooklyn Museum of Art, PS122, and the Zieher-Smith 
Gallery in NYC, and at Nocturnal Gallery in Portland. From 2002-07, she 
co-edited FO (A) RM magazine, an interdisciplinary forum for arts & 
research [see: foarm.artdocuments.org]. Her fourth chapbook, "From 
Whence Undone," is soon forthcoming from Cosa Nostra Editions [see: 
cosanostra-editions.com]. Ides teaches time-based arts and art theory at 
the Pacific Northwest College of Art in Portland.

Emily Kendal Frey lives in Portland, Oregon. Her work has been published 
in DIAGRAM, Mudlark, and Octopus, and recent work is forthcoming from 
Word For/Word, Spinning Jenny, and Knock. Additionally, collaborative 
work with Sarah Bartlett will appear in Portland Review, Bat City 
Review, and through horse less press. Poems from Something Should Happen 
at Night Outside, a collaboration with Zachary Schomburg, will appear in 
Pilot and Diode.


About the music:

Arrington de Dionyso <http://www.myspace.com/arringtondedionyso> uses 
performance as a vehicle for driving through the nameless territories 
held between surrealist automatism, shamanic seance, and the folk 
imagery of rock and roll. Arrington performs on the bass clarinet, jaw 
harps, and his voice with a distinctly multiphonic ability inspired by 
Tuvan throatsinging and the ecclesiastics of Albert Ayler and Don Van 
Vliet. He tours constantly, and has performed and/or recorded with 
notable improvisers throughout the U.S.A., Canada, Italy, France, Israel 
and Lithuania. He presents workshops on improvising with the voice in 
conjunction with his travels around the world.


About UDLE:

The Unwin-Dunraven Literary Ecclesia is a new literary convergence, 
encompassing a quarterly reading & performance series, finespun 
publications, special events, and extensive online archives, emerging in 
flux with our interest in Gnostic narrative, imagined cartographies, 
oracular utterance, and the alchemy of language.

www.unwin-dunraven.org

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Spare Room presents


Sarah Mangold

Chris Piuma


Saturday, June 21, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


Upcoming readings:

July 13 Jennifer Bartlett & Jim Stewart
July 20 Steve Dickison & Susan Gevirtz
August 24 Lee Ann Brown & Cynthia Nelson

=====================================================

Sarah Mangold is the author of Household Mechanics (New Issues) and a
slew of chapbooks, most recently Parlor, a limited edition print and
e/chap from the Dusie Kollectiv. She publishes Bird Dog, a journal of
innovative writing and art and co-edits with Maryrose Larkin,
FLASH+CARD, a chapbook and ephemera press. She lives and works in Seattle.


Chris Piuma moved to Portland eight and a half years ago. He is a
cofounder of Spare Room and has emceed maybe half their readings to
date. And now he is leaving. He is moving to Toronto to go to grad
school. He will miss you terribly.

This is your last chance to see him read in Portland for a while. So
attendance is mandatory.

The last time attendance was mandatory at one of his readings, he read a
poem for each of the people who attended the reading -- forty-seven
poems personalized for the forty-seven people packed into the cafe at
Borders. He is not going to read a poem personalized for each person who
comes this time, and yet attendance is once again mandatory.

It will be a nice Saturday night in June in Portland, and you will have
many options for what to do with yourself that night, but alas
attendance is mandatory and you will be at the reading. His book
Exercises in Penmanship came out in 2007 and is available under
mysterious circumstances. His poetry blog, Buggeryville, can be read at
http://buggeryville.blogspot.com.

As usual, he is writing what he will read specifically for this reading.
And -- this cannot be stressed enough -- your attendance at this reading
is mandatory.

=====================================================


an eternal appropriateness

he likes steps into tricks
and hot half-a-pineapple
dearly now to find hugeness
in human your human form

-- Sarah Mangold



for Elijah

All these words here are all wrong.
All wrong words are here, among these words.

-- Chris Piuma

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Spare Room presents


Jennifer Bartlett

Sam Lohmann


Sunday, July 13

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


=============================================

Upcoming readings:

July 20 Steve Dickison & Susan Gevirtz
August 24 Lee Ann Brown & Cynthia Nelson


And mark your calendars for this special event:

An Audio-Illustrated Lecture by
Steve Dickison
Director of the Poetry Center and American Poetry Archives,
San Francisco State University

"Eye of the Ear: Jess and the Poets"
Saturday, July 19, 7:00 pm
Reed College Chapel, Elliot Hall
Free admission
(more details to follow soon)

=============================================

Jennifer Bartlett was a 2005 New York Foundation for the Arts Fellow. 
Her first collection of poetry, /Derivative of the Moving Image/, was 
published last year by the University of New Mexico Press in their Mary 
Burritt Christiansen poetry series. More recently, she curated "This 
Condensery: On Poetry and Mentorship" in the current issue of /How2/.

Sam Lohmann moved to Portland from Olympia, Washington last fall. He 
edits a yearly poetry zine called Peaches and Bats, and has 
self-published several chapbooks, most recently Parks and Unless As 
Stone Is.

=============================================


The Unbroken Line

in the desert sky
stars and stars and stars

I imagine how we might
go on forever
a black mass, fluttering

the crippling trees bowed
toward the bending house

a spring snow is merely to be expected

 Jennifer Bartlett
from /for lee/



Perch, easy mischief, crisp yellow
a lover'd see: vie out a vestigial verity,

pose an arbor herbal, choose
a fugitive peony, percolate perpetual
scamper at a coat-tail, be sole
pervader, leave any star all umbrage, aim us
erratic in trapeze, peal forte,

in eldritch tempo belch amor.

 Sam Lohmann
from Unless As Stone Is


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We neglected to note in our announcement
that the reading by Jennifer Bartlett and Sam Lohmann
on Sunday, July 13
at Concordia Coffee House
will start at the usual time:
7:30 pm

We hope to see you then!

Spare Room

From passages@rdrop.com Fri Jul 11 20:48:21 2008
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Spare Room presents


Jennifer Bartlett

Sam Lohmann


Sunday, July 13

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


=============================================

Upcoming readings:

July 20 Steve Dickison & Susan Gevirtz
August 24 Lee Ann Brown & Cynthia Nelson


And mark your calendars for this special event:

Douglas F. Cooley Memorial Art Gallery, Reed College
presents

An Audio-Illustrated Lecture by
Steve Dickison
Director of the Poetry Center and American Poetry Archives,
San Francisco State University

"Eye of the Ear: Jess and the Poets"
Saturday, July 19, 7:00 pm
Reed College Chapel, Elliot Hall
Free admission
(more details to follow immediately)

=============================================

Jennifer Bartlett was a 2005 New York Foundation for the Arts Fellow.
Her first collection of poetry, /Derivative of the Moving Image/, was
published last year by the University of New Mexico Press in their Mary
Burritt Christiansen poetry series. More recently, she curated "This
Condensery: On Poetry and Mentorship" in the current issue of /How2/.

Sam Lohmann moved to Portland from Olympia, Washington last fall. He
edits a yearly poetry zine called Peaches and Bats, and has
self-published several chapbooks, most recently Parks and Unless As
Stone Is.

=============================================


The Unbroken Line

in the desert sky
stars and stars and stars

I imagine how we might
go on forever
a black mass, fluttering

the crippling trees bowed
toward the bending house

a spring snow is merely to be expected


 Jennifer Bartlett

from /for lee/



Perch, easy mischief, crisp yellow
a lover'd see: vie out a vestigial verity,

pose an arbor herbal, choose
a fugitive peony, percolate perpetual
scamper at a coat-tail, be sole
pervader, leave any star all umbrage, aim us
erratic in trapeze, peal forte,

in eldritch tempo belch amor.


 Sam Lohmann

from /Unless As Stone Is/




From passages@rdrop.com Fri Jul 11 20:50:39 2008
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Sunday's Spare Room reading begins at 7:30 pm . . . apologies for inbox 
clutter!

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The Douglas F. Cooley Memorial Art Gallery, Reed College
in association with the current exhibition

"Jess: To and From the Printed Page"

present an audiovisually illustrated lecture

*"Eye of the Ear: Jess and the Poets"*

by Steve Dickison

both preceded and followed by music, featuring
the Flash Choir performing Sarah Dougher,
and Tim DuRoche & Co.

Saturday, July 19, 7:00 pm
Reed College Chapel, Elliot Hall
Admission free
http://www.reed.edu/gallery/

    /and/

Spare Room presents a poetry reading by

*Steve Dickison & Susan Gevirtz*

Sunday, July 20, 7:30 pm

Full details below!

=================================================

"Jess: To and From the Printed Page" is currently on view through Sunday 
July 20
at the Cooley Art Gallery, Reed College, 3203 SE Woodstock Blvd.
Tuesday through Sunday, 12:00 - 5:00 pm

This traveling exhibition brings together collages, paintings, drawings, 
illustrated books, video, audio, and archival materials, to give an 
overview of the activity of California artist Jess Collins, lifelong 
partner of poet Robert Duncan and one of the great twentieth century 
practitioners of collage and allied arts.

As part of a closing event for the show, on Saturday July 19th members 
of the Flash Choir will perform a new choral work by Sarah Dougher 
(based on the Robert Duncan and Jess book Caesar's Gate), commissioned 
by the Cooley Art Gallery.

Following this performance, Steve Dickison, Director of the Poetry 
Center and American Poetry Archives at San Francisco State University, 
will give a lecture on Jess and the poets, illustrated with slides and 
audio excerpts from the Archives:

/This talk illuminates the world and work of the poets in response to 
whose poetry Jess made original art, from the early post-World War II 
San Francisco milieu till the mid-1990s. By featuring original audio 
recordings from the Poetry Center Archives, audiences hear rare recorded 
voices of Robert Duncan, Jack Spicer, Helen Adam, visitors to San 
Francisco such as Charles Olson, and Jess himself, alongside later 
inheritors of that tradition. The talk will also situate Jess among 
other local artists who created original works in response to and in 
collaboration with poets, Jesss contemporaries Wallace Berman, Bruce 
Conner, Fran Herndon, Robert LaVigne, among others, and pay tribute to 
the innovative publishers who made the actual books, too often 
overlooked as artists themselves./

The lecture will be followed by a reception on the Reed College Lawn, 
with musical guests Tim DuRoche & Co.

The event is free and open to the public.

================================================

Then . . . Spare Room presents
a poetry reading by

Steve Dickison and Susan Gevirtz

Sunday July 20, 7:30 pm


Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

================================================

Steve Dickison has directed the Poetry Center and American Poetry 
Archives at San Francisco State University since 1999. A poet and 
writer, with special focus on the history of poetry and related arts in 
San Francisco, he curated the exhibition Poetry and its Arts: Bay Area 
Interactions 19542004 at the California Historical Society, during 
Winter 2005, and more recently the exhibition Recent Visitors: Poets & 
Publishing on the Bolinas Scene in the Seventies at the Book Club of 
California. Editor-publisher of the small press Listening Chamber, he 
also co-edits, with David Meltzer, /Shuffle Boil/, an occasional music 
magazine with poet/artist/musician contributors. /Disposed/, a book of 
poetry, was published by Post Apollo Press in 2007.

Susan Gevirtz's most recent books include /THRALL/ (Post Apollo) and 
/Omatic & After St. John/ (dpress), and she has books forthcoming from 
Kelsey Street, Trafficker, and eohippus labs. She was an assistant 
professor for ten years at Sonoma State University, and now teaches in 
the MFA in Poetry program at Mills College. With Greek poet Siarita 
Kouka she runs The Paros Symposium on the island of Paros, an annual 
meeting of poets and translators from Greece and the United States.

================================================


*the friend*


that the bird with the enormous velvet nerve-body
articulated legs more like an insect than I knew
greedy mouth wanted to feed out of my mouth
apparently they are always hungry
what they are screaming is /ada ada/ the word for pain
the verb was the same as in spanish /ayudar/
echod are you there? or in arabic /wadada/

tears become pears for mothers to feed their children

/19iii08 for McN/


*Steve Dickison*




*In this place which Legend Posits *

A silence fell upon the land. More quiet than a map. The sounds of place 
having to do with the irreducibility and seamlessness of story. Airlines 
want us to forget this. One body feeds sleep to the one next to it. And 
the next imagines it as her own. For example.


*Susan Gevirtz*


From passages@rdrop.com Tue Jul 15 00:04:41 2008
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Portland book launch for

/Landscapes of Dissent: Guerrilla Poetry & Public Space/

by Jules Boykoff & Kaia Sand


Sunday, August 3
4:00 pm

Powell's Books on Hawthorne
3723 SE Hawthorne Blvd.
Free admission


Public space is a showground for social relations and power dynamics, 
and much of this space is inscribed with language. Documenting four 
cases across the United States  Poetry Is Public Art (PIPA) (New York), 
Poet Activist Community Extension (PACE) (Philadelphia), Agit-Truth 
Collective (Portland), and Sidewalk Blogger (Honolulu)  /Landscapes of 
Dissent/ investigates how contemporary poets in the United States are 
attempting to politicize public space by strategically inserting signs 
and broadsides into the public sphere in an effort to re-appropriate, 
reclaim, and resist. Sometimes passersby become collaborative authors, 
as they deface or destroy the poetry, thereby entering into a public 
conversation where competing claims are recorded. While 
neoliberal-driven privatization pulls more and more public space into 
its vortex, these collaborative, micro-political transgressions 
challenge values that trend toward commercialism and legibility, instead 
asserting language that attempts to resist commodification.


"/Landscapes of Dissent/ is a prolegomenon toward a new topoiesis--the 
creation of a new topos, a new place. This book brings forth not only 
the discussion of several practices of disensual use of consensual 
("public") space, but also gives away ideas & insights about what takes 
place thanks to a poetry that makes space in a polis made diapolis. 
Reading this book I found myself feeling an unknown political emotion 
that prompts my passive reader to become a reader ready to engage 
(again) the streets--energized by this discussion in which writing is 
hope & hope is action. Make it public!" Heriberto Ypez


*****

Kaia Sand authored the poetry collection /interval/ (Edge Books 2004), 
selected as a Small Press Traffic Book of the Year. She created a dusie 
kollektiv (_www.dusie.org_) chapbook for her poem /tiny arctic ice/, 
which was re-configured as a broadside by Bowerbox Press and as an 
artist book by Jim Dine. She is creating multi-media investigations of 
political histories lodged in Pacific Northwest of the United States, as 
well as a series of poems collaged from dystopic documents. Sand 
co-edits the Tangent Press (www.thetangentpress.org).

Jules Boykoff is the author of /Beyond Bullets: The Suppression of 
Dissent in the United States/ (AK Press, 2007), /The Suppression of 
Dissent: How the State and Mass Media Squelch USAmerican Social 
Movements /(Routledge, 2006), and /Once Upon a Neoliberal Rocket Badge 
/(Edge Books, 2006). He co-curates the Tangent Reading Series in 
Portland, Oregon with Rodney Koeneke and Kaia Sand.

From passages@rdrop.com Sat Jul 19 12:35:22 2008
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Note: Cooley Gallery hours extended to 10:00 pm tonight only
Tomorrow is the last day of the Jess exhibition


The Cooley Art Gallery, Reed College, in association with the current 
exhibition
"Jess: To and From the Printed Page," presents an audiovisually 
illustrated lecture, "Eye of the Ear: Jess and the Poets" by Steve Dickison

both preceded and followed by music, featuring the Flash Choir 
performing Sarah Dougher, and Tim DuRoche & Co.

Saturday, July 19, 7:00 pm
Reed College Chapel, Elliot Hall
Admission free
http://www.reed.edu/gallery/

and

Spare Room presents a poetry reading by

Steve Dickison & Susan Gevirtz

Sunday, July 20, 7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com



From passages@rdrop.com Tue Jul 29 12:30:35 2008
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 From Laura Winter:


On August 4th, 7:00 to 8:00 p.m.,  Laura Winter, Dan Raphael, and Casey 
Bush will heat up a hot August night at 
 
Three Friends Coffee House
201 SE 12th Ave
Portland  503-236-6411
(roughly 12th and Ash)
 
 
The evening's energy starts promptly at 7:00.
 
Casey Bush: Tennis player, chess semi-master, hospital compliance office 
and author of Poems of the Bush Administration;
 
Laura Winter: jeweler, mask-maker, chef, foundation vice-president and 
international performance artist ; and
 
dan raphael: event co-ordinator, brewer, critic, publisher and 
government customer
service rep.
 
 
This announcement is being sent out on several listservs, apologies if 
you receive it more than once.
 
Laura Winter
winterlaura@earthlink.net <mailto:winterlaura@earthlink.net>
 
 

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>From Laura Winter:<br>
<br>
<br>
On August 4th, 7:00 to 8:00 p.m.,&nbsp; Laura Winter, Dan Raphael, and Casey
Bush will heat up a hot August night at&nbsp;
<div><font size="3"></font>
<div>&nbsp;</div>
<div><font size="3">Three Friends Coffee House</font></div>
<div><font size="3">201 SE 12th Ave</font></div>
<div><font size="3">Portland&nbsp; 503-236-6411</font></div>
<div><font size="3">(roughly 12th and Ash)</font></div>
<div>&nbsp;</div>
<div>&nbsp;</div>
<div><font size="3">The evening's energy starts promptly at 7:00.</font></div>
<div>&nbsp;</div>
<div>
<div><font size="-0">Casey Bush: Tennis player, chess semi-master,
hospital compliance office and author of Poems of the Bush
Administration;<br>
</font></div>
<div>&nbsp;</div>
<div><font size="-0">Laura Winter: jeweler, mask-maker, chef,
foundation vice-president and international performance artist ; and</font></div>
<div>&nbsp;</div>
<div><font size="-0">dan raphael: event co-ordinator, brewer, critic,
publisher&nbsp;and government customer </font></div>
<div><font size="-0">service rep.</font></div>
<div>&nbsp;</div>
</div>
<div>&nbsp;</div>
<div>This announcement is being sent out on several listservs,
apologies if you receive it more than once.</div>
<div>&nbsp;</div>
</div>
<div>Laura Winter</div>
<div><a moz-do-not-send="true" href="mailto:winterlaura@earthlink.net">winterlaura@earthlink.net</a></div>
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Portland book launch for

/Landscapes of Dissent: Guerrilla Poetry & Public Space/

by Jules Boykoff & Kaia Sand


Sunday, August 3
4:00 pm

Powell's Books on Hawthorne
3723 SE Hawthorne Blvd.
Free admission

http://www.powells.com/biblio/1-9780978926243-0


Public space is a showground for social relations and power dynamics,
and much of this space is inscribed with language. Documenting four
cases across the United States --- Poetry Is Public Art (PIPA) (New York),
Poet Activist Community Extension (PACE) (Philadelphia), Agit-Truth
Collective (Portland), and Sidewalk Blogger (Honolulu) --- /Landscapes of
Dissent/ investigates how contemporary poets in the United States are
attempting to politicize public space by strategically inserting signs
and broadsides into the public sphere in an effort to re-appropriate,
reclaim, and resist. Sometimes passersby become collaborative authors,
as they deface or destroy the poetry, thereby entering into a public
conversation where competing claims are recorded. While
neoliberal-driven privatization pulls more and more public space into
its vortex, these collaborative, micro-political transgressions
challenge values that trend toward commercialism and legibility, instead
asserting language that attempts to resist commodification.


"/Landscapes of Dissent/ is a prolegomenon toward a new topoiesis--the
creation of a new topos, a new place. This book brings forth not only
the discussion of several practices of disensual use of consensual
("public") space, but also gives away ideas & insights about what takes
place thanks to a poetry that makes space in a polis made diapolis.
Reading this book I found myself feeling an unknown political emotion
that prompts my passive reader to become a reader ready to engage
(again) the streets--energized by this discussion in which writing is
hope & hope is action. Make it public!" ---Heriberto Ypez


*****

Kaia Sand authored the poetry collection /interval/ (Edge Books 2004),
selected as a Small Press Traffic Book of the Year. She created a dusie
kollektiv (_www.dusie.org_) chapbook for her poem /tiny arctic ice/,
which was re-configured as a broadside by Bowerbox Press and as an
artist book by Jim Dine. She is creating multi-media investigations of
political histories lodged in Pacific Northwest of the United States, as
well as a series of poems collaged from dystopic documents. Sand
co-edits the Tangent Press (www.thetangentpress.org).

Jules Boykoff is the author of /Beyond Bullets: The Suppression of
Dissent in the United States/ (AK Press, 2007), /The Suppression of
Dissent: How the State and Mass Media Squelch USAmerican Social
Movements /(Routledge, 2006), and /Once Upon a Neoliberal Rocket Badge
/(Edge Books, 2006). He co-curates the Tangent Reading Series in
Portland, Oregon with Rodney Koeneke and Kaia Sand.



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<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western">Portland book launch for<br>
<br>
<i class="moz-txt-slash"><span class="moz-txt-tag">/</span>Landscapes
of Dissent: Guerrilla Poetry &amp; Public Space<span class="moz-txt-tag">/</span></i><br>
<br>
by Jules Boykoff &amp; Kaia Sand<br>
<br>
<br>
Sunday, August 3<br>
4:00 pm<br>
<br>
Powell's Books on Hawthorne<br>
3723 SE Hawthorne Blvd.<br>
Free admission<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.powells.com/biblio/1-9780978926243-0">http://www.powells.com/biblio/1-9780978926243-0</a>
<br>
<br>
<br>
Public space is a showground for social relations and power dynamics, <br>
and much of this space is inscribed with language. Documenting four <br>
cases across the United States &#8212; Poetry Is Public Art (PIPA) (New
York), <br>
Poet Activist Community Extension (PACE) (Philadelphia), Agit-Truth <br>
Collective (Portland), and Sidewalk Blogger (Honolulu) &#8212; /Landscapes of
<br>
Dissent/ investigates how contemporary poets in the United States are <br>
attempting to politicize public space by strategically inserting signs <br>
and broadsides into the public sphere in an effort to re-appropriate, <br>
reclaim, and resist. Sometimes passersby become collaborative authors, <br>
as they deface or destroy the poetry, thereby entering into a public <br>
conversation where competing claims are recorded. While <br>
neoliberal-driven privatization pulls more and more public space into <br>
its vortex, these collaborative, micro-political transgressions <br>
challenge values that trend toward commercialism and legibility,
instead <br>
asserting language that attempts to resist commodification.<br>
<br>
<br>
"<i class="moz-txt-slash"><span class="moz-txt-tag">/</span>Landscapes
of Dissent<span class="moz-txt-tag">/</span></i> is a prolegomenon
toward a new topoiesis--the <br>
creation of a new topos, a new place. This book brings forth not only <br>
the discussion of several practices of disensual use of consensual <br>
("public") space, but also gives away ideas &amp; insights about what
takes <br>
place thanks to a poetry that makes space in a polis made diapolis. <br>
Reading this book I found myself feeling an unknown political emotion <br>
that prompts my passive reader to become a reader ready to engage <br>
(again) the streets--energized by this discussion in which writing is <br>
hope &amp; hope is action. Make it public!" &#8212;Heriberto Y&eacute;pez<br>
<br>
<br>
*****<br>
<br>
Kaia Sand authored the poetry collection <i class="moz-txt-slash"><span
 class="moz-txt-tag">/</span>interval<span class="moz-txt-tag">/</span></i>
(Edge Books 2004), <br>
selected as a Small Press Traffic Book of the Year. She created a dusie
<br>
kollektiv (<span class="moz-txt-underscore"><span class="moz-txt-tag">_</span><a class="moz-txt-link-abbreviated" href="http://www.dusie.org">www.dusie.org</a><span
 class="moz-txt-tag">_</span></span>) chapbook for her poem <i
 class="moz-txt-slash"><span class="moz-txt-tag">/</span>tiny arctic ice<span
 class="moz-txt-tag">/</span></i>, <br>
which was re-configured as a broadside by Bowerbox Press and as an <br>
artist book by Jim Dine. She is creating multi-media investigations of <br>
political histories lodged in Pacific Northwest of the United States,
as <br>
well as a series of poems collaged from dystopic documents. Sand <br>
co-edits the Tangent Press (<a class="moz-txt-link-abbreviated"
 href="http://www.thetangentpress.org">www.thetangentpress.org</a>).<br>
<br>
Jules Boykoff is the author of /Beyond Bullets: The Suppression of <br>
Dissent in the United States/ (AK Press, 2007), /The Suppression of <br>
Dissent: How the State and Mass Media Squelch USAmerican Social <br>
Movements /(Routledge, 2006), and /Once Upon a Neoliberal Rocket Badge <br>
/(Edge Books, 2006). He co-curates the Tangent Reading Series in <br>
Portland, Oregon with Rodney Koeneke and Kaia Sand.<br>
<br>
<br>
</div>
</body>
</html>

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WRITERS IN DANGER: Human Rights Research and Advocacy
Marylhurst University

Martha Gies, instructor
www.marthagies.blogspot.com

In collaboration with the PEN Freedom to Write Committee, we will 
examine the individual case files of international writers who are 
currently silenced or imprisoned, in order to become advocates for their 
freedom to write. Our interests include the cultural context that 
surrounds each writers art, and the social or political response that 
art has produced. Students will compile a literary bibliography for 
their assigned writer and write country reports and letters of advocacy 
for his or her political case. This class offers participants the 
opportunity to use research and writing to bring attention to the 
predicament of persecuted writers around the world.

(Also see extended course description and list of potential cases at 
bottom of message.)

"I send you this letter [to give] you my sincere thanks for your 
decisive and supportive help that achieved my complete liberty. What you 
achieved defeated the fabricated lies that unjustly kept me 10 years in 
prison. To the students, a big long-distance embrace. I'll always keep 
them in my heart."
-- Juan Jara, writing to Gies students from Peru upon his 2004 release


Three Saturdays, 9:00 am - 4:30 pm: 9/27, 10/18, 12/6
Plus an evening presentation open to the public on Wednesday, December 
10 at 7:30 pm.

Call registrar at Marylhurst University: (503) 699-6267 after August 18. 
(Fall term registration opens at 8:00 am on August 18.)

Class is offered through department of English Literature & Writing, 
$579 (or 3 hours academic credit for $1,047).



Extended Course Description:

This course is based on three concepts:

1) Everyone has the right to freedom of opinion and expression; this 
right includes freedom to hold opinions without interference and to 
seek, receive and impart information and ideas through any media and 
regardless of frontiers. (Article 19, Universal Declaration of Human 
Rights)

2) Even democracies will sometimes act to suppress free expression.

3) Citizens can serve the cause of freedom and justice by defending the 
rights of writers to express ideas and report the news without fear of 
reprisal.

This class will challenge you to become a better citizen by making you a 
better critical thinker. You will sharpen your research and analysis 
skills and will hone your abilities to examine current events in the 
context of the media and of history.

Students will be given a choice of cases to adopt. Unless otherwise 
noted, our cases come from the lists of International PEN, the world's 
oldest human rights organization. Founded in 1921 to dispel national, 
ethnic, and racial hatreds, PEN defends free expression and writers in 
prison or in danger of imprisonment for their work. Some of our cases:


Potential cases:

Burma: MAUNG Thura ('Zargana') is a comedian, poet, and opposition 
activist who was among the many arrested during the recent crackdown 
against pro-democracy demonstrations in Burma that broke out in late 
September 2007.

Iran: Yaghoub YADALI is an award-winning writer who has published novels 
and short stories. In September 2007, he was detained for 41 days on 
charges of insult, libel and publication of false information in two of 
his fictional works, though both had been granted approval for 
publication from Iran's Ministry of Guidance.

Mexico: Lydia CACHO RIBEIRO is an author, journalist and social 
activist. On trial for criminal defamation throughout 2006 and acquitted 
in January 2007, Cacho continues to receive constant death and other 
threats and is under 24-hour protection.

Mexico: Alfredo JIMNEZ MOTA was a crime reporter who, at age 26, 
disappeared while publishing articles on local drug traffickers for the 
Hermosillo daily El Imparcial in the north-western state of Sonora. 
Jimnez has not been seen since April 2, 2005, and is presumed dead.

United States: Leonard PELTIER, a citizen of the Anishinabe and Lakota 
Nations, is a writer and Indigenous rights activist. Peltier's 
participation in the American Indian Movement led to his involvement 
with the Pine Ridge Indian Reservation in South Dakota, where a tragic 
shoot-out occurred in 1975. Wrongfully convicted of murder, Peltier has 
been serving time in federal prison since 1977. (Amnesty International 
case)

United States: Yassin AREF is an Iraqi Kurd who immigrated to the U.S. 
as a United Nations refugee. In 2006, he was convicted of supporting 
terrorists and sent to a federal prison. According to PBS investigative 
journalist Robert McNeill, the "terrorist plot" that lies at the center 
of the case was entirely fictitious. Aref is a poet and the author of a 
new memoir. (Muslim Solidarity Committee case)

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Sixth Annual Richard Foreman Mini Festival

A fundraiser for Performance Works Northwest

Friday, August 15
Saturday, August16
(different performers each night)
8:30 pm

Performance Works NW
4625 SE 67th
(between Foster and Holgate)
http://www.performanceworksnw.org

Tickets $15-$50 for one night; $25-$75 for both nights, sliding scale.
Reservations: 503-777-1907 or http://www.brownpapertickets.com 
<https://www.brownpapertickets.com/event/40054>


Friday:
Action / Adventure * Chuck Barnes & Lois Leveen * Tony Christy * 
Arrington de Dionyso * Ian Greenfield & Jason Eksuzian * Faith Levine * 
Our Shoes Are Red / The Performance Lab

Saturday:
dry, like a sedan * David Abel & Eric Matchett * Tim DuRoche & Lisa 
Radon * Lily Gael * Kaj-anne Pepper * Francesca Sanders & Kerry Sorci * 
Sadajenenai

Both nights: Linda Austin & the Boris & Natasha Dancers

Once again a scintillating array of Portland performing and media 
artists rise to the challenge of creating a piece in ten days by 
cutting, pasting, mangling or otherwise adapting text selected from 
avant-garde writer/director Richard Foreman's online notebooks: 
http://ontological.com/RF/notebooks.html

At 12:01 am on August 5, the performers were given the text plus a few 
simple restrictions; ten days later audiences will thrill to the 
amusing, shocking and enlightening results in two different programs 
over two nights of avant fun.

Lilly Chamberlain and Cyndy Chan are catering the event with savory, 
sweet, and refreshing summer treats. Beer, wine and soft drinks will be 
available.


--------------020401090003010806040208
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
Sixth Annual Richard Foreman Mini Festival<br>
<br>
A fundraiser for Performance Works Northwest<br>
<br>
Friday, August 15<br>
Saturday, August16 <br>
(different performers each night)<br>
8:30 pm<br>
<br>
Performance Works NW<br>
4625 SE 67th <br>
(between Foster and Holgate)<br>
<a class="moz-txt-link-freetext" href="http://www.performanceworksnw.org">http://www.performanceworksnw.org</a><br>
<br>
Tickets $15-$50 for one night; $25-$75 for both nights, sliding scale.<br>
Reservations: 503-777-1907 or <a class="moz-txt-link-freetext" href="http://www">http://www</a>.<a
 href="https://www.brownpapertickets.com/event/40054" target="_blank">brownpapertickets.com</a>
<p><br>
Friday: <br>
Action / Adventure * Chuck Barnes &amp; Lois Leveen * Tony Christy *
Arrington de Dionyso * Ian Greenfield &amp; Jason Eksuzian * Faith
Levine * Our Shoes Are Red / The Performance Lab<br>
</p>
<p>Saturday:<br>
dry, like a sedan * David Abel &amp; Eric Matchett * Tim DuRoche &amp;
Lisa Radon * Lily Gael * Kaj-anne Pepper * Francesca Sanders &amp;
Kerry Sorci * Sadajenenai<br>
</p>
<p>Both nights: Linda Austin &amp; the Boris &amp; Natasha Dancers<br>
<br>
</p>
<p>Once again a scintillating array of Portland performing and media
artists rise to the challenge of creating a piece in ten days by
cutting, pasting, mangling or otherwise adapting text selected from
avant-garde writer/director Richard Foreman's online notebooks:
<a class="moz-txt-link-freetext" href="http://ontological.com/RF/notebooks.html">http://ontological.com/RF/notebooks.html</a></p>
<p>At 12:01 am on August 5, the performers were given the text plus a
few simple restrictions; ten days later audiences will thrill to the
amusing, shocking and enlightening results in two different programs
over two nights of avant fun.</p>
<p>Lilly Chamberlain and Cyndy Chan are catering the event with savory,
sweet, and refreshing summer treats. Beer, wine and soft drinks will be
available.</p>
</body>
</html>

--------------020401090003010806040208--

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Due to unforeseen circumstances, Lee Ann Brown has had to cancel her 
trip to the Northwest this month.

For that reason, there will be no Spare Room reading on August 24; in 
its stead, Cynthia Nelson and Maggie Nelson (from L.A.; no relation) 
will read on Sunday, September 14.

Full details to follow soon.

Our apologies for any inconvenience.


Spare Room

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from Melissa Sillitoe:

A correction to the last announcement about the free reading/music 
series at Three Friends:

Cellist Jesse Dettwiler performed *last* Monday, August 11

This coming Monday, August 18:

Jeff Etlin, author of "Poetry Pie"
will headline at

"3 Friends at Three Friends Coffee House

201 SE 12th
7:00 pm

Free

for more information:
www.showandtellgallery.org

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from Melissa Sillitoe:<br>
<br>
A correction to the last announcement about the free reading/music
series at Three Friends:<br>
<br>
Cellist Jesse Dettwiler performed *last* Monday, August 11<br>
<br>
This coming Monday, August 18:<br>
<br>
Jeff Etlin, author of "Poetry Pie"<br>
will headline at<br>
<br>
"3 Friends at Three Friends Coffee House<br>
<br>
201 SE 12th<br>
7:00 pm<br>
<br>
Free<br>
<br>
for more information:<br>
<a class="moz-txt-link-abbreviated" href="http://www.showandtellgallery.org">www.showandtellgallery.org</a><br>
<span style="font-family: tahoma,sans-serif;"></span>
</body>
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Spare Room presents


*Maggie Nelson* (L.A.)

*Cynthia Nelson* (Portland)


Sunday, September 14
7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


=============================================

Upcoming readings:

Saturday, October 11: Chris Vitiello / Jeanne Heuving
November tba: Doug Nufer / Zachary Schomburg
December 18: Judith Roitman / Stanley Lombardo
January 11: Endi Hartigan / Maryrose Larkin
February 1: Laynie Browne / tba

=============================================

Maggie Nelson is the author of four books of poetry, most recently 
/Something Bright, Then Holes/ (Soft Skull Press, 2007) and /Jane: A 
Murder/ (Soft Skull, 2005). She is also the author of two books of 
nonfiction, /The Red Parts: A Memoir/ (Free Press, 2007), and a critical 
study, /Women, the New York School, and Other True Abstractions/ 
(University of Iowa Press, 2007). Her next book will be a work of 
experimental prose about the color blue titled /Bluets/ (forthcoming 
from Wave Books in Fall 2009). After many years of living and working in 
New York City, she joined the faculty of the School of Critical Studies 
at California Institute of the Arts (CalArts) in Los Angeles in 2005.

Cynthia Nelson is a poet and a musician who lives in Portland, Oregon. 
She has toured widely with her bands Ruby Falls, Retsin, The Naysayer, 
and Cynthia Nelson. She teaches music at the Rock 'n' Roll Camp for 
Girls and is currently working on a piano-based third solo album of 
songs (see www.nonstopco-op.com for the first two). Her recent books 
include /Kentucky Rules/ (Soft Skull, 2003), and last year she published 
work in /6x6/, an Ugly Duckling Presse chapbook, and coedited the 
radical fiction journal /Tantalum/.

=============================================


WHAT IT IS

It is what
it is. But
what is it?

What it is--

Some soft
tautology

whose two terms
are touch

Time to give, time
to give it up.


-- Maggie Nelson



AUTUMN AT RICE

the countergirl has a cold
i am feeding ginger candy 

quietly the scene
passes into evening

givenchy
she smiles as if it's plenty

lucite skate wheels
in the candy setting
 
sun west after
noon please

play with
me 

rice


-- Cynthia Nelson





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Spare Room presents<br>
<br>
<br>
<b>Maggie Nelson</b> (L.A.)<br>
<br>
<b>Cynthia Nelson</b> (Portland)<br>
<br>
<br>
Sunday, September 14<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<a class="moz-txt-link-abbreviated" href="http://www.concordiacoffeehouse.com">www.concordiacoffeehouse.com</a><br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
Saturday, October 11: Chris Vitiello / Jeanne Heuving<br>
November tba: Doug Nufer / Zachary Schomburg<br>
December 18: Judith Roitman / Stanley Lombardo<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
February 1: Laynie Browne / tba<br>
<br>
=============================================<br>
<br>
Maggie Nelson is the author of four books of poetry, most recently <i>Something
Bright, Then Holes</i> (Soft Skull Press, 2007) and <i>Jane: A Murder</i>
(Soft Skull, 2005). She is also the author of two books of nonfiction, <i>The
Red Parts: A Memoir</i> (Free Press, 2007), and a critical study, <i>Women,
the New York School, and Other True Abstractions</i> (University of
Iowa Press, 2007). Her next book will be a work of experimental prose
about the color blue titled <i>Bluets</i> (forthcoming from Wave Books
in Fall 2009). After many years of living and working in New York City,
she joined the faculty of the School of Critical Studies at California
Institute of the Arts (CalArts) in Los Angeles in 2005.<br>
<br>
Cynthia Nelson is a poet and a musician who lives in Portland, Oregon.
She has toured widely with her bands Ruby Falls, Retsin, The Naysayer,
and Cynthia Nelson. She teaches music at the Rock 'n' Roll Camp for
Girls and is currently working on a piano-based third solo album of
songs (see <a class="moz-txt-link-abbreviated" href="http://www.nonstopco-op.com">www.nonstopco-op.com</a> for the first two). Her recent books
include <i>Kentucky Rules</i> (Soft Skull, 2003), and last year she
published work in <i>6x6</i>, an Ugly Duckling Presse chapbook, and
coedited the radical fiction journal <i>Tantalum</i>.<br>
<br>
=============================================<br>
<br>
<br>
WHAT IT IS<br>
<br>
It is what<br>
it is. But<br>
what is it?<br>
<br>
What it is--<br>
<br>
Some soft<br>
tautology<br>
<br>
whose two terms<br>
are touch<br>
<br>
Time to give, time<br>
to give it up.<br>
<br>
<br>
-- Maggie Nelson<br>
<br>
<br>
<br>
AUTUMN AT RICE<br>
<br>
the countergirl has a cold<br>
i am feeding ginger candy&nbsp;<br>
<br>
quietly the scene<br>
passes into evening<br>
<br>
givenchy<br>
she smiles as if it's plenty<br>
<br>
lucite skate wheels<br>
in the candy setting<br>
&nbsp;<br>
sun west after<br>
noon please<br>
<br>
play with<br>
me&nbsp;<br>
<br>
rice<br>
<br>
<br>
-- Cynthia Nelson<br>
<br>
<br>
<br>
<br>
</body>
</html>

--------------050200040004010805060509--

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WHO'S ON FIRST? A Reading Series at Arundel Books

New Reading Series to be held every First Thursday at Arundel Books on 
the corner of First and Madison. Come for Artwalk, drop in for Poetry!


Maryrose Larkin
Doug Nufer

Thursday, September 4th
7:00 pm

Free

Arundel Books
1001 First Ave, Seattle
(206) 624-4442
events@arundelbooks.com


Maryrose Larkin lives in Portland, Oregon, where she works as a 
freelance researcher. She is the author of Inverse (nine muses books), 
Whimsy Daybook 2007 (FLASH+CARD), and The Book of Ocean (i.e. press). 
Maryrose is part of Spare Room, a group of people who organize readings 
and other events in Portland. She is co-editor, with Sarah Mangold, of 
FLASH+CARD, a chapbook and ephemera poetry press.

Doug Nufer writes fiction and poetry based on odd procedures. His novels 
include Negativeland (Autonomedia), Never Again (Black Square), On the 
Roast (Chiasmus), and The Mudflat Man/ The River Boys (soultheft). His 
most recent book is a poetry collection, We Were Werewolves (Make Now).

From passages@rdrop.com Thu Aug 28 01:33:41 2008
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Subject: [Spare Room/Passages] FWD: Soapstone 10th anniversary, 9/17
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Judith Barrington, Ruth Gundle, Ursula K. Le Guin and the Soapstone Board
invite you to join in celebrating ten years of writing residencies at 
Soapstone

Wednesday, September 17
7:00 to 9:30 p.m.

 Buchan Building
1226 SW Salmon

Nibbles, no-host wine and soft drinks

The evening will include: a performance piece created from the Wind and 
Water Studio journals by Kathleen Worley and performed by professional 
actors; a short slide show of Soapstone's history and the community that 
created and sustains it; and two poetry broadsides by Mimi Khalvati, 
"Soapstone Creek" and Soapstone Retreat," which will be given away to 
everyone who attends.

Free, and open to the public, sponsored by the First Unitarian Church 
and funded in part by grants from the Regional Arts and Culture Council 
and the Oregon Arts Commission.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Soapstone, A Writing Retreat for Women
622 SE 29th Avenue
Portland, OR 97214
503/233-3936
http://www.soapstone.org
retreats@soapstone.org

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<div class="moz-text-html" lang="x-western"><font face="" size="3">Judith
Barrington, Ruth Gundle, Ursula K. Le Guin and the Soapstone Board<br>
invite you to join in celebrating ten years of writing residencies at
Soapstone<br>
<br>
Wednesday, September 17<br>
</font><font face="" size="3">7:00 to 9:30 p.m.<br>
<br>
</font><font face="" size="3">&nbsp;Buchan Building<br>
1226 SW Salmon<br>
<br>
Nibbles, no-host wine and soft drinks<br>
<br>
The evening will include: a performance piece created from the Wind and
Water Studio journals by Kathleen Worley and performed by professional
actors; a short slide show of Soapstone&#8217;s history and the community
that created and sustains it; and two poetry broadsides by Mimi
Khalvati, "Soapstone Creek" and Soapstone Retreat," which will be given
away to everyone who attends. <font color="#003300"><br>
<br>
Free, and open to the public, sponsored by the First Unitarian Church
and funded in part by grants from the Regional Arts and Culture Council
and the Oregon Arts Commission.<br>
<br>
<font color="#330033"><br>
</font><font color="#330033" face="">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<br>
<br>
Soapstone, A Writing Retreat for Women<br>
</font></font></font><font color="#330033" face="" size="3">622 SE 29th
Avenue<br>
Portland, OR 97214<br>
503/233-3936<br>
<a class="moz-txt-link-freetext" href="http://www.soapstone.org">http://www.soapstone.org</a><br>
</font><font color="#330033" face="" size="3"><a
 class="moz-txt-link-abbreviated" href="mailto:retreats@soapstone.org">retreats@soapstone.org</a></font>
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Subject: [Spare Room/Passages] FWD: Robert Grenier 9/10 -- new reading
	series in Eugene
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from Tim Shaner:


A-New Poetry: Experimental Writing Series

  9/10   Robert Grenier
10/11   Jules Boykoff & Kaia Sand
11/15   David Abel, Maryrose Larkin, & Eric Matchett

(details below)

DIVA (Downtown Initiative for the Arts)
110 W. Broadway
Eugene, OR
541-344-3482
http://divanow.org

$5 suggested donation


 

Robert Grenier
reading and slide presentation

Wednesday, September 10, 7:30 PM


A graduate of Harvard College and the University of Iowa Program in 
Creative Writing, Robert Grenier has taught literature and creative 
writing at UC Berkeley, Tufts, Franconia College, New College of 
California, and Mills College. His works include /Sentences/, /Series, 
Oakland, A Day At The Beach, Phantom Anthems /and/ OWL/ON/ BOU/GH/. 
Grenier is currently co-editing a Collected Poems of Larry Eigner for 
the Stanford University Press. He was founding co-editor (with Barrett 
Watten) of the influential little magazine /This/ (1971-1974) and was 
the editor of Robert Creeley's /Selected Poems/, published in 1976. 
Grenier's early work, influenced by Creeley, is noted for its 
minimalism; Grenier's recent work is as much visual as verbal, involving 
multicolor "drawn" poems in special (and not always reproducible) formats.

 

 

Jules Boykoff and Kaia Sand

Saturday, October 11, 7:30 PM


Jules Boykoff is coauthor, with Kaia Sand, of /Landscapes of Dissent: 
Guerrilla Poetry & Public Space/ (Palm Press, 2008) and the author of 
/Beyond Bullets: The Suppression of Dissent in the United States/ (AK 
Press, 2007) and the poetry collection /Once Upon a Neoliberal Rocket 
Badge/ (Edge Books, 2006). A collaboration with visual artist Jim Dine 
is forthcoming (Steidl, 2008). In November 2006 he was an invited 
speaker at the United Nations Climate Change Conference in Nairobi, 
Kenya, where he presented research he carried out with his brother 
Maxwell Boykoff (Oxford University) on U.S. media coverage of global 
warming. Boykoff teaches political science and writing at Pacific 
University and  cocurates the Tangent Reading Series in Portland with 
Rodney Koeneke and Kaia Sand.

 

Kaia Sand is the author of the poetry collection /interval/ (Edge Books 
2004), selected as a Small Press Traffic Book of the Year. She created a 
dusie kollektiv (www.dusie.org) chapbook for her poem /tiny arctic ice/, 
which was reconfigured as a broadside by Bowerbox Press and as an 
artist's book by Jim Dine. She is creating multimedia investigations of 
political histories lodged in the Pacific Northwest of the United 
States, as well as a series of poems collaged from dystopic documents. 
Sand co-edits the Tangent Press (www.thetangentpress.org).

 



David Abel, Maryrose Larkin, and Eric Matchett

Saturday, November 15, 7:30 PM


David Abel is a poet, performer, and interdisciplinary artist who works 
as a freelance editor and bookseller. His recent publications include 
/Twenty-/ (Crane's Bill), /Let Us Repair/ (wax paper scissors, with Anna 
Daedalus) and /Black Valentine /(Chax Press). He collaborates often with 
artists in various media; most recently with Eric Matchett on /The 
Continuation of Dreaming by Other Means/ for the Sixth Annual Richard 
Foreman Mini-Festival at Performance Works Northwest in Portland. He is 
a founding organizer of the Spare Room reading series.

 

Maryrose Larkin lives in Portland, where she works as a freelance 
researcher. She is the author of /Inverse/ (nine muses books), /Whimsy 
Daybook 2007/ (FLASH+CARD), and /The Book of Ocean/ (i.e. press). Her 
work can be found in /FO A RM, Insurance, Bird Dog, /the/ Columbia 
Poetry Review, /and the/ Washington Review/. Maryrose is part of Spare 
Room, a group of people who organize readings and other events in 
Portland. She is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook 
and ephemera poetry press.

 

Eric Matchett enjoys the pursuit of music, especially via collaboration. 
His latest completed project, a CD of dub furniture music with Jake 
Anderson, can be found at 
www.archive.org/details/ActivityUniversalAssociates.

 

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<div class="moz-text-html" lang="x-western">from Tim Shaner:<br>
<br>
<br>
A-New Poetry: Experimental Writing Series<br>
<br>
&nbsp; 9/10 &nbsp; Robert Grenier<br>
10/11 &nbsp; Jules Boykoff &amp; Kaia Sand<br>
11/15&nbsp;&nbsp; David Abel, Maryrose Larkin, &amp; Eric Matchett<br>
<br>
(details below)<br>
<br>
DIVA (Downtown Initiative for the Arts)<br>
110 W. Broadway<br>
Eugene, OR<br>
541-344-3482<br>
<a class="moz-txt-link-freetext" href="http://divanow.org">http://divanow.org</a><br>
<br>
$5 suggested donation<br>
<br>
<br>
<div>&nbsp;</div>
<div>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Robert Grenier<br>
reading and slide presentation<br>
<br>
</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Wednesday, September
10, 7:30 PM<br>
</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><br>
A graduate of <st1:placename w:st="on">Harvard</st1:placename> <st1:placetype
 w:st="on">College</st1:placetype> and the <st1:placetype w:st="on">University</st1:placetype>
of <st1:placename w:st="on">Iowa Program</st1:placename> in Creative
Writing, Robert Grenier has taught literature and creative writing at
UC Berkeley, Tufts, <st1:placename w:st="on">Franconia</st1:placename>
<st1:placetype w:st="on">College</st1:placetype>, New College of
California, and <st1:place w:st="on"><st1:placename w:st="on">Mills</st1:placename>
<st1:placetype w:st="on">College</st1:placetype></st1:place>. His works
include <i>Sentences</i>, <i>Series, <st1:place w:st="on"><st1:city
 w:st="on">Oakland</st1:city></st1:place>,
A Day At The Beach, Phantom Anthems </i>and<i> OWL/ON/ BOU/GH</i>.
Grenier is currently co-editing a Collected Poems of Larry Eigner for
the Stanford University Press. He was founding co-editor (with Barrett
Watten) of the influential little magazine <i>This</i> (1971-1974) and
was the
editor of Robert Creeley's <i>Selected Poems</i>, published in 1976.
Grenier's
early work, influenced by Creeley, is noted for its minimalism;
Grenier's recent work is as much visual as verbal, involving multicolor
"drawn" poems in special (and not always reproducible) formats.</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;<br>
<br>
</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Jules Boykoff and
Kaia Sand<br>
<br>
</p>
<o:p>
</o:p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Saturday, October 11,
7:30 PM<span style=""></span><br>
</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><br>
Jules Boykoff is
coauthor, with Kaia Sand, of <i>Landscapes of Dissent: Guerrilla
Poetry
&amp; Public Space</i> (Palm Press, 2008) and the author of <i>Beyond
Bullets:
The Suppression of Dissent in the <st1:place w:st="on"><st1:country-region
 w:st="on">United States</st1:country-region></st1:place></i>
(AK Press, 2007) and the
poetry collection <i>Once Upon a Neoliberal Rocket Badge</i> (Edge
Books,
2006). A
collaboration with visual artist Jim Dine is forthcoming (Steidl,
2008). In November 2006 he was an invited speaker at the United Nations
Climate Change
Conference in Nairobi, Kenya, where he presented research he carried
out with his brother Maxwell Boykoff (Oxford University) on U.S. media
coverage of global warming. Boykoff
teaches political science and writing at <st1:placename w:st="on">Pacific</st1:placename>
<st1:placetype w:st="on">University</st1:placetype> and&nbsp; cocurates the
Tangent Reading Series in Portland with Rodney Koeneke and
Kaia Sand.</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Kaia Sand is the
author of the poetry collection <i>interval</i> (Edge Books 2004),
selected as
a Small Press Traffic Book of the Year. She created a dusie kollektiv
(<a class="moz-txt-link-abbreviated" href="http://www.dusie.org">www.dusie.org</a>)
chapbook for her poem <i>tiny arctic ice</i>, which was
reconfigured as a broadside by Bowerbox Press and as an artist's book
by
Jim Dine. She is creating multimedia investigations of political
histories lodged in the Pacific Northwest of the <st1:country-region
 w:st="on"><st1:place w:st="on">United States</st1:place></st1:country-region>,
as well as a series of poems collaged from dystopic documents. Sand
co-edits
the Tangent Press (<a class="moz-txt-link-abbreviated"
 href="http://www.thetangentpress.org">www.thetangentpress.org</a>).</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p></o:p> <br>
<br>
</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>David Abel,
Maryrose Larkin, and Eric Matchett<br>
<br>
</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Saturday, November
15, 7:30 PM<br>
</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><br>
David Abel is a poet,
performer, and interdisciplinary artist who works as a freelance editor
and bookseller. His recent publications include <i>Twenty-</i>
(Crane's Bill), <i>Let Us Repair</i> (wax paper
scissors, with Anna Daedalus) and <i>Black Valentine </i>(Chax
Press). He collaborates often with artists in various media; most
recently with Eric Matchett on <i>The Continuation of Dreaming by
Other Means</i> for the Sixth Annual Richard Foreman Mini-Festival at
Performance Works Northwest in Portland. He is a founding organizer of
the Spare
Room reading series.</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Maryrose Larkin lives
in <st1:place w:st="on"><st1:city w:st="on">Portland</st1:city>,</st1:place>
where she works as a freelance researcher. She is the author of <i>Inverse</i>
(nine muses books), <i>Whimsy Daybook 2007</i> (FLASH+CARD), and <i>The
Book of
Ocean</i> (i.e. press). Her work can be found in <i>FO A RM,
Insurance, Bird
Dog, </i>the<i> Columbia Poetry Review, </i>and the<i> Washington
Review</i>. Maryrose is
part of Spare Room, a group of people who organize readings and other
events in <st1:city w:st="on"><st1:place w:st="on">Portland</st1:place></st1:city>.
She is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and
ephemera poetry press.</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Eric Matchett enjoys
the pursuit of music, especially via collaboration. His latest
completed project, a CD of dub furniture music with Jake Anderson, can
be found at <a class="moz-txt-link-abbreviated"
 href="http://www.archive.org/details/ActivityUniversalAssociates">www.archive.org/details/ActivityUniversalAssociates</a>.</p>
</div>
<div>&nbsp;</div>
</div>
</body>
</html>

--------------070607030005050000080501--

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Subject: [Spare Room/Passages] Sun. 9/14, Nelson & Nelson; 9/28 Poetry Walk
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Spare Room presents

*Maggie Nelson* (L.A.)
*Cynthia Nelson* (Portland)

Sunday, September 14, 7:30 pm

Concordia Coffee House     www.concordiacoffeehouse.com
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming events:

Sunday, September 28, 12:00 pm
*Remember to Wave: A Poetry Walk in North Portland*, with Kaia Sand
(details to follow)

October 11: Chris Vitiello / Jeanne Heuving
November 9: Doug Nufer / Zachary Schomburg
December 18: Judith Roitman / Stanley Lombardo
January 11: Endi Hartigan / Maryrose Larkin
February 1: Laynie Browne / tba

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Spare Room presents<br>
<br>
<b>Maggie Nelson</b> (L.A.)<br>
<b>Cynthia Nelson</b> (Portland)<br>
<br>
Sunday, September 14, 7:30 pm<br>
<br>
Concordia Coffee House&nbsp;&nbsp;&nbsp;&nbsp; <a class="moz-txt-link-abbreviated"
 href="http://www.concordiacoffeehouse.com">www.concordiacoffeehouse.com</a><br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming events:<br>
<br>
Sunday, September 28, 12:00 pm<br>
<b>Remember to Wave: A Poetry Walk in North Portland</b>, with Kaia Sand<br>
(details to follow)<br>
<br>
October 11: Chris Vitiello / Jeanne Heuving<br>
November 9: Doug Nufer / Zachary Schomburg<br>
December 18: Judith Roitman / Stanley Lombardo<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
February 1: Laynie Browne / tba<br>
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Two readings to choose from on Wednesday, September 17:


from Tom Mattox:

Dale Favier
Dan Raphael
Maryrose Larkin

7:00 pm

Barnes & Noble
1317 Lloyd Center



from Charles Seluzicki:

Carl Adamshick
Matthew Dickman
 
7:30 PM

The Press Club
2621 SE Clinton

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Subject: [Spare Room/Passages] 9/28 - Remember to Wave: A Poetry Walk with
	Kaia Sand
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Spare Room presents**

/*Remember to Wave: */
/*A Poetry Walk in North Portland*/

*with Kaia Sand

*Sunday, September 28
12:00 pm

Free

Meet at the Expo MAX stop (yellow line), at the Torii gate at the north 
end of the platform.

http://www.flim.com/spareroom

======================================================

/We walk for many reasons, and one of those reasons can be poetry. /

Rather than gather in a salon or saloon, we'll step outdoors. This is a 
poetry reading by Kaia Sand that will "take place" as a two-hour walk, 
in the spirit of the Situationist drive. We'll walk near the Columbia 
Slough where Japanese Americans were "relocated," and where the Vanport 
flood destroyed the World War II-era city.

We'll embark at noon from the Expo MAX Station, take an approximately 
two mile walk, and end at the Delta Park/Vanport station. Along the way, 
we'll stop for an improvisational ode and a snack of seasonal fruit.

This will be an uncovered, outdoor event, so be sure to wear walking 
shoes and---if it's raining---bring an umbrella!

Please email Kaia (sand@thetangentpress.org) by September 24 with a 
postal address if you would like to receive a map of the poetry walk 
route in the mail. A map will also be posted online as a pdf 
(http://www.thetangentpress.org/map.html).

This project is funded by the Regional Arts and Culture Council


*****

*Kaia Sand* authored the poetry collection /interval/ (Edge Books 2004), 
selected as a Small Press Traffic Book of the Year, and with Jules 
Boykoff she coauthored the just-released /Landscapes of Dissent: 
Guerrilla Poetry & Public Space/ (Palm Press 2008). She created a dusie 
kollektiv (www.dusie.org) chapbook for her poem /tiny arctic ice/, which 
was reconfigured as a broadside by Bowerbox Press and as an artist's 
book by Jim Dine (Steidl Editions 2008). She recently performed poetry 
collaged entirely from the North American Free Trade Agreement at the 
Positions Colloquium of the Kootenay School of Writing in Vancouver, 
British Columbia. Her investigations of Pacific Northwest geographies 
will be published as a chapbook through Tinfish Press (Hawaii 2009), and 
an essay from this project will be published in the forthcoming /Citadel 
of the Spirit/ (Nestucca Spit Press).


*tiny arctic ice*

Inhale, exhale
6.6 billion people breathing
Some of us in captivity
Our crops far-flung
Prison is a place where children sometimes visit
Jetted from Japan, edamame is eaten in England
Airplane air is hard to share
I breathe in what you breathe out, stranger
We send tea leaves to distant friends
Araucana chickens won't lay eggs in captivity
Airplanes of roses lift above Quito mountains
When the fish diminish, folks find jobs in prisons
Sometimes children visit
Terminator seeds are hard to share
And the fish diminish
The roses, the tea, and the edamame, far-flung
The roses, the tea and you
You breathe in what I breathe out, friend


--------------090106030505070303030408
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Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
Spare Room presents<b></b><br>
<br>
<i><b>Remember to Wave: </b></i><br>
<i><b>A Poetry Walk in North Portland</b></i><br>
<br>
<b>with Kaia Sand<br>
<br>
</b>Sunday, September 28<br>
12:00 pm<br>
<br>
Free<br>
<br>
Meet at the Expo MAX stop (yellow line), at the Torii gate at the north
end
of the platform.<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.flim.com/spareroom">http://www.flim.com/spareroom</a><br>
<br>
======================================================<br>
<br>
<i>We walk for many reasons, and one of those reasons can be poetry.
</i><br>
<br>
Rather than gather in a salon or saloon, we&#8217;ll step outdoors. This is a
poetry reading by Kaia Sand that will &#8220;take place&#8221; as a two-hour walk,
in the spirit of the Situationist d&eacute;rive. We'll walk near the Columbia
Slough where Japanese Americans were "relocated," and where the Vanport
flood destroyed the World War II-era city.<br>
<br>
We&#8217;ll embark at noon from the Expo MAX Station, take an approximately
two mile walk, and end at the Delta Park/Vanport station. Along the
way, we&#8217;ll stop for an improvisational ode and a snack of seasonal
fruit.<br>
<br>
This will be an uncovered, outdoor event, so be sure to wear walking
shoes and&#8212;if it&#8217;s raining&#8212;bring an umbrella!<br>
<br>
Please email Kaia (<a class="moz-txt-link-abbreviated" href="mailto:sand@thetangentpress.org">sand@thetangentpress.org</a>) by September 24 with a
postal address if you would
like to receive a map of the poetry walk route in the mail. A map will
also be posted online as a pdf
(<a class="moz-txt-link-freetext"
 href="http://www.thetangentpress.org/map.html">http://www.thetangentpress.org/map.html</a>).<br>
<br>
This project is funded by the Regional Arts and Culture Council<br>
<br>
<br>
*****<br>
<br>
<b>Kaia Sand</b> authored the poetry collection <i>interval</i> (Edge
Books 2004), selected as a Small Press Traffic Book of the Year, and
with Jules Boykoff she coauthored the just-released <i>Landscapes of
Dissent: Guerrilla Poetry &amp; Public Space</i> (Palm Press 2008). She
created a dusie kollektiv (<a class="moz-txt-link-abbreviated"
 href="http://www.dusie.org">www.dusie.org</a>) chapbook for her poem <i>tiny
arctic ice</i>, which was reconfigured as a broadside by Bowerbox Press
and as an artist's book by Jim Dine (Steidl Editions 2008). She
recently performed poetry collaged entirely from the North American
Free Trade Agreement at the Positions Colloquium of the Kootenay School
of Writing in Vancouver, British Columbia. Her investigations of
Pacific Northwest geographies will be published as a chapbook through
Tinfish Press (Hawaii 2009), and an essay from this project will be
published in the forthcoming <i>Citadel of the Spirit</i> (Nestucca
Spit Press).<br>
<br>
<br>
<b>tiny arctic ice</b><br>
<br>
Inhale, exhale<br>
6.6 billion people breathing<br>
Some of us in captivity<br>
Our crops far-flung<br>
Prison is a place where children sometimes visit<br>
Jetted from Japan, edamame is eaten in England<br>
Airplane air is hard to share<br>
I breathe in what you breathe out, stranger<br>
We send tea leaves to distant friends<br>
Araucana chickens won&#8217;t lay eggs in captivity<br>
Airplanes of roses lift above Quito mountains<br>
When the fish diminish, folks find jobs in prisons<br>
Sometimes children visit<br>
Terminator seeds are hard to share<br>
And the fish diminish<br>
The roses, the tea, and the edamame, far-flung<br>
The roses, the tea and you<br>
You breathe in what I breathe out, friend<br>
<br>
</body>
</html>

--------------090106030505070303030408--

From passages@rdrop.com Fri Sep 19 00:57:46 2008
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from Mark Owens:
*
DEMAGNETIC CABARET*
experimental performances
one night only
 
Linda Austin
Bethany Ides
Tony Christy
Leo Daedalus
David Abel
Mark Owens

Saturday, September 27th
8:OO pm

gallery HOMELAND
2505 SE 11th Ave. (at Division)

Beware! A new series of mutant cabarets is afoot. It aims to not aim! 
Our disposable non-acts will not take over. No!

Come to an evening of humor-based, conceptual, nondramatic events 
informed from traditions such as Dada, Fluxus, and Situationism.

*Compost Sterilization*

--------------030904040308000200030904
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<div><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif">from Mark Owens:<br>
</font><b><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif"><br>
DEMAGNETIC CABARET</font></b><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif"><br>
experimental performances<br>
one night only<br>
&nbsp;<br>
</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif">
Linda Austin<br>
Bethany Ides<br>
Tony Christy<br>
Leo Daedalus<br>
</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif">David Abel<br>
</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif">Mark Owens<br>
<br>
</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif">Saturday, September 27th</font><font
 class="Apple-style-span" face="verdana, helvetica, sans-serif"><br>
</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif">8:OO pm<br>
<br>
gallery HOMELAND<br>
2505 SE 11th Ave. (at Division)<br>
</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif"><br>
</font></div>
<div><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif">Beware! A new series of mutant
cabarets is afoot. It aims to not aim! Our disposable non-acts will not
take over. No!</font></div>
<div><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif"><br>
Come to an evening of humor-based, conceptual, nondramatic events
informed from traditions such as Dada,&nbsp;</font><font
 class="Apple-style-span" face="verdana, helvetica, sans-serif">Fluxus</font><font
 class="Apple-style-span" face="verdana, helvetica, sans-serif">, and
Situationism.</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif"><br>
</font><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif"><br>
</font><b><font class="Apple-style-span"
 face="verdana, helvetica, sans-serif"><span class="Apple-style-span"
 style="font-size: medium;">Compost Sterilization</span></font></b></div>
</div>
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--------------030904040308000200030904--

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Spare Room presents

/*Remember to Wave: */
/*A Poetry Walk in North Portland*/

*with Kaia Sand

*Sunday, September 28
12:00 pm

Free

Meet at the Expo MAX stop (yellow line), at the Torii gate at the north 
end of the platform.

http://www.flim.com/spareroom

======================================================

/We walk for many reasons, and one of those reasons can be poetry. /

Rather than gather in a salon or saloon, we'll step outdoors. This is a 
poetry reading by Kaia Sand that will "take place" as a two-hour walk, 
in the spirit of the Situationist drive. We'll walk near the Columbia 
Slough where Japanese Americans were "relocated," and where the Vanport 
flood destroyed the World War II-era city.

We'll embark at noon from the Expo MAX Station, take an approximately 
two mile walk, and end at the Delta Park/Vanport station. Along the way, 
we'll stop for an improvisational ode and a snack of seasonal fruit.

This will be an uncovered, outdoor event, so be sure to wear walking 
shoes and---if it's raining---bring an umbrella!

Please email Kaia (sand@thetangentpress.org) by September 24 with a 
postal address if you would like to receive a map of the poetry walk 
route in the mail. A map will also be posted online as a pdf 
(http://www.thetangentpress.org/map.html).

This project is funded by the Regional Arts and Culture Council


*****

*Kaia Sand* authored the poetry collection /interval/ (Edge Books 2004), 
selected as a Small Press Traffic Book of the Year, and with Jules 
Boykoff she coauthored the just-released /Landscapes of Dissent: 
Guerrilla Poetry & Public Space/ (Palm Press 2008). She created a dusie 
kollektiv (www.dusie.org) chapbook for her poem /tiny arctic ice/, which 
was reconfigured as a broadside by Bowerbox Press and as an artist's 
book by Jim Dine (Steidl Editions 2008). She recently performed poetry 
collaged entirely from the North American Free Trade Agreement at the 
Positions Colloquium of the Kootenay School of Writing in Vancouver, 
British Columbia. Her investigations of Pacific Northwest geographies 
will be published as a chapbook through Tinfish Press (Hawaii 2009), and 
an essay from this project will be published in the forthcoming /Citadel 
of the Spirit/ (Nestucca Spit Press).


*tiny arctic ice*

Inhale, exhale
6.6 billion people breathing
Some of us in captivity
Our crops far-flung
Prison is a place where children sometimes visit
Jetted from Japan, edamame is eaten in England
Airplane air is hard to share
I breathe in what you breathe out, stranger
We send tea leaves to distant friends
Araucana chickens won't lay eggs in captivity
Airplanes of roses lift above Quito mountains
When the fish diminish, folks find jobs in prisons
Sometimes children visit
Terminator seeds are hard to share
And the fish diminish
The roses, the tea, and the edamame, far-flung
The roses, the tea and you
You breathe in what I breathe out, friend

--------------030404070707040301090107
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
<div class="moz-text-html" lang="x-western">
Spare Room presents<br>
<br>
<i><b>Remember to Wave: </b></i><br>
<i><b>A Poetry Walk in North Portland</b></i><br>
<br>
<b>with Kaia Sand<br>
<br>
</b>Sunday, September 28<br>
12:00 pm<br>
<br>
Free<br>
<br>
Meet at the Expo MAX stop (yellow line), at the Torii gate at the north
end
of the platform.<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.flim.com/spareroom">http://www.flim.com/spareroom</a><br>
<br>
======================================================<br>
<br>
<i>We walk for many reasons, and one of those reasons can be poetry.
</i><br>
<br>
Rather than gather in a salon or saloon, we&#8217;ll step outdoors. This is a
poetry reading by Kaia Sand that will &#8220;take place&#8221; as a two-hour walk,
in the spirit of the Situationist d&eacute;rive. We'll walk near the Columbia
Slough where Japanese Americans were "relocated," and where the Vanport
flood destroyed the World War II-era city.<br>
<br>
We&#8217;ll embark at noon from the Expo MAX Station, take an approximately
two mile walk, and end at the Delta Park/Vanport station. Along the
way, we&#8217;ll stop for an improvisational ode and a snack of seasonal
fruit.<br>
<br>
This will be an uncovered, outdoor event, so be sure to wear walking
shoes and&#8212;if it&#8217;s raining&#8212;bring an umbrella!<br>
<br>
Please email Kaia (<a class="moz-txt-link-abbreviated"
 href="mailto:sand@thetangentpress.org">sand@thetangentpress.org</a>)
by September 24 with a
postal address if you would
like to receive a map of the poetry walk route in the mail. A map will
also be posted online as a pdf
(<a class="moz-txt-link-freetext"
 href="http://www.thetangentpress.org/map.html">http://www.thetangentpress.org/map.html</a>).<br>
<br>
This project is funded by the Regional Arts and Culture Council<br>
<br>
<br>
*****<br>
<br>
<b>Kaia Sand</b> authored the poetry collection <i>interval</i> (Edge
Books 2004), selected as a Small Press Traffic Book of the Year, and
with Jules Boykoff she coauthored the just-released <i>Landscapes of
Dissent: Guerrilla Poetry &amp; Public Space</i> (Palm Press 2008). She
created a dusie kollektiv (<a class="moz-txt-link-abbreviated"
 href="http://www.dusie.org">www.dusie.org</a>) chapbook for her poem <i>tiny
arctic ice</i>, which was reconfigured as a broadside by Bowerbox Press
and as an artist's book by Jim Dine (Steidl Editions 2008). She
recently performed poetry collaged entirely from the North American
Free Trade Agreement at the Positions Colloquium of the Kootenay School
of Writing in Vancouver, British Columbia. Her investigations of
Pacific Northwest geographies will be published as a chapbook through
Tinfish Press (Hawaii 2009), and an essay from this project will be
published in the forthcoming <i>Citadel of the Spirit</i> (Nestucca
Spit Press).<br>
<br>
<br>
<b>tiny arctic ice</b><br>
<br>
Inhale, exhale<br>
6.6 billion people breathing<br>
Some of us in captivity<br>
Our crops far-flung<br>
Prison is a place where children sometimes visit<br>
Jetted from Japan, edamame is eaten in England<br>
Airplane air is hard to share<br>
I breathe in what you breathe out, stranger<br>
We send tea leaves to distant friends<br>
Araucana chickens won&#8217;t lay eggs in captivity<br>
Airplanes of roses lift above Quito mountains<br>
When the fish diminish, folks find jobs in prisons<br>
Sometimes children visit<br>
Terminator seeds are hard to share<br>
And the fish diminish<br>
The roses, the tea, and the edamame, far-flung<br>
The roses, the tea and you<br>
You breathe in what I breathe out, friend</div>
</body>
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*
(please note that this is a Saturday night reading, not Sunday as is our 
usual custom)*


Spare Room presents

*Chris Vitiello
Jeanne Heuving*

/Saturday,/ October 11
7:30 pm

Concordia Coffee House
2909 NE Alberta
www.concordiacoffeehouse.com

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


=============================================

Upcoming readings:

November 9: Doug Nufer / Zachary Schomburg
December 18: Judith Roitman / Stanley Lombardo
January 11: Endi Hartigan / Maryrose Larkin
February 1: Laynie Browne / tba

=============================================

Chris Vitiello lives in Durham, NC. His book /Irresponsibility /is out 
from Ahsahta Press. He's concerned with, among other things: 
clarification, light, stars, the sky, clouds, wind, trees, birds, 
deduction, eyes, leaves, people and their observable behaviors, grasses, 
the soil, flowers and their growth, description and representation, 
vegetables, skins and peels, seeds, nuts, cross-sections, dictionary 
definitions, synonyms and antonyms but especially synonyms, utility, 
analysis, skepticism, kindness, goodness, quantity, measurement, direct 
commands, questions, and fact statements.

Jeanne Heuving's cross genre /Incapacity/ (Chiasmus Press) won a 2004 
Book of the Year Award from Small Press Traffic, and her book of poems 
/Transducer/ (Chax Press) is just out.  She has published multiple 
critical pieces on avant garde and innovative writers, including the 
book /Omissions Are Not Accidents: Gender in the Art of Marianne Moore./ 
She is a member of the Subtext Collective, on the editorial advisory 
board of HOW2, and is a professor in the Interdisciplinary Arts and 
Sciences program at the University of Washington, Bothell and in the 
graduate program in English at UW, Seattle. In 2003, she was the H.D. 
Fellow at the Beinecke Library at Yale University.

=============================================

(from /Obedience)/

It's /that/ a tree branches as well as /how/ a tree branches

Work within a number

You have no choice but to work within numbers

"Obvious" is an empty word

This is an example of how you could be without

   -- Chris Vitiello



FLORESCENCE

Through hallways of rising water
Dark sedge to stay here in this
Netherworld refusing to see above
A water line as it creases the eye
Swimming forward to this line
Of entry no entry you hold me
Rising descent into nearness 
To see through other eyes 
To see through mine
The plunging water picks me up
This lunging of a place
Moving forward into 
Underwater under kind
Traveling dark stream of streaked
Beatitude choosing to eat the seeds
Of death to take in each grain
Winnowing for grain for seed
Heated by sun flooding hallway
By river watching through mirror
Filtered, carrying sludge, sedge
Underwater coursing vision 
Line of water as it cuts

  -- Jeanne Heuving

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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
<b><br>
(please note that this is a Saturday night reading, not Sunday as is
our usual custom)</b><br>
<br>
<br>
Spare Room presents<br>
<br>
<b>Chris Vitiello<br>
Jeanne Heuving</b><br>
<br>
<i>Saturday,</i> October 11<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<a class="moz-txt-link-abbreviated"
 href="http://www.concordiacoffeehouse.com">www.concordiacoffeehouse.com</a><br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
November 9: Doug Nufer / Zachary Schomburg<br>
December 18: Judith Roitman / Stanley Lombardo<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
February 1: Laynie Browne / tba<br>
<br>
=============================================<br>
<br>
Chris Vitiello lives in Durham, NC. His book <i>Irresponsibility </i>is
out from Ahsahta Press. He's concerned with, among other things:
clarification, light, stars,
the sky, clouds, wind, trees, birds, deduction, eyes, leaves, people
and their observable behaviors, grasses, the soil, flowers and their
growth, description and representation, vegetables, skins and peels,
seeds, nuts, cross-sections, dictionary definitions, synonyms and
antonyms but especially synonyms, utility, analysis, skepticism,
kindness, goodness, quantity, measurement, direct commands, questions,
and fact statements.<br>
<br>
Jeanne Heuving's cross genre <i>Incapacity</i> (Chiasmus Press) won a
2004 Book of the Year Award from Small Press Traffic, and her book of
poems <i>Transducer</i> (Chax Press) is just out.&nbsp; She has published
multiple critical pieces on avant garde and innovative writers,
including the book <i>Omissions Are Not Accidents: Gender in the Art
of Marianne Moore.</i> She is a member of the Subtext Collective, on
the editorial advisory board of HOW2, and is a professor in the
Interdisciplinary Arts and Sciences program at the University of
Washington, Bothell and in the graduate program in English at UW,
Seattle. In 2003, she was the H.D. Fellow at the Beinecke Library at
Yale University. <br>
<br>
=============================================<br>
<br>
(from <i>Obedience)</i><br>
<br>
It&#8217;s <i>that</i> a tree branches as well as <i>how</i> a tree branches<br>
<br>
Work within a number<br>
<br>
You have no choice but to work within numbers<br>
<br>
&#8220;Obvious&#8221; is an empty word<br>
<br>
This is an example of how you could be without<br>
<br>
&nbsp;&nbsp; -- Chris Vitiello<br>
<br>
<br>
<br>
FLORESCENCE<br>
<br>
Through hallways of rising water<br>
Dark sedge to stay here in this<br>
Netherworld refusing to see above<br>
A water line as it creases the eye<br>
Swimming forward to this line<br>
Of entry no entry you hold me <br>
Rising descent into nearness&nbsp; <br>
To see through other eyes&nbsp; <br>
To see through mine<br>
The plunging water picks me up<br>
This lunging of a place <br>
Moving forward into&nbsp; <br>
Underwater under kind<br>
Traveling dark stream of streaked<br>
Beatitude choosing to eat the seeds<br>
Of death to take in each grain<br>
Winnowing for grain for seed <br>
Heated by sun flooding hallway <br>
By river watching through mirror<br>
Filtered, carrying sludge, sedge<br>
Underwater coursing vision&nbsp; <br>
Line of water as it cuts<br>
<br>
&nbsp; -- Jeanne Heuving<br>
</body>
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--------------050504090401090909040101--

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from Barbara LaMorticella:

October 29 may be the last Talking Earth program! We need your help to 
stay on the air.

Every community radio station in the country is in a state of hubbub, 
and KBOO is no exception. At a time when, for the moment anyway, a 
hundred sources of news, opinion, and music is readily available to 
anyone with a computer, community radio is challenged to redefine its 
core mission. KBOO is in the process of making some hard decisions about 
programming. Monday night's programming is the first to be considered 
during this process, and one of the options on the table would shrink 
and almost eliminate Talking Earth.

Though poetry to some people may seem like a highly specialized 
interest, the prevailing opinion at the station has been that poetry is 
of intrinsic value. KBOO has for years been a rare and generous venue 
for the voices of poets, local, national and international. It's been 
accepted that Talking Earth, though it has never been a big money maker, 
has performed a valuable service. But it's difficult to go on being 
generous in a pinched time. The Program Director and the Program 
Committee are under pressure to make sweeping changes, and Talking 
Earth's service and its community are being questioned.

Is there indeed a "poetry community?" Has Talking Earth served it? We 
believe that there is and we have. There are two ways you can help prove 
us right.

If you value our show and can tune in during pledge drive on one of the 
next two Monday nights, September 29th or October 6th, you can reaffirm 
the value of what we do by calling in as generous a pledge as you can. 
Your call during the show lets the station know we have listeners. If 
for some reason are unable to call in for the next two Mondays but would 
like to support us, you may make out a check to KBOO, specifying "for 
Talking Earth," and mail it to my home address, and I will bring it to 
the station & log it in during the drive.

If you have already pledged for another show, you can help by calling 
and upping your pledge by a few bucks to support Talking Earth. And if 
you are too low income to pledge at any rate, you can still help by 
calling Talking Earth during the show and making a small donation 
earmarked for Talking Earth. This will let the station know that there 
really is a community of night-listening poets and poetry lovers tuning in.

You can also help by emailing a line of support for our show to the 
program director, Chris Merrick, with a cc to me at this address. Over 
the next months every part of the schedule, day and night, will be 
redesigned. Your input now wll help see that the redesign doesn't 
radically cut back on the poetry programming, relegating Walt to one 
hour a month and me to an occasional half-hour during the day, with all 
the pussyfooting that FCC regulations would then impose on my 
programming possibilities.

If you'd like to send a check, make it out to KBOO and send it to:

Barbara LaMorticella
18200 NW Johnson Road
Portland, OR 97231

For letters of support, our Program Director Chris Merrick's email 
address is_ __chrism_8032@yahoo.com_ (and please cc me at 
barbala@teleport.com)

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</head>
<body bgcolor="#ffffff" text="#000000">
<font face="" size="3">from Barbara LaMorticella:<br>
<br>
October 29 may be the last
Talking Earth program! We need your help to stay on the air.<br>
<br>
</font><font face="" size="3">Every community radio station in the
country is in a state of hubbub, and KBOO is no exception. At a time
when, for the moment anyway, a hundred sources of news, opinion, and
music is readily available to anyone with a computer, community radio
is challenged to redefine its core mission. KBOO is in the process of
making some hard decisions about programming. Monday night's
programming is the first to be considered during this process, and one
of the options on the table would shrink and almost eliminate Talking
Earth.<br>
<br>
Though poetry to some people may seem like a highly specialized
interest, the prevailing opinion at the station has been that poetry is
of intrinsic value. KBOO has for years been a rare and generous venue
for the voices of poets, local, national and international. It's been
accepted that Talking Earth, though it has never been a big money
maker, has performed a valuable service. But it's difficult to go on
being generous in a pinched time. The Program Director and the Program
Committee are under pressure to make sweeping changes, and Talking
Earth's service and its community are being questioned.<br>
<br>
Is there indeed a &#8220;poetry community?&#8221; Has Talking Earth served it? We
believe that there is and we have. There are two ways you can help
prove us right.<br>
<br>
If you value our show and can tune in during pledge drive on one of the
next two Monday nights, September 29th or October 6th, you can
reaffirm the value of what we do by calling in as generous a pledge as
you can. Your call during the show lets the station know we have
listeners. If for some reason are unable to call in for the next two
Mondays but would like to support us, you may make out a check to KBOO,
specifying &#8220;for Talking Earth,&#8221; and mail it to my home address, and I
will bring it to the station &amp; log it in during the drive. <br>
<br>
If you have already pledged for another show, you can help by calling
and upping your pledge by a few bucks to support Talking Earth. And if
you are too low income to pledge at any rate, you can still help by
calling Talking Earth during the show and making a small donation
earmarked for Talking Earth. This will let the station know that there
really is a community of night-listening poets and poetry lovers tuning
in.<br>
<br>
You can also help by emailing a line of support for our show to the
program director, Chris Merrick, with a cc to me at this address. Over
the next months every part of the schedule, day and night, will be
redesigned. Your input now wll help see that the redesign doesn't
radically cut back on the poetry programming, relegating Walt to one
hour a month and me to an occasional half-hour during the day, with all
the pussyfooting that FCC regulations would then impose on my
programming possibilities. <br>
<br>
If you'd like to send a check, make it out to KBOO and send it to:<br>
<br>
Barbara LaMorticella<br>
18200 NW Johnson Road<br>
Portland, OR 97231<br>
<br>
For letters of support, our Program Director Chris Merrick's email
address is<u> </u><u><a class="moz-txt-link-abbreviated"
 href="mailto:chrism_8032@yahoo.com">chrism_8032@yahoo.com</a></u></font>
<font face="" size="3">(and
please cc me at <a class="moz-txt-link-abbreviated" href="mailto:barbala@teleport.com">barbala@teleport.com</a>)</font>
</body>
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*
*(please note that this is a *Saturday* night reading, not Sunday as is 
our usual custom)


Spare Room presents

*Chris Vitiello
Jeanne Heuving*

/Saturday,/ October 11
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com


=============================================

Upcoming readings:

November 9: Doug Nufer / Zachary Schomburg
December 18: Judith Roitman / Stanley Lombardo
January 11: Endi Hartigan / Maryrose Larkin
February 1: Laynie Browne / tba

=============================================

Chris Vitiello lives in Durham, NC. His book /Irresponsibility /is out 
from Ahsahta Press. He's concerned with, among other things: 
clarification, light, stars, the sky, clouds, wind, trees, birds, 
deduction, eyes, leaves, people and their observable behaviors, grasses, 
the soil, flowers and their growth, description and representation, 
vegetables, skins and peels, seeds, nuts, cross-sections, dictionary 
definitions, synonyms and antonyms but especially synonyms, utility, 
analysis, skepticism, kindness, goodness, quantity, measurement, direct 
commands, questions, and fact statements.

Jeanne Heuving's cross genre /Incapacity/ (Chiasmus Press) won a 2004 
Book of the Year Award from Small Press Traffic, and her book of poems 
/Transducer/ (Chax Press) is just out.  She has published multiple 
critical pieces on avant garde and innovative writers, including the 
book /Omissions Are Not Accidents: Gender in the Art of Marianne Moore./ 
She is a member of the Subtext Collective, on the editorial advisory 
board of HOW2, and is a professor in the Interdisciplinary Arts and 
Sciences program at the University of Washington, Bothell and in the 
graduate program in English at UW, Seattle. In 2003, she was the H.D. 
Fellow at the Beinecke Library at Yale University.

=============================================

(from /Obedience)/

It's /that/ a tree branches as well as /how/ a tree branches

Work within a number

You have no choice but to work within numbers

"Obvious" is an empty word

This is an example of how you could be without

   -- Chris Vitiello



FLORESCENCE

Through hallways of rising water
Dark sedge to stay here in this
Netherworld refusing to see above
A water line as it creases the eye
Swimming forward to this line
Of entry no entry you hold me
Rising descent into nearness 
To see through other eyes 
To see through mine
The plunging water picks me up
This lunging of a place
Moving forward into 
Underwater under kind
Traveling dark stream of streaked
Beatitude choosing to eat the seeds
Of death to take in each grain
Winnowing for grain for seed
Heated by sun flooding hallway
By river watching through mirror
Filtered, carrying sludge, sedge
Underwater coursing vision 
Line of water as it cuts

  -- Jeanne Heuving

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<b><br>
</b>(please note that this is a <b>Saturday</b> night reading, not
Sunday as is
our usual custom)<br>
<br>
<br>
Spare Room presents<br>
<br>
<b>Chris Vitiello<br>
Jeanne Heuving</b><br>
<br>
<i>Saturday,</i> October 11<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<a class="moz-txt-link-abbreviated"
 href="http://www.concordiacoffeehouse.com"></a><br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
November 9: Doug Nufer / Zachary Schomburg<br>
December 18: Judith Roitman / Stanley Lombardo<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
February 1: Laynie Browne / tba<br>
<br>
=============================================<br>
<br>
Chris Vitiello lives in Durham, NC. His book <i>Irresponsibility </i>is
out from Ahsahta Press. He's concerned with, among other things:
clarification, light, stars,
the sky, clouds, wind, trees, birds, deduction, eyes, leaves, people
and their observable behaviors, grasses, the soil, flowers and their
growth, description and representation, vegetables, skins and peels,
seeds, nuts, cross-sections, dictionary definitions, synonyms and
antonyms but especially synonyms, utility, analysis, skepticism,
kindness, goodness, quantity, measurement, direct commands, questions,
and fact statements.<br>
<br>
Jeanne Heuving's cross genre <i>Incapacity</i> (Chiasmus Press) won a
2004 Book of the Year Award from Small Press Traffic, and her book of
poems <i>Transducer</i> (Chax Press) is just out.&nbsp; She has published
multiple critical pieces on avant garde and innovative writers,
including the book <i>Omissions Are Not Accidents: Gender in the Art
of Marianne Moore.</i> She is a member of the Subtext Collective, on
the editorial advisory board of HOW2, and is a professor in the
Interdisciplinary Arts and Sciences program at the University of
Washington, Bothell and in the graduate program in English at UW,
Seattle. In 2003, she was the H.D. Fellow at the Beinecke Library at
Yale University. <br>
<br>
=============================================<br>
<br>
(from <i>Obedience)</i><br>
<br>
It&#8217;s <i>that</i> a tree branches as well as <i>how</i> a tree branches<br>
<br>
Work within a number<br>
<br>
You have no choice but to work within numbers<br>
<br>
&#8220;Obvious&#8221; is an empty word<br>
<br>
This is an example of how you could be without<br>
<br>
&nbsp;&nbsp; -- Chris Vitiello<br>
<br>
<br>
<br>
FLORESCENCE<br>
<br>
Through hallways of rising water<br>
Dark sedge to stay here in this<br>
Netherworld refusing to see above<br>
A water line as it creases the eye<br>
Swimming forward to this line<br>
Of entry no entry you hold me <br>
Rising descent into nearness&nbsp; <br>
To see through other eyes&nbsp; <br>
To see through mine<br>
The plunging water picks me up<br>
This lunging of a place <br>
Moving forward into&nbsp; <br>
Underwater under kind<br>
Traveling dark stream of streaked<br>
Beatitude choosing to eat the seeds<br>
Of death to take in each grain<br>
Winnowing for grain for seed <br>
Heated by sun flooding hallway <br>
By river watching through mirror<br>
Filtered, carrying sludge, sedge<br>
Underwater coursing vision&nbsp; <br>
Line of water as it cuts<br>
<br>
&nbsp; -- Jeanne Heuving</div>
</body>
</html>

--------------000006060204050300000201--

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from Dan Raphael:


Poets Invade the Blue Monk

John Bennett
Willie Smith
Curtis Whitecarroll
Leuth Bartells

plus the Be Blank Chorus
(including Scott Helmes, Casey Bush, & Dan Raphael)

Sunday, October 12
7:00 pm

Blue Monk
3341 SE Belmont
www.thebluemonk.com


Columbus Ohio's John M Bennett and Seattle's Willie Smith, aided by 
locals Curtis Whitecarroll and Leuth Bartells, will provide a 
wide-ranging and energetic evening of poetry, prose and sound poetry.

John M Bennett has been active in a variety of poetic roles for three 
decades -- as writer and creator (including visual and sound poems, and 
200 published books), as publisher of Lost and Found Times and Luna 
Bisonte Prods, as a collaborator (including books with Ivan Arguelles 
and Jim Leftwich), and a performer. John works in the rare book 
collection of
the Ohio Statue University library. (More information at johnmbennett.net.)

Willie Smith is an iconoclastic writer and poet who delivers his work 
with nerve-rending humor and intensity. He has published one novel 
(Oedipus Cadet), five collections of short prose and three collections 
of poetry. When he works he denies medical benefits to welfare clients 
in Seattle.

Curtis Whitecarroll just moved to Seattle but still shows up regularly 
in Portland. A denizen of open mikes, he will soon be having a book 
published by Black Sparrow, who he is advising on an anthology of 
Northwest poetry

Leuth Bartells is a poet, singer, actress, dancer and massage therapist.

The evening will also feature noted visual poet and architect Scott 
Helmes, flying in from St Paul to join the Be Blank Consort, a sound 
poetry chorus performing work by Bennett, Sheila Murphy and others. The 
Consort will receive back-up from Bartells, poet Casey Bush, and the 
evening's MC, dan raphael.

For more information contact dan raphael, raphael@aracnet.com, 503-777-0406



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<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western">from Dan Raphael:<br>
<br>
<br>
Poets Invade the Blue Monk<br>
<br>
John Bennett<br>
Willie Smith<br>
Curtis Whitecarroll<br>
Leuth Bartells<br>
<br>
plus the Be Blank Chorus<br>
(including Scott Helmes, Casey Bush, &amp; Dan Raphael)<br>
<br>
Sunday, October 12<br>
7:00 pm<br>
<br>
Blue Monk<br>
3341 SE Belmont<br>
<a class="moz-txt-link-abbreviated" href="http://www.thebluemonk.com">www.thebluemonk.com</a><br>
<br>
<br>
Columbus Ohio&#8217;s John M Bennett and Seattle&#8217;s Willie Smith, aided by
locals Curtis Whitecarroll and Leuth Bartells, will provide a
wide-ranging and energetic evening of poetry, prose and sound poetry.<br>
<br>
John M Bennett has been active in a variety of poetic roles for three
decades -- as writer and creator (including visual and sound poems, and
200 published books), as publisher of Lost and Found Times and Luna
Bisonte
Prods, as a collaborator (including books with Ivan Arguelles and Jim
Leftwich), and a performer. John works in the rare book collection of <br>
the Ohio Statue University library. (More information at
johnmbennett.net.)<br>
<br>
Willie Smith is an iconoclastic writer and poet who delivers his work
with nerve-rending humor and intensity. He has published one novel
(Oedipus Cadet), five collections of short prose and three collections
of poetry. When he works he denies medical benefits to welfare clients
in Seattle.<br>
<br>
Curtis Whitecarroll just moved to Seattle but still shows up regularly
in Portland. A denizen of open mikes, he will soon be having a book
published by Black Sparrow, who he is advising on an anthology of
Northwest poetry<br>
<br>
Leuth Bartells is a poet, singer, actress, dancer and massage therapist.<br>
<br>
The evening will also feature noted visual poet and architect Scott
Helmes, flying in from St Paul to join the Be Blank Consort, a sound
poetry chorus performing work by Bennett, Sheila Murphy and others. The
Consort will receive back-up from Bartells, poet Casey Bush, and the
evening&#8217;s MC, dan raphael.<br>
<br>
For more information contact dan raphael, <a
 class="moz-txt-link-abbreviated" href="mailto:raphael@aracnet.com">raphael@aracnet.com</a>,
503-777-0406<br>
<br>
<br>
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from Tim Shaner:

Saturday, October 11
A-New Poetry Series presents
 
Jules Boykoff and Kaia Sand
Time: 7:30 PM
Admission: $0-$5 sliding scale
 
@ DIVA
110 W Broadway
Eugene, OR


Kaia Sand is the author of the poetry collection interval (Edge Books 
2004), selected as a Small Press Traffic Book of the Year. She created a 
dusie kollektiv (www.dusie.org) chapbook for her poem tiny arctic ice, 
which was re-configured as a broadside by Bowerbox Press and as an 
artist book by Jim Dine. She is creating multi-media investigations of 
political histories lodged in Pacific Northwest of the United States, as 
well as a series of poems collaged from dystopic documents. Sand 
co-edits the Tangent Press (www.thetangentpress.org).

Jules Boykoff is co-author, with Kaia Sand, of Landscapes of Dissent: 
Guerrilla Poetry & Public Space (Palm Press, 2008). He also wrote Beyond 
Bullets: The Suppression of Dissent in the United States (AK Press, 
2007), The Suppression of Dissent: How the State and Mass Media Squelch 
USAmerican Social Movements (Routledge, 2006) and the poetry collection 
Once Upon a Neoliberal Rocket Badge (Edge Books, 2006), which was 
recently translated into Italian by GAMMM. A collaboration with visual 
artist Jim Dine is forthcoming (Steidl, 2008). In November 2006 he was 
an invited speaker at the United Nations Climate Change Conference in Na 
irobi, Kenya, where he presented research he carried out with his 
brother Maxwell Boykoff (Oxford University) on U.S. media coverage of 
global warming. Boykoff teaches political science and writing at Pacific 
University and lives in Portland, Oregon, USA where he co-curates the 
Tangent Reading Series with Rodney Koeneke and Kaia Sand.

DIVA offers a monthly avant-garde poetry reading series that brings to 
Eugene emerging poets from Oregon as well as innovative writers touring 
the Northwest.



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from PSU:

a reading by

Jeffrey Renard Allen

Thursday, October 23
7:00 p.m.

Smith Memorial Union 236
Portland State University

Free and open to the public


This New York-based fiction writer and poet will read from his new short 
story collection, /Holding Pattern/.

Junot Diaz recently called Jeffrey Renard Allen "prodigiously talented," 
and one of "our most important writers." His novel/ Rails On My Bac//k/ 
won the Chicago Tribune's Heartland Prize.



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from PSU:<br>
<br>
a reading by<br>
<br>
Jeffrey Renard Allen<br>
<br>
<div>Thursday, October 23</div>
<div>7:00 p.m.<br>
<br>
</div>
<div>Smith Memorial Union 236</div>
<div>Portland State University</div>
<div><br>
Free and open to the public<br>
<br>
<br>
<div>
<div>This New York-based fiction writer and poet will read from his new
short story collection, <i>Holding Pattern</i>.<br>
</div>
<div><br>
</div>
Junot Diaz recently called Jeffrey Renard Allen "prodigiously
talented," and one of "our most important writers." His novel<i> Rails
On My Bac</i><i>k</i> won the Chicago Tribune's Heartland Prize.</div>
<div><br>
</div>
<br>
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Spare Room presents

*Doug Nufer
Zachary Schomburg
*
Sunday/,/ November 9
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

December 18: Judith Roitman / Stanley Lombardo
January 11: Endi Hartigan / Maryrose Larkin
February 1: Laynie Browne / Jared Hayes
February 8: Andrew Joron / Andrew Zawacki

=============================================

*Doug Nufer *writes prose and poetry based on formal constraints. His 
novels include /Never Again/ (Black Square), /Negativeland/ 
(Autonomedia), /On the Roast/ (Chiasmus), and /The Mudflat Man / The 
River Boys/ (soultheft). His most recent book is the poetry collection 
/We Were Werewolves/ (Make Now).

*Zachary Schomburg* is the author of /The Man Suit /(Black Ocean 2007) 
and /The Pond/ (Graying Ghost Press 2008). His translations from the 
Russian of Andrei Sen-Senkov appear in the journals /Mantis/ and 
/Circumference/, and of Irina Shostakovskaya in the forthcoming /Jacket 
Anthology of Russian Poetry/. He coedits /Octopus Magazine/ and Octopus 
Books, and teaches film at Portland State University.

===================================================

*Super Patrol*

Faster than a speeding bullet
When the laws
More powerful than a locomotive
Of any state
Able to leap tall buildings
Are broken
At a single bound

A duly authorized
Change
Organization swings
The course of mighty rivers
Into action,
Bends steel
Be it the State Police
In his bare hands
State Militia.
Look up in the sky
Five-0 Racket Squad
It's a
Miami Vice CSI Special Victims
Bird, It's a
Unit, or
It's a plane, it's
The Highway
Super Patrol
Man.

*Doug Nufer*

===================================================

from /Poems: 1977-2050/

When I came home
the locks had been changed.
Someone had changed the locks
so I broke in through the window
and found someone had replaced the furniture
with other furniture.
Everything was out of place.
Everything looked like buildings
going up in a new city.
Everything looked like icebergs
melting into the dark ocean.
When I went into the bedroom
someone was sleeping in the bed.
It wasn't my bed.
It wasn't me who was sleeping in it.
I watched her sleep all night.
She was beautiful
like the baby of god.
I listened to the two of us breathing.
It was good to be silent
for that long.

*Zachary Schomburg*


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<head>
</head>
<body bgcolor="#ffffff" text="#000000">
Spare Room presents<br>
<br>
<b>Doug Nufer<br>
Zachary Schomburg<br>
</b><br>
Sunday<i>,</i> November 9<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<a class="moz-txt-link-abbreviated"
 href="http://www.concordiacoffeehouse.com"></a><br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
December 18: Judith Roitman / Stanley Lombardo<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
February 1: Laynie Browne / Jared Hayes<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western"><br>
<b>Doug Nufer </b>writes prose and poetry based on formal constraints.
His
novels include <i>Never Again</i> (Black Square), <i>Negativeland</i>
(Autonomedia),
<i>On the Roast</i> (Chiasmus), and <i>The Mudflat Man / The River Boys</i>
(soultheft). His most recent book is the poetry collection <i>We Were
Werewolves</i> (Make Now).<br>
<br>
<b>Zachary Schomburg</b> is the
author of <i>The Man Suit </i>(Black Ocean 2007) and <i>The Pond</i>
(Graying Ghost
Press 2008).
His translations from the Russian of Andrei Sen-Senkov appear
in the journals <i>Mantis</i> and <i>Circumference</i>, and of Irina
Shostakovskaya in the forthcoming <i>Jacket
Anthology of Russian Poetry</i>. He coedits <i>Octopus Magazine</i>
and Octopus Books, and teaches film at Portland State University.<br>
<br>
===================================================<br>
<br>
<b>Super Patrol</b><br>
<br>
Faster than a speeding bullet<br>
When the laws<br>
More powerful than a locomotive<br>
Of any state<br>
Able to leap tall buildings<br>
Are broken<br>
At a single bound<br>
<br>
A duly authorized<br>
Change<br>
Organization swings<br>
The course of mighty rivers<br>
Into action,<br>
Bends steel<br>
Be it the State Police<br>
In his bare hands<br>
State Militia.<br>
Look up in the sky<br>
Five-0 Racket Squad<br>
It&#8217;s a<br>
Miami Vice CSI Special Victims<br>
Bird, It&#8217;s a<br>
Unit, or<br>
It&#8217;s a plane, it&#8217;s<br>
The Highway <br>
Super Patrol<br>
Man.<br>
<br>
<b>Doug Nufer</b><br>
<br>
===================================================<br>
<br>
from <i>Poems: 1977-2050</i><br>
<br>
When I came home<br>
the locks had been changed.<br>
Someone had changed the locks<br>
so I broke in through the window<br>
and found someone had replaced the furniture<br>
with other furniture.<br>
Everything was out of place.<br>
Everything looked like buildings<br>
going up in a new city.<br>
Everything looked like icebergs<br>
melting into the dark ocean.<br>
When I went into the bedroom<br>
someone was sleeping in the bed.<br>
It wasn't my bed.<br>
It wasn't me who was sleeping in it.<br>
I watched her sleep all night.<br>
She was beautiful<br>
like the baby of god.<br>
I listened to the two of us breathing.<br>
It was good to be silent<br>
for that long.<br>
<br>
<b>Zachary Schomburg</b><br>
<br>
</div>
</body>
</html>

--------------000604030203020608050607--

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Ben Parzybok

reading from

Couch

Friday, November 14
7:30 PM

Powell's on Burnside
Free

In Couch, a "delightfully lighthearted" (Publishers Weekly) debut novel 
reminiscent of Life of Pi and Then We Came to the End, an episode of 
furniture moving gone awry becomes an impromptu quest of self-discovery, 
secret histories, and unexpected revelations. "[A] slacker epic: a 
gentle, funny book that ambles merrily from Coupland to Tolkien, and 
gives couch-surfing (among other things) a whole new meaning," praises 
Paul La Farge.

From passages@rdrop.com Wed Oct 29 17:32:38 2008
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*Susan Griffin

Wrestling with the Angel of Democracy* /
/ 
Reading and Talk

Friday, November 14
7:00 pm

Eliot Chapel
First Unitarian Church
(SW 12th and Main)
 
$5 -$10 suggested donation

__ 
Susan Griffin, award-winning poet, writer, playwright, and filmmaker, 
will read from and talk about her latest book, /Wrestling with the Angel 
of Democracy./ Griffin may be/ /best known for her book /A Chorus of 
Stones,/ which was a finalist for the National Book Award and the 
Pulitzer Prize. In /Wrestling with the Angel of Democracy, /Griffin 
explores the role of democracy in America and how it has shaped both her 
life and her consciousness. She becomes the active participant, voicing 
dilemmas that concern all Americans. Within the American psyche, Griffin 
explains, there is an enduring battle between the "psychology of 
empire," characterized by a desire for safety, order, and control, and 
the "psychology of democracy," characterized by equality, empathy and 
truth-telling. Throughout her new work, Griffin demonstrates that 
ultimately democracy is not only a system of governance, but, in its 
fullest form, a revolution in consciousness that is still unfolding today.

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<b>Susan Griffin<br>
<br>
Wrestling with the Angel of Democracy</b>
<i><br>
</i>&nbsp;<br>
Reading and Talk<br>
<br>
Friday, November 14<br>
7:00 pm<br>
<br>
Eliot Chapel<br>
First Unitarian Church<br>
(SW 12th and Main)<br>
&nbsp;
<br>
$5 -$10 suggested donation<br>
<br>
<u></u>&nbsp;<br>
Susan Griffin, award-winning poet, writer, playwright, and filmmaker,
will read
from and talk about her latest book, <i>Wrestling with the Angel of
Democracy.</i> Griffin may be<i> </i>best known for her book <i>A
Chorus
of Stones,</i> which was a finalist for the National Book Award and the
Pulitzer Prize. In <i>Wrestling with the Angel of Democracy, </i>Griffin
explores the role of democracy in America and how it has shaped both
her
life and her consciousness. She becomes the active participant, voicing
dilemmas that concern all Americans. Within the American psyche,
Griffin
explains, there is an enduring battle between the &#8220;psychology of
empire,&#8221;
characterized by a desire for safety, order, and control, and the
&#8220;psychology of democracy,&#8221; characterized by equality, empathy and
truth-telling. Throughout her new work, Griffin demonstrates that
ultimately democracy is not only a system of governance, but, in its
fullest form, a revolution in consciousness that is still unfolding
today.
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Spare Room presents

*Doug Nufer
Zachary Schomburg
*
Sunday/,/ November 9
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

December 18: Judith Roitman / Stanley Lombardo
January 11: Endi Hartigan / Maryrose Larkin
*100th reading celebration: Details tba*
February 1: Laynie Browne / Jared Hayes
February 8: Andrew Joron / Andrew Zawacki

=============================================

*Doug Nufer *writes prose and poetry based on formal constraints. His 
novels include /Never Again/ (Black Square), /Negativeland/ 
(Autonomedia), /On the Roast/ (Chiasmus), and /The Mudflat Man / The 
River Boys/ (soultheft). His most recent book is the poetry collection 
/We Were Werewolves/ (Make Now).

*Zachary Schomburg* is the author of /The Man Suit /(Black Ocean 2007) 
and /The Pond/ (Graying Ghost Press 2008). His translations from the 
Russian of Andrei Sen-Senkov appear in the journals /Mantis/ and 
/Circumference/, and of Irina Shostakovskaya in the forthcoming /Jacket 
Anthology of Russian Poetry/. He coedits /Octopus Magazine/ and Octopus 
Books, and teaches film at Portland State University.

===================================================

*Super Patrol*

Faster than a speeding bullet
When the laws
More powerful than a locomotive
Of any state
Able to leap tall buildings
Are broken
At a single bound

A duly authorized
Change
Organization swings
The course of mighty rivers
Into action,
Bends steel
Be it the State Police
In his bare hands
State Militia.
Look up in the sky
Five-0 Racket Squad
It's a
Miami Vice CSI Special Victims
Bird, It's a
Unit, or
It's a plane, it's
The Highway
Super Patrol
Man.

*Doug Nufer*

===================================================

from /Poems: 1977-2050/

When I came home
the locks had been changed.
Someone had changed the locks
so I broke in through the window
and found someone had replaced the furniture
with other furniture.
Everything was out of place.
Everything looked like buildings
going up in a new city.
Everything looked like icebergs
melting into the dark ocean.
When I went into the bedroom
someone was sleeping in the bed.
It wasn't my bed.
It wasn't me who was sleeping in it.
I watched her sleep all night.
She was beautiful
like the baby of god.
I listened to the two of us breathing.
It was good to be silent
for that long.

*Zachary Schomburg*

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Spare Room presents<br>
<br>
<b>Doug Nufer<br>
Zachary Schomburg<br>
</b><br>
Sunday<i>,</i> November 9<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
December 18: Judith Roitman / Stanley Lombardo<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
<b>100th reading celebration: Details tba</b><br>
February 1: Laynie Browne / Jared Hayes<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western"><br>
<b>Doug Nufer </b>writes prose and poetry based on formal constraints.
His
novels include <i>Never Again</i> (Black Square), <i>Negativeland</i>
(Autonomedia),
<i>On the Roast</i> (Chiasmus), and <i>The Mudflat Man / The River Boys</i>
(soultheft). His most recent book is the poetry collection <i>We Were
Werewolves</i> (Make Now).<br>
<br>
<b>Zachary Schomburg</b> is the
author of <i>The Man Suit </i>(Black Ocean 2007) and <i>The Pond</i>
(Graying Ghost
Press 2008).
His translations from the Russian of Andrei Sen-Senkov appear
in the journals <i>Mantis</i> and <i>Circumference</i>, and of Irina
Shostakovskaya in the forthcoming <i>Jacket
Anthology of Russian Poetry</i>. He coedits <i>Octopus Magazine</i>
and Octopus Books, and teaches film at Portland State University.<br>
<br>
===================================================<br>
<br>
<b>Super Patrol</b><br>
<br>
Faster than a speeding bullet<br>
When the laws<br>
More powerful than a locomotive<br>
Of any state<br>
Able to leap tall buildings<br>
Are broken<br>
At a single bound<br>
<br>
A duly authorized<br>
Change<br>
Organization swings<br>
The course of mighty rivers<br>
Into action,<br>
Bends steel<br>
Be it the State Police<br>
In his bare hands<br>
State Militia.<br>
Look up in the sky<br>
Five-0 Racket Squad<br>
It&#8217;s a<br>
Miami Vice CSI Special Victims<br>
Bird, It&#8217;s a<br>
Unit, or<br>
It&#8217;s a plane, it&#8217;s<br>
The Highway <br>
Super Patrol<br>
Man.<br>
<br>
<b>Doug Nufer</b><br>
<br>
===================================================<br>
<br>
from <i>Poems: 1977-2050</i><br>
<br>
When I came home<br>
the locks had been changed.<br>
Someone had changed the locks<br>
so I broke in through the window<br>
and found someone had replaced the furniture<br>
with other furniture.<br>
Everything was out of place.<br>
Everything looked like buildings<br>
going up in a new city.<br>
Everything looked like icebergs<br>
melting into the dark ocean.<br>
When I went into the bedroom<br>
someone was sleeping in the bed.<br>
It wasn't my bed.<br>
It wasn't me who was sleeping in it.<br>
I watched her sleep all night.<br>
She was beautiful<br>
like the baby of god.<br>
I listened to the two of us breathing.<br>
It was good to be silent<br>
for that long.<br>
<br>
<b>Zachary Schomburg</b></div>
</div>
</body>
</html>

--------------040206080401050402030605--

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Alexandre Poussin
Africa Trek

reading and short film

Friday, Nov. 7, 2:30 pm
Native American Student & Community Center
(corner of Broadway and Jackson)
Portland State University

Free admission

Refreshments will be served


Alexandre Poussin is a best-selling French author who has written three 
books about his incredible journeys around the world. Portland's own 
Inkwater Press published the first English version of his third book, 
Africa Trek.

Africa Trek is the amazing tale of Alex and Sonia Poussin's 8,700-mile 
walking honeymoon from the Cape of Good Hope to the Sea of Galilee. Of 
their journey, Alexandre says, "Most people approach Africa with fear, a 
lot of organization and little time. We had faith, confidence and no 
prejudice on one side; no organization, tour operator or back-up team of 
any kind on the other; and no time limit  we were as free as a walking 
bird can be. We shared every person's lives to better understand them, 
and understand the issues of their lives. To share their fate, we had to 
walk, because they all walk a lot  to go the fields, to the market, to 
town, to school. To take their path was to take their pace, their pulse, 
their problems. Our approach was anything but sophisticated: one 
footstep after another, for almost ever. . . And let it be. Let 
adventure be."

Along the way, the Poussins survived bouts of malaria, climbed Mt. 
Kilimanjaro, swam at the edge of Victoria Falls, and walked the Great 
Rift Valley with Maasai warriors. Alexandre himself is charismatic, 
vivacious, and incredibly energetic, and would inspire students to new 
academic and personal heights.

As "very freelance journalists," says author Alexandre Poussin, 
"travelling is our way to reveal the world with a slower approach, one 
that is more intimate, more human." Alex and Sonia completed their 
journey without sponsors, without support team, sharing the poverty of 
their hosts. They speak to us on each page of the generosity and 
enthusiasm of these men and women who populate the African continent. 
Day after day, they become a bit more African themselves.

Originally published in 2004 in France, Africa Trek captured the 
attention of the European nations. It was an International Herald 
Tribune Best Seller (France, over 280,000 sold to date); Express 
Tite-Live Best Seller for 17 weeks. It also won the Best Book Award at 
Cosne sur Loire Bookfair and the Best Book Award at the Adventure 
Festival of Les Angles in 2005.

Along with pen and paper, Alexandre and Sonia carried camera and video 
equipment. The footage was edited into a film that won multiple awards 
including Golden Fleece of the International Adventure Film Festival of 
Dijon 2004. It was also edited into a twelve-episode television special 
that ran on the Travel Channel over 40 times (over 300,000 viewers). OPB 
will be showing the public television documentary of their journey 
beginning in 2009.


-- 
Amber Beaman
Graduate Literary Organization Co-Coordinatork
Portland State University
gradlitorg.blogspot.com

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from Tangent:

Dear Friends,

Please join us for the first Tangent reading of the new hope era on 
SATURDAY, NOV. 15 @ 7 PM--a week from this Saturday. Feel free to come 
to the Clinton Corner Cafe early and have dinner, or join the party 
afterward.

SATURDAY, NOVEMBER 15 at 7 PM
RODNEY KOENEKE & LINH DINH
Clinton Corner Caf, 2633 SE 21st Avenue (@ Clinton)
http://www.thetangentpress.org/readings.html

LINH DINH is the author of two collections of stories, /Fake House/ and 
/Blood and Soap/, and four books of poems, including most recently 
/Borderless Bodies/ and /Jam Alerts/. /Blood and Soap/ was chosen by the 
Village Voice as one of the best books of 2004. His work has been 
anthologized in /Best American Poetry 2000, 2004, 2007/ and /Great 
American Prose Poems from Poe to the Present/, among other places.

Dinh is also the editor of the anthologies /Night, Again: Contemporary 
Fiction from Vietnam/ and /Three Vietnamese Poets/, and translator of 
/Night, Fish and Charlie Parker, the poetry of Phan Nhien Hao/. His 
poems and stories have been translated into Italian, Spanish, French, 
Dutch, German, Portuguese, Japanese, Arabic, Icelandic and Finnish, and 
he has been invited to read his works all over the US, London, 
Cambridge, Paris, Berlin and Reykjavik. He has also published widely in 
Vietnamese.


RODNEY KOENEKE is the author of the poetry collections /Musee 
Mechanique/ and /Rouge State/. A new chapbook, /Rules for Drinking 
Forties/, is due out this fall from Cy Press. His work appears in /Bay 
Poetics/ and in the Flarf anthology forthcoming in 2009. He writes 
frequently about poetry and Portland at his blog, Modern Americans 
(www.modampo.blogspot.com <http://www.modampo.blogspot.com/>).





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<div class="moz-text-html" lang="x-western">from Tangent:<br>
<br>
Dear Friends,<br>
<br>
Please
join us for the first Tangent reading of the new hope era on SATURDAY,
NOV. 15 @ 7 PM--a week from this Saturday. Feel free to come to the
Clinton Corner Cafe early and have dinner, or join the party afterward.
<br>
<br>
SATURDAY, NOVEMBER 15 at 7 PM<br>
RODNEY KOENEKE &amp; LINH DINH<br>
Clinton Corner Caf&eacute;, 2633 SE 21st Avenue (@ Clinton)<br>
<a href="http://www.thetangentpress.org/readings.html" target="_blank">http://www.thetangentpress.org/readings.html</a><br>
<br>
LINH DINH is the author of two collections of stories, <i>Fake House</i>
and <i>Blood and Soap</i>, and four books of poems, including most
recently <i>Borderless Bodies</i> and <i>Jam Alerts</i>. <i>Blood
and Soap</i> was chosen by the Village Voice as one of the best books
of 2004. His work has been anthologized in <i>Best American Poetry
2000, 2004, 2007</i> and <i>Great American Prose Poems from Poe to the
Present</i>, among other places. <br>
<br>
<span class="nfakPe">Dinh</span> is also the editor of the anthologies <i>Night,
Again: Contemporary Fiction from Vietnam</i> and <i>Three Vietnamese
Poets</i>, and translator of <i>Night, Fish and Charlie Parker, the
poetry of Phan Nhien Hao</i>.
His poems and stories have been translated into Italian, Spanish,
French, Dutch, German, Portuguese, Japanese, Arabic, Icelandic and
Finnish, and he has been invited to read his works all over the US,
London, Cambridge, Paris, Berlin and Reykjavik. He has also published
widely in Vietnamese. <br>
<br>
<br>
RODNEY KOENEKE is the author of the poetry collections <i>Musee
Mechanique</i> and <i>Rouge State</i>. A new chapbook, <i>Rules for
Drinking Forties</i>, is due out this fall from Cy Press. His work
appears in <i>Bay Poetics</i> and in the Flarf anthology forthcoming
in 2009. He writes frequently about poetry and Portland at his blog,
Modern Americans (<a href="http://www.modampo.blogspot.com/"
 target="_blank">www.modampo.blogspot.com</a>). <br>
<br>
<br>
<br>
<br>
</div>
</body>
</html>

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[If you know anyone in or near Eugene, please pass this on to them -- 
Thanks!]


A-New Poetry: Experimental Writing Series

Readings, music, performance, and projections by

Maryrose Larkin
Eric Matchett
David Abel

Saturday, November 15

DIVA (Downtown Initiative for the Arts)
110 W. Broadway
Eugene, OR
541-344-3482
http://divanow.org

$5 suggested donation

 

Maryrose Larkin lives in Portland, where she works as a freelance 
researcher. She is the author of /Inverse/ (nine muses books), /Whimsy 
Daybook 2007/ (FLASH+CARD), and /The Book of Ocean/ (i.e. press). Her 
work can be found in /FO A RM, Insurance, Bird Dog, /the/ Columbia 
Poetry Review, /and the/ Washington Review/. Maryrose is part of Spare 
Room, a group of people who organize readings and other events in 
Portland. She is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook 
and ephemera poetry press.

 

Eric Matchett enjoys the pursuit of music, especially via collaboration. 
He also creates abstract visual projections via slides when he's not 
making music. His latest completed project, a CD of dub furniture music 
with Jake Anderson, can be found at 
www.archive.org/details/ActivityUniversalAssociates.

David Abel is a poet, performer, and interdisciplinary artist who works 
as a freelance editor and bookseller. His recent publications include 
/Twenty-/ (Crane's Bill), /Let Us Repair/ (wax paper scissors, with Anna 
Daedalus) and /Black Valentine /(Chax Press). He collaborates often with 
artists in various media; most recently with Eric Matchett on /The 
Continuation of Dreaming by Other Means/ for the Sixth Annual Richard 
Foreman Mini-Festival at Performance Works Northwest in Portland. He is 
a founding organizer of the Spare Room reading series.


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<div class="moz-text-html" lang="x-western">
<div class="moz-text-html" lang="x-western">[If you know anyone in or
near Eugene, please pass this on to them -- Thanks!]<br>
<br>
<br>
A-New Poetry: Experimental Writing Series<br>
<br>
Readings, music, performance, and projections by<br>
<br>
Maryrose Larkin<br>
Eric Matchett<br>
David Abel<br>
<br>
Saturday, November 15<br>
<br>
DIVA (Downtown Initiative for the Arts)<br>
110 W. Broadway<br>
Eugene, OR<br>
541-344-3482<br>
<a class="moz-txt-link-freetext" href="http://divanow.org">http://divanow.org</a><br>
<br>
$5 suggested donation<br>
<o:p></o:p><br>
<div>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Maryrose Larkin lives
in <st1:place w:st="on"><st1:city w:st="on">Portland</st1:city>,</st1:place>
where she works as a freelance researcher. She is the author of <i>Inverse</i>
(nine muses books), <i>Whimsy Daybook 2007</i> (FLASH+CARD), and <i>The
Book of
Ocean</i> (i.e. press). Her work can be found in <i>FO A RM,
Insurance, Bird
Dog, </i>the<i> Columbia Poetry Review, </i>and the<i> Washington
Review</i>. Maryrose is
part of Spare Room, a group of people who organize readings and other
events in <st1:city w:st="on"><st1:place w:st="on">Portland</st1:place></st1:city>.
She is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and
ephemera poetry press.</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;"><o:p>&nbsp;</o:p></p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">Eric Matchett enjoys
the pursuit of music, especially via collaboration. He also creates
abstract visual projections via slides when he's not making music. His
latest
completed project, a CD of dub furniture music with Jake Anderson, can
be found at <a class="moz-txt-link-abbreviated"
 href="http://www.archive.org/details/ActivityUniversalAssociates">www.archive.org/details/ActivityUniversalAssociates</a>.<br>
<br>
</p>
<p class="MsoNormal" style="margin: 0in 0in 0pt;">David Abel is a poet,
performer, and interdisciplinary artist who works as a freelance editor
and bookseller. His recent publications include <i>Twenty-</i>
(Crane's Bill), <i>Let Us Repair</i> (wax paper
scissors, with Anna Daedalus) and <i>Black Valentine </i>(Chax
Press). He collaborates often with artists in various media; most
recently with Eric Matchett on <i>The Continuation of Dreaming by
Other Means</i> for the Sixth Annual Richard Foreman Mini-Festival at
Performance Works Northwest in Portland. He is a founding organizer of
the Spare
Room reading series.
</p>
</div>
</div>
</div>
</body>
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Subject: [Spare Room/Passages] FWD: Reminder: Sat. 11/15, Linh Dinh,
 Rodney Koeneke, plus films by Jennifer Hardacker
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from Tangent:

Dear Friends,

Please join us for poetry and films at Tangent this SATURDAY, NOV. 15 @ 
7 PM--Linh Dinh's first reading in Portland. Feel free to come to the 
Clinton Corner Cafe early and have dinner, or join the party afterward. 
Hope to see you there!

SATURDAY, NOVEMBER 15 at 7 PM
RODNEY KOENEKE & LINH DINH
with films by JENNIFER HARDACKER
Clinton Corner Caf, 2633 SE 21st Avenue (@ Clinton)
http://www.thetangentpress.org/readings.html

LINH DINH is the author of two collections of stories, /Fake House/ and 
/Blood and Soap/, and four books of poems, including most recently 
/Borderless Bodies/ and /Jam Alerts/. Dinh is also the editor of the 
anthologies /Night, Again: Contemporary Fiction from Vietnam/ and /Three 
Vietnamese Poets/, and translator of /Night, Fish and Charlie Parker, 
the poetry of Phan Nhien Hao/. His poems and stories have been 
translated into Italian, Spanish, French, Dutch, German, Portuguese, 
Japanese, Arabic, Icelandic and Finnish, and he has been invited to read 
his works all over the US, London, Cambridge, Paris, Berlin and 
Reykjavik. He has also published widely in Vietnamese.

RODNEY KOENEKE is author of the poetry collections /Musee Mechanique/ 
and /Rouge State/. A new chapbook, /Rules for Drinking Forties/, is due 
out this fall from Cy Press. His work appears in /Bay Poetics/ and in 
the Flarf anthology forthcoming in 2009. He writes frequently about 
poetry and Portland at his blog, Modern Americans 
(www.modampo.blogspot.com <http://www.modampo.blogspot.com/>).

JENNIFER HARDACKER is an experimental short film/video maker and 
educator. She has been making films and videos for over 13 years and her 
films have screened widely in festivals across the U.S. Hardacker's 
films are often personal in nature and are interested in re-imaging and 
re-imagining the meaning and context of images. Currently, she teaches 
film/video studies and production at Pacific University in Oregon.

--------------080401010303010904030302
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from Tangent:<br>
<br>
<div class="moz-text-html" lang="x-western">Dear Friends,<br>
<br>
Please
join us for poetry and films at Tangent this SATURDAY,
NOV. 15 @ 7 PM--Linh Dinh's first reading in Portland. Feel free to
come to the
Clinton Corner Cafe early and have dinner, or join the party afterward.
Hope to see you there!<br>
<br>
SATURDAY, NOVEMBER 15 at 7 PM<br>
RODNEY KOENEKE &amp; LINH <span>DINH <br>
with films by JENNIFER HARDACKER</span><br>
Clinton Corner Caf&eacute;, 2633 SE 21st Avenue (@ Clinton)<br>
<a href="http://www.thetangentpress.org/readings.html" target="_blank">http://www.thetangentpress.org/readings.html</a><br>
<br>
LINH <span>DINH</span> is the author of two collections of stories, <i>Fake
House</i>
and <i>Blood and Soap</i>, and four books of poems, including most
recently <i>Borderless Bodies</i> and <i>Jam Alerts</i>. <span><span>Dinh</span></span>
is also the editor of the anthologies <i>Night,
Again: Contemporary Fiction from Vietnam</i> and <i>Three Vietnamese
Poets</i>, and translator of <i>Night, Fish and Charlie Parker, the
poetry of Phan Nhien Hao</i>.
His poems and stories have been translated into Italian, Spanish,
French, Dutch, German, Portuguese, Japanese, Arabic, Icelandic and
Finnish, and he has been invited to read his works all over the US,
London, Cambridge, Paris, Berlin and Reykjavik. He has also published
widely in Vietnamese. <br>
<font color="#888888"><font color="#888888"><font color="#888888"><br>
<span style="color: rgb(0, 0, 0);">RODNEY KOENEKE is author of the
poetry collections </span><i style="color: rgb(0, 0, 0);">Musee
Mechanique</i><span style="color: rgb(0, 0, 0);"> and </span><i
 style="color: rgb(0, 0, 0);">Rouge State</i><span
 style="color: rgb(0, 0, 0);">. A new chapbook, </span><i
 style="color: rgb(0, 0, 0);">Rules for
Drinking Forties</i><span style="color: rgb(0, 0, 0);">, is due out
this fall from Cy Press. His work
appears in </span><i style="color: rgb(0, 0, 0);">Bay Poetics</i><span
 style="color: rgb(0, 0, 0);"> and in the Flarf anthology forthcoming
in 2009. He writes frequently about poetry and Portland at his blog,
Modern Americans (</span><a style="color: rgb(0, 0, 0);"
 href="http://www.modampo.blogspot.com/" target="_blank">www.modampo.blogspot.com</a><span
 style="color: rgb(0, 0, 0);">).<br>
<br>
JENNIFER
HARDACKER is an experimental short film/video maker and educator. She
has been making films and videos for over 13 years and her films have
screened widely in festivals across the U.S. Hardacker's films are
often personal in nature and are interested in re-imaging and
re-imagining the meaning and context of images. Currently, she teaches
film/video studies and production at Pacific University in Oregon.</span></font></font></font>
</div>
</body>
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--------------080401010303010904030302--

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*Laura Winter and Ute Kaiser*
Poetry in Performance / Spoken Word Performance
 
Thursday November 20
7:30 p.m.
*Powell's Books on Hawthorne *
3723 SE Hawthorne Blvd.

Friday November 21
5:00 p.m.
*Mirror Pond Art Gallery*
875 NW Brooks St., Bend, Oregon
(As space is limited for this Bend performance, your response is 
respectfully requested: 503-633-7242 or marcelene@artscentraloregon.org)
 
Laura Winter and German actress Ute Kaiser collaborate for a spoken word 
performance announcing the release of Coming Here to be Alone, a new 
book of poetry that celebrates the rib, rock and spirit of the American 
desert regions. The book features Laura Winter's poetry in both English 
and German (translated by Ute Kaiser and Heiko Schmidt).
 
Each a seasoned performer, Laura Winter and Ute Kaiser bring an energy 
to this dynamic duo that launches the poems into another realm. Working 
side by side in English and German, they create a spellbinding 
performance that takes the audience on a journey. One audience member at 
the SilentArt Festival in Germany said, "they created a new language by 
speaking both languages at once -- like a new kind of classical music."

German is not required to enjoy this bilingual performance!
 
Laura Winter's poetry collections include Sleeping Leaves, 2002; Not 
Gone / Just Not Here, 2001; No Gravy Baby, 2000; Skin into Dust, 1994; 
and Stone Fog, 1987. Winter's poems have been used as liner notes for 
CDs and set to music by composers.
 
Ute Kaiser has performed with a variety of theatre companies throughout 
Germany. She has worked with Japanese Butoh dancer Makiko Tominaga and 
international artists such as Karl Berger and Klaus Kugel. Currently a 
teacher for Integral Training in Cologne, she is the founder and 
Artistic Director of the annual SilentArt-Festival.
 
Laura Winter
winterlaura@earthlink.net


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<b>Laura Winter and Ute Kaiser</b><br>
Poetry in Performance / Spoken Word Performance <br>
&nbsp;<br>
Thursday November 20<br>
7:30 p.m.<br>
<b>Powell's Books on Hawthorne </b><br>
3723 SE Hawthorne Blvd.<br>
<br>
Friday November 21<br>
5:00 p.m.<br>
<b>Mirror Pond Art Gallery</b><br>
875 NW Brooks St., Bend, Oregon<br>
(As space is limited for this Bend performance, your response is
respectfully requested: 503-633-7242 or <a class="moz-txt-link-abbreviated" href="mailto:marcelene@artscentraloregon.org">marcelene@artscentraloregon.org</a>)<br>
&nbsp;<br>
Laura Winter and German actress Ute Kaiser collaborate for a spoken
word performance announcing the release of Coming Here to be Alone, a
new book of poetry that celebrates the rib, rock and spirit of the
American desert regions. The book features Laura Winter&#8217;s poetry in
both English and German (translated by Ute Kaiser and Heiko Schmidt).<br>
&nbsp;<br>
Each a seasoned performer, Laura Winter and Ute Kaiser bring an energy
to this dynamic duo that launches the poems into another realm. Working
side by side in English and German, they create a spellbinding
performance that takes the audience on a journey. One audience member
at the SilentArt Festival in Germany said, &#8220;they created a new language
by speaking both languages at once &#8211; like a new kind of classical
music.&#8221;<br>
<br>
German is not required to enjoy this bilingual performance!<br>
&nbsp;<br>
Laura Winter&#8217;s poetry collections include Sleeping Leaves, 2002; Not
Gone / Just Not Here, 2001; No Gravy Baby, 2000; Skin into Dust, 1994;
and Stone Fog, 1987. Winter&#8217;s poems have been used as liner notes for
CDs and set to music by composers.<br>
&nbsp;<br>
Ute Kaiser has performed with a variety of theatre companies throughout
Germany. She has worked with Japanese Butoh dancer Makiko Tominaga and
international artists such as Karl Berger and Klaus Kugel. Currently a
teacher for Integral Training in Cologne, she is the founder and
Artistic Director of the annual SilentArt-Festival.<br>
&nbsp;<br>
Laura Winter<br>
<a class="moz-txt-link-abbreviated" href="mailto:winterlaura@earthlink.net">winterlaura@earthlink.net</a><br>
<br>
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from Jesse Morse:

Smorg is proud to host open mike nite at The Waypost (3120 N Williams 
Ave.) the second Thursday of every month.

November's theme: RAIN.

Please come out to read or perform. As the long winter begins its 
ascent, work pertaining to RAIN is encouraged. All work, of any genre, 
is welcome.

Festivities underway at 7pm.

Hope to see you there.

Sincerely,
Smorg

http://www.smorgreadingseries.blogspot.com
http://www.thewaypost.com


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from Jesse Morse:<br>
<br>
<div class="moz-text-html" lang="x-western"><span
 style="font-style: italic;">Smorg</span> is proud to host open mike
nite at The Waypost (3120 N Williams Ave.) the second Thursday of every
month. <br>
<br>
November's theme: RAIN.<br>
<br>
Please
come out to read or perform. As the long winter begins its ascent, work
pertaining to RAIN is encouraged. All work, of any genre, is welcome.<br>
<br>
Festivities underway at 7pm.<br>
<br>
Hope to see you there.<br>
<br>
Sincerely,<br>
Smorg<br>
<br>
<a href="http://www.smorgreadingseries.blogspot.com">http://www.smorgreadingseries.blogspot.com</a><br>
<a href="http://www.thewaypost.com">http://www.thewaypost.com</a><br>
</div>
<br>
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from Lisa Steinman:

a reading by

C.S. Giscombe

Thursday, November 20
6:30 pm

Psychology Building Auditorium (Psych 105)
Reed College



C. S. Giscombe's most recent book, /Prairie Style/, is just out from 
Dalkey Archive Press (www.dalkeyarchive.com/catalog/show/564). His 
previous books from Dalkey are /Giscome Road/ and /Here/, and he has 
also published a memoir entitled /Into and Out of Dislocation/. He is 
the editor of /Mixed Blood/, a poetry journal, and teaches at the 
University of California at Berkeley.

from the Dalkey catalogue:

/Prairie Style/ is about the breakdown of location and voice. It lays 
out a landscape of habitations (Frank Lloyd Wright's designs for 
"servantless families," fox dens in an embankment, the two-mile long 
face of Chicago's Robert Taylor public housing project, etc.) and 
crosses and recrosses the line between poetry and prose. The book is an 
acknowledgment of the "terrible frankness" of color, pleasure's 
distance, and the similarity of equivocation and argument. /Prairie 
Style/ is the turn inland. "Inland, one needs something more racial, say 
bigger, than mountains."




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from Lisa Steinman:<br>
<br>
a reading by<br>
<br>
C.S. Giscombe<br>
<br>
Thursday, November 20<br>
6:30 pm<br>
<br>
Psychology Building Auditorium (Psych 105)<br>
Reed College<br>
<br>
<br>
<br>
C. S. Giscombe's most recent book, <i>Prairie Style</i>, is just out
from Dalkey Archive Press (<a class="moz-txt-link-abbreviated" href="http://www.dalkeyarchive.com/catalog/show/564">www.dalkeyarchive.com/catalog/show/564</a>). His
previous books from Dalkey are <i>Giscome Road</i> and <i>Here</i>,
and he has also published a memoir entitled <i>Into and Out of
Dislocation</i>. He is the editor of <i>Mixed Blood</i>, a poetry
journal, and teaches at the University of California at Berkeley. <br>
<br>
from the Dalkey catalogue:<br>
<br>
<i>Prairie Style</i> is about the breakdown of location and voice. It
lays out a landscape of habitations (Frank Lloyd Wright&#8217;s designs for
&#8220;servantless families,&#8221; fox dens in an embankment, the two-mile long
face of Chicago&#8217;s Robert Taylor public housing project, etc.) and
crosses and recrosses the line between poetry and prose. The book is an
acknowledgment of the &#8220;terrible frankness&#8221; of color, pleasure&#8217;s
distance, and the similarity of equivocation and argument. <i>Prairie
Style</i> is the turn inland. &#8220;Inland, one needs something more racial,
say bigger, than mountains.&#8221;<br>
<br>
<br>
<br>
</body>
</html>

--------------080405040000010303060008--

From passages@rdrop.com Mon Dec  1 18:31:46 2008
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Subject: [Spare Room/Passages] FWD: Wed. 12/10,
	International Writers in Prison, free presentation
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International Writers in Prison
Presentation at Marylhurst University

Wednesday, December 10
(International Human Rights Day)
7:30 pm

Free and open to the public

Shoen Library
Marylhurst University
17600 Pacific Highway (Hwy 43)
503.636.8141

http://www.marylhurst.edu/aboutmarylhurst/pressrelease20081113.php


Portland writer Martha Gies and students from her human rights workshop 
will discuss the plight of international writers who face political 
persecution around the world at Marylhurst University's Shoen Library at 
7:30 p.m. on Wednesday, December 10, International Human Rights Day. 
This event is free and open to the public.

Gies points out that Human Rights Day this year falls on the 60th 
anniversary of the signing of the Universal Declaration of Human Rights. 
"Attendees will have an opportunity to learn about the ongoing efforts 
of human rights organizations to assist writers who face political 
persecution around the world," Gies says. "And they'll hear about the 
role of writing in other cultures, where writers sometimes pay a huge 
price for their vocation."


Students will present the four cases they have worked on for the last 
three months:

In China, award-winning freelance writer Nurmuhemmet Yasin, known for 
his short stories, essays and poetry, was arrested by authorities who 
consider one of his short stories to be a criticism of their 
government's presence in the Xinjiang Uighur Autonomous Region. After a 
closed trial in February of 2005, at which he was denied a lawyer, Yasin 
was sentenced to 10 years in prison. He is serving this sentence at 
Urumqi No. 1 Prison, where he is denied all visitors, including his wife 
and two young sons. (PEN American Center case)

In the United States, Leonard Peltier, a writer and indigenous rights 
activist, participated in the American Indian Movement back in the 
seventies. This led to his involvement with the Pine Ridge Indian 
Reservation in South Dakota, where a tragic shoot-out occurred in 1975. 
Wrongfully convicted of murder, Peltier has been serving time in federal 
prison since 1977. (Amnesty International case)

In Mexico, Alfredo Jinnez Mota was a crime reporter who, at age 26, 
disappeared while publishing articles on local drug traffickers for the 
Hermosillo daily El Imparcial in the Northwestern state of Sonora. 
Jimnez has not been seen since April 2, 2005, and is presumed dead. 
(PEN Center USA case)

In the United States, Yassin Aref, a Kurdish poet, was the victim of a 
sting operation in Albany, New York, a case that has been the subject of 
a PBS special and has also raised questions in the New York Times. 
(Muslim Solidarity Committee case)


Marylhurst University, located one mile south of Lake Oswego on Highway 
43, offers professional certificates, graduate and undergraduate degrees 
including English Literature & Writing with concentrations in rhetoric 
and teaching, creative writing and literature.

From passages@rdrop.com Thu Dec  4 12:43:36 2008
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	Judith Roitman & Stanley Lombardo
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Spare Room presents

*Judith Roitman
Stanley Lombardo

*
*Thursday*, December 18
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

January 11: Endi Hartigan / Maryrose Larkin
January 25: 100 Poems from the Past 100 Years:
   Spare Room's 100th Reading
February 1: Laynie Browne / Jared Hayes
February 8: Andrew Joron / Andrew Zawacki

=============================================

*Judith Roitman* was born and raised in New York City. She lived for a 
while in the San Francisco and Boston areas and now lives in Lawrence, 
Kansas where she is a professor of mathematics. Her most recent book is 
/No Face (Selected & New Poems)/, published this summer by First 
Intensity; previous books include /The Stress of Meaning: Variations on 
a Line of Susan Howe/; /Diamond Notebooks/; and /Slippage/.

*Stanley Lombardo* has translated the fragments of Parmenides and 
Empedocles; the poems of Sappho; the /Iliad/ and the /Odyssey/; Hesiod's 
/Theogony/; the /Aeneid/; the /Inferno/; "and other poems he has loved 
from his early days." He is a professor of Classics at the University of 
Kansas.

=============================================


*ORIGIN*

Region is origin. Document
is living. Stone is concrete.
Basement is raised. Some
thing under the basket. Some
thing under water. He breathes
too easily. Her face doesn't
remember this.
*
Judith Roitman*



Black dream
you come when sleep comes,
sweet god, truly dreadful agony
*
Sappho (trans. Stanley Lombardo) *

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Spare Room presents<br>
<br>
<b>Judith Roitman<br>
Stanley Lombardo<br>
<br>
</b><br>
<b>Thursday</b>, December 18<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
January 25: 100 Poems from the Past 100 Years:<br>
&nbsp;&nbsp; Spare Room's 100th Reading<br>
February 1: Laynie Browne / Jared Hayes<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western"><br>
<b>Judith Roitman</b> was born and raised in New York City. She lived
for a while in the San Francisco and Boston areas and now lives in
Lawrence, Kansas where she
is a professor of mathematics. Her most recent book is <i>No Face
(Selected &amp; New Poems)</i>, published this summer by First
Intensity; previous books include <i>The Stress of Meaning: Variations
on a Line of Susan Howe</i>; <i>Diamond Notebooks</i>; and <i>Slippage</i>.<br>
<br>
<b>Stanley Lombardo</b> has translated the fragments of Parmenides and
Empedocles; the poems of Sappho; the <i>Iliad</i> and the <i>Odyssey</i>;
Hesiod's <i>Theogony</i>; the <i>Aeneid</i>; the <i>Inferno</i>;
"and other poems he has loved from his early days." He is a professor
of Classics at the University of Kansas.<br>
<br>
=============================================<br>
<br>
<br>
<b>ORIGIN</b><br>
<br>
Region is origin. Document<br>
is living. Stone is concrete.<br>
Basement is raised. Some<br>
thing under the basket. Some<br>
thing under water. He breathes<br>
too easily. Her face doesn't<br>
remember this.<br>
<b><br>
Judith Roitman</b><br>
<br>
<br>
<br>
Black dream<br>
you come when sleep comes,<br>
sweet god, truly dreadful agony<br>
<b><br>
Sappho (trans. Stanley Lombardo) </b><br>
</div>
</div>
</body>
</html>

--------------090105010507080104090402--

From passages@rdrop.com Thu Dec 11 11:33:52 2008
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from In Other Words:


In Other Words, like so many of our fellow bookstores, has fallen upon 
incredibly hard financial times.  With the decline in our current 
economy, we have experienced severely decreased revenue.  *If we are 
unable to raise $11,000 by the end of December, In Other Words will have 
to close its doors.*

We desperately need your help.  *We are confident that if everyone who 
cares about In Other Words makes a contribution, large or small, we will 
meet our goal. * Please give as generously as you can to save the last 
remaining non-profit, feminist bookstore in the country: the place where 
so many Portland artists, activists, organizers, readers, writers, 
political thinkers, musicians and poets find their voice, their power, 
their community, and their political home. 

*Our community cannot afford to lose In Other Words, please help us save 
her!
*
You can make your tax-deductible donations on the In Other Words secure 
website 
<https://www.chi-cash-advance.com/sforms/appeal804/contribute.asp%20>, 
or by stopping into the store (8 NE Killingsworth).

*Please forward this widely to your community, we need all the help we 
can get!*

Sincerely,
The Board, Staff and Volunteers of In Other Words

-- 
Program Director, In Other Words
katie@inotherwords.org <mailto:katie@inotherwords.org>
503.232.6003

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<div class="moz-text-html" lang="x-western">from In Other Words:<br>
<br>
<br>
In Other Words, like so many of our fellow
bookstores, has fallen upon incredibly hard financial times.&nbsp; With the
decline in our current economy, we have experienced severely decreased
revenue.&nbsp; <b>If we are unable to raise $11,000 by the end of December,
In Other Words will have to close its doors.</b><br>
<br>
We desperately need your help.&nbsp; <b>We are confident that if everyone
who cares about In Other Words makes a contribution, large or small, we
will meet our goal.&nbsp;</b>
Please give as generously as you can to save the last remaining
non-profit, feminist bookstore in the country: the place where so many
Portland artists, activists,
organizers, readers, writers, political thinkers, musicians and
poets find their voice,
their power, their community, and their political home.&nbsp; <br>
<br>
<b>Our community cannot afford to lose In Other Words, please help us
save her!<br>
</b><br>
You can make your tax-deductible donations on the <a
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The link for donations was incorrect in the previous message about In 
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Apologies for any inconvenience.

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Spare Room presents

*Judith Roitman
Stanley Lombardo

*
*Thursday*, December 18
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

January 11: Endi Hartigan / Maryrose Larkin
January 25: 100 Poems by 100 Poets from the Past 100 Years:
   Spare Room's 100th Reading
February 1: Laynie Browne / Jared Hayes
February 8: Andrew Joron / Andrew Zawacki

=============================================

*Judith Roitman* was born and raised in New York City. She lived for a 
while in the San Francisco and Boston areas and now lives in Lawrence, 
Kansas where she is a professor of mathematics. Her most recent book is 
/No Face (Selected & New Poems)/, published this summer by First 
Intensity; previous books include /The Stress of Meaning: Variations on 
a Line of Susan Howe/; /Diamond Notebooks/; and /Slippage/.

*Stanley Lombardo* has translated the fragments of Parmenides and 
Empedocles; the poems of Sappho; the /Iliad/ and the /Odyssey/; Hesiod's 
/Theogony/; the /Aeneid/; the /Inferno/; "and other poems he has loved 
from his early days." He is a professor of Classics at the University of 
Kansas.

=============================================


*ORIGIN*

Region is origin. Document
is living. Stone is concrete.
Basement is raised. Some
thing under the basket. Some
thing under water. He breathes
too easily. Her face doesn't
remember this.
*
Judith Roitman*



Black dream
you come when sleep comes,
sweet god, truly dreadful agony
*
Sappho (trans. Stanley Lombardo) *

--------------060600030508010403050603
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<div class="moz-text-html" lang="x-western">
<div class="moz-text-html" lang="x-western">Spare Room presents<br>
<br>
<b>Judith Roitman<br>
Stanley Lombardo<br>
<br>
</b><br>
<b>Thursday</b>, December 18<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
January 11: Endi Hartigan / Maryrose Larkin<br>
January 25: 100 Poems by 100 Poets from the Past 100 Years:<br>
&nbsp;&nbsp; Spare Room's 100th Reading<br>
February 1: Laynie Browne / Jared Hayes<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western"><br>
<b>Judith Roitman</b> was born and raised in New York City. She lived
for a while in the San Francisco and Boston areas and now lives in
Lawrence, Kansas where she
is a professor of mathematics. Her most recent book is <i>No Face
(Selected &amp; New Poems)</i>, published this summer by First
Intensity; previous books include <i>The Stress of Meaning: Variations
on a Line of Susan Howe</i>; <i>Diamond Notebooks</i>; and <i>Slippage</i>.<br>
<br>
<b>Stanley Lombardo</b> has translated the fragments of Parmenides and
Empedocles; the poems of Sappho; the <i>Iliad</i> and the <i>Odyssey</i>;
Hesiod's <i>Theogony</i>; the <i>Aeneid</i>; the <i>Inferno</i>;
"and other poems he has loved from his early days." He is a professor
of Classics at the University of Kansas.<br>
<br>
=============================================<br>
<br>
<br>
<b>ORIGIN</b><br>
<br>
Region is origin. Document<br>
is living. Stone is concrete.<br>
Basement is raised. Some<br>
thing under the basket. Some<br>
thing under water. He breathes<br>
too easily. Her face doesn't<br>
remember this.<br>
<b><br>
Judith Roitman</b><br>
<br>
<br>
<br>
Black dream<br>
you come when sleep comes,<br>
sweet god, truly dreadful agony<br>
<b><br>
Sappho (trans. Stanley Lombardo) </b>
</div>
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--------------060600030508010403050603--

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Spare Room presents

*Endi Bogue Hartigan
Maryrose Larkin
*

Sunday, January 11
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

January 25: 100 Poems by 100 Poets from the Past 100 Years:
   Spare Room's 100th Reading
February 1: Laynie Browne / Jared Hayes
February 8: Andrew Joron / Andrew Zawacki

=============================================

*Endi Bogue Hartigan* will be reading from her first book, /One Sun 
Storm/, and from a new manuscript. /One Sun Storm/ was selected for the 
2008 Colorado Prize for Poetry by Martha Ronk, and was released in 
November from the Center for Literary Publishing. Her work has recently 
appeared or is forthcoming in /Chicago Review, Free Verse, TinFish, Gulf 
Coast, Pleiades, /and/ Quarterly West/. Endi edited and cofounded, with 
her husband poet Patrick Hartigan, /Spectaculum/, a magazine that was 
devoted to long poems, series, and projects best presented at length. 
She lives in Portland, with Patrick and their son Jackson.

*Maryrose Larkin* lives in Portland, where she works as a freelance 
researcher. She is the author of /Inverse/ (nine muses books), /Whimsy 
Daybook 2007/ (FLASH+CARD), and /The Book of Ocean/ (i.e. press). Her 
work can also be found in /FO A RM, Insurance, Bird Dog, Columbia Poetry 
Review, /and/ Washington Review/. Maryrose is one of the organizers of 
Spare Room, and is coeditor, with Sarah Mangold, of FLASH+CARD, a 
chapbook and ephemera poetry press.

=============================================


*Chorus of blue [Crater Lake, 2007]*
 
The question of change
is a question of what we can afford to continue.
A series of snapping points or rips.
The lake is a question
of what the mountain can take or not.
The chorus afforded blue but barely.
The chorus of blue sang out of thin voices in oxygen-thin air.
The blue vibrated electrons in water and absorbed
what was not turned back.
We turned our backs on the war.
The chorus of blue tilted our eyes, and filterering, taught us to filter,
but out what?
The chorus of blue held itself up, a mirror of itself, fanatic and 
fantastic.
Abstract blue--a new coin--took the center
through, through.
We turned our backs on the lake.
A series of snapping points or rips.
The chorus filtered out disturbance, filtered out detail and violence
and observance.
Tilt, shine, tilt. . . .
what did we shed again, and why?
A little girl went back sobbing
who had to leave the clearest sky.

*Endi Bogue Hartigan*



*from Inverse*

                   Roots open                     rise and run

                     his face compare to       string notation

                         logic
               required and where

         but this cannot           and without it
                   box step          the sun and      box step          
the moon

*Maryrose Larkin*

--------------000708030405090201040904
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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</head>
<body bgcolor="#ffffff" text="#000000">
Spare Room presents<br>
<br>
<b>Endi Bogue Hartigan<br>
Maryrose Larkin<br>
</b><br>
<br>
Sunday, January 11<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
January 25: 100 Poems by 100 Poets from the Past 100 Years:<br>
&nbsp;&nbsp; Spare Room's 100th Reading<br>
February 1: Laynie Browne / Jared Hayes<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<br>
<b>Endi Bogue Hartigan</b> will be reading from her first book, <i>One
Sun Storm</i>, and from a new manuscript. <i>One Sun Storm</i> was
selected for the 2008 Colorado Prize for Poetry by Martha Ronk, and was
released in November from the Center for Literary Publishing. Her work
has recently appeared or is forthcoming in <i>Chicago Review, Free
Verse, TinFish, Gulf Coast, Pleiades, </i>and<i> Quarterly West</i>.
Endi edited and cofounded, with her husband poet Patrick Hartigan, <i>Spectaculum</i>,
a magazine that was devoted to long poems, series, and projects best
presented at length. She lives in Portland, with Patrick and their son
Jackson.<br>
<br>
<b>Maryrose Larkin</b> lives in Portland, where she works as a
freelance researcher. She is the author of <i>Inverse</i> (nine muses
books), <i>Whimsy Daybook 2007</i> (FLASH+CARD), and <i>The Book of
Ocean</i> (i.e. press). Her work can also be found in <i>FO A RM,
Insurance, Bird Dog, Columbia Poetry Review, </i>and<i> Washington
Review</i>. Maryrose is one of the organizers of Spare Room, and is
coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera
poetry press.<br>
<br>
=============================================<br>
<br>
<br>
<b>Chorus of blue [Crater Lake, 2007]</b><br>
&nbsp;<br>
The question of change<br>
is a question of what we can afford to continue.<br>
A series of snapping points or rips.<br>
The lake is a question<br>
of what the mountain can take or not.<br>
The chorus afforded blue but barely.<br>
The chorus of blue sang out of thin voices in oxygen-thin air.<br>
The blue vibrated electrons in water and absorbed<br>
what was not turned back.<br>
We turned our backs on the war.<br>
The chorus of blue tilted our eyes, and filterering, taught us to
filter,<br>
but out what?<br>
The chorus of blue held itself up, a mirror of itself, fanatic and
fantastic.<br>
Abstract blue--a new coin--took the center<br>
through, through.<br>
We turned our backs on the lake.<br>
A series of snapping points or rips.<br>
The chorus filtered out disturbance, filtered out detail and violence<br>
and observance.<br>
Tilt, shine, tilt. . . .<br>
what did we shed again, and why?<br>
A little girl went back sobbing<br>
who had to leave the clearest sky.<br>
<br>
<b>Endi Bogue Hartigan</b><br>
<br>
<br>
<br>
<b>from Inverse</b><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Roots open&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; rise and run<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; his face compare to&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; string notation<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; logic<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; required and where<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; but this cannot&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and without it<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; box step&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; the sun and&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; box step&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
the moon<br>
<br>
<b>Maryrose Larkin</b><br>
</body>
</html>

--------------000708030405090201040904--

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from Dan Raphael:

Thursday, January 15
7:30 pm
Powell's Books on Hawthorne
Free admission

"I'll be reading at powells on Hawthorne with Rodney Koeneke. As you may 
know, Rodney is an insightful, inventive and entertaining poet; he'll be 
reading from his most recent book, Musee Mechanique, as well as newer 
work.  I'll be featuring work form Bop Grit Storm Cafe, a book published 
in 1985 but just reissued last month, as well as some newer stuff. Bop 
Grit may be my most intense collection in terms of language creativity 
and energy. Hope you can come by."  -- Dan



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Poet Penelope Schott has kindly organized a group to take my poetry 
walk, /Remember to Wave/, on Saturday from 1-3 PM. You are welcome to 
join in! We'll meet at the Expo Center MAX stop. (for those of you who 
went in September, this will be nearly the same poem-walk).

Best,

Kaia Sand


    */Remember to Wave: /*
    */A Poetry Walk in North Portland/*

    *with Kaia Sand*

    Saturday, January 10
    1-3 pm

    Free

    Meet at the Expo MAX stop (yellow line), at the Torii gate at the
    north end of the platform.

    ======================================================

    /We walk for many reasons, and one of those reasons can be poetry. /

    Rather than gather in a salon or saloon, we'll step outdoors. This
    is a poetry reading by Kaia Sand that will "take place" as a
    two-hour walk, in the spirit of the Situationist drive. We'll walk
    near the Columbia Slough where Japanese Americans were "relocated,"
    and where the Vanport flood destroyed the World War II-era city.

    We'll embark at noon from the Expo MAX Station, take an
    approximately two mile walk, and end at the Delta Park/Vanport
    station. Along the way, we'll stop for an improvisational ode and a
    snack of seasonal fruit.

    This will be an uncovered, outdoor event, so be sure to wear walking
    shoes and---if it's raining---bring an umbrella!

    This project is funded by the Regional Arts and Culture Council


    *****

    *Kaia Sand* authored the poetry collection /interval/ (Edge Books
    2004), selected as a Small Press Traffic Book of the Year, and with
    Jules Boykoff she coauthored the just-released /Landscapes of
    Dissent: Guerrilla Poetry & Public Space/ (Palm Press 2008). Jim
    Dine created two books from her poems "lotto" and "tiny arctic ice"
    for his series, /Hot Dreams/ (Steidl Editions 2008). Sand recently
    performed poetry collaged entirely from the North American Free
    Trade Agreement at the Positions Colloquium of the Kootenay School
    of Writing in Vancouver, British Columbia. Her investigations of
    Pacific Northwest geographies will be published as /Remember to
    Wave/ through Tinfish Press (Hawaii 2009), and an essay from this
    project is included in /Citadel of the Spirit/ (Nestucca Spit Press).



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
*
http://www.archiveofthenow.org/authors/kaiasand/index.html

http://www.pen.org/members/sand

http://www.thetangentpress.org/econsalon.html*


--------------040909000800010107030400
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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<head>
</head>
<body bgcolor="#ffffff" text="#000000">
Poet Penelope Schott has kindly organized a group to take my poetry
walk, <i>Remember to Wave</i>, on Saturday from 1-3 PM. You
are welcome to join in! We'll meet at the Expo Center MAX stop. (for
those of you who went in September, this will be nearly the same
poem-walk). <br>
<br>
Best, <br>
<br>
Kaia Sand
<br>
<br>
<blockquote><br>
  <b><i>Remember to Wave: </i></b>
  <br>
  <b><i>A Poetry Walk in North Portland</i></b>
  <br>
  <br>
  <b>with Kaia Sand</b>
  <br>
  <br>
Saturday, January 10
  <br>
1-3 pm
  <br>
  <br>
Free
  <br>
  <br>
Meet at the Expo MAX stop (yellow line), at the Torii gate at the
north end of the platform.
  <br>
  <br>
======================================================
  <br>
  <br>
  <i>We walk for many reasons, and one of those reasons can be
poetry. </i>
  <br>
  <br>
Rather than gather in a salon or saloon, we&#8217;ll step outdoors. This is
a poetry reading by Kaia Sand that will &#8220;take place&#8221; as a two-hour
walk, in the spirit of the Situationist d&eacute;rive. We'll walk near the
Columbia Slough where Japanese Americans were "relocated," and where
the Vanport flood destroyed the World War II-era city.
  <br>
  <br>
We&#8217;ll embark at noon from the Expo MAX Station, take an approximately
two mile walk, and end at the Delta Park/Vanport station. Along the
way, we&#8217;ll stop for an improvisational ode and a snack of seasonal
fruit.
  <br>
  <br>
This will be an uncovered, outdoor event, so be sure to wear walking
shoes and&#8212;if it&#8217;s raining&#8212;bring an umbrella!
  <br>
  <br>
This project is funded by the Regional Arts and Culture Council
  <br>
  <br>
  <br>
*****
  <br>
  <br>
  <b>Kaia Sand</b> authored the poetry collection
  <i>interval</i> (Edge Books 2004), selected as a Small Press
Traffic Book of the Year, and with Jules Boykoff she coauthored the
just-released <i>Landscapes of Dissent: Guerrilla Poetry &amp; Public
Space</i> (Palm Press 2008). Jim Dine created two books from her
poems "lotto" and "tiny arctic ice" for his series, <i>Hot
Dreams</i> (Steidl Editions 2008). Sand recently performed poetry
collaged entirely from the North American Free Trade Agreement at the
Positions Colloquium of the Kootenay School of Writing in Vancouver,
British Columbia. Her investigations of Pacific Northwest geographies
will be published as <i>Remember to Wave</i> through Tinfish
Press (Hawaii 2009), and an essay from this project is included in
  <i>Citadel of the Spirit</i> (Nestucca Spit Press).
  <br>
</blockquote>
<br>
<br>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
<br>
<b><!-- Courier --><font size="-1"><br>
<!-- FFFF,5353,1313 --><a class="moz-txt-link-freetext" href="http://www.archiveofthenow.org/authors/kaiasand/index.html">http://www.archiveofthenow.org/authors/kaiasand/index.html</a>
<br>
<br>
<!-- 8E8E,C8C8,2626 --><a class="moz-txt-link-freetext" href="http://www.pen.org/members/sand">http://www.pen.org/members/sand</a>
<br>
<br>
<!-- 5D5D,9F9F,C8C8 --><a class="moz-txt-link-freetext" href="http://www.thetangentpress.org/econsalon.html">http://www.thetangentpress.org/econsalon.html</a></font></b>
<br>
<br>
</body>
</html>

--------------040909000800010107030400--

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Spare Room presents

*Endi Bogue Hartigan
Maryrose Larkin
*

Sunday, January 11
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

January 25: 100 Poems by 100 Poets from the Past 100 Years:
   Spare Room's 100th Reading
February 1: Laynie Browne / Jared Hayes
February 8: Andrew Joron / Andrew Zawacki

=============================================

*Endi Bogue Hartigan* will be reading from her first book, /One Sun 
Storm/, and from a new manuscript. /One Sun Storm/ was selected for the 
2008 Colorado Prize for Poetry by Martha Ronk, and was released in 
November from the Center for Literary Publishing. Her work has recently 
appeared or is forthcoming in /Chicago Review, Free Verse, TinFish, Gulf 
Coast, Pleiades, /and/ Quarterly West/. Endi edited and cofounded, with 
her husband poet Patrick Hartigan, /Spectaculum/, a magazine that was 
devoted to long poems, series, and projects best presented at length. 
She lives in Portland, with Patrick and their son Jackson.

*Maryrose Larkin* lives in Portland, where she works as a freelance 
researcher. She is the author of /Inverse/ (nine muses books), /Whimsy 
Daybook 2007/ (FLASH+CARD), and /The Book of Ocean/ (i.e. press). Her 
work can also be found in /FO A RM, Insurance, Bird Dog, Columbia Poetry 
Review, /and/ Washington Review/. Maryrose is one of the organizers of 
Spare Room, and is coeditor, with Sarah Mangold, of FLASH+CARD, a 
chapbook and ephemera poetry press.

=============================================


*Chorus of blue [Crater Lake, 2007]*
 
The question of change
is a question of what we can afford to continue.
A series of snapping points or rips.
The lake is a question
of what the mountain can take or not.
The chorus afforded blue but barely.
The chorus of blue sang out of thin voices in oxygen-thin air.
The blue vibrated electrons in water and absorbed
what was not turned back.
We turned our backs on the war.
The chorus of blue tilted our eyes, and filterering, taught us to filter,
but out what?
The chorus of blue held itself up, a mirror of itself, fanatic and 
fantastic.
Abstract blue--a new coin--took the center
through, through.
We turned our backs on the lake.
A series of snapping points or rips.
The chorus filtered out disturbance, filtered out detail and violence
and observance.
Tilt, shine, tilt. . . .
what did we shed again, and why?
A little girl went back sobbing
who had to leave the clearest sky.

*Endi Bogue Hartigan*



*from Inverse*

                   Roots open                     rise and run

                     his face compare to       string notation

                         logic
               required and where

         but this cannot           and without it
                   box step          the sun and      box step          
the moon

*Maryrose Larkin*

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Spare Room presents<br>
<br>
<b>Endi Bogue Hartigan<br>
Maryrose Larkin<br>
</b><br>
<br>
Sunday, January 11<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
January 25: 100 Poems by 100 Poets from the Past 100 Years:<br>
&nbsp;&nbsp; Spare Room's 100th Reading<br>
February 1: Laynie Browne / Jared Hayes<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<br>
<b>Endi Bogue Hartigan</b> will be reading from her first book, <i>One
Sun Storm</i>, and from a new manuscript. <i>One Sun Storm</i> was
selected for the 2008 Colorado Prize for Poetry by Martha Ronk, and was
released in November from the Center for Literary Publishing. Her work
has recently appeared or is forthcoming in <i>Chicago Review, Free
Verse, TinFish, Gulf Coast, Pleiades, </i>and<i> Quarterly West</i>.
Endi edited and cofounded, with her husband poet Patrick Hartigan, <i>Spectaculum</i>,
a magazine that was devoted to long poems, series, and projects best
presented at length. She lives in Portland, with Patrick and their son
Jackson.<br>
<br>
<b>Maryrose Larkin</b> lives in Portland, where she works as a
freelance researcher. She is the author of <i>Inverse</i> (nine muses
books), <i>Whimsy Daybook 2007</i> (FLASH+CARD), and <i>The Book of
Ocean</i> (i.e. press). Her work can also be found in <i>FO A RM,
Insurance, Bird Dog, Columbia Poetry Review, </i>and<i> Washington
Review</i>. Maryrose is one of the organizers of Spare Room, and is
coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera
poetry press.<br>
<br>
=============================================<br>
<br>
<br>
<b>Chorus of blue [Crater Lake, 2007]</b><br>
&nbsp;<br>
The question of change<br>
is a question of what we can afford to continue.<br>
A series of snapping points or rips.<br>
The lake is a question<br>
of what the mountain can take or not.<br>
The chorus afforded blue but barely.<br>
The chorus of blue sang out of thin voices in oxygen-thin air.<br>
The blue vibrated electrons in water and absorbed<br>
what was not turned back.<br>
We turned our backs on the war.<br>
The chorus of blue tilted our eyes, and filterering, taught us to
filter,<br>
but out what?<br>
The chorus of blue held itself up, a mirror of itself, fanatic and
fantastic.<br>
Abstract blue--a new coin--took the center<br>
through, through.<br>
We turned our backs on the lake.<br>
A series of snapping points or rips.<br>
The chorus filtered out disturbance, filtered out detail and violence<br>
and observance.<br>
Tilt, shine, tilt. . . .<br>
what did we shed again, and why?<br>
A little girl went back sobbing<br>
who had to leave the clearest sky.<br>
<br>
<b>Endi Bogue Hartigan</b><br>
<br>
<br>
<br>
<b>from Inverse</b><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Roots open&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; rise and run<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; his face compare to&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; string notation<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; logic<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; required and where<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; but this cannot&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; and without it<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; box step&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; the sun and&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; box step&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
the moon<br>
<br>
<b>Maryrose Larkin</b></div>
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from Dan Raphael:

Thursday, January 15
7:30 pm

Powell's Books on Hawthorne
Free admission

Dan celebrates the re-release of his poetry collection /Bop Grit Storm 
Cafe/, and reads new work; Rodney reads from his new chapbook, /Rules 
for Drinking Forties/, due out from Cy Press this spring.



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<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western">from Dan Raphael:<br>
<br>
Thursday, January 15<br>
7:30 pm<br>
<br>
Powell's Books on Hawthorne<br>
Free admission<br>
<br>
Dan celebrates the re-release of his poetry collection <i>Bop Grit
Storm Cafe</i>, and reads new work; Rodney reads from his new chapbook,
<i>Rules for Drinking Forties</i>, due out from Cy Press this spring. <br>
<br>
<br>
</div>
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*Spare Room's 100th Reading*

The Spare Room reading series celebrates seven years of presenting 
experimental writing in Portland with a marathon hundredth reading


Spare Room organizers past and present (with friends) will read

*100 Poems by 100 Poets from the Past 100 Years*


*Sunday, January 25*

starting at 2:00 pm
ending when we finish (6:00? 7:00?)

*Free admission*

Gallery Homeland
(at the Ford Building)

2505 SE 11th Avenue
www.galleryhomeland.org

www.flim.com/spareroom

======================

 > From Helen Adam to Louis Zukofsky, from Futurism to Personism, from 
Hiroshima to Blackhawk Island, from a Polish count to a Peruvian 
communist, from Dada to MoMA, from prisoners of war to secret agents, 
from mimeographers to bloggers . . . come hear a small but 
representative slice of the extraordinary range of poetries practiced in 
the past century!

Readers will include:

David Abel
Meredith Blankinship
Joseph Bradshaw
Alicia Cohen
Gale Czerski
Laura Feldman
Patrick Hartigan
Lindsay Hill
Rodney Koeneke
Maryrose Larkin
Sam Lohmann
Jesse Morse
Mark Owens & crew*
Chris Piuma
Dan Raphael
James Yeary

* sound poetry performers:
Leo & Anna Daedalus
Tony Christy
Linda Austin
Lisa Radon with
  Neville, Molly, & Oskar

and more . . .


Reading poems by:

Helen Adam
Charles Amirkhanian
Guillaume Apollinaire
Hugo Ball
Ted Berrigan
Mei-mei Berssenbrugge
Robin Blaser
Nicole Brossard
Basil Bunting
Anne Carson
Constantine Cavafy
Joseph Ceravolo
Theresa Hak Kyung Cha
Inger Christiansen
Robert Creeley
Beverly Dahlen
Robert Desnos
H.D.
Francois Dufrene
Robert Duncan
Russell Edson
Jennifer Crystal Fang-Chien
Kevin Goodan
Linda Gregg
Bill Griffiths
Barbara Guest
Carla Harryman
Dick Higgins
Ake Hodell
Fanny Howe
Susan Howe
Philip Jenks
Karen Kelley
Aleksei Kruchenyk
Gerrit Lansing
Jackson Mac Low
Bernadette Mayer
Marianne Moore
Christian Morgenstern
Harryette Mullen
Susan Smith Nash
bp nichol
Lorine Niedecker
Alice Notley
Frank O'Hara
George Oppen
Michael Palmer
Bob Perelman
Dennis Phillips
Laura Riding
Joan Retallack
Gerhard Rhm
Diana Saenz
Frank Samperi
Aram Saroyan
Kurt Schwitters
David Shapiro
Charles Sharpe
Ron Silliman
Gustaf Sobin
Jack Spicer
Gertrude Stein
Wallace Stevens
Rhett Stuart
Cole Swenson
John Taggart
Nathaniel Tarn
Alberta Turner
Csar Vallejo
Lew Welch
Hannah Weiner
Jonathan Williams
William Carlos Williams
C.D. Wright
Araki Yasusada
Louis Zukofsky

and many more!


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
<b>Spare Room's 100th Reading</b><br>
<br>
The Spare Room reading series
celebrates seven years of presenting experimental writing in Portland
with a marathon hundredth reading<br>
<br>
<br>
Spare Room organizers past and present (with friends) will read<br>
<br>
<b>100 Poems by 100 Poets from the Past 100 Years</b><br>
<br>
<br>
<b>Sunday, January 25</b><br>
<br>
starting at 2:00 pm <br>
ending when we finish (6:00? 7:00?)<br>
<br>
<b>Free admission</b><br>
<br>
Gallery Homeland <br>
(at the Ford Building)<br>
<br>
2505 SE 11th Avenue<br>
<a class="moz-txt-link-abbreviated"
 href="http://www.galleryhomeland.org">www.galleryhomeland.org</a><br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<br>
======================<br>
<br>
&gt; From Helen Adam to Louis Zukofsky, from Futurism to Personism,
from
Hiroshima to Blackhawk Island, from a Polish count to a Peruvian
communist, from Dada to MoMA, from prisoners of war to secret agents,
from mimeographers to bloggers . . . come hear a small but
representative slice of the extraordinary range of poetries practiced
in the past century!<br>
<br>
Readers will include:<br>
<br>
David Abel<br>
Meredith Blankinship<br>
Joseph Bradshaw<br>
Alicia Cohen<br>
Gale Czerski<br>
Laura Feldman<br>
Patrick Hartigan <br>
Lindsay Hill<br>
Rodney Koeneke<br>
Maryrose Larkin<br>
Sam Lohmann<br>
Jesse Morse<br>
Mark Owens &amp; crew*<br>
Chris Piuma<br>
Dan Raphael<br>
James Yeary<br>
<br>
* sound poetry performers:<br>
Leo &amp; Anna Daedalus<br>
Tony Christy<br>
Linda Austin<br>
Lisa Radon with<br>
&nbsp; Neville, Molly, &amp; Oskar<br>
<br>
and more . . .<br>
<br>
<br>
Reading poems by:<br>
<br>
Helen Adam<br>
Charles Amirkhanian<br>
Guillaume Apollinaire<br>
Hugo Ball<br>
Ted Berrigan<br>
Mei-mei Berssenbrugge<br>
Robin Blaser<br>
Nicole Brossard<br>
Basil Bunting<br>
Anne Carson<br>
Constantine Cavafy<br>
Joseph Ceravolo<br>
Theresa Hak Kyung Cha<br>
Inger Christiansen<br>
Robert Creeley<br>
Beverly Dahlen<br>
Robert Desnos<br>
H.D.<br>
Francois Dufrene<br>
Robert Duncan<br>
Russell Edson<br>
Jennifer Crystal Fang-Chien<br>
Kevin Goodan<br>
Linda Gregg<br>
Bill Griffiths<br>
Barbara Guest<br>
Carla Harryman<br>
Dick Higgins<br>
Ake Hodell<br>
Fanny Howe<br>
Susan Howe<br>
Philip Jenks<br>
Karen Kelley<br>
Aleksei Kruchenyk<br>
Gerrit Lansing<br>
Jackson Mac Low<br>
Bernadette Mayer<br>
Marianne Moore<br>
Christian Morgenstern<br>
Harryette Mullen<br>
Susan Smith Nash<br>
bp nichol<br>
Lorine Niedecker<br>
Alice Notley<br>
Frank O'Hara<br>
George Oppen<br>
Michael Palmer<br>
Bob Perelman<br>
Dennis Phillips<br>
Laura Riding<br>
Joan Retallack<br>
Gerhard R&uuml;hm<br>
Diana Saenz<br>
Frank Samperi<br>
Aram Saroyan<br>
Kurt Schwitters<br>
David Shapiro<br>
Charles Sharpe<br>
Ron Silliman<br>
Gustaf Sobin<br>
Jack Spicer<br>
Gertrude Stein<br>
Wallace Stevens<br>
Rhett Stuart<br>
Cole Swenson<br>
John Taggart<br>
Nathaniel Tarn<br>
Alberta Turner<br>
C&eacute;sar Vallejo<br>
Lew Welch<br>
Hannah Weiner<br>
Jonathan Williams<br>
William Carlos Williams<br>
C.D. Wright<br>
Araki Yasusada<br>
Louis Zukofsky<br>
<br>
and many more!<br>
<br>
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from Tangent:


Allison Cobb & Craig Santos Perez

Saturday, January 24
7:00 pm

Clinton Corner Caf
2633 SE 21st Avenue (@ Clinton)

<http://www.thetangentpress.org/readings.html>
The Tangent Reading Series hosts Craig Santos Perez in his debut reading 
in Portland, and Allison Cobb in her debut reading as a Portlander.

Feel free to come early and have dinner at the Clinton, or spend time 
with the poets afterwards.


ALLISON COBB is the author of /Born2 /(Chax Press, 2004), a poetic 
meditation on her hometown of Los Alamos, New Mexico. She is currently 
at work on /Green-Wood/, a long piece about the 500-acre Victorian 
cemetery across the street from her home in Brooklyn, New York. She 
moved from Brooklyn to Portland this January.

CRAIG SANTOS PEREZ, a native Chamoru from the Pacific Island of Guahan 
(Guam), is a co-founder of Achiote Press and author of /from 
unincorporated territory/ (Tinfish, 2008). His poetry, essays, reviews, 
and translations have appeared in /New American Writing, Pleiades, The 
Denver Quarterly, The Colorado Review,/ and /ZYZZYVA/, among others. 
Perez recently appeared before the United Nations to give testimony on 
the condition of native peoples in Guam. He holds an MFA in poetry from 
the University of San Francisco, and is currently working toward a 
doctorate in Ethnic Studies at UC Berkeley.


UPCOMING TANGENT READINGS

Saturday, February 28: Alli Warren, Brandon Brown & Tom Fisher



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<div class="moz-text-html" lang="x-western">from Tangent:<br>
<br>
<br>
Allison Cobb &amp; Craig Santos Perez<br>
<br>
Saturday, January 24<br>
7:00 pm<br>
<br>
Clinton Corner Caf&eacute;<br>
2633 SE 21st Avenue (@ Clinton)<br>
<br>
<a href="http://www.thetangentpress.org/readings.html" target="_blank"></a><br>
The <span>Tangent</span>
Reading Series hosts Craig Santos Perez in his debut reading in
Portland, and Allison Cobb in her debut reading as a Portlander. <br>
<br>
Feel free to come early and have
dinner at the Clinton, or spend time with the poets afterwards. <br>
<br>
<br>
ALLISON COBB is the author of <i>Born2 </i>(Chax Press, 2004), a
poetic meditation on her hometown of Los Alamos, New Mexico. She is
currently at work on <i>Green-Wood</i>,
a long piece about the 500-acre Victorian cemetery across the street
from her home in Brooklyn, New York. She moved from Brooklyn to
Portland this January.<br>
<br>
CRAIG SANTOS PEREZ, a native Chamoru from the Pacific Island of Guahan
(Guam), is a co-founder of Achiote Press and author of <i>from
unincorporated territory</i> (Tinfish, 2008). His poetry, essays,
reviews, and translations have appeared in <i>New American Writing,
Pleiades, The Denver Quarterly, The Colorado Review,</i> and <i>ZYZZYVA</i>,
among others. Perez recently appeared before the United Nations to give
testimony on the condition of native peoples in Guam. He holds an MFA
in poetry from the University of San Francisco, and is currently
working toward a doctorate in Ethnic Studies at UC Berkeley.<br>
<br>
<br>
UPCOMING <span>TANGENT</span> READINGS<br>
<br>
Saturday, February 28: Alli Warren, Brandon Brown &amp; Tom Fisher<br>
<br>
<br>
</div>
</body>
</html>

--------------060707000006090108070008--

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Subject: [Spare Room/Passages] FWD: Fri. 1/30,
	Peaches & Bats reading/publication party
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from Jesse Morse:

Peaches & Bats Release Party

with readings by

David Abel
Joseph Bradshaw
Kaia Sand
Sam Lohmann

and long-tone music in just intonation by
Warren Lee (harmonium), Ian Ackerman (violin), and Gabriel Will (viola).


Friday, January 30
7:00 pm

The Waypost
3120 N. Williams Avenue
http://www.thewaypost.com

Food, beer, wine and espresso all available at The Waypost.  Festivities 
underway at 7pm.

http://www.smorgreadingseries.blogspot.com

-------

Peaches and Bats #3 features new work by: David Abel, Jennifer Bartlett, 
Joseph Bradshaw, Stephen Collis, Elaine Equi, Ming Holden, Rich Jensen, 
Stacey Levine, Lauren Likely, Will Owen, Kaia Sand, Brandon Shimoda, 
Luvsandorjin Ulziitugs (translated by Simon Wickham-Smith), What We Are 
Learning, and Deborah Woodard.

Peaches and Bats #3 is a hand-sewn zine with a letterpress cover and 72 
pg. photocopied interior. It costs $5, and can be purchased in Portland 
at Powell's or Reading Frenzy; in Olympia at Orca Books or Dumpster 
Values; and in Seattle at Elliott Bay Books. Soon it will also be 
available at St. Mark's Bookstore in New York, and eventually, I hope, 
in other select corners of the world. You can also order it directly 
from me by sending a check for $5 (postage included) to Sam Lohmann, 
4025 SE Taylor St., Portland, OR 97214. Or email me about trading for 
your chapbook or zine.

Submissions for issue 4 are welcome at peachesandbats@gmail.com.

-------

David Abel has the most extraordinary air of self-satisfaction. Yet, if 
we stop to examine those Chinese writings of his that he so 
presumptuously scatters about the place, we find that they are full of 
imperfections. Someone who makes such an effort to be different from 
others is bound to fall in people's esteem, and I can only think that 
his future will be a hard one. If one gives free rein to one's emotions 
even under the most inappropriate circumstances, if one has to sample 
each interesting thing that comes along, people are bound to regard one 
as frivolous. And how can things turn out well for such a man?

Joseph Bradshaw eats chicken and horses in Portland when he's not 
teaching the world to sing at Portland State University or Pacific 
Northwest College of Art or writing his famous chapbooks such as The Way 
Birds Become (Weather Press) and This Ocean, or Oppen Series (Cannibal 
Books).

Kaia Sand is the author of the poetry collection interval (Edge Books, 
2004), the wee book lotto, the chapbooks Heart on a Tripod and tiny 
arctic ice (all from Dusie), and The NAFTA (forthcoming from Duration 
Press echap series). Jim Dine created artist books from tiny arctic ice 
and lotto (Steidl, 2008), and Sand coauthored Landscapes of Dissent: 
Guerrilla Poetry & Public Space (Palm Press, 2008) with Jules Boykoff.

Sam Lohmann is a poet, editor, letterpress printer, ex-busboy, future 
substitute preschool teacher, occasional tutor, and temporary cashier in 
Portland, Oregon. He will be reading work written by others for his 
yearly zine, "Peaches and Bats."

Gabriel Will and Ian Ackerman (Olympia), and Warren Lee (Portland) play 
long-tone music in just intonation. In 2007, they completed a recording 
residency at the Satsop Nuclear Cooling Tower in Elma, Wa. In 2009 they 
had a "Super Weekend."


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from Jesse Morse:<br>
<br>
Peaches &amp; Bats Release Party<br>
<br>
with readings by<br>
<br>
David Abel<br>
Joseph Bradshaw<br>
Kaia Sand<br>
Sam Lohmann<br>
<br>
and long-tone music in just intonation by<span class="Apple-style-span"
 style="font-family: Times; font-size: 16px;">
<br>
Warren Lee (harmonium), Ian Ackerman (violin), and Gabriel Will (viola).<br>
</span><span class="Apple-style-span"
 style="font-family: Times; font-size: 16px;"></span><br>
<br>
Friday, January 30<br>
7:00 pm<br>
<br>
The Waypost<br>
3120 N. Williams Avenue<br>
<a class="moz-txt-link-freetext" href="http://www.thewaypost.com">http://www.thewaypost.com</a><a
 class="moz-txt-link-freetext"
 href="http://www.smorgreadingseries.blogspot.com"></a><br>
<br>
Food, beer, wine and espresso all available at The Waypost.&nbsp;
Festivities underway at 7pm.<br>
<br>
<a class="moz-txt-link-freetext"
 href="http://www.smorgreadingseries.blogspot.com">http://www.smorgreadingseries.blogspot.com</a><br>
<br>
-------<br>
<br>
Peaches and Bats #3 features new work by: David Abel, Jennifer
Bartlett, Joseph Bradshaw, Stephen Collis, Elaine Equi, Ming Holden,
Rich Jensen, Stacey Levine, Lauren Likely, Will Owen, Kaia Sand,
Brandon Shimoda, Luvsandorjin Ulziitugs (translated by Simon
Wickham-Smith), What We Are Learning, and Deborah Woodard.<br>
<br>
Peaches and Bats #3 is a hand-sewn zine with a letterpress cover and 72
pg. photocopied interior. It costs $5, and can be purchased in Portland
at Powell's or Reading Frenzy; in Olympia at Orca Books or Dumpster
Values; and in Seattle at Elliott Bay Books. Soon it will also be
available at St. Mark's Bookstore in New York, and eventually, I hope,
in other select corners of the world. You can also order it directly
from me by sending a check for $5 (postage included) to Sam Lohmann,
4025 SE Taylor St., Portland, OR 97214. Or email me about trading for
your chapbook or zine.<br>
<br>
Submissions for issue 4 are welcome at <a
 class="moz-txt-link-abbreviated" href="mailto:peachesandbats@gmail.com">peachesandbats@gmail.com</a>.<br>
<br>
-------<br>
<br>
David Abel has the most extraordinary air of self-satisfaction. Yet, if
we stop to examine those Chinese writings of his that he so
presumptuously scatters about the place, we find that they are full of
imperfections. Someone who makes such an effort to be different from
others is bound to fall in people's esteem, and I can only think that
his future will be a hard one. If
one gives free rein to one's emotions even under the most inappropriate
circumstances, if one has to sample each interesting thing that comes
along, people are bound to regard one as frivolous. And how can things
turn out well for such a man?<br>
<br>
Joseph Bradshaw eats chicken and horses in Portland when he's not
teaching the world to sing at Portland State University or Pacific
Northwest College of Art or writing his famous chapbooks such as The
Way Birds Become (Weather Press) and This Ocean, or Oppen Series
(Cannibal Books).<br>
<br>
Kaia Sand is the author of the poetry collection interval (Edge Books,
2004), the wee book lotto, the chapbooks Heart on a Tripod and tiny
arctic ice (all from Dusie), and The NAFTA (forthcoming from Duration
Press echap series). Jim Dine created artist books from tiny arctic ice
and lotto (Steidl, 2008), and Sand coauthored Landscapes of Dissent:
Guerrilla Poetry &amp; Public Space (Palm Press, 2008) with Jules
Boykoff.<br>
<br>
Sam Lohmann is a poet, editor, letterpress printer, ex-busboy, future
substitute preschool teacher, occasional tutor, and temporary cashier
in
Portland, Oregon. He will be reading work written by others for his
yearly zine, "Peaches and Bats."<br>
<br>
<span class="Apple-style-span"
 style="font-family: Times; font-size: 16px;">Gabriel
Will and Ian Ackerman (Olympia), and Warren Lee (Portland) play
long-tone music in just intonation. In 2007, they completed a recording
residency at the Satsop Nuclear <span
 style="border-bottom: medium none; background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"
 class="yshortcuts" id="lw_1231916571_9">Cooling Tower</span> in Elma,
Wa. In 2009 they had a "Super Weekend."</span><br>
<br>
</body>
</html>

--------------030202030405060309020609--

From passages@rdrop.com Mon Jan 19 23:43:43 2009
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Spare Room presents

*Laynie Browne
Jared Hayes
*
Sunday, February 1
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

January 25: 100 Poems by 100 Poets from the Past 100 Years:
   Spare Room's 100th Reading
February 1: Laynie Browne / Jared Hayes
February 8: Andrew Joron / Andrew Zawacki

=============================================

Laynie Browne is the author of seven collections of poetry and one 
novel.  Her most recent publications include /The Scented Fox/ (Wave), 
/Daily Sonnets/ (Counterpath) and /Drawing of a Swan Before Memory/ 
(University of Georgia). She was for many years a member of the Subtext 
Collective in Seattle, and now is part of the POG reading series in 
Tucson. She is currently developing a new a poetry-in-the-schools 
program for K-5 schools, through the Poetry Center at the University of 
Arizona.

jared hayes lives in portland, oregon. he is publisher and co-editor of 
livestock editions. jared hayes believes in ghosts. his poetry can be 
found.

=============================================


/*from*/* Radiolarian Atlas*


/Petalospyris arachnoides

/Descending claw
spider thrift
Ten-legged trope
with triceratops leanings

Inside your yellow-chambered
soire is a bouncing
reverie of a ballroom
O hidden balustrade,
from whose aquamarine invitation
was this divine gathering sung?


*Laynie Browne
*


*from night after night*


mesostic transpsych(ot)ic iteration

this is the best leJos to do things. this is the very best ecerrAda to 
do things. this is the very best sIempre to do things exactly poeMa 
transparEncia now and excluSiva is the night acercAdo doing the night 
dEstino and this is the night illumiNan doing the night veZ at the night 
caJa and these are the night brAzos at the night imagIna and this is the 
night Mascara doing the night Escribe at the night Seno in the night 
rosAs and these are the night tormEnta doing the night muNdo to the 
night quiZa at the night refleJaba and these are the estrellA that are 
exactly night and these exactly night habIta are doing their Muerte 
which is night and carnE is the night poSa to oscuridAd at the night 
gravE which is night now and night now cuerNos is exactly night night 
now where atroZ is.

*Jared Hayes*

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Spare Room presents<br>
<br>
<b>Laynie Browne<br>
Jared Hayes<br>
</b><br>
Sunday, February 1<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
January 25: 100 Poems by 100 Poets from the Past 100 Years:<br>
&nbsp;&nbsp; Spare Room's 100th Reading<br>
February 1: Laynie Browne / Jared Hayes<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<br>
Laynie Browne is the author of seven collections of poetry and one
novel.&nbsp; Her most recent publications include <i>The Scented Fox</i>
(Wave), <i>Daily Sonnets</i> (Counterpath) and <i>Drawing of a
Swan Before Memory</i>
(University of Georgia). She was for many years a member of the Subtext
Collective in Seattle, and now is part of the POG reading series in
Tucson. She is currently developing a new a
poetry-in-the-schools program for K-5 schools, through the Poetry
Center at the University of
Arizona.<br>
<br>
jared hayes lives in portland, oregon. he is publisher and co-editor of
livestock editions. jared hayes believes in ghosts.&nbsp;his&nbsp;poetry can be
found. <br>
<br>
=============================================<br>
<br>
<br>
<i><b>from</b></i><b> Radiolarian Atlas</b><br>
<br>
<br>
<i>Petalospyris arachnoides<br>
<br>
</i>Descending claw<br>
spider thrift<br>
Ten-legged trope<br>
with triceratops leanings<br>
<br>
Inside your yellow-chambered<br>
soir&eacute;e is a bouncing<br>
reverie of a ballroom<br>
O hidden balustrade,<br>
from whose aquamarine invitation<br>
was this divine gathering sung?<br>
<br>
<br>
<b>Laynie Browne<br>
</b><br>
<br>
<br>
<div><b><span class="Apple-style-span" style="font-style: italic;">from
</span>night after night</b></div>
<div><br>
<br>
mesostic transpsych(ot)ic iteration<br>
</div>
<div><br>
</div>
<span class="Apple-style-span" style="line-height: 18px;"><span
 class="Apple-style-span" style="font-family: 'times new roman',serif;">this
is the best leJos to do things. this is the very best ecerrAda to do
things. this is the very best sIempre to do things exactly poeMa
transparEncia now and excluSiva is the night acercAdo doing the night
dEstino and this is the night illumiNan doing the night veZ at the
night caJa and these are the night brAzos at the night imagIna and this
is the night Mascara doing the night Escribe at the night Seno in the
night rosAs and these are the night tormEnta doing the night muNdo to
the night quiZa at the night refleJaba and these are the estrellA that
are exactly night and these exactly night habIta are doing their Muerte
which is night and carnE is the night poSa to oscuridAd at the night
gravE which is night now and night now cuerNos is exactly night night
now where atroZ is.<br>
<br>
<b>Jared Hayes</b><br>
</span></span></div>
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*Spare Room's 100th Reading*

The Spare Room reading series celebrates seven years of presenting 
experimental writing in Portland with a marathon hundredth reading.


Spare Room organizers past and present (with friends) will read

*100 Poems by 100 Poets from the Past 100 Years*


*Sunday, January 25*

starting at 2:00 pm
ending when we finish
(we're guessing 7:00 or so . . . but it's just a guess)

*Free admission*

(Savory and sweet snacks, and hot and cold beverages, purveyed by the 
incomparable Cyndy Chan, will be available for purchase.)

Gallery Homeland
(at the Ford Building)

2505 SE 11th Avenue
www.galleryhomeland.org

www.flim.com/spareroom

======================

 >From Helen Adam to Louis Zukofsky, from Futurism to Personism, from 
Hiroshima to Blackhawk Island, from a Polish count to a Peruvian 
communist, from a Dada priest to a MoMA curator, from prisoners of war 
to secret agents, from mimeographers to bloggers . . . come hear a small 
but representative slice of the extraordinary range of poetries 
practiced in the past century!

Readers will include:

David Abel
Joel Bettridge
Meredith Blankinship
Joseph Bradshaw
Alicia Cohen
Gale Czerski
Laura Feldman
Patrick Hartigan
Lindsay Hill
Rodney Koeneke
Maryrose Larkin
Sam Lohmann
Jesse Morse
Mark Owens & crew*
Chris Piuma
Dan Raphael
James Yeary

* sound poetry performers:
   Leo & Anna Daedalus
   Tony Christy
   Linda Austin
   Brianna Farina & friends
   Lisa Radon with
     Neville, Molly, & Oskar

and more . . .


Reading poems by:

Helen Adam
Charles Amirkhanian
Guillaume Apollinaire
Hugo Ball
Ted Berrigan
Mei-mei Berssenbrugge
Robin Blaser
Nicole Brossard
Basil Bunting
Anne Carson
Constantine Cavafy
Joseph Ceravolo
Theresa Hak Kyung Cha
Henri Chopin
Inger Christiansen
Thomas A. Clark
Robert Creeley
Beverly Dahlen
Robert Desnos
H.D.
Robert Duncan
Russell Edson
Jennifer Crystal Fang-Chien
Roger Gilbert-Lecomte
Kevin Goodan
Linda Gregg
Bill Griffiths
Barbara Guest
Carla Harryman
Dick Higgins
Ake Hodell
Fanny Howe
Susan Howe
Philip Jenks
Karen Kelley
Aleksei Kruchenyk
Gerrit Lansing
Jackson Mac Low
Bernadette Mayer
Marianne Moore
Christian Morgenstern
Harryette Mullen
Susan Smith Nash
bp nichol
Lorine Niedecker
Alice Notley
Frank O'Hara
George Oppen
Michael Palmer
Bob Perelman
Dennis Phillips
Laura Riding
Joan Retallack
Lisa Robertson
Gerhard Rhm
Diana Saenz
Frank Samperi
Aram Saroyan
James Schuyler
Kurt Schwitters
David Shapiro
Charles Sharpe
Ron Silliman
Gustaf Sobin
Jack Spicer
Gertrude Stein
Wallace Stevens
Rhett Stuart
Cole Swenson
John Taggart
Nathaniel Tarn
Alberta Turner
Csar Vallejo
Lew Welch
Hannah Weiner
John Wieners
Jonathan Williams
William Carlos Williams
C.D. Wright
Araki Yasusada
Louis Zukofsky

and many more!

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<b>Spare Room's 100th Reading</b><br>
<br>
The Spare Room reading series
celebrates seven years of presenting experimental writing in Portland
with a marathon hundredth reading.<br>
<br>
<br>
Spare Room organizers past and present (with friends) will read<br>
<br>
<b>100 Poems by 100 Poets from the Past 100 Years</b><br>
<br>
<br>
<b>Sunday, January 25</b><br>
<br>
starting at 2:00 pm <br>
ending when we finish <br>
(we're guessing 7:00 or so . . . but it's just a guess)<br>
<br>
<b>Free admission</b><br>
<br>
(Savory and sweet snacks, and hot and cold beverages, purveyed by the
incomparable Cyndy Chan, will be available for purchase.)<br>
<br>
Gallery Homeland <br>
(at the Ford Building)<br>
<br>
2505 SE 11th Avenue<br>
<a class="moz-txt-link-abbreviated"
 href="http://www.galleryhomeland.org">www.galleryhomeland.org</a><br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<br>
======================<br>
<br>
&gt;From Helen Adam to Louis Zukofsky, from Futurism to Personism,
from
Hiroshima to Blackhawk Island, from a Polish count to a Peruvian
communist, from a Dada priest to a MoMA curator, from prisoners of war
to secret agents,
from mimeographers to bloggers . . . come hear a small but
representative slice of the extraordinary range of poetries practiced
in the past century!<br>
<br>
Readers will include:<br>
<br>
David Abel<br>
Joel Bettridge<br>
Meredith Blankinship<br>
Joseph Bradshaw<br>
Alicia Cohen<br>
Gale Czerski<br>
Laura Feldman<br>
Patrick Hartigan <br>
Lindsay Hill<br>
Rodney Koeneke<br>
Maryrose Larkin<br>
Sam Lohmann<br>
Jesse Morse<br>
Mark Owens &amp; crew*<br>
Chris Piuma<br>
Dan Raphael<br>
James Yeary<br>
<br>
* sound poetry performers:<br>
&nbsp;&nbsp; Leo &amp; Anna Daedalus<br>
&nbsp;&nbsp; Tony Christy<br>
&nbsp;&nbsp; Linda Austin<br>
&nbsp;&nbsp; Brianna Farina &amp; friends<br>
&nbsp;&nbsp; Lisa Radon with<br>
&nbsp; &nbsp;&nbsp; Neville, Molly, &amp; Oskar<br>
<br>
and more . . .<br>
<br>
<br>
Reading poems by:<br>
<br>
Helen Adam<br>
Charles Amirkhanian<br>
Guillaume Apollinaire<br>
Hugo Ball<br>
Ted Berrigan<br>
Mei-mei Berssenbrugge<br>
Robin Blaser<br>
Nicole Brossard<br>
Basil Bunting<br>
Anne Carson<br>
Constantine Cavafy<br>
Joseph Ceravolo<br>
Theresa Hak Kyung Cha<br>
Henri Chopin<br>
Inger Christiansen<br>
Thomas A. Clark<br>
Robert Creeley<br>
Beverly Dahlen<br>
Robert Desnos<br>
H.D.<br>
Robert Duncan<br>
Russell Edson<br>
Jennifer Crystal Fang-Chien<br>
Roger Gilbert-Lecomte<br>
Kevin Goodan<br>
Linda Gregg<br>
Bill Griffiths<br>
Barbara Guest<br>
Carla Harryman<br>
Dick Higgins<br>
Ake Hodell<br>
Fanny Howe<br>
Susan Howe<br>
Philip Jenks<br>
Karen Kelley<br>
Aleksei Kruchenyk<br>
Gerrit Lansing<br>
Jackson Mac Low<br>
Bernadette Mayer<br>
Marianne Moore<br>
Christian Morgenstern<br>
Harryette Mullen<br>
Susan Smith Nash<br>
bp nichol<br>
Lorine Niedecker<br>
Alice Notley<br>
Frank O'Hara<br>
George Oppen<br>
Michael Palmer<br>
Bob Perelman<br>
Dennis Phillips<br>
Laura Riding<br>
Joan Retallack<br>
Lisa Robertson<br>
Gerhard R&uuml;hm<br>
Diana Saenz<br>
Frank Samperi<br>
Aram Saroyan<br>
James Schuyler<br>
Kurt Schwitters<br>
David Shapiro<br>
Charles Sharpe<br>
Ron Silliman<br>
Gustaf Sobin<br>
Jack Spicer<br>
Gertrude Stein<br>
Wallace Stevens<br>
Rhett Stuart<br>
Cole Swenson<br>
John Taggart<br>
Nathaniel Tarn<br>
Alberta Turner<br>
C&eacute;sar Vallejo<br>
Lew Welch<br>
Hannah Weiner<br>
John Wieners<br>
Jonathan Williams<br>
William Carlos Williams<br>
C.D. Wright<br>
Araki Yasusada<br>
Louis Zukofsky<br>
<br>
and many more!<br>
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Two eleventh-hour notes about Sunday's Spare Room marathon 100th reading:

1. BYOB!

2. A /very/ approximate schedule follows, to assist you in deciding 
which precious minutes/hours to devote to the occasion. There are sure 
to be last-minute changes, errors in estimation, and general drift away 
from the template, but this is at least a guide to the order of the 
readers during the event.

See you there!



~ 2:00 - 3:15 pm

*Maryrose Larkin* reads:  /H.D., Barbara Guest, Susan Howe, Gertrude Stein/
*Jesse Morse* reads:  /Ted Berrigan, Inger Christensen, Fanny Howe, 
Leonel Rugama, Diana Saenz/
*Chris Piuma* reads:  /Tina Darragh, Thomas A. Clark, Jackson Mac Low, 
David Melnick, Hannah Weiner/
*Joel Bettridge* reads:  /Nicole Brosssard, Robert Creeley, Ronald 
Johnson, Dennis Phillips, Louis Zukofsky/
*Mark Owens (with Leo and Anna Daedalus, David Abel, and Tony Christy)* 
reads:  /Christian Morgenstern, Aleksei Kruchenykh, Hugo Ball, Kurt 
Schwitters/

    *INTERMISSION * [/Hugo Ball/]


~ 3:30 - 4:45 pm

*David Abel* reads:  /Paul Blackburn, C.P. Cavafy, Robert Desnos, Gene 
Frumkin, Jos Lezama Lima, Marianne Moore, Muriel Rukeyser/
*Joseph Bradshaw* reads:  /Joseph Ceravolo, Russell Edson, Philip Jenks, 
George Oppen, Laura Riding, Jack Spicer, Jonathan Williams/
*Lindsay Hill* reads:  /Robert Duncan, Jennifer Crystal Fang-Chien, 
Linda Gregg, Michael Palmer, Pamela Wye/
*Alicia Cohen* reads:  /Bill Griffiths, Bernadette Mayer, Harryette 
Mullen, Lorine Niedecker, Frank O'Hara/
*Rodney Koeneke* reads:  /Basil Bunting, Beverly Dahlen, Rainer Maria 
Rilke, Gustaf Sobin, Araki Yasusada/

    *INTERMISSION * [/Donato Mancini/]


~ 5:00 - 6:15 pm

*Mark Owens  (with David Abel)* reads:  /Dick Higgins, Ake Hodell/
*Sam Lohmann* reads:  /Guillaume Apollinaire, Roger Gilbert-Lecomte, 
Robert Kelly, Osip Mandelstam, Alice Notley, Lisa Robertson, David 
Shapiro, Csar Vallejo, William Carlos Williams/
*Meredith Blankinship* reads:  /Helen Adam, Robin Blaser, Lyn Hejinian, 
Wallace Stevens, Lew Welch/
*Dan Raphael* reads:  /Carla Harryman, Ruth Krauss, Gerrit Lansing, Mina 
Loy, David Rattray/
*Gale Czerski* reads:  /Mei-mei Berssenbrugge, Anne Carson, Karen 
Kelley, Alberta Turner, C.D. Wright/
 
   *INTERMISSION * [/Aram Saroyan/]


~ 6:30 - 8:00 pm

*Mark Owens (with Linda Austin, Lisa Radon, and Neville, Molly, and 
Oskar)* reads:  /bpNichol, Gerhard Rhm, Charles Amirkhanian/
*Patrick Hartigan* reads:  /Bob Perelman, Joan Retallack, Cole Swensen, 
Nathaniel Tarn, John Wieners/
*James Yeary* reads:  /Paul Celan, Kevin Goodan, Andrew Joron, Frank 
Samperi, John Taggart/
*Laura Feldman* reads:  /Theresa Hak Kyung Cha, Susan Smith Nash, 
Charles Sharpe, Ron Silliman, Rhett Stuart/
*David Abel* reads:  /James Schuyler, Mahmoud Darwish/




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Two eleventh-hour notes about Sunday's Spare Room marathon 100th
reading:<br>
<br>
1. BYOB!<br>
<br>
2. A <i>very</i> approximate schedule follows, to assist you in
deciding which precious minutes/hours to devote to the occasion. There
are sure to be
last-minute changes, errors in estimation, and general drift away from
the template, but this
is at least a guide to the order of the readers during the
event.<br>
<br>
See you there!<br>
<br>
<br>
<br>
~ 2:00 - 3:15 pm<br>
<br>
<b>Maryrose Larkin</b> reads:&nbsp; <i>H.D., Barbara Guest, Susan Howe,
Gertrude Stein</i><br>
<b>Jesse Morse</b> reads:&nbsp; <i>Ted Berrigan, Inger Christensen, Fanny
Howe, Leonel Rugama, Diana Saenz</i><br>
<b>Chris Piuma</b> reads:&nbsp; <i>Tina Darragh, Thomas A. Clark, Jackson
Mac Low, David Melnick, Hannah Weiner</i><br>
<b>Joel Bettridge</b> reads:&nbsp; <i>Nicole Brosssard, Robert Creeley,
Ronald Johnson, Dennis Phillips, Louis Zukofsky</i><br>
<b>Mark Owens (with Leo and Anna Daedalus, David Abel, and Tony Christy)</b>
reads:&nbsp; <i>Christian Morgenstern, Aleksei Kruchenykh, Hugo Ball, Kurt
Schwitters</i><br>
<br>
&nbsp;&nbsp;&nbsp; <b>INTERMISSION&nbsp;</b> [<i>Hugo Ball</i>]<br>
<br>
<br>
~ 3:30 - 4:45 pm<br>
<br>
<b>David Abel</b> reads:&nbsp; <i>Paul Blackburn, C.P. Cavafy, Robert
Desnos, Gene Frumkin, Jos&eacute; Lezama Lima, Marianne Moore, Muriel Rukeyser</i><br>
<b>Joseph Bradshaw</b> reads:&nbsp; <i>Joseph Ceravolo, Russell Edson,
Philip Jenks, George Oppen, Laura Riding, Jack Spicer, Jonathan Williams</i><br>
<b>Lindsay Hill</b> reads:&nbsp; <i>Robert Duncan, Jennifer Crystal
Fang-Chien, Linda Gregg, Michael Palmer, Pamela Wye</i><br>
<b>Alicia Cohen</b> reads:&nbsp; <i>Bill Griffiths, Bernadette Mayer,
Harryette Mullen, Lorine Niedecker, Frank O&#8217;Hara</i><br>
<b>Rodney Koeneke</b> reads:&nbsp; <i>Basil Bunting, Beverly Dahlen, Rainer
Maria Rilke, Gustaf Sobin, Araki Yasusada</i><br>
<br>
&nbsp;&nbsp;&nbsp; <b>INTERMISSION&nbsp;</b> [<i>Donato Mancini</i>]<br>
<br>
<br>
~ 5:00 - 6:15 pm<br>
<br>
<b>Mark Owens&nbsp; (with David Abel)</b> reads:&nbsp; <i>Dick Higgins, Ake
Hodell</i><br>
<b>Sam Lohmann</b> reads:&nbsp; <i>Guillaume Apollinaire, Roger
Gilbert-Lecomte, Robert Kelly, Osip Mandelstam, Alice Notley, Lisa
Robertson, David Shapiro, C&eacute;sar Vallejo, William Carlos Williams</i><br>
<b>Meredith Blankinship</b> reads:&nbsp; <i>Helen Adam, Robin Blaser, Lyn
Hejinian, Wallace Stevens, Lew Welch</i><br>
<b>Dan Raphael</b> reads:&nbsp; <i>Carla Harryman, Ruth Krauss, Gerrit
Lansing, Mina Loy, David Rattray</i><br>
<b>Gale Czerski</b> reads:&nbsp; <i>Mei-mei Berssenbrugge, Anne Carson,
Karen Kelley, Alberta Turner, C.D. Wright</i><br>
&nbsp;
<br>
&nbsp;&nbsp; <b>INTERMISSION&nbsp;</b> [<i>Aram Saroyan</i>]<br>
<br>
<br>
~ 6:30 - 8:00 pm<br>
<br>
<b>Mark Owens (with Linda Austin, Lisa Radon, and Neville, Molly, and
Oskar)</b> reads:&nbsp; <i>bpNichol, Gerhard R&uuml;hm, Charles Amirkhanian</i><br>
<b>Patrick Hartigan</b> reads:&nbsp; <i>Bob Perelman, Joan Retallack, Cole
Swensen, Nathaniel Tarn, John Wieners</i><br>
<b>James Yeary</b> reads:&nbsp; <i>Paul Celan, Kevin Goodan, Andrew Joron,
Frank Samperi, John Taggart</i><br>
<b>Laura Feldman</b> reads:&nbsp; <i>Theresa Hak Kyung Cha, Susan Smith
Nash, Charles Sharpe, Ron Silliman, Rhett Stuart</i><br>
<b>David Abel</b> reads:&nbsp; <i>James Schuyler, Mahmoud Darwish</i><br>
<br>
<br>
<br>
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from Jesse Morse and Sam Lohmann:


Peaches & Bats Release Party

with readings by

David Abel
Joseph Bradshaw
Kaia Sand
Sam Lohmann

and long-tone music in just intonation by
Warren Lee (harmonium), Ian Ackerman (violin), and Gabriel Will (viola).


Friday, January 30
7:00 pm

The Waypost
3120 N. Williams Avenue
http://www.thewaypost.com

Food, beer, wine, and espresso all available at The Waypost.  
Festivities underway at 7pm.

http://www.smorgreadingseries.blogspot.com

-------

Peaches and Bats #3 features new work by: David Abel, Jennifer Bartlett, 
Joseph Bradshaw, Stephen Collis, Elaine Equi, Ming Holden, Rich Jensen, 
Stacey Levine, Lauren Likely, Will Owen, Kaia Sand, Brandon Shimoda, 
Luvsandorjin Ulziitugs (translated by Simon Wickham-Smith), What We Are 
Learning, and Deborah Woodard.

Peaches and Bats #3 is a hand-sewn zine with a letterpress cover and 72 
pg. photocopied interior. It costs $5, and can be purchased in Portland 
at Powell's or Reading Frenzy; in Olympia at Orca Books or Dumpster 
Values; and in Seattle at Elliott Bay Books. Soon it will also be 
available at St. Mark's Bookstore in New York, and eventually, I hope, 
in other select corners of the world. You can also order it directly 
from me by sending a check for $5 (postage included) to Sam Lohmann, 
4025 SE Taylor St., Portland, OR 97214. Or email me about trading for 
your chapbook or zine.

Submissions for issue 4 are welcome at peachesandbats@gmail.com.

-------

David Abel has the most extraordinary air of self-satisfaction. Yet, if 
we stop to examine those Chinese writings of his that he so 
presumptuously scatters about the place, we find that they are full of 
imperfections. Someone who makes such an effort to be different from 
others is bound to fall in people's esteem, and I can only think that 
his future will be a hard one. If one gives free rein to one's emotions 
even under the most inappropriate circumstances, if one has to sample 
each interesting thing that comes along, people are bound to regard one 
as frivolous. And how can things turn out well for such a man?

Joseph Bradshaw eats chicken and horses in Portland when he's not 
teaching the world to sing at Portland State University or Pacific 
Northwest College of Art or writing his famous chapbooks such as The Way 
Birds Become (Weather Press) and This Ocean, or Oppen Series (Cannibal 
Books).

Kaia Sand is the author of the poetry collection interval (Edge Books, 
2004), the wee book lotto, the chapbooks Heart on a Tripod and tiny 
arctic ice (all from Dusie), and The NAFTA (forthcoming from Duration 
Press echap series). Jim Dine created artist books from tiny arctic ice 
and lotto (Steidl, 2008), and Sand coauthored Landscapes of Dissent: 
Guerrilla Poetry & Public Space (Palm Press, 2008) with Jules Boykoff.

Sam Lohmann is a poet, editor, letterpress printer, ex-busboy, future 
substitute preschool teacher, occasional tutor, and temporary cashier in 
Portland, Oregon. He will be reading work written by others for his 
yearly zine, "Peaches and Bats."

Gabriel Will and Ian Ackerman (Olympia), and Warren Lee (Portland) play 
long-tone music in just intonation. In 2007, they completed a recording 
residency at the Satsop Nuclear Cooling Tower in Elma, Wa. In 2009 they 
had a "Super Weekend."

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from Jesse Morse and Sam Lohmann:<br>
<br>
<br>
Peaches &amp; Bats Release Party<br>
<br>
with readings by<br>
<br>
David Abel<br>
Joseph Bradshaw<br>
Kaia Sand<br>
Sam Lohmann<br>
<br>
and long-tone music in just intonation by<span class="Apple-style-span"
 style="font-family: Times; font-size: 16px;">
<br>
Warren Lee (harmonium), Ian Ackerman (violin), and Gabriel Will (viola).<br>
</span><span class="Apple-style-span"
 style="font-family: Times; font-size: 16px;"></span><br>
<br>
Friday, January 30<br>
7:00 pm<br>
<br>
The Waypost<br>
3120 N. Williams Avenue<br>
<a class="moz-txt-link-freetext" href="http://www.thewaypost.com">http://www.thewaypost.com</a><br>
<br>
Food, beer, wine, and espresso all available at The Waypost.&nbsp;
Festivities underway at 7pm.<br>
<br>
<a class="moz-txt-link-freetext"
 href="http://www.smorgreadingseries.blogspot.com">http://www.smorgreadingseries.blogspot.com</a><br>
<br>
-------<br>
<br>
Peaches and Bats #3 features new work by: David Abel, Jennifer
Bartlett, Joseph Bradshaw, Stephen Collis, Elaine Equi, Ming Holden,
Rich Jensen, Stacey Levine, Lauren Likely, Will Owen, Kaia Sand,
Brandon Shimoda, Luvsandorjin Ulziitugs (translated by Simon
Wickham-Smith), What We Are Learning, and Deborah Woodard.<br>
<br>
Peaches and Bats #3 is a hand-sewn zine with a letterpress cover and 72
pg. photocopied interior. It costs $5, and can be purchased in Portland
at Powell's or Reading Frenzy; in Olympia at Orca Books or Dumpster
Values; and in Seattle at Elliott Bay Books. Soon it will also be
available at St. Mark's Bookstore in New York, and eventually, I hope,
in other select corners of the world. You can also order it directly
from me by sending a check for $5 (postage included) to Sam Lohmann,
4025 SE Taylor St., Portland, OR 97214. Or email me about trading for
your chapbook or zine.<br>
<br>
Submissions for issue 4 are welcome at <a
 class="moz-txt-link-abbreviated" href="mailto:peachesandbats@gmail.com">peachesandbats@gmail.com</a>.<br>
<br>
-------<br>
<br>
David Abel has the most extraordinary air of self-satisfaction. Yet, if
we stop to examine those Chinese writings of his that he so
presumptuously scatters about the place, we find that they are full of
imperfections. Someone who makes such an effort to be different from
others is bound to fall in people's esteem, and I can only think that
his future will be a hard one. If
one gives free rein to one's emotions even under the most inappropriate
circumstances, if one has to sample each interesting thing that comes
along, people are bound to regard one as frivolous. And how can things
turn out well for such a man?<br>
<br>
Joseph Bradshaw eats chicken and horses in Portland when he's not
teaching the world to sing at Portland State University or Pacific
Northwest College of Art or writing his famous chapbooks such as The
Way Birds Become (Weather Press) and This Ocean, or Oppen Series
(Cannibal Books).<br>
<br>
Kaia Sand is the author of the poetry collection interval (Edge Books,
2004), the wee book lotto, the chapbooks Heart on a Tripod and tiny
arctic ice (all from Dusie), and The NAFTA (forthcoming from Duration
Press echap series). Jim Dine created artist books from tiny arctic ice
and lotto (Steidl, 2008), and Sand coauthored Landscapes of Dissent:
Guerrilla Poetry &amp; Public Space (Palm Press, 2008) with Jules
Boykoff.<br>
<br>
Sam Lohmann is a poet, editor, letterpress printer, ex-busboy, future
substitute preschool teacher, occasional tutor, and temporary cashier
in
Portland, Oregon. He will be reading work written by others for his
yearly zine, "Peaches and Bats."<br>
<br>
<span class="Apple-style-span"
 style="font-family: Times; font-size: 16px;">Gabriel
Will and Ian Ackerman (Olympia), and Warren Lee (Portland) play
long-tone music in just intonation. In 2007, they completed a recording
residency at the Satsop Nuclear <span
 style="border-bottom: medium none; background: transparent none repeat scroll 0% 50%; cursor: pointer; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;"
 class="yshortcuts" id="lw_1231916571_9">Cooling Tower</span> in Elma,
Wa. In 2009 they had a "Super Weekend."</span></div>
</body>
</html>

--------------090101090802040203080803--

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	Laynie Browne & Jared Hayes
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Spare Room presents

*Laynie Browne
Jared Hayes
*
Sunday, February 1
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming readings:

February 8: Andrew Joron / Andrew Zawacki

=============================================

Laynie Browne is the author of seven collections of poetry and one 
novel.  Her most recent publications include /The Scented Fox/ (Wave), 
/Daily Sonnets/ (Counterpath) and /Drawing of a Swan Before Memory/ 
(University of Georgia). She was for many years a member of the Subtext 
Collective in Seattle, and now is part of the POG reading series in 
Tucson. She is currently developing a new a poetry-in-the-schools 
program for K-5 schools, through the Poetry Center at the University of 
Arizona.

jared hayes lives in portland, oregon. he is publisher and co-editor of 
livestock editions. jared hayes believes in ghosts. his poetry can be 
found.

=============================================


/*from*/* Radiolarian Atlas*


/Petalospyris arachnoides

/Descending claw
spider thrift
Ten-legged trope
with triceratops leanings

Inside your yellow-chambered
soire is a bouncing
reverie of a ballroom
O hidden balustrade,
from whose aquamarine invitation
was this divine gathering sung?


*Laynie Browne
*


*from night after night*


mesostic transpsych(ot)ic iteration

this is the best leJos to do things. this is the very best ecerrAda to 
do things. this is the very best sIempre to do things exactly poeMa 
transparEncia now and excluSiva is the night acercAdo doing the night 
dEstino and this is the night illumiNan doing the night veZ at the night 
caJa and these are the night brAzos at the night imagIna and this is the 
night Mascara doing the night Escribe at the night Seno in the night 
rosAs and these are the night tormEnta doing the night muNdo to the 
night quiZa at the night refleJaba and these are the estrellA that are 
exactly night and these exactly night habIta are doing their Muerte 
which is night and carnE is the night poSa to oscuridAd at the night 
gravE which is night now and night now cuerNos is exactly night night 
now where atroZ is.

*Jared Hayes*

--------------050108090809070607060603
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</head>
<body bgcolor="#ffffff" text="#000000">
<div class="moz-text-html" lang="x-western">Spare Room presents<br>
<div class="moz-text-html" lang="x-western">
<div class="moz-text-html" lang="x-western"><br>
<b>Laynie Browne<br>
Jared Hayes<br>
</b><br>
Sunday, February 1<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming readings:<br>
<br>
February 8: Andrew Joron / Andrew Zawacki<br>
<br>
=============================================<br>
<br>
Laynie Browne is the author of seven collections of poetry and one
novel.&nbsp; Her most recent publications include <i>The Scented Fox</i>
(Wave), <i>Daily Sonnets</i> (Counterpath) and <i>Drawing of a
Swan Before Memory</i>
(University of Georgia). She was for many years a member of the Subtext
Collective in Seattle, and now is part of the POG reading series in
Tucson. She is currently developing a new a
poetry-in-the-schools program for K-5 schools, through the Poetry
Center at the University of
Arizona.<br>
<br>
jared hayes lives in portland, oregon. he is publisher and co-editor of
livestock editions. jared hayes believes in ghosts.&nbsp;his&nbsp;poetry can be
found. <br>
<br>
=============================================<br>
<br>
<br>
<i><b>from</b></i><b> Radiolarian Atlas</b><br>
<br>
<br>
<i>Petalospyris arachnoides<br>
<br>
</i>Descending claw<br>
spider thrift<br>
Ten-legged trope<br>
with triceratops leanings<br>
<br>
Inside your yellow-chambered<br>
soir&eacute;e is a bouncing<br>
reverie of a ballroom<br>
O hidden balustrade,<br>
from whose aquamarine invitation<br>
was this divine gathering sung?<br>
<br>
<br>
<b>Laynie Browne<br>
</b><br>
<br>
<br>
<div><b><span class="Apple-style-span" style="font-style: italic;">from
</span>night after night</b></div>
<div><br>
<br>
mesostic transpsych(ot)ic iteration<br>
</div>
<div><br>
</div>
<span class="Apple-style-span" style="line-height: 18px;"><span
 class="Apple-style-span" style="font-family: 'times new roman',serif;">this
is the best leJos to do things. this is the very best ecerrAda to do
things. this is the very best sIempre to do things exactly poeMa
transparEncia now and excluSiva is the night acercAdo doing the night
dEstino and this is the night illumiNan doing the night veZ at the
night caJa and these are the night brAzos at the night imagIna and this
is the night Mascara doing the night Escribe at the night Seno in the
night rosAs and these are the night tormEnta doing the night muNdo to
the night quiZa at the night refleJaba and these are the estrellA that
are exactly night and these exactly night habIta are doing their Muerte
which is night and carnE is the night poSa to oscuridAd at the night
gravE which is night now and night now cuerNos is exactly night night
now where atroZ is.<br>
<br>
<b>Jared Hayes</b></span></span></div>
</div>
</div>
</body>
</html>

--------------050108090809070607060603--

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from Martha Gies:

Reading and booksigning
by John Gibler

for his new book,
Mexico Unconquered: Chronicles of Power and Revolt
(published by City Lights: 
http://www.citylights.com/book/?GCOI=87286100093700)

Friday, February 6
7:30 pm

Powell's City of Books
1005 W. Burnside

http://www.powells.com/biblio?isbn=9780872864931


/Gibler shares the voices, stories, and communal dignity of the ordinary 
Mexicans who are putting their lives at risk by challenging corrupt 
power as they build social movements for basic rights, justice, and 
autonomy./
 -- Howard Zinn
 
John Gibler will be at Powell's Burnside on Friday night, February 6, 
reading from his important new book, Mexico Unconquered:  Chronicles of 
Power and Revolt.  Just released from City Lights, Mexico Unconquered 
draws on Gibler's years of work in Mexico as journalist and activist, 
and especially his reports from Oaxaca, Chiapas, and Guerrero, areas 
devastated by the impact of forced labor migration and violence related 
to drug trafficking, and simmering with social rebellion.

--------------090306060303000703060704
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from Martha Gies:<br>
<br>
Reading and booksigning<br>
by John Gibler<br>
<br>
for his new book,<br>
Mexico Unconquered: Chronicles of Power and Revolt<br>
(published by City Lights:
<a class="moz-txt-link-freetext" href="http://www.citylights.com/book/?GCOI=87286100093700">http://www.citylights.com/book/?GCOI=87286100093700</a>)<br>
<br>
Friday, February 6<br>
7:30 pm<br>
<br>
Powell's City of Books<br>
1005 W. Burnside<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.powells.com/biblio?isbn=9780872864931">http://www.powells.com/biblio?isbn=9780872864931</a><br>
<br>
<br>
<i>Gibler shares the voices, stories, and communal dignity of the
ordinary Mexicans who are putting their lives at risk by challenging
corrupt power as they build social movements for basic rights, justice,
and autonomy.</i><br>
&nbsp;-- Howard Zinn<br>
&nbsp;<br>
John Gibler will be at Powell's Burnside on Friday night, February 6,
reading from his important new book, Mexico Unconquered:&nbsp; Chronicles of
Power and Revolt.&nbsp; Just released from City Lights, Mexico Unconquered
draws on Gibler's years of work in Mexico as journalist and activist,
and especially his reports from Oaxaca, Chiapas, and Guerrero, areas
devastated by the impact of forced labor migration and violence related
to drug trafficking, and simmering with social rebellion.<br>
</body>
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Spare Room presents

*Andrew Joron
Andrew Zawacki

*(reading from their own work, and presenting the Collected Poems of 
Gustaf Sobin, which they edited, now out from Talisman House)

Sunday, February 8
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

March 8: Michael Cross & Emily Kendal Frey
April 5: John Tipton, Brandon Shimoda, & Beth Murray
May 10: Beverly Dahlen & David Abel

=============================================

*Andrew Joron* has been called "the metaphysician-elect of contemporary 
American poetry" (Cal Bedient, Boston Review). Joron's latest poetry 
collection is /The Sound Mirror/, published by Flood Editions. After a 
decade and a half spent writing science-fiction poetry, culminating in 
the volume /Science Fiction/ (Pantograph Press, 1992), Joron began to 
elaborate other forms of lyric speculation. This work has been collected 
in /The Removes/ (Hard Press, 1999) and in /Fathom/ (Black Square 
Editions, 2003). /The Cry at Zero/, a selection of his prose poems and 
critical essays, was published by Counterpath Press in 2007. Joron is 
also the translator, from the German, of the Marxist-Utopian philosopher 
Ernst Bloch's Literary Essays (Stanford University Press, 1998). He 
lives in Berkeley, where he works as a part-time proofreader and indexer.

*Andrew Zawacki* is the author of three books of poetry -- /Petals of 
Zero Petals of One/ (Talisman House), /Anabranch/ (Wesleyan), and /By 
Reason of Breakings/ (Georgia). Coeditor of /Verse/ and of /The Verse 
Book of Interviews/, he has published criticism in the /TLS, Boston 
Review, Talisman, How2, New German Critique, Australian Book Review/, 
and elsewhere in the US, Europe, and Australia. A former fellow of the 
Slovenian Writers' Association, he edited /Afterwards: Slovenian Writing 
1945-1995/ (White Pine) and edited and cotranslated Ales( Debeljak's new 
and selected poems, due next fall from Persea. His translation from the 
French of Sbastien Smirou, /My Lorenzo/, is forthcoming from Burning 
Deck. He teaches at the University of Georgia.

=============================================


*THE MIRROR SOUND*

Penned /A
Cage/ confined
To page --

Lit, upon unlit lot, the
Letter
          O

 -- wrong sun, rung reason of
   
         One, that avatar of two. To
         One, who won't won't want --

         Here
O is I's
   
         avowal, a dead deed.
A gain to negate no gate.

So just my jest, my
Vote to /mon oeuvre:/
   
         vroom over room & verity, the

Straight arriving
         late to
Strayed, a raid upon the rayed.

*Andrew Joron



*
*Wherefrom the shadows that are forms*

Escorting the immediate ornament of dream
     it lingered past the absence it invoked
like a thunderstorm, decisive in its indifference,
     that over a folded, unfamiliar premise
recast the decadent frieze allure had let go:
     sharpening of caution along a branch,
expansion into dark, elaborate fields
     where, because it had not yet inquired,
trees resisted wind that sounded of nothing,
     no place, nobody known,
already other than why it was setting out:
     closing in of clouds, forgotten forms,
dusk erotic blue at the river's inflection
     as if, by encountering its design,
an end was reached before the terms were met:
     across the outer suspicions of grass
teased by a wrapped, a razor moon
     heavier for its weight against a hill,
it stayed above an interior lit from within
     at the edge of sight: where we,
because we lived there, were never at home.

*Andrew Zawacki*


--------------060708050901040205020202
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</head>
<body bgcolor="#ffffff" text="#000000">
Spare Room presents<br>
<br>
<b>Andrew Joron<br>
Andrew Zawacki<br>
<br>
</b>(reading from their own work, and presenting the Collected Poems of
Gustaf Sobin, which they edited, now out from Talisman House)<br>
<br>
Sunday, February 8<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
March 8: Michael Cross &amp; Emily Kendal Frey<br>
April 5: John Tipton, Brandon Shimoda, &amp; Beth Murray<br>
May 10: Beverly Dahlen &amp; David Abel<br>
<br>
=============================================<br>
<br>
<b>Andrew Joron</b> has been called &#8220;the metaphysician-elect of
contemporary
American poetry&#8221; (Cal Bedient, Boston Review). Joron&#8217;s latest poetry
collection is <i>The Sound Mirror</i>, published by Flood Editions.
After a decade and a half spent writing science-fiction poetry,
culminating in the volume <i>Science Fiction</i> (Pantograph Press,
1992), Joron began to elaborate other forms of lyric speculation. This
work has been collected in <i>The Removes</i> (Hard Press, 1999) and
in <i>Fathom</i> (Black Square Editions, 2003). <i>The Cry at Zero</i>,
a selection of his prose poems and critical essays, was published by
Counterpath Press in 2007. Joron is also the translator, from the
German, of the Marxist-Utopian philosopher Ernst Bloch&#8217;s Literary
Essays (Stanford University Press, 1998). He lives in Berkeley, where
he works as a part-time proofreader and indexer.<br>
<br>
<b>Andrew Zawacki</b> is the author of three books of poetry -- <i>Petals
of
Zero
Petals of One</i> (Talisman House), <i>Anabranch</i> (Wesleyan), and <i>By
Reason of
Breakings</i> (Georgia). Coeditor of <i>Verse</i> and of <i>The Verse
Book of
Interviews</i>, he has published criticism in the <i>TLS, Boston
Review, Talisman, How2, New German Critique, Australian Book Review</i>,
and elsewhere in the US, Europe, and Australia. A former fellow of the
Slovenian Writers&#8217; Association, he edited <i>Afterwards: Slovenian
Writing
1945-1995</i> (White Pine) and edited and cotranslated Ale&#353; Debeljak&#8217;s
new
and selected poems, due next fall from Persea. His translation from
the French of S&eacute;bastien Smirou, <i>My Lorenzo</i>, is forthcoming from
Burning Deck. He teaches at the University of Georgia.<br>
<br>
=============================================<br>
<br>
<br>
<b>THE MIRROR SOUND</b><br>
<br>
Penned <i>A<br>
Cage</i> confined <br>
To page --<br>
<br>
Lit, upon unlit lot, the<br>
Letter<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O<br>
<br>
&nbsp;-- wrong sun, rung reason of<br>
&nbsp;&nbsp;&nbsp; <br>
&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; One, that avatar of two. To<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; One, who won&#8217;t won&#8217;t want --<br>
<br>
&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; Here <br>
O is I&#8217;s<br>
&nbsp;&nbsp;&nbsp; <br>
&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; avowal, a dead deed.<br>
A gain to negate no gate.<br>
<br>
So just my jest, my<br>
Vote to <i>mon oeuvre:</i><br>
&nbsp;&nbsp;&nbsp; <br>
&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; vroom over room &amp; verity, the<br>
<br>
Straight arriving <br>
&nbsp; &nbsp; &nbsp;&nbsp; &nbsp; late to<br>
Strayed, a raid upon the rayed.<br>
<br>
<b>Andrew Joron<br>
<br>
<br>
<br>
</b><br>
<b>Wherefrom the shadows that are forms</b><br>
<br>
Escorting the immediate ornament of dream <br>
&nbsp;&nbsp;&nbsp;&nbsp; it lingered past the absence it invoked <br>
like a thunderstorm, decisive in its indifference, <br>
&nbsp;&nbsp;&nbsp;&nbsp; that over a folded, unfamiliar premise <br>
recast the decadent frieze allure had let go: <br>
&nbsp;&nbsp;&nbsp;&nbsp; sharpening of caution along a branch, <br>
expansion into dark, elaborate fields <br>
&nbsp;&nbsp;&nbsp;&nbsp; where, because it had not yet inquired, <br>
trees resisted wind that sounded of nothing, <br>
&nbsp;&nbsp;&nbsp;&nbsp; no place, nobody known, <br>
already other than why it was setting out: <br>
&nbsp;&nbsp;&nbsp;&nbsp; closing in of clouds, forgotten forms, <br>
dusk erotic blue at the river&#8217;s inflection <br>
&nbsp;&nbsp;&nbsp;&nbsp; as if, by encountering its design, <br>
an end was reached before the terms were met: <br>
&nbsp;&nbsp;&nbsp;&nbsp; across the outer suspicions of grass <br>
teased by a wrapped, a razor moon <br>
&nbsp;&nbsp;&nbsp;&nbsp; heavier for its weight against a hill, <br>
it stayed above an interior lit from within <br>
&nbsp;&nbsp;&nbsp;&nbsp; at the edge of sight: where we, <br>
because we lived there, were never at home.<br>
<br>
<b>Andrew Zawacki</b><br>
<br>
</body>
</html>

--------------060708050901040205020202--

From passages@rdrop.com Tue Feb  3 00:49:38 2009
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Mexico Unconquered: Chronicles of Power and Revolt
(published by City Lights: 
http://www.citylights.com/book/?GCOI=87286100093700)

reading and booksigning

by John Gibler

Friday, February 6
7:30 pm

Powell's City of Books
1005 W. Burnside

http://www.powells.com/biblio?isbn=9780872864931


/Gibler shares the voices, stories, and communal dignity of the ordinary 
Mexicans who are putting their lives at risk by challenging corrupt 
power as they build social movements for basic rights, justice, and 
autonomy./
 -- Howard Zinn
 
John Gibler will be at Powell's Burnside on Friday night, February 6, 
reading from his important new book, /Mexico Unconquered:  Chronicles of 
Power and Revolt/. Just released from City Lights, /Mexico Unconquered/ 
draws on Gibler's years of work in Mexico as journalist and activist, 
and especially his reports from Oaxaca, Chiapas, and Guerrero, areas 
devastated by the impact of forced labor migration and violence related 
to drug trafficking, and simmering with social rebellion.

--------------040803040900020402050204
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Mexico Unconquered: Chronicles of Power and Revolt<br>
(published by City Lights:
<a class="moz-txt-link-freetext"
 href="http://www.citylights.com/book/?GCOI=87286100093700">http://www.citylights.com/book/?GCOI=87286100093700</a>)<br>
<br>
reading and booksigning<br>
<br>
by John Gibler<br>
<br>
Friday, February 6<br>
7:30 pm<br>
<br>
Powell's City of Books<br>
1005 W. Burnside<br>
<br>
<a class="moz-txt-link-freetext"
 href="http://www.powells.com/biblio?isbn=9780872864931">http://www.powells.com/biblio?isbn=9780872864931</a><br>
<br>
<br>
<i>Gibler shares the voices, stories, and communal dignity of the
ordinary Mexicans who are putting their lives at risk by challenging
corrupt power as they build social movements for basic rights, justice,
and autonomy.</i><br>
&nbsp;-- Howard Zinn<br>
&nbsp;<br>
John Gibler will be at Powell's Burnside on Friday night, February 6,
reading from his important new book, <i>Mexico Unconquered:&nbsp;
Chronicles of
Power and Revolt</i>. Just released from City Lights, <i>Mexico
Unconquered</i>
draws on Gibler's years of work in Mexico as journalist and activist,
and especially his reports from Oaxaca, Chiapas, and Guerrero, areas
devastated by the impact of forced labor migration and violence related
to drug trafficking, and simmering with social rebellion.</div>
</body>
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From passages@rdrop.com Mon Feb  9 00:09:26 2009
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from Laura Winter:

A trio of local poets with recent books will lay down their words at 
7:30 pm, Wednesday 2/18 at the Press Club (2621 SE Clinton).

Laura Winter's Coming Here to be Alone is a bi-lingual English-German  
edition. She has worked with and written for a number of jazz musicians 
in the US and Europe. Besides writing, Laura is a vice-president, mask 
maker and editor of Take Out, a bagazine

Endi Bogue Hartigan's first book, One Sun Storm, won the 2008 Colorado 
Prize. She is a professional communicator, cultural emissary, and editor 
of Spectaculum.

Paulann Petersen's most recent book is Kindle. She is happy to have 
survived another January, when the dozens of William Stafford birthday 
events she organizes take place. Although retired from teaching, Paulann 
leads workshops across Oregon and Texas, and travels to 3 other 
continents on a regular basis.

Three unique and insightful voices, brought to you by Mountain Writers,
www.mountainwriters.org




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**from Jesse Morse:


Smorg Open Mic Poetry

plus Live Journalism & Experts!

Thursday, February 12
8:00 pm

The Waypost
3120 N. Williams

Come read and hear poetry with the loose theme of "Doppelgangers."

And witness Master Presenter Brian Manning's lecture,
"The Split Self: An Investigation into the mysterious nature of
Doppelgangers, doubles, and the other you."
**
Food, beer, wine and espresso all available at The Waypost.

See you there!

http://www.thewaypost.com
http://www.smorgreadingseries.blogspot.com

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<div class="moz-text-html" lang="x-western"><strong></strong>from Jesse
Morse:<br>
<br>
<br>
Smorg Open Mic Poetry<br>
<br>
plus Live Journalism &amp; Experts!<br>
<br>
Thursday, February 12<br>
8:00 pm<br>
<br>
The Waypost<br>
3120 N. Williams<br>
<br>
Come read and hear poetry with the loose theme of "Doppelgangers."<br>
<br>
And witness Master Presenter Brian Manning's lecture, <br>
"The Split Self: An Investigation into the mysterious nature of <br>
Doppelgangers, doubles, and the other you."<br>
<strong></strong><br>
Food, beer, wine and espresso all available at The Waypost.<br>
<br>
See you there!<br>
<br>
<a href="http://www.thewaypost.com">http://www.thewaypost.com</a><br>
<a href="http://www.smorgreadingseries.blogspot.com">http://www.smorgreadingseries.blogspot.com</a>
</div>
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from Jules Boykoff:

Reading and book release:

Alicia Cohen, /Debts & Obligations/ (O Books)
Jules Boykoff, /Hegemonic Love Potion/ (Factory School)

Sunday, February 22
4:00 pm

Powell's on Hawthorne
3723 SE Hawthorne Blvd.

Free admission


*Alicia Cohen* is originally from San Diego, California, but has spent 
her adult life in Portland, Oregon, and Buffalo, New York.  /Debts and 
Obligations/ from O Books is her second collection of poems; her first, 
/Bear/, was published by Handwritten Press in 2000. She has also shown 
work in the visual and performance arts, including a gallery 
installation and "opera" entitled Northwest Inhabitation Log.  She 
earned her Ph.D. in the Poetics Program at SUNY Buffalo and has taught 
at Reed College and Portland State University. Presently she lives in 
Portland, Oregon.

*Jules Boykoff* is the author of /Hegemonic Love Potion/ (Factory 
School, 2009), /The Slow Motion Underneath/ (with Jim Dine, Steidl 
Editions, 2008), and /Once Upon a Neoliberal Rocket Badge/ (Edge Books, 
2006). His political writing includes/ Landscapes of Dissent: Guerrilla 
Poetry & Public Space/ (co-authored with Kaia Sand) (Palm Press, 2008), 
/Beyond Bullets: The Suppression of Dissent in the United States/ (AK 
Press, 2007), and /The Suppression of Dissent: How the State and Mass 
Media Squelch USAmerican Social Movements/ (Routledge, 2006). He teaches 
politics and writing at Pacific University and lives in Portland where 
he curates the Tangent Reading Series with Rodney Koeneke and Kaia Sand.


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from Jules Boykoff:<br>
<br>
Reading and book release:<br>
<br>
Alicia Cohen, <i>Debts &amp; Obligations</i> (O Books)<br>
Jules Boykoff, <i>Hegemonic Love Potion</i> (Factory School)<br>
<br>
Sunday, February 22<br>
4:00 pm<br>
<br>
Powell's on Hawthorne<br>
3723 SE Hawthorne Blvd.<br>
<br>
Free admission<br>
<br>
<br>
<b>Alicia Cohen</b> is originally from San Diego, California,
but has spent her adult life in Portland, Oregon, and Buffalo, New
York.&nbsp;&nbsp;<i>Debts and Obligations</i> from O Books is her
second collection of poems; her first, <i>Bear</i>, was
published by Handwritten Press in 2000. She has also shown work in the
visual and performance arts, including a gallery installation and
"opera" entitled Northwest Inhabitation Log.&nbsp;&nbsp;She earned her Ph.D. in
the Poetics Program at SUNY Buffalo and has taught at Reed College and
Portland State University. Presently she lives in Portland, Oregon.
<br>
<br>
<b>Jules Boykoff</b> is the author of <i>Hegemonic Love
Potion</i> (Factory School, 2009), <i>The Slow Motion
Underneath</i> (with Jim Dine, Steidl Editions, 2008), and
<i>Once Upon a Neoliberal Rocket Badge</i> (Edge Books,
2006). His political writing includes<i> Landscapes of Dissent:
Guerrilla Poetry &amp; Public Space</i>&nbsp;(co-authored with Kaia Sand)
(Palm Press, 2008), <i>Beyond Bullets: The Suppression of Dissent
in the United States</i>&nbsp;(AK Press, 2007), and <i>The
Suppression of Dissent: How the State and Mass Media Squelch
USAmerican Social Movements</i>&nbsp;(Routledge, 2006). He teaches
politics and writing at Pacific University and lives in Portland where
he curates the Tangent Reading Series with Rodney Koeneke and Kaia
Sand.
<br>
<br>
</body>
</html>

--------------030604060806090701030706--

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from Michael Nicoloff:

THE WILD:

CALL FOR SUBMISSIONS
 
The human animal distinguishes itself from the common animal by driving 
cars and baking pies, sleeping in beds and slurping strawberry juliuses. 
The human animal keeps household pets like the sphinx cat, the chihuahua 
and the canary, while fearing panthers, spiders and other underminers of 
civilization. The human animal defines its borders with and against 
natural space, cutting paths through the wilderness to build homes and 
roads, and sprouting seeds on windowsills.  Civilization makes 
incursions into the wild, and the wild makes incursions into civilization.

 The Wild is a project that investigates ideas about animals, 
wilderness, nature and their intersections with humans and culture.  We 
have questions: What do we mean when we use the word wilderness? What is 
animal intelligence and/or emotion to humans? Where is the porous border 
between civilization and nature? Why do you love Fluffy so much? Please 
help us answer these questions, and ask some more.

 The Wild is a journal of literature and art. We are currently open to 
submissions of poetry, fiction, essays, and criticism around the theme 
of animals, wilderness, household pets, nature/culture, protozoa, 
parasites, etc.

Submissions, questions and queries can be sent to 
the.wild.editors@gmail.com. 

The deadline for submissions is May 15, 2009. Please feel free to 
re-post this call for submissions.

-- Alex Dumont & Laura Jaramillo, Editors

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Tangent presents

Alli Warren, Brandon Brown, & Tom Fisher

Saturday, February 28
7:00 pm

Clinton Corner Cafe
2633 21st Ave.

www.thetangentpress.org/readings.html


ALLI WARREN and BRANDON BROWN, who organize the innovative reading 
series at 21 Grand in Oakland, CA, give their premiere readings in 
Portland for Tangent. They'll be joined by Portland's own TOM FISHER, a 
critical and much-beloved participant in Portland's poetry scene, and 
professor of English at PSU.


ALLI WARREN was born in the 1980s and remains extant. Recent 
publications include No Can Do (Duration Press), and a collaboration 
with Michael Nicoloff entitled Bruised Dick. Alli co-curates The (New) 
Reading Series at 21 Grand, and lives in San Francisco's Mission 
District. Visit her blog, Organ Pleasure, at theingredient.blogspot.com.

BRANDON BROWN is from Kansas City, Missouri. His friends have published 
his poetry in chapbook form including Memoirs Of My Nervous Illness (Cy 
Press), 908 1078 (Transmission Press), Kidnapped (Duration Press), 
Camels! (TAXT), and the forthcoming Wondrous Things I Have Seen (Mitzvah 
Chaps). He co-curates The (New) Reading Series at 21 Grand in Oakland 
and lives in San Francisco. Visit Brandon at HI: brandonbrown.blogspot.com.

TOM FISHER is working on two manuscripts: one on not writing and 
modernism; one on songs, selves and sorceries. He lives in Portland, OR 
and teaches at Portland State University.

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from Rodney Koeneke:

Tangent presents

Alli Warren, Brandon Brown, & Tom Fisher

Saturday, February 28
7:00 pm

Clinton Corner Cafe
2633 21st Ave.

www.thetangentpress.org/readings.html


Alli Warren and Brandon Brown, who organize the innovative reading
series at 21 Grand in Oakland, CA, give their premiere readings in
Portland for Tangent. They'll be joined by Portland's own Tom Fisher, a
critical and much-beloved participant in Portland's poetry scene, and
professor of English at PSU.


Alli Warren was born in the 1980s and remains extant. Recent
publications include No Can Do (Duration Press), and a collaboration
with Michael Nicoloff entitled Bruised Dick. Alli co-curates The (New)
Reading Series at 21 Grand, and lives in San Francisco's Mission
District. Visit her blog, Organ Pleasure, at theingredient.blogspot.com.

Brandon Brown is from Kansas City, Missouri. His friends have published
his poetry in chapbook form including Memoirs Of My Nervous Illness (Cy
Press), 908 1078 (Transmission Press), Kidnapped (Duration Press),
Camels! (TAXT), and the forthcoming Wondrous Things I Have Seen (Mitzvah
Chaps). He co-curates The (New) Reading Series at 21 Grand in Oakland
and lives in San Francisco. Visit Brandon at HI: brandonbrown.blogspot.com.

Tom Fisher is working on two manuscripts: one on not writing and
modernism; one on songs, selves and sorceries. He lives in Portland, OR
and teaches at Portland State University.

--------------030801060804000402090609
Content-Type: text/html; charset=ISO-8859-1
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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</head>
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<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western">from Rodney Koeneke:<br>
<br>
Tangent presents<br>
<br>
Alli Warren, Brandon Brown, &amp; Tom Fisher<br>
<br>
Saturday, February 28<br>
7:00 pm<br>
<br>
Clinton Corner Cafe<br>
2633 21st Ave.<br>
<br>
<a class="moz-txt-link-abbreviated"
 href="http://www.thetangentpress.org/readings.html">www.thetangentpress.org/readings.html</a><br>
<br>
<br>
Alli Warren and Brandon Brown, who organize the innovative reading <br>
series at 21 Grand in Oakland, CA, give their premiere readings in <br>
Portland for Tangent. They'll be joined by Portland's own Tom Fisher, a
<br>
critical and much-beloved participant in Portland's poetry scene, and <br>
professor of English at PSU.<br>
<br>
<br>
Alli Warren was born in the 1980s and remains extant. Recent <br>
publications include No Can Do (Duration Press), and a collaboration <br>
with Michael Nicoloff entitled Bruised Dick. Alli co-curates The (New) <br>
Reading Series at 21 Grand, and lives in San Francisco's Mission <br>
District. Visit her blog, Organ Pleasure, at theingredient.blogspot.com.<br>
<br>
Brandon Brown is from Kansas City, Missouri. His friends have published
<br>
his poetry in chapbook form including Memoirs Of My Nervous Illness (Cy
<br>
Press), 908 1078 (Transmission Press), Kidnapped (Duration Press), <br>
Camels! (TAXT), and the forthcoming Wondrous Things I Have Seen
(Mitzvah <br>
Chaps). He co-curates The (New) Reading Series at 21 Grand in Oakland <br>
and lives in San Francisco. Visit Brandon at HI:
brandonbrown.blogspot.com.<br>
<br>
Tom Fisher is working on two manuscripts: one on not writing and <br>
modernism; one on songs, selves and sorceries. He lives in Portland, OR
<br>
and teaches at Portland State University.<br>
</div>
</body>
</html>

--------------030801060804000402090609--

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Spare Room presents

*Michael Cross
Emily Kendal Frey*

Sunday, March 8
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

*Upcoming Readings*

April 5: John Tipton, Brandon Shimoda, & Beth Murray
May 10: Beverly Dahlen & David Abel
May 17: Andrew Schelling & music by Michael Stirling
June 14: Anne Gorrick & Deborah Woodard

=============================================

*Michael Cross* edited the anthology /Involuntary Vision: after Akira 
Kurosawa's Dreams/ (Avenue B, 2003), a companion piece to the New 
Brutalism reading series he founded in Oakland in 2002. He publishes 
Atticus/Finch Chapbooks (www.atticusfinch.org), co-edits /On: 
Contemporary Practice/ (with Thom Donovan and Kyle Schlesinger), and is 
currently editing a collection of lectures on George Oppen. His book /In 
Felt Treeling/ is just out from Chax Press.

*Emily Kendal Frey* lives in Portland and teaches at Portland Community 
College. Recent work appears or is forthcoming in /Bird Dog, DIAGRAM, 
Fou, Handsome, Mudlark, New York Quarterly, Sink Review, Spinning Jenny/ 
and /Washington Square Review/. Work from /Something Should Happen at 
Night Outside/ (a collaboration with Zachary Schomburg) can be found in 
/Anti-, Diode, Sir! /and/ jubilat/. Collaborations with Sarah Bartlett 
can be found at /Alice Blue /and /Caffeine Destiny/, among others.

=============================================

(beneath the sycamore
drew crystal to the wood
spun iron lungs
affixed
the trees breathe shade
lisp addled haling
open mouth, o wisp

*Michael Cross*


*BLUE*

Latex paint makes walls cleaner and shinier.
People go away on purpose.
"We can make it if we try" becomes a popular phrase.
I know I'm not a nice person.

*Emily Kendal Frey*



--------------060707050103050805020609
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
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</head>
<body bgcolor="#ffffff" text="#000000">
<div class="moz-text-html" lang="x-western">
Spare Room presents<br>
<br>
<b>Michael Cross<br>
Emily Kendal Frey</b><br>
<br>
Sunday, March 8<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
<b>Upcoming Readings</b><br>
<br>
April 5: John Tipton, Brandon Shimoda, &amp; Beth Murray<br>
May 10: Beverly Dahlen &amp; David Abel<br>
May 17: Andrew Schelling &amp; music by Michael Stirling<br>
June 14: Anne Gorrick &amp; Deborah Woodard<br>
<br>
=============================================<br>
<br>
<b>Michael Cross</b> edited the anthology <i>Involuntary Vision: after
Akira Kurosawa's Dreams</i> (Avenue B, 2003), a companion piece to the
New Brutalism reading series he founded in Oakland in 2002. He
publishes Atticus/Finch Chapbooks (<a class="moz-txt-link-abbreviated" href="http://www.atticusfinch.org">www.atticusfinch.org</a>), co-edits <i>On:
Contemporary Practice</i> (with Thom Donovan and Kyle Schlesinger), and
is currently editing a collection of lectures on George Oppen. His book
<i>In Felt Treeling</i> is just out from Chax Press. <br>
<br>
<b>Emily Kendal Frey</b> lives in Portland and teaches at Portland
Community
College. Recent work appears or is forthcoming in <i>Bird Dog,
DIAGRAM,
Fou, Handsome, Mudlark, New York Quarterly, Sink Review, Spinning Jenny</i>
and <i>Washington Square Review</i>. Work from <i>Something Should
Happen at
Night Outside</i> (a collaboration with Zachary Schomburg) can be found
in
<i>Anti-, Diode, Sir! </i>and<i> jubilat</i>. Collaborations with
Sarah Bartlett can
be found at <i>Alice Blue </i>and <i>Caffeine Destiny</i>, among
others.<br>
<br>
=============================================<br>
<br>
(beneath the sycamore<br>
drew crystal to the wood<br>
spun iron lungs<br>
affixed<br>
the trees breathe shade<br>
lisp addled haling<br>
open mouth, o wisp<br>
<br>
<b>Michael Cross</b><br>
<br>
<br>
<b>BLUE</b><br>
<br>
Latex paint makes walls cleaner and shinier.<br>
People go away on purpose.<br>
&#8220;We can make it if we try&#8221; becomes a popular phrase.<br>
I know I&#8217;m not a nice person.<br>
<br>
<b>Emily Kendal Frey</b><br>
<br>
<br>
</div>
</body>
</html>

--------------060707050103050805020609--

From passages@rdrop.com Tue Mar  3 10:59:17 2009
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from Alissa Nielsen:


Ellen Bass & Alissa Nielsen

Monday, March 16th
7:00 PM

Pacific University
Taylor Auditorium
2043 College Way, Forest Grove


Ellen Bass's fourth book of poems, The Human Line, was published by 
Copper Canyon Press in June 2007. She co-edited (with Florence Howe) No 
More Masks! An Anthology of Poems by Women (Doubleday, 1973), and has 
published several previous volumes of poetry, including Mules of Love 
(BOA, 2002). Her non-fiction includes Free Your Mind: The Book for Gay, 
Lesbian and Bisexual Youth (HarperCollins 1996), I Never Told Anyone: 
Writings by Women Survivors of Child Sexual Abuse (HarperCollins, 1983) 
and The Courage to Heal: A Guide for Women Survivors of Child Sexual 
Abuse (Harper Collins 1988). She currently is teaching in the 
low-residency MFA program at Pacific University.

Alissa Nielsen was born in Fargo, North Dakota. She has studied at 
Charles University in Prague and is a graduate of The Evergreen State 
College. Currently, she is working on a collection of short stories for 
her MFA in writing thesis at Pacific University. She is managing editor 
of the literary journal, Silk Road, and her work has appeared in The 
Raven Chronicles, Ellipsis, Bandoppler, and Slightly West. She lives and 
teaches in Oregon.

From passages@rdrop.com Sat Mar  7 00:10:27 2009
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Andrew Michael Roberts & Endi Bogue Hartigan

Tuesday, March 10
7:00 pm

Portland State University
Smith Memorial Student Union, Room SMU 238

Sponsored by PSU's Graduate Literary Organization
http://gradlitorg.blogspot.com/


Portland local *Andrew Michael Roberts* is the author of /Give Up/, a 
chapbook from Tarpaulin Sky Press, and the forthcoming /Something Has to 
Happen Next/, which won the Iowa Poetry Prize. He earned his MFA from 
the University of Massachusetts Amherst, where he was a Juniper Fellow 
and received the Distinguished Teaching award. His work can be found in 
journals such as /Tin House, Iowa Review, LIT, Quick Fiction, 
Mississippi Review, /and/ Gulf Coast/.

*Endi Bogue Hartigan*'s first book /One Sun Storm/ was selected for the 
2008 Colorado Prize for Poetry. Her work has appeared or is forthcoming 
in /Chicago Review, Volt, Pleiades, Free Verse, Quarterly West, Tinfish, 
New Orleans Review, Gulf Coast/, and other publications. She cofounded 
and edited /Spectaculum/, a magazine that was devoted to long poems, 
series, and projects best presented at length. A graduate of Reed 
College and the University of Iowa Writers' Workshop, Hartigan has lived 
primarily on the West Coast and in Hawaii, and now works and lives in 
Portland, Oregon with her husband and son.

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Andrew Michael Roberts &amp; Endi Bogue Hartigan<br>
<br>
Tuesday, March 10<br>
7:00 pm<br>
<br>
Portland State University<br>
Smith Memorial Student Union, Room SMU 238<br>
<br>
Sponsored by PSU's Graduate Literary Organization<br>
<a class="moz-txt-link-freetext" href="http://gradlitorg.blogspot.com/">http://gradlitorg.blogspot.com/</a><br>
<br>
<br>
Portland local <b>Andrew Michael Roberts</b> is the author of <i>Give
Up</i>, a chapbook from Tarpaulin Sky Press, and the forthcoming <i>Something
Has to Happen Next</i>, which won the Iowa Poetry Prize. He earned his
MFA from the University of Massachusetts Amherst, where he was a
Juniper Fellow and received the Distinguished Teaching award. His work
can be found in journals such as <i>Tin House, Iowa Review, LIT, Quick
Fiction, Mississippi Review, </i>and<i> Gulf Coast</i>.<br>
<br>
<b>Endi Bogue Hartigan</b>&#8217;s first book <i>One Sun Storm</i> was
selected for the 2008 Colorado Prize for Poetry. Her work has appeared
or is forthcoming in <i>Chicago Review, Volt, Pleiades, Free Verse,
Quarterly West, Tinfish, New Orleans Review, Gulf Coast</i>, and other
publications. She cofounded and edited <i>Spectaculum</i>, a magazine
that was devoted to long poems, series, and projects best presented at
length. A graduate of Reed College and the University of Iowa Writers&#8217;
Workshop, Hartigan has lived primarily on the West Coast and in Hawaii,
and now works and lives in Portland, Oregon with her husband and son.
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Spare Room presents

*Michael Cross
Emily Kendal Frey*

Sunday, March 8
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

*Upcoming Readings*

April 5: John Tipton, Brandon Shimoda, & Beth Murray
May 10: Beverly Dahlen & David Abel
May 17: Andrew Schelling & music by Michael Stirling
June 14: Anne Gorrick & Deborah Woodard

=============================================

*Michael Cross* edited the anthology /Involuntary Vision: after Akira 
Kurosawa's Dreams/ (Avenue B, 2003), a companion piece to the New 
Brutalism reading series he founded in Oakland in 2002. He publishes 
Atticus/Finch Chapbooks (www.atticusfinch.org), co-edits /On: 
Contemporary Practice/ (with Thom Donovan and Kyle Schlesinger), and is 
currently editing a collection of lectures on George Oppen. His book /In 
Felt Treeling/ is just out from Chax Press.

*Emily Kendal Frey* lives in Portland and teaches at Portland Community 
College. Recent work appears or is forthcoming in /Bird Dog, DIAGRAM, 
Fou, Handsome, Mudlark, New York Quarterly, Sink Review, Spinning Jenny/ 
and /Washington Square Review/. Work from /Something Should Happen at 
Night Outside/ (a collaboration with Zachary Schomburg) can be found in 
/Anti-, Diode, Sir! /and/ jubilat/. Collaborations with Sarah Bartlett 
can be found at /Alice Blue /and /Caffeine Destiny/, among others.

=============================================

(beneath the sycamore
drew crystal to the wood
spun iron lungs
affixed
the trees breathe shade
lisp addled haling
open mouth, o wisp

*Michael Cross*


*BLUE*

Latex paint makes walls cleaner and shinier.
People go away on purpose.
"We can make it if we try" becomes a popular phrase.
I know I'm not a nice person.

*Emily Kendal Frey*

--------------060101090102040709040108
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<div class="moz-text-html" lang="x-western">Spare Room presents<br>
<br>
<b>Michael Cross<br>
Emily Kendal Frey</b><br>
<br>
Sunday, March 8<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
<b>Upcoming Readings</b><br>
<br>
April 5: John Tipton, Brandon Shimoda, &amp; Beth Murray<br>
May 10: Beverly Dahlen &amp; David Abel<br>
May 17: Andrew Schelling &amp; music by Michael Stirling<br>
June 14: Anne Gorrick &amp; Deborah Woodard<br>
<br>
=============================================<br>
<br>
<b>Michael Cross</b> edited the anthology <i>Involuntary Vision: after
Akira Kurosawa's Dreams</i> (Avenue B, 2003), a companion piece to the
New Brutalism reading series he founded in Oakland in 2002. He
publishes Atticus/Finch Chapbooks (<a class="moz-txt-link-abbreviated"
 href="http://www.atticusfinch.org">www.atticusfinch.org</a>), co-edits
<i>On:
Contemporary Practice</i> (with Thom Donovan and Kyle Schlesinger), and
is currently editing a collection of lectures on George Oppen. His book
<i>In Felt Treeling</i> is just out from Chax Press. <br>
<br>
<b>Emily Kendal Frey</b> lives in Portland and teaches at Portland
Community
College. Recent work appears or is forthcoming in <i>Bird Dog,
DIAGRAM,
Fou, Handsome, Mudlark, New York Quarterly, Sink Review, Spinning Jenny</i>
and <i>Washington Square Review</i>. Work from <i>Something Should
Happen at
Night Outside</i> (a collaboration with Zachary Schomburg) can be found
in
<i>Anti-, Diode, Sir! </i>and<i> jubilat</i>. Collaborations with
Sarah Bartlett can
be found at <i>Alice Blue </i>and <i>Caffeine Destiny</i>, among
others.<br>
<br>
=============================================<br>
<br>
(beneath the sycamore<br>
drew crystal to the wood<br>
spun iron lungs<br>
affixed<br>
the trees breathe shade<br>
lisp addled haling<br>
open mouth, o wisp<br>
<br>
<b>Michael Cross</b><br>
<br>
<br>
<b>BLUE</b><br>
<br>
Latex paint makes walls cleaner and shinier.<br>
People go away on purpose.<br>
&#8220;We can make it if we try&#8221; becomes a popular phrase.<br>
I know I&#8217;m not a nice person.<br>
<br>
<b>Emily Kendal Frey</b></div>
</div>
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--------------060101090102040709040108--

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from Laura McLary:

A reading by Lilian Faschinger

Wednesday, April 8
4:30 p.m.

Buckley Center, Room 310
5000 N. Willamette Blvd.
University of Portland
www.up.edu

Free and open to the public


Austrian writer Lilian Faschinger is a prolific author, poet, and 
translator. Faschinger typically incorporates into her works a rigorous 
critique of Austrian society and customs, as viewed from a woman's
perspective. She will read from her most recent work.

Faschinger has written three novels, two radio plays, two volumes of 
short stories, a volume of poetry, and completed multiple translations 
from English-speaking authors. Her first novel "Die Neue Scheherazade" 
(The New Scheherazade, 1985) attracted considerable critical 
recognition. Her 2007 novel, "Stadt der Verlierer," (Town Full of 
Losers), written in 2007, won the Friedrich Glauser Prize for best 
(German) crime novel of the year in 2008.

Presented by the University's Foreign Languages Department.

For more information, call professor Laura McLary at 503.943.7264 or 
email mclary@up.edu.



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<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western">from Laura McLary:<br>
<br>
A reading by Lilian Faschinger<br>
<br>
Wednesday, April 8<br>
4:30 p.m.<br>
<br>
Buckley Center, Room 310<br>
5000 N. Willamette Blvd.<br>
University of Portland<br>
<a class="moz-txt-link-abbreviated" href="http://www.up.edu">www.up.edu</a><br>
<br>
Free and open to the public<br>
<br>
<br>
Austrian writer Lilian Faschinger is a prolific author, poet, and
translator. Faschinger typically incorporates into her works a rigorous
critique of Austrian society and customs, as viewed from a woman's <br>
perspective. She will read from her most recent work.<br>
<br>
Faschinger has written three novels, two radio plays, two volumes of
short stories, a volume of poetry, and completed multiple translations
from English-speaking authors. Her first novel "Die Neue Scheherazade"
(The New Scheherazade, 1985) attracted considerable critical
recognition. Her 2007 novel, "Stadt der Verlierer," (Town Full of
Losers), written in 2007, won the Friedrich Glauser Prize for best
(German) crime novel of the year in 2008.<br>
<br>
Presented by the University's Foreign Languages Department.<br>
<br>
For more information, call professor Laura McLary at 503.943.7264 or
email <a class="moz-txt-link-abbreviated" href="mailto:mclary@up.edu">mclary@up.edu</a>.<a
 class="moz-txt-link-abbreviated" href="mailto:passages@rdrop.com"></a><br>
<br>
<br>
</div>
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--------------070407080307020402080703--

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Spare Room presents

John Tipton
Beth Murray
Brandon Shimoda

Sunday, April 5
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

May 10: Beverly Dahlen & David Abel
May 17: Andrew Schelling & music by Michael Stirling
June 14: Anne Gorrick & Deborah Woodard
July 12: Farrah Field & Jared White
August 16: Graham Foust & Eric Baus

=============================================

John Tipton was the founder of the Chicago Poetry Project reading series 
in 2001. His first full-length collection, Surfaces, was published by 
Flood Editions in 2004; in 2008 Flood brought out his translation of the 
Ajax of Sophocles.

Beth Murray lives on the island of Alameda with her dog, Laney. Her new 
book, The Island, published by Second Story Books, is an invocation of 
her conversations with the Island and the animals who live there. Her 
other books include The Night's Night from Noemi Press and Hope Eternity 
Seen on the Hip of a Rabbit from a+ bend. She works as homeopath for 
both people and animals, including those at the Oakland Zoo. In her 
practice she finds poetry.

Brandon Shimoda was born in North America. Texts and images chronicling 
the intervening years can be found in The Alps (Flim Forum Press, 2008) 
and The Inland Sea (Tarpaulin Sky Press, 2008), as well as in the pages 
of Boston Review, Denver Quarterly, Fence, jubilat, New American 
Writing, Peaches and Bats, West Wind Review, and elsewhere. He currently 
lives in North America, once again, where he works for Wave Books.

=============================================

uck

the mendicant ants who plot the sidewalk
pattern their errors with shapes of intent

these chains of creatures t terms long
derive the contour of a message misread

as bare grammar mapped to finite frames
they accrue along paths of abstract mistake

ants riddle in the dirt a cipher
that rumors noiseless channels down occult warrens

the Rev Thomas Bayes models bodily decay
on these ants black & ochre tricked

just as hills erupt so we sicken
cells will track then feed on kin

the greens & brown of Toms surroundings
remind that joyous accident forms every place

what did this Mandarin of Chance hide
meaning in the I Ching of insects?

there explodes a storm in the atmosphere
at its edge he makes out rain

chaos miraculous like a cloud of starlings
scatters through the rivers of his nerves

clues of order scar this little Earth
Bayes takes as a blemish from Heaven


for CR & JM

John Tipton



XX. (letter)

your noise in the water pains us

sea we sleep and shit in
earth cannot comprehend
the part that subtracts and adds cannot know
Island risen up out of
fire water pushed up
sleeps into earth
who has heard it?
who has heard the material?
small snag to fall back on
who took the water and rose up
your literal
self cannot fathom

the whales swam up the channel
wrote a ninety mile letter through California

people drove to the middle of the state to
look

Beth Murray



from The Alps

Revolution
filled with mythology, architecture
parties, bathing, the Pope
hanging from the window
a happy European


very clean Yes
very clean, we
said
yes you
are very
clean

We came
to wash
the people
in vinegar

People! The war is
The war is

Brandon Shimoda

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Spring Literary Arts Workshops at Multnomah Arts Center

The full catalog of spring classes at MAC can be downloaded at 
www.multnomahartscenter.org.
For more information, or to register, call 503-823-2787.

-----

Writing & Reading Poetry
David Abel

In this workshop, well look at how poetry works, as writers and as 
readers. Well write in response to exercises, and in response to what 
we read; well read closely one anothers work, and the work of other 
poets both familiar and not. The challenge of reading poetry pays off in 
two ways: empathy for the situation of our readers, and the discovery of 
new possibilities. Open to anyone (beginner or veteran) who writes 
poetry and wants to deepen their understanding of the art.

Tuesdays 7:00 pm - 9:00 pm
March 31 - May 26 [9 classes]

-----

Fiction Writing for Beginners
Susan Wickstrom

Are you ready to write the Great American Novel? Or do you simply want 
to express yourself? Beginning fiction writers will find inspiration and 
support through discussion and in-class exercises. No writing experience 
necessary.

Thursdays 7:00 pm-8:30 pm
April 2 - June 4 [8 classes; no class on 4/23 or 5/21]

-----

Memoir Writing: The Literature of Memory
Lyssa Tall Anolik

Memory is not logical or tidy, but it is infinitely interesting. Learn 
how to take the details that make up your life and turn them into 
memoir, poems, or even fiction. We will engage in the free-writing 
process using prompts to trigger and unlock the stories hidden within 
you. Well address and put aside the inner critic, so that you may 
engage your creative process in a safe and encouraging environment. 
Well draw from Natalie Goldbergs, Old Friend from Far Away, and 
other texts. No writing experience necessary. All levels welcome.

Wednesdays 6:30 pm - 9:00 pm
April 15 - May 27 [7 classes]

-----

Lifestory, Lifepath
Barbara Schramm

A good life story is one of the most important gifts we can offer 
ourselves, our children, our friends, and our community. A meaningful 
life contributes in generative ways to those around us. With that in 
mind, this workshop will give you an opportunity to write your own life 
story that may have become buried or eclipsed. This supportive class is 
open to writers of all abilities.
Wednesdays 9:30-11:30 am
April 8  May 27 [8 classes]

-----

Children's Writing: Let Your Imagination Fly (Ages: 8 - 12)
Lyssa Tall Anolik

Fly to the moon! Sail to the stars! Send thoughts aloft on a paper 
airplane. Imagine yourself an astronaut or bird & write stories or 
poetry about your travels! Students are welcome to support their writing 
with illustrations. Increase communication & self- expression skills 
while improving basic writing abilities.
Mondays 4:30 pm-5:30 pm
Apr. 20 - May 18 [5 classes]

-----

Writers Roundtable  April Henry

Get up-close and personal with mystery writer April Henry, the author of 
five adult
mysteries including the four-book Claire Montrose series that began with 
Square
in the Face. Henry also writes popular young adult thrillers such as 
Shock Point
and Torched. She has been nominated for several literary prizes 
including the
Oregon Book Award and the Pacific Northwest Booksellers Award.
Moderated by Susan Wickstrom. Limited to 15 participants.

Wednesday May 13, 7:00 pm - 8:30 pm


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Subject: [Spare Room/Passages] FWD: Sat. 4/11, Dan Fisher & Rodney Koeneke
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from Jesse Morse:


Smorg presents a reading by

Dan Fisher & Rodney Koeneke

Saturday, April 11
7:30 pm

The Waypost
3120 N. Williams Ave.
Free

Food, beer, wine, and espresso all available at The Waypost. 

http://www.smorgreadingseries.blogspot.com
http://www.thewaypost.com


Dan Fisher lives on the island in the East Bay. An island that has 4 
bridges and a tunnel. He makes poems and some of them have appeared in 
B/ay Poetics, Viz, Work, Cricket Online Review, Lament/, and some other 
places too. He also makes collages under the name Fish Fishtofferson. He 
works for Upward Bound at Mills College in Oakland. He's never been to 
Portland.

Rodney Koeneke is the author of the poetry collections /Musee 
Mechanique/ (BlazeVOX, 2006) and /Rouge State /(Pavement Saw, 2003). A 
new chapbook, /Rules for Drinking Forties/, is just out from Cy Press. 
His poems have been included in /Abraham Lincoln, Jacket, New American 
Writing, ZYZZYVA/, and other publications, and in the anthologies /Bay 
Poetics/ and the Flarf primer due out this fall. He lives in Portland, 
where he curates the Tangent Reading Series with poets Kaia Sand and 
Jules Boykoff. This reading will be the Portland launch for /Rules for 
Drinking Forties/.

<http://www.thewaypost.com>

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from Jesse Morse:<br>
<br>
<br>
Smorg presents a reading by<br>
<br>
Dan Fisher &amp; Rodney Koeneke<br>
<br>
Saturday, April 11<br>
7:30 pm<br>
<div class="moz-text-html" lang="x-western"><br>
The Waypost<br>
3120 N. Williams Ave.<br>
Free<br>
<br>
Food, beer, wine, and espresso all available at The Waypost.&nbsp;
<br>
<br>
<a href="http://www.smorgreadingseries.blogspot.com">http://www.smorgreadingseries.blogspot.com</a><br>
<a href="http://www.thewaypost.com">http://www.thewaypost.com</a><br>
<br>
<br>
Dan Fisher lives on <span class="yshortcuts" id="lw_1238105948_0">the
island</span>
in the East Bay. An island that has 4 bridges and a tunnel. He makes
poems and some of them have appeared in B<i>ay Poetics, Viz, Work,
Cricket
Online Review, Lament</i>, and some other places too. He also makes
collages under the name Fish Fishtofferson. He works for <span
 class="yshortcuts" id="lw_1238105948_1">Upward Bound</span> at <span
 class="yshortcuts" id="lw_1238105948_2">Mills College</span> in
Oakland. He's never been to <span class="yshortcuts"
 id="lw_1238105948_3">Portland</span>.<br>
<br>
Rodney Koeneke is the author of the poetry collections <i><span
 class="yshortcuts" id="lw_1238105905_1">Musee Mechanique</span></i>
(BlazeVOX, 2006) and <i>Rouge State </i>(Pavement Saw, 2003). A new
chapbook, <i>Rules for Drinking Forties</i>, is just out from Cy
Press. His poems have been included in <i><span class="yshortcuts"
 id="lw_1238105905_2">Abraham Lincoln</span>, Jacket, <span
 style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;"
 class="yshortcuts" id="lw_1238105905_3">New American Writing</span>,
ZYZZYVA</i>, and other publications, and in the anthologies <i>Bay
Poetics</i> and the Flarf primer due out this fall. He lives in
Portland, where he curates the Tangent <span class="yshortcuts"
 id="lw_1238105905_4">Reading Series</span> with poets Kaia Sand and <span
 style="border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;"
 class="yshortcuts" id="lw_1238105905_5">Jules Boykoff</span>. This
reading will be the Portland launch for <i>Rules for Drinking Forties</i>.<br>
<br>
<a href="http://www.thewaypost.com"></a><br>
</div>
</body>
</html>

--------------090905050603060306060408--

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from Christopher Luna:

Open mic poetry
hosted by Christopher Luna

Featured reader: David Abel

Thursday, April 9
7:00 pm
(and every second Thursday)

Cover to Cover Books
1817 Main Street (at McLoughlin Blvd.)
Vancouver, WA

"Always all ages and uncensored"

for more information:
christopherjluna@gmail.com, or call 360-514-0258 or 360-694-9653
http://christopherjluna-poetry.blogspot.com


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Spare Room presents

John Tipton
Beth Murray
Brandon Shimoda

Sunday, April 5
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

May 10: Beverly Dahlen & David Abel
May 17: Andrew Schelling & music by Michael Stirling
June 14: Anne Gorrick & Deborah Woodard
July 12: Farrah Field & Jared White
August 16: Graham Foust & Eric Baus

=============================================

John Tipton was the founder of the Chicago Poetry Project reading series
in 2001. His first full-length collection, Surfaces, was published by
Flood Editions in 2004; in 2008 Flood brought out his translation of the
Ajax of Sophocles.

Beth Murray lives on the island of Alameda with her dog, Laney. Her new
book, The Island, published by Second Story Books, is an invocation of
her conversations with the Island and the animals who live there. Her
other books include The Night's Night from Noemi Press and Hope Eternity
Seen on the Hip of a Rabbit from a+ bend. She works as homeopath for
both people and animals, including those at the Oakland Zoo. In her
practice she finds poetry.

Brandon Shimoda was born in North America. Texts and images chronicling
the intervening years can be found in The Alps (Flim Forum Press, 2008)
and The Inland Sea (Tarpaulin Sky Press, 2008), as well as in the pages
of Boston Review, Denver Quarterly, Fence, jubilat, New American
Writing, Peaches and Bats, West Wind Review, and elsewhere. He currently
lives in North America, once again, where he works for Wave Books.

=============================================

uck

the mendicant ants who plot the sidewalk
pattern their errors with shapes of intent

these chains of creatures t terms long
derive the contour of a message misread

as bare grammar mapped to finite frames
they accrue along paths of abstract mistake

ants riddle in the dirt a cipher
that rumors noiseless channels down occult warrens

the Rev Thomas Bayes models bodily decay
on these ants black & ochre tricked

just as hills erupt so we sicken
cells will track then feed on kin

the greens & brown of Tom's surroundings
remind that joyous accident forms every place

what did this Mandarin of Chance hide
meaning in the I Ching of insects?

there explodes a storm in the atmosphere
at its edge he makes out rain

chaos miraculous like a cloud of starlings
scatters through the rivers of his nerves

clues of order scar this little Earth
Bayes takes as a blemish from Heaven


for CR & JM

John Tipton



XX. (letter)

your noise in the water pains us

sea we sleep and shit in
earth cannot comprehend
the part that subtracts and adds cannot know
Island risen up out of
fire water pushed up
sleeps into earth
who has heard it?
who has heard the material?
small snag to fall back on
who took the water and rose up
your literal
self cannot fathom

the whales swam up the channel
wrote a ninety mile letter through California

people drove to the middle of the state to
look

Beth Murray



from The Alps

Revolution
filled with mythology, architecture
parties, bathing, the Pope
hanging from the window
a happy European


very clean Yes
very clean, we
said
yes you
are very
clean

We came
to wash
the people
in vinegar

People! The war is
The war is

Brandon Shimoda




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</head>
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<div class="moz-text-plain" wrap="true" graphical-quote="true"
 style="font-size: 16px;" lang="x-western">Spare Room presents<br>
<br>
John Tipton<br>
Beth Murray<br>
Brandon Shimoda<br>
<br>
Sunday, April 5<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
May 10: Beverly Dahlen &amp; David Abel<br>
May 17: Andrew Schelling &amp; music by Michael Stirling<br>
June 14: Anne Gorrick &amp; Deborah Woodard<br>
July 12: Farrah Field &amp; Jared White<br>
August 16: Graham Foust &amp; Eric Baus<br>
<br>
=============================================<br>
<br>
John Tipton was the founder of the Chicago Poetry Project reading
series <br>
in 2001. His first full-length collection, Surfaces, was published by <br>
Flood Editions in 2004; in 2008 Flood brought out his translation of
the <br>
Ajax of Sophocles.<br>
<br>
Beth Murray lives on the island of Alameda with her dog, Laney. Her new
<br>
book, The Island, published by Second Story Books, is an invocation of <br>
her conversations with the Island and the animals who live there. Her <br>
other books include The Night's Night from Noemi Press and Hope
Eternity <br>
Seen on the Hip of a Rabbit from a+ bend. She works as homeopath for <br>
both people and animals, including those at the Oakland Zoo. In her <br>
practice she finds poetry.<br>
<br>
Brandon Shimoda was born in North America. Texts and images chronicling
<br>
the intervening years can be found in The Alps (Flim Forum Press, 2008)
<br>
and The Inland Sea (Tarpaulin Sky Press, 2008), as well as in the pages
<br>
of Boston Review, Denver Quarterly, Fence, jubilat, New American <br>
Writing, Peaches and Bats, West Wind Review, and elsewhere. He
currently <br>
lives in North America, once again, where he works for Wave Books.<br>
<br>
=============================================<br>
<br>
uck<br>
<br>
the mendicant ants who plot the sidewalk<br>
pattern their errors with shapes of intent<br>
<br>
these chains of creatures t terms long<br>
derive the contour of a message misread<br>
<br>
as bare grammar mapped to finite frames<br>
they accrue along paths of abstract mistake<br>
<br>
ants riddle in the dirt a cipher<br>
that rumors noiseless channels down occult warrens<br>
<br>
the Rev Thomas Bayes models bodily decay<br>
on these ants black &amp; ochre tricked<br>
<br>
just as hills erupt so we sicken<br>
cells will track then feed on kin<br>
<br>
the greens &amp; brown of Tom&#8217;s surroundings<br>
remind that joyous accident forms every place<br>
<br>
what did this Mandarin of Chance hide<br>
meaning in the I Ching of insects?<br>
<br>
there explodes a storm in the atmosphere<br>
at its edge he makes out rain<br>
<br>
chaos miraculous like a cloud of starlings<br>
scatters through the rivers of his nerves<br>
<br>
clues of order scar this little Earth<br>
Bayes takes as a blemish from Heaven<br>
<br>
<br>
for CR &amp; JM<br>
<br>
John Tipton<br>
<br>
<br>
<br>
XX. (letter)<br>
<br>
your noise in the water pains us<br>
<br>
sea we sleep and shit in<br>
earth cannot comprehend<br>
the part that subtracts and adds cannot know<br>
Island risen up out of<br>
fire water pushed up<br>
sleeps into earth<br>
who has heard it?<br>
who has heard the material?<br>
small snag to fall back on<br>
who took the water and rose up<br>
your literal<br>
self cannot fathom<br>
<br>
the whales swam up the channel<br>
wrote a ninety mile letter through California<br>
<br>
people drove to the middle of the state to<br>
look<br>
<br>
Beth Murray<br>
<br>
<br>
<br>
from The Alps<br>
<br>
Revolution<br>
filled with mythology, architecture<br>
parties, bathing, the Pope<br>
hanging from the window<br>
a happy European<br>
<br>
<br>
very clean Yes<br>
very clean, we<br>
said<br>
yes you<br>
are very<br>
clean<br>
<br>
We came<br>
to wash<br>
the people<br>
in vinegar<br>
<br>
People! The war is<br>
The war is<br>
<br>
Brandon Shimoda<br>
<br>
<br>
<br>
</div>
</body>
</html>

--------------030108010508090302080901--

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	Matthew Dickman / Endi Hartigan
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Matthew Dickman and Endi Bogue Hartigan

Thursday, April 9
6:30 p.m.

Visiting Writers Series

Reed College
Psychology 105
 

Matthew Dickman's books include a first collection, All American Poem, 
and the chapbook Amigos. Dickman's poems appear in Tin House, Clackamas 
Literary Review, Agni Online, and The New Yorker, among others. A native 
of Portland, Oregon, he is the recipient of fellowships from the 
Michener Center for Writers at the University of Texas at Austin, the 
Vermont Studio Center, and the Fine Arts Work Center in Provincetown.

Endi Bogue Hartigan's first book, One Sun Storm, was recently published 
by the Center for Literary Publishing at Colorado State University. 
Hartigan's work has appeared or is forthcoming in Chicago Review, Free 
Verse, Gulf Coast, New Orleans Review, Insurance, TinFish, LVNG, Antioch 
Review, and Northwest Review. A member of Reed's Class of 1992, Hartigan 
has lived primarily on the West Coast and Hawaii, and now lives in 
Portland with her husband and son.


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<div class="moz-text-html" lang="x-western"><br>
<p class="MsoNormal" style="margin: 0pt 0pt 10pt;"><font color="#000000">Matthew
Dickman and Endi Bogue Hartigan</font></p>
<p class="MsoNormal" style="margin: 0pt 0pt 10pt;"><font color="#000000">Thursday,
April 9<br>
6:30 p.m.<o:p></o:p><br>
</font></p>
<p class="MsoNormal" style="margin: 0pt 0pt 10pt;"><font color="#000000">Visiting
Writers Series<br>
</font><font color="#000000"><br>
Reed College<br>
</font><font color="#000000">Psychology 105</font><br>
&nbsp;</p>
<p class="MsoNormal" style="margin: 0pt 0pt 10pt;"><font color="#000000">Matthew
Dickman&#8217;s books include a first collection, All American Poem, and the
chapbook Amigos. Dickman&#8217;s poems appear in Tin House, Clackamas
Literary Review,
Agni Online, and The New Yorker, among others. A native of Portland,
Oregon, he is the recipient of fellowships from the Michener Center for
Writers at the University of Texas at Austin, the Vermont Studio
Center, and the Fine Arts Work Center in Provincetown.</font></p>
<p class="MsoNormal" style="margin: 0pt 0pt 10pt;"><font color="#000000">Endi
Bogue Hartigan&#8217;s first book, One Sun Storm, was recently published by
the Center for Literary
Publishing at Colorado State University. Hartigan's work has
appeared or is forthcoming in Chicago Review, Free Verse, Gulf Coast,
New Orleans Review, Insurance, TinFish, LVNG, Antioch Review, and
Northwest Review. A member of Reed&#8217;s Class of 1992, Hartigan has lived
primarily
on the West Coast and Hawaii, and now lives in Portland with
her husband and son.<o:p></o:p></font></p>
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From passages@rdrop.com Tue Apr  7 22:44:49 2009
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from Dan Raphael:


Mountain Writers and Dan Raphael present

Lindsay Hill
Patrick Bocarde
Sean Patrick Hill

Wednesday, April 15
7:30 pm

Press Club
2621 SE Clinton


Come hear three poets who may liberate your range of tastes and perceptions:

Lindsay Hill is intense, even at parties, but when language wakes you at 
2:00 am, what can you do? His most recent books are NdjenFerno (Vatic 
Hum) and Contango (Singing Horse).

Patrick Bocarde writes of alien invasion and failed relationships as if 
they were related. He's active on the local reading scene, including 
work on KBOO, and strongly deserves a new book.

Sean Patrick Hill has been published widely, including the journals 
Exquisite Corpse, Willow Springs, New York Quarterly, and Redactions.

From passages@rdrop.com Tue Apr  7 23:12:22 2009
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from Paulann Petersen:


The Silverton Poetry Festival presents

Location, an afternoon workshop by Paulann Petersen

followed by an evening reading by
Stephanie Lenox, Laura Weeks, and Paulann Petersen

Saturday, April 18
Workshop: 1:00 - 4:30 pm
Reading: 7:00 pm

Gordon House
Oregon Garden
879 W. Main St.
Silverton, OR
http://www.oregongarden.org


Oregon Gardens Gordon House was designed by Frank Lloyd Wright. Its 
the only Wright-designed building in Oregon, and the only one in the 
Pacific Northwest thats open to the public (for more information, see 
http://www.oregongarden.org/WYS_gordonhouse).

The Gordon House rent is donated by GH members in support of the 
Silverton Poetry Association. This year, Kathryn and Doug Collins are 
donating the house-rent for the workshop and reading.

The workshop fee is $30. All levels welcome. Preregister by calling 
503-873-2480 or by sending a check to the Silverton Poetry Association, 
303 Coolidge Street, Silverton, OR 97381.


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DIVA New Poetry Series presents

Tony Christy & Marko Whens

Saturday, April 11
7:30 pm

DIVA Center
110 W. Broadway, Eugene
541-344-3482
http://divacenter.org

Admission by donation



Tony Christy is recognized as a sound poetry performer. For the past few 
years Tony has been dedicated to redefining what it means to be 
experimental, avant-garde, bold, and risk taking, by being slightly 
kooky, which adds to the enjoyment of his work. His performances have 
taken him from Portland to Orlando.

For eight years Marko Whens has been playing with concepts of language 
through the means of visual poetry, sound poetry, mail art, 
installation, performance, video, and photography. Last year his visual 
poems were exhibited in the SoundVision / VisionSound III show at the 
Nave Gallery in Somerset, Massachusetts, and in the Land and Language 
exhibition at The Land/An Art Site in Mountainair, New Mexico, and he 
performed his Sign Event in NYC at Times Square. He participated in the 
Fluxus Festival in Nice, France, in 2003, and had a solo show at the 
Casa de La Palabra in Guadalajara, Mexico, in 2001. Curator of Spare 
Room's Sound Poetry Festivals in 2003 and 2004, his work has been 
published recently in the periodicals envelope, fo_a_rm, Ferrum Wheel, 
flim, and Take Out. For this reading, his poems will be presented via 
video projection and performance.


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Show & Tell Productions presents Three Friends Mondays:

Marko Whens, Tony Christy, Leo Daedalus, and David Abel

(followed by open mic)


Monday, May 4
7:00 pm

Three Friends Coffee House
201 SE 12th Ave.
503-236-6411


In September of 2008, Marko Whens and Tony Christy organized the first 
Demagnetic Mutant Cabaret, "an evening of humor-based, conceptual, 
nondramatic events informed by traditions such as Dada, Fluxus, and 
Situationism."

Leo Daedalus did John Cage stand-up and Oulipo rap; Tony went on a khaki 
parade; Marko found the other side of the frame; and David Abel made tea 
under surveillance.

At the Three Friends Coffee house open mic on Monday, May 4, they will 
return as the Three Scrapettes, with a variety of non-acts, sound poems, 
peripheral pieces, audience impersonations, and wrong solutions.


Biographical fallacies:

Marko Whens is soon to be published by an oppressed press. He falsely 
proclaims to be the first poet to misspell every language.

As a child, Tony Christy grew gills and drowned. His father was a scrap 
surgeon his mother a mitt mender. Upon graduation from the institute of 
technical friction he took a position with the broke bureau.

Leo Daedalus has experienced spatial-sequence, or number form, 
synesthesia since his leftmost days. Fittingly, he imagines that the 
ideal expression of any particular art form would have to be realized in 
a different form.

David Abel studied with Massenet and Faur at the Paris Conservatoire 
(1890-97), then lived uneventfully as a teacher and theorist, producing 
an enormous body of music expressing his communist sympathies. Very 
little of his work, however, escaped neglect.



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Subject: [Spare Room/Passages] FWD: Fri. 5/8, Mother's Day open mic
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This is a multi-part message in MIME format.
--------------010108070802000107060705
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
Content-Transfer-Encoding: 7bit

from Jillian Starr:

Give Mama the Mic

"Kicking off Mother's Day weekend with an evening of poetic relaxabration"
 
Friday, May 8
7:00 pm

Airplay Cafe
701 East Burnside
www.airplaycafe.com <http://www.airplaycafe.com>
 
Bring your best poems about motherhood, kick it with your mommy comrades 
and speak your art out! All mamas and mama poets welcome.
 
 

--------------010108070802000107060705
Content-Type: text/html; charset=ISO-8859-1
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
from Jillian Starr:<br>
<br>
Give Mama the Mic
<br>
<br>
"Kicking off Mother's Day weekend with an evening of poetic
relaxabration"
<br>
&nbsp;
<br>
Friday, May 8
<br>
7:00 pm
<br>
<br>
Airplay Cafe<br>
701 East Burnside<br>
<a href="http://www.airplaycafe.com">www.airplaycafe.com</a>
<br>
&nbsp;
<br>
Bring your best poems about motherhood, kick it with your mommy
comrades and speak your art out! All mamas and mama poets welcome.
<br>
&nbsp;
<br>
&nbsp;
</body>
</html>

--------------010108070802000107060705--

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The inaugural reading of

If Not For Kidnap Poetry

presents

Kjirsten Severson
Karen Wood Heppner

Tuesday, April 28
7:30pm

3968 SE Mall St., Apt A

Come as you are, donations not turned down!

& check out full bios and other info at 
http://ifnotforkidnappoetry.blogspot.com


***

Trained in Western philosophy and determined to say the impossible by 
escaping academic language, Kjirsten Severson was not prepared for her 
own writing that began to appear when she moved to Portland from 
Pittsburgh at the end of 2003. Any readily recognized narrative became 
invisible. . . .

*

Karen Wood Hepner writes in the mood of a house haunted -- she creates 
landscapes inside rooms, hallways, cupboards, and under beds. Karen is 
fascinated by the movement between inner and outer landscapes, and 
writes poems that navigate these planes freely. . . .


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[Though I am highly biased in this regard, I have to emphasize that this 
is a terrific exhibition, not to be missed!]


Book + Art = Contemporary Artist's Books and Broadsides
from the John Wilson Special Collections

March 16 - May 10, 2009

Collins Gallery   
3rd Floor, Central Library
801 S.W. 10th Avenue

Information about the exhibition, gallery hours, links to the artists, 
and more can be found at www.multcolib.org/events/collins/bookart.html

For more information, contact Jim Carmin, jimc@multcolib.org or 503.988.6287

===

Artists have been associated with books since the beginning of book 
production centuries ago. But around the mid-20th-century, fine artists 
began making books that are works of art that critics now call "artist's 
books" or "bookworks." Because the Pacific Northwest is particularly 
rich in book artists, Multnomah County Library's John Wilson Special 
Collections has been actively collecting these materials for more than a 
decade.

This exhibition features selections from the hundreds of titles within 
the special collections and includes "prototypes" of artist's books from 
the early 20th century; books by Oregon artists; books with unusual 
structures or made with unusual materials; letterpress books; books 
produced using copy machines or typewriters; one-of-a-kind and multiple 
edition books; and hand-printed broadsides of poetry and other texts.

Artists in the exhibit include:

Claire Van Vliet
Walter Hamady
Barbara Tetenbaum
Sandy Tilcock
Chris Stern
Warja Honegger-Lavater
Kathy Kuehn
Emily Larned
Sarah Chamberlain
Timothy Ely
Jessica Spring
Shu-Ju Wang
Inge Bruggeman
Diane Jacobs
Ken Campbell
Clemens-Tobias Lang
Sarah Horowitz
Mare Blocker
Sabine Golde
Catherine Alice Michaelis
Leonard Baskin
Alison Knowles
and many others



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University of Oregon School of Journalism and Communication (SOJC)
will offer the workshop

"Writing About Music"


Saturday, May 9
1:00 - 4:00 pm

George S. Turnbull Center
University of Oregon Portland
70 NW Couch Street


Registration $45; $15 for students.
For online registration: http://turnbullcenter.uoregon.edu/
For more information, contact Al Stavitsky, Turnbull Center director, at 
503-412-3659, or: ags@uoregon.edu


Writing About Music will feature presentations by SOJC Professor Tom 
Wheeler, a former editor of Guitar Player magazine; Luciana Lopez, pop 
music writer for The Oregonian; Brett Campbell, Wall Street Journal 
music critic and contributor to Willamette Week; and Carrie Brownstein, 
a musician and writer who co-founded the critically acclaimed band 
Sleater-Kinney.

Speakers will discuss engaged listening, which involves identifying 
time signatures, instrumentation, arrangement and song structure; how to 
write artist profiles; and how to get your work published in the current 
multiplatform marketplace. The workshop will conclude with a panel 
discussion of the state of music writing.


About the presenters:

In addition to her musical career with Sleater Kinney and other bands, 
Carrie Brownstein is a writer and commentator on music and culture for 
National Public Radio. Her work has also been published in The New York 
Times, Pitchfork and other outlets.

Brett Campbell writes about the arts for The Wall Street Journal, 
Willamette Week, Oregon Quarterly and other publications. A former 
editor of Oregon Quarterly and the Texas Observer, he taught magazine 
writing at the SOJC for nine years. Hes at work on a biography of 
Portland-born composer Lou Harrison.

Luciana Lopez has been the pop music critic for The Oregonian for two 
and a half years, covering everything from rock to rumba. Shes 
freelanced for publications including The Washington Post, Urb, XLR8r 
and others.

Tom Wheeler has been a member of the School of Journalism and 
Communication faculty since 1991. In addition to serving as editor of 
Guitar Player, he was founding editorial director of Bass Player 
magazine and freelanced for Rolling Stone. He is the author of four 
books about guitars, and plays guitar regularly with Eugene soul singer 
Deb Cleveland.




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Spare Room presents

Beverly Dahlen
David Abel

Sunday, May 10
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

May 17: Andrew Schelling & music by Michael Stirling

June 4: Jim McCrary & James Yeary
June 14: Anne Gorrick & Deborah Woodard

July tba: Jennifer Bartlett & Sarah Mangold
July 12: Farrah Field & Jared White

August tba: Norma Cole & Lindsay Hill
August 16: Graham Foust & Eric Baus

=============================================

Beverly Dahlen was born in Portland in November, 1934, attended public 
schools there, and after the end of World War II, moved with her family 
to Eureka, California. In 1956, she resettled in San Francisco. Her 
first collection of poetry, Out of the Third, was published by Momos 
Press in 1974. Two chapbooks, A Letter at Easter (Effies Press) and The 
Egyptian Poems (Hipparchia Press) were followed in 1985 by the 
publication of A Reading 1-7 (Momos Press). Since then, three more 
volumes of A Reading have appeared, as well as the chapbook A-reading 
Spicer & Eighteen Sonnets (Chax Press). Her essay Beauty: Another 
Reading recently appeared in Crayon 5. Ms. Dahlen was a co-founder, 
with Kathleen Fraser and Frances Jaffer, of the feminist poetics 
newsletter (HOW)ever; in December of 2008 her work was honored by Small 
Press Traffic with their Lifetime Achievement Award.

David Abel was born in Salt Lake City in November, 1956, and schooled 
there and in South Florida, Eastern California, the Mid-Hudson Valley, 
and the Rio Grande Valley. After tenures in New York City and 
Albuquerque (where he established the Bridge Bookshop, and Passages 
Bookshop & Gallery, respectively), he relocated to Portland in 1997. He 
is the author of numerous artists's books and objects -- including Rose, 
Selected Durations, and Threnos (with Katherine Kuehn), and Let Us 
Repair and While You Were In (with Anna & Leo Daedalus) -- and several 
chapbooks, including Black Valentine (Chax) and Twenty- (Crane's Bill). 
His most recent chapbook, Commonly, will premiere at this reading, along 
with two new issues (one for each reader) of the broadside journal 
Envelope, which he edits.

=============================================


Thoughtless as shadow
The ground of shadow
One wouldn't would
One want

All one wants
And then what
The light across the lake
And the eye creates space
The distance
Which is not
One

Not only
That but
All one
Wants

-- Beverly Dahlen



(from Sweep)

1357

A snapshot -- a freeze frame -- a thread (or is it a needle?) drawn 
through the entire world: every person, anywhere (let's say), entering a 
building at this moment.

They are (they were) an army, a religion, a dance, an analysis, a race, 
and an extinction.

-- David Abel

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2 + 2 = 3
Sound Poetry and Paraperformance
mARKO Whens, Tony Christy, Leo Daedalus, and David Abel

(followed by open mic)

Monday, May 4
7:00 pm

Three Friends Coffee House
201 SE 12th Ave.
503-236-6411


In September of 2008, Marko Whens and Tony Christy organized the first 
Demagnetic Mutant Cabaret, "an evening of humor-based, conceptual, 
nondramatic events informed by traditions such as Dada, Fluxus, and  
Situationism."

Leo Daedalus did John Cage stand-up and Oulipo rap; Tony went on a khaki 
parade; Marko found the other side of the frame; and David Abel made tea 
under surveillance.

At the Three Friends Coffee house open mic on Monday, May 4, they will 
return as the Three Scrapettes, with a variety of non-acts, sound poems, 
peripheral pieces, audience impersonations, and wrong solutions.


Biographical fallacies:

Marko Whens is soon to be published by an oppressed press. He falsely 
proclaims to be the first poet to misspell every language.

As a child, Tony Christy grew gills and drowned. His father was a scrap 
surgeon his mother a mitt mender. Upon graduation from the institute of 
technical friction he took a position with the broke bureau.

Leo Daedalus has experienced spatial-sequence, or number form, 
synesthesia since his leftmost days. Fittingly, he imagines that the 
ideal expression of any particular art form would have to be realized in 
a different form.

David Abel studied with Massenet and Faur at the Paris Conservatoire 
(1890-97), then lived uneventfully as a teacher and theorist, producing 
an enormous body of music expressing his communist sympathies. Very 
little of his work, however, escaped neglect.

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Spare Room presents

Beverly Dahlen
David Abel

Sunday, May 10
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

May 17: Andrew Schelling & music by Michael Stirling

June 4: Jim McCrary & James Yeary
June 14: Anne Gorrick & Deborah Woodard

July tba: Jennifer Bartlett & Sarah Mangold
July 12: Farrah Field & Jared White

August tba: Norma Cole & Lindsay Hill
August 16: Graham Foust & Eric Baus

=============================================

Beverly Dahlen was born in Portland in November, 1934, attended public 
schools there, and after the end of World War II, moved with her family 
to Eureka, California. In 1956, she resettled in San Francisco. Her 
first collection of poetry, Out of the Third, was published by Momos 
Press in 1974. Two chapbooks, A Letter at Easter (Effies Press) and The 
Egyptian Poems (Hipparchia Press) were followed in 1985 by the 
publication of A Reading 1-7 (Momos Press). Since then, three more 
volumes of A Reading have appeared, as well as the chapbook A-reading 
Spicer & Eighteen Sonnets (Chax Press). Her essay Beauty: Another 
Reading recently appeared in Crayon 5. Ms. Dahlen was a co-founder, 
with Kathleen Fraser and Frances Jaffer, of the feminist poetics 
newsletter (HOW)ever; in December of 2008 her work was honored by Small 
Press Traffic with their Lifetime Achievement Award.

David Abel was born in Salt Lake City in November, 1956, and schooled 
there and in South Florida, Eastern California, the Mid-Hudson Valley, 
and the Rio Grande Valley. After tenures in New York City and 
Albuquerque (where he established the Bridge Bookshop, and Passages 
Bookshop & Gallery, respectively), he relocated to Portland in 1997. He 
is the author of numerous artists's books and objects -- including Rose, 
Selected Durations, and Threnos (with Katherine Kuehn), and Let Us 
Repair and While You Were In (with Anna & Leo Daedalus) -- and several 
chapbooks, including Black Valentine (Chax) and Twenty- (Crane's Bill). 
His most recent chapbook, Commonly, will premiere at this reading, along 
with two new issues (one for each reader) of the broadside journal 
Envelope, which he edits.

=============================================


Thoughtless as shadow
The ground of shadow
One wouldn't would
One want

All one wants
And then what
The light across the lake
And the eye creates space
The distance
Which is not
One

Not only
That but
All one
Wants

-- Beverly Dahlen



(from Sweep)

1357

A snapshot -- a freeze frame -- a thread (or is it a needle?) drawn 
through the entire world: every person, anywhere (let's say), entering a 
building at this moment.

They are (they were) an army, a religion, a dance, an analysis, a race, 
and an extinction.

-- David Abel

From passages@rdrop.com Tue May 12 06:32:59 2009
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This is a multi-part message in MIME format.
--------------070302040305080107050501
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On Thursday May 7, Robin Blaser died in Vancouver, BC. One of the great 
voices of our time, an uncompromising poet of conscience, impervious to 
fashion yet with an ear attuned to the current; a great intellect, and 
even greater heart.


The Globe & Mail obituary was clearly written by someone close to Robin: 
http://www.theglobeandmail.com/servlet/story/Deaths.20090509.93195062/BDAStory/BDA/deaths


Of the many tributes already online (several of which are listed in the 
post on the Poetry Foundation's Harriet blog: 
http://www.poetryfoundation.org/harriet/2009/05/robin-blaser-1925-2009),

this article by Blaser's dear friend and student Stan Persky is 
particularly moving, and illuminates Robin's clear-eyed and courageous 
commitment to poetry:
http://dooneyscafe.com/archives/1593


Pierre Joris, on his blog (http://pierrejoris.com/blog/?p=1296), quotes 
Robin from a recent talk:

"...that was the beginning of my life in poetry --- to find out that 
poetry had the most extraordinary intelligence, and that it would just 
wander and and wander and wonder. And so, I love it to this very day. 
Poetry is the language that one really must finally know --- you know, 
before you get the hell out of here be sure that you got some poetry 
because you gonna need it on the other side." (from "Berkeley 
Renaissance" talk, November 5, 2008).


And in the notes at the end of his book Syntax, Robin quotes Coleridge 
(from the Notebooks, I assume):

Intensity & Extensity combinable only by blessed
Spirits --- Hence that Lovers in their finite state
incapable of fathoming the intensity of their
feelings /help/ the thought /out/ by extension & thus
think the passion as wide in /time/ as it is deep
in essence. Hence --- auf ewig dein [thine
forever]!


Surely Robin is now a blessed Spirit.

--------------070302040305080107050501
Content-Type: text/html; charset=ISO-8859-1
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
On Thursday May 7, Robin Blaser died in Vancouver, BC. One of the great
voices of our time, an uncompromising poet of conscience, impervious to
fashion yet with an ear attuned to the current; a great intellect, and
even greater heart.<br>
<br>
<br>
The Globe &amp; Mail obituary was clearly written by someone close to
Robin:
<a class="moz-txt-link-freetext" href="http://www.theglobeandmail.com/servlet/story/Deaths.20090509.93195062/BDAStory/BDA/deaths">http://www.theglobeandmail.com/servlet/story/Deaths.20090509.93195062/BDAStory/BDA/deaths</a><br>
<br>
<br>
Of the many tributes already online (several of which are listed in the
post on the Poetry Foundation's Harriet blog:
<a class="moz-txt-link-freetext" href="http://www.poetryfoundation.org/harriet/2009/05/robin-blaser-1925-2009">http://www.poetryfoundation.org/harriet/2009/05/robin-blaser-1925-2009</a>),<br>
<br>
this article by Blaser's dear friend and student Stan Persky is
particularly moving, and illuminates Robin's clear-eyed and courageous
commitment to poetry:<br>
<a class="moz-txt-link-freetext" href="http://dooneyscafe.com/archives/1593">http://dooneyscafe.com/archives/1593</a><br>
<br>
<br>
Pierre Joris, on his blog (<a class="moz-txt-link-freetext" href="http://pierrejoris.com/blog/?p=1296">http://pierrejoris.com/blog/?p=1296</a>), quotes
Robin from a recent talk:<br>
<br>
&#8220;&#8230;that was the beginning of my life in poetry &#8212; to find out that poetry
had the most extraordinary intelligence, and that it would just wander
and and wander and wonder. And so, I love it to this very day. Poetry
is the language that one really must finally know &#8212; you know, before
you get the hell out of here be sure that you got some poetry because
you gonna need it on the other side.&#8221; (from &#8220;Berkeley Renaissance&#8221;
talk, November 5, 2008).<br>
<br>
<br>
And in the notes at the end of his book Syntax, Robin quotes Coleridge
(from the Notebooks, I assume):<br>
<br>
Intensity &amp; Extensity combinable only by blessed<br>
Spirits &#8212; Hence that Lovers in their finite state<br>
incapable of fathoming the intensity of their<br>
feelings <i>help</i> the thought <i>out</i> by extension &amp; thus<br>
think the passion as wide in <i>time</i> as it is deep<br>
in essence. Hence &#8212; auf ewig dein [thine<br>
forever]!<br>
<br>
<br>
Surely Robin is now a blessed Spirit.<br>
</body>
</html>

--------------070302040305080107050501--

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(information about a one-day poetry workshop this summer, cosponsored by 
Multnomah Art Center and the Portland Art Museum)


Join us for a new Poetry Workshop at the Portland Art Museum!

MAC is pleased to partner with the Portland Art Museum to offer this 
exciting new program.  Please join poetry instructor Joseph Bradshaw for 
an eye-opening workshop that explores the intersection where visual and 
literary art meet.  Writers of all levels and traditions are welcome to 
participate.


Poetry: Art becomes Muse     Ages:  18 & Up

How can we re-express a visual image through poetry? How can we transfer 
the lines and colors of, say, a painting into lines of verse? How do we 
re-portray a portrait through writing? We will explore these questions 
and more as we tour the various galleries of the Portland Art Museum, 
writing in response to visual artworks. We'll look at and respond to art 
in all media, from traditional to contemporary to folk, viewing each 
poem we produce on its own terms, through the lens of possibility.  This 
class meets at the Portland Art Museum (1219 SW Park  Avenue) in the 
Kinney Classroom promptly at 10am.  Museum admission included in course fee.

298164  Sat. July 18, 10am-4:00pm   $48.00  [1 class]


What to expect

Start the day with an exploration of great poems written in a tradition 
called "ekphrasis," which means "a literary description of or commentary 
on a visual work of art."   Then, after a guided tour of the Portland 
Art Museum, summon your muse and create your own work stimulated by the 
art that moves you.  Finally, reconvene to share your creations in this 
supportive group environment.

About the Instructor

Joseph Bradshaw earned an MFA from the Iowa Writers' Workshop in 2008. 
He is the author of two chapbooks of poetry ("The Way Birds Become" and 
"This Ocean, or Oppen Series"), and regularly contributes reviews and 
criticism to Cultural Society and Rain Taxi.  Currently, he lives in 
Southeast Portland and teaches at Portland State University and Pacific 
Northwest College of Art.


Poetry:  Art becomes Muse - Teen Focus       Ages:  13-19

Can you awaken your senses through poetry?  How many poems exist within 
a painting?  How many paintings exist in a poem?  We will explore these 
questions and more as we tour the various galleries of the Portland Art 
Museum, writing in response to visual artworks.  In this special 
workshop for teen writers, every piece is viewed on its own terms 
through the lens of possibility, rather than judged according to some 
arbitrary measure of merit.  Come discover yourself as an artist of 
words!  NOTE:  This class meets at the Portland Art Museum (1219 SW Park 
Avenue) in the Kinney Classroom promptly at 10am.  Museum admission 
included in course fee.

298163  Sat.. Aug. 1  10am-4pm     $25.00  [1 class]


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This is a multi-part message in MIME format.
--------------060505070406000309040406
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Spare Room presents

an evening of poetry, translation, and music, with

*Andrew Schelling*
poet & preeminent translator of the classical poetry of India

*Michael Stirling*
composer and North Indian classical vocalist


*Sunday, May 17*
7:30 pm

*TLC (The Little Church)*
5138 NE 23rd (one block north of Alberta, at Sumner)
http://www.albertatlc.com/about_us.html

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

June 4: Jim McCrary & James Yeary
June 14: Anne Gorrick & Deborah Woodard

July tba: Jennifer Bartlett & Sarah Mangold
July 12: Farrah Field & Jared White

August tba: Norma Cole & Lindsay Hill
August 16: Graham Foust & Eric Baus

=============================================

*Andrew Schelling* is the author, translator, or editor of sixteen 
books. He has taught at Naropa University's Jack Kerouac School since 
1990, and served as its chair from 1993-1996. The preeminent translator 
into English of classical Indian poetry, among his translations are 
/Dropping the Bow: Poems of Ancient India/, which received the Academy 
of American Poets translation award in 1992, and /For Love of the Dark 
One: Songs of Mirabai/. His own poetry is rooted in studies of natural 
history, mythology, Asian literary traditions, and life in the American 
West. His most recent title of poetry, /Old Tale Road/, came out this 
year. Other titles include the essay collection /Wild Form, Savage 
Grammar/, and an anthology, /The Wisdom Anthology of North American 
Buddhist Poetry/. Recently he has edited a collection of India's 
devotional poetry for Oxford University Press, India. At Naropa he 
teaches poetry, Sanskrit, and wilderness writing. He is also on the arts 
faculty of Deer Park Institute, Himachal Pradesh, India.

*Michael Stirling* is a composer, teacher, and vocalist. He began the 
study of North Indian (Hindustani) classical vocal music with Pandit 
Pran Nath in 1983, subsequently traveling with him to India and becoming 
his disciple. After Pran Nath's death in 1996, Michael continued study 
and practice with Pran Nath's senior American student, renowned composer 
and performer Terry Riley. Michael has also studied and performed with 
Ustad Hafizullah Khan, Sri Karunamayee, Ustad Mashkoor Ali Khan, Lakshmi 
Shankar, Steve Gorn, Benjy Wertheimer, Rik Masterson, Gina Sala, Shanti 
Shivani, Uday Bhalwalker, the Gundecha Brothers, and others. At the 
urging of his teacher, Michael offers instruction in North Indian 
classical vocal music to individual students and small groups in 
Portland, Oregon, and other locations. Michael's compositions for 
soloists and chamber ensembles have been performed throughout the 
Pacific Northwest.

=============================================


* "MAGIC MEDICINE PACKET"*
 
Over the course of a hundred stanzas
we pass through love seven times
hence seven thorn points
 
The Sea of Okhotsk
a shell worn smooth by water
here is a thimble
 
a feather from likely the
rufous-sided towhee
 
which bathes in fog
or juniper canyon dew
out where I plan to bury the medicine packet
 
That coyote keeps getting closer
closer & more blue

*Andrew Schelling*

--------------060505070406000309040406
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
Spare Room presents<br>
<br>
an evening of poetry, translation, and music, with<br>
<br>
<b>Andrew Schelling</b><br>
poet &amp; preeminent translator of the classical poetry of India<br>
<br>
<b>Michael Stirling</b><br>
composer and North Indian classical vocalist<br>
<br>
<br>
<b>Sunday, May 17</b><br>
7:30 pm<br>
<br>
<b>TLC (The Little Church)</b><br>
5138 NE 23rd (one block north of Alberta, at Sumner)<br>
<a class="moz-txt-link-freetext" href="http://www.albertatlc.com/about_us.html">http://www.albertatlc.com/about_us.html</a><br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
June 4: Jim McCrary &amp; James Yeary<br>
June 14: Anne Gorrick &amp; Deborah Woodard<br>
<br>
July tba: Jennifer Bartlett &amp; Sarah Mangold<br>
July 12: Farrah Field &amp; Jared White<br>
<br>
August tba: Norma Cole &amp; Lindsay Hill<br>
August 16: Graham Foust &amp; Eric Baus<br>
<br>
=============================================<br>
<br>
<b>Andrew Schelling</b> is the author, translator, or editor of sixteen
books. He has taught at Naropa University&#8217;s Jack Kerouac School since
1990, and served as its chair from 1993-1996. The preeminent translator
into English of classical Indian poetry, among his translations are <i>Dropping
the Bow: Poems of Ancient India</i>, which received the Academy of
American Poets translation award in 1992, and <i>For Love of the Dark
One: Songs of Mirabai</i>. His own poetry is rooted in studies of
natural history, mythology, Asian literary traditions, and life in the
American West. His most recent title of poetry, <i>Old Tale Road</i>,
came out this year. Other titles include the essay collection <i>Wild
Form, Savage Grammar</i>, and an anthology, <i>The Wisdom Anthology of
North American Buddhist Poetry</i>. Recently he has edited a collection
of India&#8217;s devotional poetry for Oxford University Press, India. At
Naropa he teaches poetry, Sanskrit, and wilderness writing. He is also
on the arts faculty of Deer Park Institute, Himachal Pradesh, India.<br>
<br>
<b>Michael Stirling</b> is a composer, teacher, and vocalist. He began
the study of North Indian (Hindustani) classical vocal music with
Pandit Pran Nath in 1983, subsequently traveling with him to India and
becoming his disciple. After Pran Nath&#8217;s death in 1996, Michael
continued study and practice with Pran Nath's senior American student,
renowned composer and performer Terry Riley. Michael has also studied
and performed with Ustad Hafizullah Khan, Sri Karunamayee, Ustad
Mashkoor Ali Khan, Lakshmi Shankar, Steve Gorn, Benjy Wertheimer, Rik
Masterson, Gina Sala, Shanti Shivani, Uday Bhalwalker, the Gundecha
Brothers, and others. At the urging of his teacher, Michael offers
instruction in North Indian classical vocal music to individual
students and small groups in Portland, Oregon, and other locations.
Michael's compositions for soloists and chamber ensembles have been
performed throughout the Pacific Northwest.<br>
<br>
============================================= <br>
<br>
<br>
<b>&nbsp;&#8220;MAGIC MEDICINE PACKET&#8221;</b><br>
&nbsp;<br>
Over the course of a hundred stanzas<br>
we pass through love seven times<br>
hence seven thorn points<br>
&nbsp;<br>
The Sea of Okhotsk<br>
a shell worn smooth by water<br>
here is a thimble<br>
&nbsp;<br>
a feather from likely the<br>
rufous-sided towhee<br>
&nbsp;<br>
which bathes in fog<br>
or juniper canyon dew<br>
out where I plan to bury the medicine packet<br>
&nbsp;<br>
That coyote keeps getting closer<br>
closer &amp; more blue<br>
<br>
<b>Andrew Schelling</b><br>
</body>
</html>

--------------060505070406000309040406--

From passages@rdrop.com Tue May 19 08:16:39 2009
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from Rodney Koeneke:

The next Tangent reading will be on SATURDAY, MAY 23, with Washington, 
DC poets Rod Smith and Mel Nichols. They'll be joined by former DCer 
(but now Portland's own) Jen Coleman. The reading will be the west coast 
launch for Mel's new book, Catalytic Exteriorization Phenomenon, a 
finalist for the National Poetry Series and published this spring by 
DC's seminal Edge Books. Feel free to stick around the Clinton 
afterwards to meet the poets.

SATURDAY, MAY 23 at 7 PM
JEN COLEMAN, MEL NICHOLS & ROD SMITH
Clinton Corner Caf, 2633 SE 21st Ave. (@ Clinton)
www.thetangentpress.org/readings.html

JEN COLEMAN is a Minnesota poet by way of DC, New York and now Portland. 
Former co-editor of the literary magazine Pom2 and co-curator of the DC 
based In Your Ear reading series. Jen also has a chapbook, 
Propinquity, and her work has appeared in The Tangent, Ixnay, Chain 
and other awesome journals.

MEL NICHOLS is the author of Bicycle Day (Slack Buddha Press 2008), The 
Beginning of Beauty, Part 1: hottest new ringtones mnichol6 (Edge Books 
2007), Day Poems (Edge Books 2005), and just out from Edge Books, 
Catalytic Exteriorization Phenomenon (finalist in the National Poetry 
Series). With Mark Cunningham she recently collaborated on the online 
chapbook nightlightnight. She teaches at George Mason University.

ROD SMITH'S most recent book is Deed (University of Iowa, 2007). He is 
also the author of Music or Honesty, The Good House, Pomes de 
laraigne (France), In Memory of My Theories, The Boy Poems, Protective 
Immediacy, and New Mannerist Tricycle with Lisa Jarnot and Bill Luoma. A 
CD, Fear the Sky, came out from Narrow House Recordings in 2005. He 
edits Aerial Magazine and publishes Edge Books. Smith is also editing, 
with Peter Baker and Kaplan Harris, The Selected Letters of Robert 
Creeley for the University of California Press.


UPCOMING READINGS: SAT., 6/27, Stephanie Young, Dana Ward & Cynthia Sailers




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from Donald Dunbar:


If Not For Kidnap Poetry invites you to an evening with local poets

Zachary Schomburg and James Gendron

Tuesday, May 26th
7:30 pm

3968 SE Mall St., Apt A

http://ifnotforkidnappoetry.blogspot.com

Beer and wine provided, perhaps food (if we can scrape together the 
money)! If you feel like it, bring something to share! Also, donations 
totally not turned down!


Zachary Schomburg is the author of two books of poems, The Man Suit 
(Black Ocean 2007), and the forthcoming Scary, No Scary (Black Ocean 
2009), and some poetry chapbooks, most recently The Pond (Greying Ghost 
Press) and I Am a Small Boy(Factory Hollow). He co-edits an online 
poetry magazine,Octopus, and a small press, Octopus Books. He teaches 
film, literature, and writing at Portland State and Portland Community 
College. At INFK Zach will show us poems using video footage from his 
Olympus snapshot camera. With this manipulated footage, and a 
combination of text, and music, comes Schomburg's Poem-Film project.

James Gendron is from the sun. In 1996 he almost died from a cocaine 
underdose. He votes ironically. For three years, he "lived" in Syracuse. 
Lou Reed paid for 1/3 of his MFA. His poems are forthcoming in Fence. 
His band, Stabotage, rules; and this Saturday they're playing at the 
Kenton Club with Dean Gorman. His poems explore themes of greatness, 
wonderfulness, patience, charity, and sex. His favorite book is Leaves 
of Grass, which he one day hopes to go back in time and make obscure, so 
that he seems cooler. He's in the process of pulling a "Single White 
Female" on his mentor, Michael Burkard. He's taught at Portland State, 
Syracuse University, and the Onondaga Nation School.


From passages@rdrop.com Fri May 22 15:31:53 2009
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Subject: [Spare Room/Passages] 35 comfortable stacking chairs for sale
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Greetings.

Spare Room is selling 35 padded stacking chairs, which we bought 
recently when we thought that we were going to move the reading series 
to a new space.

It's a great deal for an organization that needs attractive, comfortable 
seating.

We're asking the same price that we paid for them, $225 for all 35 (less 
than $7 apiece); comparable chairs would cost twice as much if gotten 
through a used furniture store.

Here's a link to our Craigslist ad, with several photos of the chairs:
http://portland.craigslist.org/mlt/fuo/1184321571.html

If you know anyone who might be interested, would you please pass the 
word on to them?

Thank you very much,

David Abel
for Spare Room


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Subject: [Spare Room/Passages] FWD: 5/27-30, Rob Halpern, Olympia & Seattle
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from Michael Cross:

 
Rob Halpern, author of /Rumored Place/ (Krupskaya) and co-author of 
/Snow Sensitive Skin (/Atticus/Finch), is touring the Pacific Northwest 
this coming week in celebration of his newest book of poetry, /Disaster 
Suites/ (Palm Press). Those familiar with Halpern and his work 
know these events are /not to be missed/.

To sweeten the deal, I've produced a limited edition broadside 
of Halpern's poem "Some Speculations Around George Oppen's 
Parousia" free to attendees of the Seattle events. I hope you'll have an 
opportunity to attend one of the following.
 

Wednesday, May 27
8:00 pm

Evergreen State College Library
2700 Evergreen Parkway NW
Olympia, Washington

-----

Thursday, May 28
6:00 pm

Henry Art Gallery Cafe, Univ. of Washington
4100 15th Ave. N.
Seattle, Washington

-----
 
Saturday, May 30
5:00 pm

Crawl Space
504 E. Denny Way #1 (Entrance on Summit Ave E)
<http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=Henry+Art+Gallery,+Seattle,+WA&vps=1&jsv=159e&sll=37.0625,-95.677068&sspn=34.038806,56.25&ie=UTF8&latlng=47656214,-122311510,8125824423033647840&ei=5EIaStarEJDgiQPT76S-CQ&cd=1&dtab=5>Seattle, 
Washington



<http://windowslive.com/Tutorial/Hotmail/WhatsNew?ocid=TXT_TAGLM_WL_HM_Tutorial_WhatsNew1_052009>

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<div class="moz-text-html" lang="x-western">from Michael Cross:<br>
<br>
&nbsp;<br>
Rob Halpern, author of <em>Rumored Place</em> (Krupskaya) and
co-author of <em>Snow Sensitive Skin (</em>Atticus/Finch),&nbsp;is&nbsp;touring
the Pacific Northwest this coming week in celebration of his newest
book of poetry, <em>Disaster Suites</em> (Palm Press). Those&nbsp;familiar
with&nbsp;Halpern&nbsp;and his work know&nbsp;these events are <em>not to be missed</em>.
<br>
<br>
To&nbsp;sweeten the deal, I've produced a limited edition&nbsp;broadside
of&nbsp;Halpern's poem "Some Speculations&nbsp;Around George Oppen's
Parousia"&nbsp;free to&nbsp;attendees of&nbsp;the Seattle events.&nbsp;I hope you'll have
an opportunity to attend one of the following.<br>
&nbsp;<br>
<br>
Wednesday, May 27<br>
8:00 pm<br>
<br>
Evergreen State College Library<br>
2700 Evergreen Parkway NW<br>
Olympia, Washington<br>
<br>
-----<br>
<br>
Thursday, May 28<br>
6:00 pm <br>
<br>
Henry Art Gallery Cafe, Univ. of Washington<br>
4100 15th Ave. N.<br>
Seattle, Washington<br>
<br>
-----<br>
&nbsp;<br>
Saturday, May 30<br>
5:00 pm<br>
<br>
Crawl Space<br>
504 E. Denny Way #1 (Entrance on Summit Ave E)<br>
<a id="EC_photo_A"
 href="http://maps.google.com/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=Henry+Art+Gallery,+Seattle,+WA&amp;vps=1&amp;jsv=159e&amp;sll=37.0625,-95.677068&amp;sspn=34.038806,56.25&amp;ie=UTF8&amp;latlng=47656214,-122311510,8125824423033647840&amp;ei=5EIaStarEJDgiQPT76S-CQ&amp;cd=1&amp;dtab=5"><span
 class="EC_bt EC_noprint"></span></a>Seattle, Washington<br>
<br>
<br>
<br>
<a
 href="http://windowslive.com/Tutorial/Hotmail/WhatsNew?ocid=TXT_TAGLM_WL_HM_Tutorial_WhatsNew1_052009"
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/(please note that this is a *Thursday*, not our usual Sunday)/


Spare Room presents

Jim McCrary
James Yeary

*Thursday, June 4*
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

June 14: Anne Gorrick & Deborah Woodard

July tba: Jennifer Bartlett & Sarah Mangold
July 12: Farrah Field & Jared White

August 6: Norma Cole & Lindsay Hill
August 16: Graham Foust & Eric Baus

=============================================

*Jim McCrary: *Most recent publication /All That/ (ManyPenny Press, 
2008). Chapbooks include /Being Frida Kahlo, My Book, Hotter Than and 
Now, Holbox, Dive, She Said /and/ Mayaland/.  Has had the pleasure to 
enjoy a drink with poets Paul Blackburn, Anne Waldmann, Joanne Kyger, 
Maryrose Larkin, Judith Roitman, Monica Peck, Steve Tills, William S. 
Burroughs, Ed Dorn and most recently Robert Baumann and Anne Boyer . . . 
wished it would have been all at same time! Recent poems in Lawrence 
issue of Locus Point Mag online, edited by Joe Harrington. He and wife 
Sue Ashline live in Lawrence, Ks.

*James Yeary* occasionally poses as visual artist Nate Orton, with whom 
he has printed the books /my night at chopsticks/, /my day at the 
library/, and /my day walking across portland vol. 1: E 247th, Gresham 
to E 41st/.  The my day series synthesize and disavow constraint, 
procedure, and nonce writing, vying to use the text of the city itself 
to illustrate the subaltern ego in all of us.  He has worked in print 
and radio journalism and holds a Bachelor's in General Studies from the 
University of Idaho.

=============================================


*BEING LED ASTRAY---EKBALAM, YUCATAN*

Precise is a way of moving
and in a place like this
an advantage.

So one should very well
think before.

What one misses while considering
what one finds overwhelming.

Certainly one hears where to look.

To contemplate the advantage
of movement over an obstacle.

As instance
one who has gone to the top.

How could that *be*?    And why?

What  were   they thinking?

Would we have done something different.

Then again perhaps there is something
in the word pyramid.


*Jim McCrary*
from /Mayaland/



//

Marx is Back

"That's what I like to hear

pneumatic drill attempts to displace

the song stuck in my head

("our old flag was better")

This dance the flow of the gutter's puddle

to the drilling

"That sums up my feelings

to all modern architecture"


Trying to decide if a corner's important

Flapping tire mix't in w/ the recall

Feeling like dirt in an Ed Ruscha

Like the god of parking lots


*James Yeary*
from /Tabor to the Zoo/




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<i>(please note that this is a <b>Thursday</b>, not our usual Sunday)</i><br>
<br>
<br>
Spare Room presents<br>
<br>
Jim McCrary<br>
James Yeary<br>
<br>
<b>Thursday, June 4</b><br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
June 14: Anne Gorrick &amp; Deborah Woodard<br>
<br>
July tba: Jennifer Bartlett &amp; Sarah Mangold<br>
July 12: Farrah Field &amp; Jared White<br>
<br>
August 6: Norma Cole &amp; Lindsay Hill<br>
August 16: Graham Foust &amp; Eric Baus<br>
<br>
=============================================<br>
<br>
<b>Jim McCrary: </b>Most recent publication <i>All That</i>
(ManyPenny Press, 2008). Chapbooks include <i>Being Frida Kahlo, My
Book, Hotter Than and Now, Holbox, Dive, She Said </i>and<i> Mayaland</i>.&nbsp;
Has had the pleasure to enjoy a drink with poets Paul Blackburn, Anne
Waldmann, Joanne Kyger, Maryrose Larkin, Judith Roitman, Monica Peck,
Steve Tills, William S. Burroughs, Ed Dorn and most recently Robert
Baumann and Anne Boyer . . . wished it would have been all at same
time! Recent poems in Lawrence issue of Locus Point Mag online, edited
by Joe Harrington. He and wife Sue Ashline live in Lawrence, Ks.<br>
<br>
<b>James Yeary</b> occasionally poses as visual artist Nate Orton, with
whom he has printed the books <i>my night at chopsticks</i>, <i>my
day at the library</i>, and <i>my day walking across portland vol. 1:
E 247th, Gresham to E 41st</i>.&nbsp; The my day series synthesize and
disavow constraint, procedure, and nonce writing, vying to use the text
of the city itself to illustrate the subaltern ego in all of us.&nbsp; He
has worked in print and radio journalism and holds a Bachelor's in
General Studies from the University of Idaho.<br>
<br>
=============================================<br>
<br>
<br>
<b>BEING LED ASTRAY&#8212;EKBALAM, YUCATAN</b><br>
<br>
Precise is a way of moving<br>
and in a place like this<br>
an advantage.<br>
<br>
So one should very well<br>
think before.<br>
<br>
What one misses while considering<br>
what one finds overwhelming.<br>
<br>
Certainly one hears where to look.<br>
<br>
To contemplate the advantage<br>
of movement over an obstacle.<br>
<br>
As instance<br>
one who has gone to the top.<br>
<br>
How could that <b>be</b>?&nbsp;&nbsp;&nbsp; And why?<br>
<br>
What&nbsp; were&nbsp;&nbsp; they thinking?<br>
<br>
Would we have done something different.<br>
<br>
Then again perhaps there is something<br>
in the word pyramid. <br>
<br>
<br>
<b>Jim McCrary</b><br>
from <i>Mayaland</i><br>
<br>
<br>
<br>
<i></i><br>
<br>
Marx is Back <br>
<br>
&#8220;That&#8217;s what I like to hear<br>
<br>
pneumatic drill attempts to displace<br>
<br>
the song stuck in my head<br>
<br>
(&#8220;our old flag was better&#8221;)<br>
<br>
This dance the flow of the gutter&#8217;s puddle<br>
<br>
to the drilling<br>
<br>
&#8220;That sums up my feelings<br>
<br>
to all modern architecture&#8221; <br>
<br>
<br>
Trying to decide if a corner&#8217;s important<br>
<br>
Flapping tire mix&#8217;t in w/ the recall<br>
<br>
Feeling like dirt in an Ed Ruscha<br>
<br>
Like the god of parking lots <br>
<br>
<br>
<b>James Yeary</b><br>
from <i>Tabor to the Zoo</i><br>
<br>
<br>
<br>
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Subject: [Spare Room/Passages] FWD: Survey re writing and the Internet
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Writer and technologist Phil Billitz (phil@tqtllc.com) is interested in 
how Portland area writers are using the internet to support their 
writing careers:

"How are you building your platform, using social networking, are you 
writing content for the web or would you want to?"
 
He has created a survey, to assess writers' interest and needs, toward a 
possible class offering.

Interested parties can find the survey here: *http://tinyurl.com/qelbza*

* <mailto:phil@4qtllc.com>*

 

--------------040600090308000000070002
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Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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</head>
<body bgcolor="#ffffff" text="#000000">
<br>
Writer and technologist Phil Billitz (<a class="moz-txt-link-abbreviated" href="mailto:phil@tqtllc.com">phil@tqtllc.com</a>) is interested
in how Portland area writers are using the internet to support their
writing
careers: <br>
<br>
"How are you building your platform, using social networking,
are you writing content for the web or would you want to?"<br>
&nbsp;<br>
He has created a survey, to assess writers' interest and needs, toward
a possible class offering.<br>
<br>
Interested parties can find the survey here:<span
 style="font-size: 9pt;">
</span><b><span
 style="font-size: 9pt; font-family: &quot;Verdana&quot;,&quot;sans-serif&quot;;"><a
 href="http://tinyurl.com/qelbza">http://tinyurl.com/qelbza</a></span></b>
<p class="MsoNormal"><b><span
 style="font-size: 10pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;"><a
 href="mailto:phil@4qtllc.com"></a></span></b><o:p></o:p></p>
&nbsp;
<br>
</body>
</html>

--------------040600090308000000070002--

From passages@rdrop.com Fri May 29 13:21:32 2009
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(I've taken a booth at this fair, and will have for sale loads of 
poetry, literature, art, artist's books, and the like, at significantly 
reduced prices for the occasion. Please drop by and browse -- look for 
me in Booth 30, Passages Bookshop -- and please forward this message to 
anyone who might be interested!)


Rose City Used Book Fair

5626 NE Alameda
(The Friendship Masonic Center)
http://www.pauba.org/BookFair2009.htm

Friday, June 12
2:00 - 8:00 pm

Saturday, June 13
10:00 am - 6:00 pm

Free parking across the street and one block north

Admission: $2, or $1 + a can of food for the Oregon Food Bank


28 book dealers from Oregon and Washington
Thousands of used, out-of-print, & rare/collectible books in all subjects
Prints & ephemera
Appraisals & seminars
Door prizes





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Spare Room presents

Jim McCrary
James Yeary

Thursday, June 4
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

June 14: Anne Gorrick & Deborah Woodard

July tba: Jennifer Bartlett & Sarah Mangold
July 12: Farrah Field & Jared White

August 6: Norma Cole & Lindsay Hill
August 16: Graham Foust & Eric Baus

=============================================

Jim McCrary: Most recent publication All That (ManyPenny Press, 2008). 
Chapbooks include Being Frida Kahlo, My Book, Hotter Than and Now, 
Holbox, Dive, She Said and Mayaland. Has had the pleasure to enjoy a 
drink with poets Paul Blackburn, Anne Waldmann, Joanne Kyger, Maryrose 
Larkin, Judith Roitman, Monica Peck, Steve Tills, William S. Burroughs, 
Ed Dorn and most recently Robert Baumann and Anne Boyer . . . wished it 
would have been all at same time! Recent poems in Lawrence issue of 
Locus Point Mag online, edited by Joe Harrington. He and wife Sue 
Ashline live in Lawrence, Ks.

James Yeary occasionally poses as visual artist Nate Orton, with whom he 
has printed the books my night at chopsticks, my day at the library, and 
my day walking across portland vol. 1: E 247th, Gresham to E 41st. The 
my day series synthesize and disavow constraint, procedure, and nonce 
writing, vying to use the text of the city itself to illustrate the 
subaltern ego in all of us. He has worked in print and radio journalism 
and holds a Bachelor's in General Studies from the University of Idaho.

=============================================


BEING LED ASTRAYEKBALAM, YUCATAN

Precise is a way of moving
and in a place like this
an advantage.

So one should very well
think before.

What one misses while considering
what one finds overwhelming.

Certainly one hears where to look.

To contemplate the advantage
of movement over an obstacle.

As instance
one who has gone to the top.

How could that be? And why?

What were they thinking?

Would we have done something different.

Then again perhaps there is something
in the word pyramid.


Jim McCrary
from Mayaland





Marx is Back

Thats what I like to hear

pneumatic drill attempts to displace

the song stuck in my head

(our old flag was better)

This dance the flow of the gutters puddle

to the drilling

That sums up my feelings

to all modern architecture


Trying to decide if a corners important

Flapping tire mixt in w/ the recall

Feeling like dirt in an Ed Ruscha

Like the god of parking lots


James Yeary
from Tabor to the Zoo

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--------------020001050607000307070701
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Spare Room presents

*Anne Gorrick
Deborah Woodard*

Sunday, June 14
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

July tba: Jennifer Bartlett & Lindsey Boldt
July 12: Farrah Field & Jared White

August 6: Norma Cole & Lindsay Hill
August 16: Graham Foust & Eric Baus

September 20: Joe Massey & Joel Felix

=============================================

Anne Gorrick's first book, /Kyotologic/, was published in 2008 by 
Shearsman Books (www.shearsman.com).  Collaborating with artist Cynthia 
Winika, she produced a limited edition artist's book, /"Swans, the ice," 
she said,/ with grants through the Women's Studio Workshop in Rosendale, 
NY, and the New York Foundation for the Arts.  She also curates the 
reading series Cadmium Text, which focuses on innovative writing in and 
around the Hudson Valley (www.cadmiumtextseries.blogspot.com).

Deborah Woodard has published three chapbooks of poetry, /The Orphan 
Conducts the Dovehouse Orchestra/ (Bear Star Press, 1999), /The Book of 
Riddles /(Boxcar Press, 1998) and /Hunter Mnemonics/ (hemel press). Her 
first full-length collection, /Plato's Bad Horse/, was published in 
2006, also by Bear Star Press. /The Dragonfly/, her translation of the 
poetry of Amelia Rosselli (in collaboration with Giuseppe Leporace) was 
just published by Chelsea Editions.  She teaches at the Richard Hugo 
House, a community literary center in Seattle.

=============================================

*In March:
         not Celadon or Rain*

/for the Levins/


In the alm mill

                       vellum advances

rhinestone revise

                                   harm

                                   in the method-cell, a meal
                                   bella, mine

Ravel's methanol remarks

                                                pieces of rice

        Ella dressed in rice-lace

                                   marc, ave, vin

                                   marsh to vine

through the name mill
and out its sleeve


*Anne Gorrick



from Hunter Mnemonics

*1*

*When I was little, I didn't understand why wax paper rustling in some 
corner
made me fix upon the town like a glint of water or the muffled barking 
of a dog.
It was quiet here, a silence blunt and practical that tied its laces. 
And Al's
was no name but a joke the trapper painted across the cover of the well.
I found tin cans and a pair of antlers that almost brought back the tang 
of your shot,
the monotony of its tuft of smoke. When we got in the clear, we'd reach 
the cabin.
I imagined red plaid beckoning us forward, milkweed's limbs akimbo.
But I didn't understand why Jerusalem was just a few miles up the road,
or why the town was weaker than its well. So I drew down a flap of the 
grey sky.
Behind barred windows hunters rested quietly, made for themselves
a different stillness: the woods could never close over these few. I 
strained
my likeness from them---peeling wax paper from a corner pocked with 
leaves---
the way I strained to protect Jerusalem as I thought through the town.
When I was little, I didn't understand and stood like the cabin unlaced 
and cold.
A sheet of wax paper rustled inside the cover of the well. I tied my laces.*

Deborah Woodard
*

--------------020001050607000307070701
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Spare Room presents<br>
<br>
<b>Anne Gorrick<br>
Deborah Woodard</b><br>
<br>
Sunday, June 14<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
July tba: Jennifer Bartlett &amp; Lindsey Boldt<br>
July 12: Farrah Field &amp; Jared White<br>
<br>
August 6: Norma Cole &amp; Lindsay Hill<br>
August 16: Graham Foust &amp; Eric Baus<br>
<br>
September 20: Joe Massey &amp; Joel Felix<br>
<br>
=============================================<br>
<br>
Anne Gorrick&#8217;s first book, <i>Kyotologic</i>, was published in 2008 by
Shearsman Books (<a class="moz-txt-link-abbreviated" href="http://www.shearsman.com">www.shearsman.com</a>).&nbsp; Collaborating with artist Cynthia
Winika, she produced a limited edition artist's book, <i>&#8220;Swans, the
ice,&#8221; she said,</i> with grants through the Women&#8217;s Studio Workshop in
Rosendale, NY, and the New York Foundation for the Arts.&nbsp; She also
curates the reading series Cadmium Text, which focuses on innovative
writing in and around the Hudson Valley
(<a class="moz-txt-link-abbreviated" href="http://www.cadmiumtextseries.blogspot.com">www.cadmiumtextseries.blogspot.com</a>).<br>
<br>
Deborah Woodard has published three chapbooks of poetry, <i>The Orphan
Conducts the Dovehouse Orchestra</i> (Bear Star Press, 1999), <i>The
Book of
Riddles </i>(Boxcar Press, 1998) and <i>Hunter Mnemonics</i> (hemel
press). Her
first full-length collection, <i>Plato&#8217;s Bad Horse</i>, was published
in 2006,
also by Bear Star Press. <i>The Dragonfly</i>, her translation of the
poetry
of Amelia Rosselli (in collaboration with Giuseppe Leporace) was just
published by Chelsea Editions.&nbsp; She teaches at the Richard Hugo House,
a community literary center in Seattle.<br>
<br>
=============================================<br>
<br>
<b>In March: <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; not Celadon or Rain</b><br>
<br>
<i>for the Levins</i><br>
<br>
<br>
In the alm mill<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; vellum advances<br>
<br>
rhinestone revise<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; harm<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; in the method-cell, a meal<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; bella, mine<br>
<br>
Ravel&#8217;s methanol remarks<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; pieces of rice<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ella dressed in rice-lace<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; marc, ave, vin<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; marsh to vine<br>
<br>
through the name mill<br>
and out its sleeve<br>
<br>
<br>
<b>Anne Gorrick<br>
<br>
<br>
<br>
from Hunter Mnemonics<br>
<br>
</b>1<b><br>
<br>
</b>When I was little, I didn&#8217;t understand why wax paper rustling in
some corner<br>
made me fix upon the town like a glint of water or the muffled barking
of a dog.<br>
It was quiet here, a silence blunt and practical that tied its laces.
And Al&#8217;s<br>
was no name but a joke the trapper painted across the cover of the well.<br>
I found tin cans and a pair of antlers that almost brought back the
tang of your shot,<br>
the monotony of its tuft of smoke. When we got in the clear, we&#8217;d reach
the cabin.<br>
I imagined red plaid beckoning us forward, milkweed&#8217;s limbs akimbo.<br>
But I didn&#8217;t understand why Jerusalem was just a few miles up the road,<br>
or why the town was weaker than its well. So I drew down a flap of the
grey sky.<br>
Behind barred windows hunters rested quietly, made for themselves<br>
a different stillness: the woods could never close over these few. I
strained<br>
my likeness from them&#8212;peeling wax paper from a corner pocked with
leaves&#8212;<br>
the way I strained to protect Jerusalem as I thought through the town.<br>
When I was little, I didn&#8217;t understand and stood like the cabin unlaced
and cold.<br>
A sheet of wax paper rustled inside the cover of the well. I tied my
laces.<b><br>
<br>
Deborah Woodard<br>
</b>
</body>
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From passages@rdrop.com Mon Jun  8 14:02:14 2009
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Rose City Used Book Fair

5626 NE Alameda
(The Friendship Masonic Center)
http://www.pauba.org/BookFair2009.htm

Friday, June 12
2:00 - 8:00 pm

Saturday, June 13
10:00 am - 6:00 pm

Free parking across the street and one block north

Admission: $2, or $1 + a can of food for the Oregon Food Bank


28 book dealers from Oregon and Washington
Thousands of used, out-of-print, & rare/collectible books in all subjects
Prints & ephemera
Appraisals & seminars
Door prizes



From passages@rdrop.com Fri Jun 12 23:39:44 2009
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from Helen Adam to Louis Zukofsky . . . from Paul Auster to Rudy 
Wurlitzer . . . from Alison Knowles to Albert Einstein . . . one more 
day to hunt for that obscure pamphlet that will bring unexpected delight 
. . .


Rose City Used Book Fair

5626 NE Alameda
(The Friendship Masonic Center)
http://www.pauba.org/BookFair2009.htm

Saturday, June 13
10:00 am - 6:00 pm

Free parking across the street and one block north

Admission: $2, or $1 + a can of food for the Oregon Food Bank

From passages@rdrop.com Mon Jun 15 10:31:12 2009
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The application period will soon open for Soapstone residencies.

We will be accepting applications postmarked between July 1 and August 
1, 2009 for residencies between November 2009 and November 2010.

Application forms can be downloaded from http://www.soapstone.org

Soapstone
622 SE 29th Avenue
Portland, OR 97214
503.233.3936
retreats@soapstone.org
http://www.soapstone.org




From passages@rdrop.com Tue Jun 16 00:19:31 2009
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from Rodney Koeneke:

Tangent presents

SATURDAY, JUNE 27 at 7 PM

STEPHANIE YOUNG, DANA WARD & CYNTHIA SAILERS

Clinton Corner Cafe, 2633 SE 21st Ave. (@ Clinton)
www.thetangentpress.org/readings.html

Tangent is pleased to host three exciting recent voices in poetry. 
Stephanie Young's second book, Picture Palace, is just out with Joshua 
Clover's new press, and her web project, Deep Oakland, explores the 
frontiers of text, history, art, and place. Bay Area poet, therapist, 
and cineaste Cynthia Sailers will be launching her new Cy Press 
chapbook, Ladies of Leisure, sequel to 2004's Lake Systems. Cy Press 
publisher and lyric wunderkind Dana Ward joins them from Cincinnati, OH 
to read from his own 2009 publications, Roseland and the Drought. Hope 
to see you there.

STEPHANIE YOUNG lives and works in Oakland. Her books of poetry are 
Picture Palace (in girum imus nocte et consumimur igni, 2008) and 
Telling the Future Off (Tougher Disguises, 2005). She edited Bay Poetics 
(Faux Press, 2006) and her most recent editorial project is Deep Oakland 
(www.deepoakland.org).

CYNTHIA SAILERS is the author of the poetry collections Lake Systems 
(Tougher Disguises, 2004) and Rose Lungs (Atticus/Finch, 2004). She is 
writing a dissertation on perversion and group psychology. She is 
currently in private practice as a therapist in San Francisco and works 
at a publicly funded clinic in the Mission, where she leads a process 
group for women. She serves on the board for Small Press Traffic, and is 
expecting a new book, Ladies of Leisure, in June from Cy Press.

DANA WARD is the author of a couple of books that just came out in 
2009Roseland (Editions Louis Wain) & the Drought (Open 24hrs). He lives 
in Cincinnati, edits Cy Press, & works as an advocate for adult literacy 
at the Over-the-Rhine Learning Center.


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This is a multi-part message in MIME format.
--------------040504010408040400030905
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from Jesse Morse:


Smorg presents

Susan Tichy
Stacy Szymaszek

Tuesday, June 30th
7:30 pm

The Waypost
3120 N. Williams Ave.

Food, beer, wine and espresso all available at The Waypost.

This reading sponsored by Ninkasi.

----

Susan Tichy's most recent book, /Bone Pagoda/ (Ahsahta Press, 2007), is 
an extended meditation on Vietnam---the country, the war, and the moral 
catastrophe signified by this word in American memory. It is 
underwritten by her experience as a war protester and as the wife of a 
combat veteran. Her poems have appeared widely in the US and Britain, 
and have been recognized by a grant from the National Endowment for the 
Arts and numerous awards. She teaches in the Graduate Writing Program at 
George Mason University in Virginia, and otherwise makes her home in a 
ghost town in the Colorado Rockies. Her fourth book, /Gallowglass/, will 
be out from Ahsahta in 2010.

Stacy Szymaszek is the author of /Emptied of All Ships/ (Litmus Press, 
2005), /Hyperglossia/ (Litmus Press, 2009) as well as many chapbooks, 
most recently /Orizaba: A Voyage With Hart Crane/ (Faux, 2008). A 
limited edition letterpress chapbook, /from Hart Island,/ is forthcoming 
from Albion Books. She is the editor of /Gam/ and the Artistic Director 
of the Poetry Project at St. Mark's Church.

--------------040504010408040400030905
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
from Jesse Morse:<br>
<br>
<br>
Smorg presents<br>
<br>
Susan Tichy<br>
Stacy Szymaszek<br>
<br>
Tuesday, June 30th<br>
7:30 pm<br>
<br>
The Waypost<br>
3120 N. Williams Ave.<br>
<br>
Food, beer, wine and espresso all available at The Waypost.<br>
<br>
This reading sponsored by Ninkasi.<br>
<br>
----<br>
<br>
Susan Tichy&#8217;s most recent book, <i>Bone Pagoda</i> (Ahsahta Press,
2007), is an extended meditation on Vietnam&#8212;the country, the war, and
the moral catastrophe signified by this word in American memory. It is
underwritten by her experience as a war protester and as the wife of a
combat veteran. Her poems have appeared widely in the US and Britain,
and have been recognized by a grant from the National Endowment for the
Arts and numerous awards. She teaches in the Graduate Writing Program
at George Mason University in Virginia, and otherwise makes her home in
a ghost town in the Colorado Rockies. Her fourth book, <i>Gallowglass</i>,
will be out from Ahsahta in 2010.<br>
<br>
Stacy Szymaszek is the author of <i>Emptied of All Ships</i> (Litmus
Press, 2005), <i>Hyperglossia</i> (Litmus Press, 2009) as well as many
chapbooks, most recently <i>Orizaba: A Voyage With Hart Crane</i>
(Faux, 2008). A limited edition letterpress chapbook, <i>from Hart
Island,</i> is forthcoming from Albion Books. She is the editor of <i>Gam</i>
and the Artistic Director of the Poetry Project at St. Mark's Church. <br>
</body>
</html>

--------------040504010408040400030905--

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Spare Room presents

*Jennifer Bartlett
Sarah Mangold
Lindsey Boldt
*
Saturday, July 25
4:00 pm

4903 SE Rural (south of Woodstock, between 39th and 52nd)

for directions, or other information:
503-819-9455

Free admission


*NOTE:*

This is a house reading and potluck hosted by Maryrose Larkin and Eric 
Matchett; all are welcome.
Parking is on the south side of Rural, or in the driveway.

=====================================================

Upcoming Readings

August 6: Norma Cole & Lindsay Hill
August 16: Graham Foust & Eric Baus

September 20: Joe Massey & Joel Felix

=====================================================

*Jennifer Bartlett* was a 2005 New York Foundation for the Arts Poetry 
Fellow. Her first collection is /Derivative of the Moving Image/ 
(University of New Mexico Press, 2007). Individual poems from her 
/[Husband]/ series are in the current /New American Writing/.

*Sarah Mangold* is the author of /Household Mechanics/ (New Issues) and 
the chapbooks /Parlor/ (Dusie Kollectiv), /Picture of the Basket /(Dusie 
kollectiv), /Boxer Rebellion/ (g o n g), and /Blood Substitutes/ (Potes 
& Poets). She lives in Seattle where she edits /Bird Dog/. She also 
co-edits, with Maryrose Larkin, FLASH + CARD, a chapbook and ephemera press.

*Lindsey Boldt* lives in San Francisco, where she works as an assistant 
editor with Post-Apollo Press and an after-school teacher with 
elementary kids. She is currently working on a book of /Titty Poems/, a 
retelling of the movie /Overboard/, and a collaboration with artist 
Morgan Levy on poems about the importance of ponies in the lives of 
girl-children. She is very proud of her blog 
(www.ridiculoushuman.blogspot.com 
<http://www.ridiculoushuman.blogspot.com>) because it brings her joy. 
She's glad to know you.

=====================================================

*from /[Husband]/*


for k.

now, wife, get in your little boat and row

 

and row                                                            away

 

into sleep

 

remember the tales insist upon including a ghost and a body of water

but since they are a mere translation we don't know what they insist upon

really

 

I want and want

            and this

wanting is a trap

           

/if you tried and failed in your mission the honor/

/            /little one

/ /

/to which japan declines any response other than silence/

/ /

so that, every gesture

            was calculated with longing

/ /

/the integrity of this body is beyond doubt/

/ /

we never believed for a moment that you were or could be guilty



*Jennifer Bartlett*




                    *Mothers must always prove their readiness*



                    Most missing girls are dead girls. The lady
                    detective. Relevant short stories. Caught in the
                    throat. Set in the plains. Tea in Wyoming.
                    Everything else is a flash back. Bruises.
                    Wristsarms. Collect an advance. Seize. Elbow. Your
                    health insurance will remain on paper. The envelope
                    was a breath of air. An exhale. It was both. Small
                    pings. Wing flutters.



                    *Sarah Mangold*

*


*
*Peer Counseling*


Your Mommy issues

and my Daddy issues

should get together and spoon


*Lindsey Boldt*


--------------020708070009050104040808
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
Spare Room presents<br>
<br>
<b>Jennifer Bartlett<br>
Sarah Mangold<br>
Lindsey Boldt<br>
</b><br>
Saturday, July 25<br>
4:00 pm<br>
<br>
4903 SE Rural (south of Woodstock, between 39th and 52nd)<br>
<br>
for directions, or other information: <br>
503-819-9455<br>
<br>
Free admission<br>
<br>
<br>
<b>NOTE:</b><br>
<br>
This is a house reading and potluck hosted by Maryrose Larkin and Eric
Matchett; all are welcome.<br>
Parking is on the south side of Rural, or in the driveway.<br>
<br>
=====================================================<br>
<br>
Upcoming Readings<br>
<br>
August 6: Norma Cole &amp; Lindsay Hill<br>
August 16: Graham Foust &amp; Eric Baus<br>
<br>
September 20: Joe Massey &amp; Joel Felix<br>
<br>
=====================================================<br>
<br>
<b>Jennifer Bartlett</b> was a 2005 New York Foundation for the Arts
Poetry Fellow. Her first collection
is <i>Derivative of the Moving Image</i> (University of New Mexico
Press, 2007). Individual poems from her
<i>[Husband]</i> series are in the current <i>New American Writing</i>.<br>
<br>
<b>Sarah Mangold</b> is the author of <i>Household Mechanics</i> (New
Issues) and the chapbooks <i>Parlor</i> (Dusie Kollectiv), <i>Picture
of the Basket </i>(Dusie kollectiv), <i>Boxer Rebellion</i> (g o n
g), and <i>Blood Substitutes</i> (Potes &amp; Poets). She lives in
Seattle where she edits <i>Bird Dog</i>. She also co-edits, with
Maryrose Larkin, FLASH + CARD, a chapbook and ephemera press.<br>
<br>
<span style="border-collapse: collapse;"><b>Lindsey Boldt</b> lives
in San Francisco, where she works as an assistant editor with
Post-Apollo Press and an after-school teacher with elementary kids. She
is currently
working on a book of <i>Titty Poems</i>, a retelling of the movie <i>Overboard</i>,
and a collaboration with artist Morgan Levy on poems
about the importance of ponies in the lives of girl-children. She is
very proud of her blog (<a
 href="http://www.ridiculoushuman.blogspot.com" target="_blank"><span
 style="color: rgb(0, 0, 0);">www.ridiculoushuman.blogspot.</span><span
 style="color: rgb(0, 0, 0);">com</span></a>) because it brings her
joy. She's glad to know you.</span>
<div><span style="border-collapse: collapse;"></span><br>
=====================================================<br>
</div>
<br>
<b>from <i>[Husband]</i></b><br>
<div><span style="font-style: italic;"><br>
<br>
for k.</span></div>
<div><br>
</div>
<div>
<p>now, wife, get in your little boat and row </p>
<p>&nbsp;</p>
<p>and row<span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>away</p>
<p>&nbsp;</p>
<p>into sleep</p>
<p>&nbsp;</p>
<p>remember the tales insist upon including a ghost and a body
of water</p>
<p>but since they are a mere translation we don't know what
they insist upon</p>
<p>really</p>
<p>&nbsp;</p>
<p>I want and want</p>
<p><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>and
this</p>
<p>wanting is a trap</p>
<p><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></p>
<p><i>if you tried and failed in your mission the honor</i></p>
<p><i><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></i><span style="font-style: normal;">little
one</span></p>
<p><i>&nbsp;</i></p>
<p><i>to which japan declines any response other than silence</i></p>
<p><i>&nbsp;</i></p>
<p>so that, every gesture</p>
<p><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>was
calculated with longing</p>
<p><i>&nbsp;</i></p>
<p><i>the integrity of this body is beyond doubt</i></p>
<p><i>&nbsp;</i></p>
<p>we never believed for a moment that you were or could be
guilty</p>
</div>
<br>
<br>
<b>Jennifer Bartlett</b><br>
<br>
<br>
<br>
<br>
<blockquote>
  <blockquote>
    <blockquote>
      <blockquote>
        <blockquote><b>Mothers must always prove their readiness</b><br>
        </blockquote>
      </blockquote>
    </blockquote>
  </blockquote>
</blockquote>
<br>
<br>
<blockquote>
  <blockquote>
    <blockquote>
      <blockquote>
        <blockquote>
          <div align="justify">Most missing girls are dead girls. The
lady detective. Relevant short stories. Caught in the throat. Set in
the plains. Tea in Wyoming. Everything else is a flash back. Bruises.
Wristsarms. Collect an advance. Seize. Elbow. Your health insurance
will remain on paper. The envelope was a breath of air. An exhale. It
was both. Small pings. Wing flutters.<br>
          </div>
        </blockquote>
      </blockquote>
    </blockquote>
  </blockquote>
</blockquote>
<br>
<br>
<blockquote>
  <blockquote>
    <blockquote>
      <blockquote>
        <blockquote><b>Sarah Mangold</b><br>
        </blockquote>
      </blockquote>
    </blockquote>
  </blockquote>
</blockquote>
<b><br>
<br>
<br>
</b><br>
<b>Peer Counseling</b><br>
<br>
<br>
Your Mommy issues<br>
<br>
and my Daddy issues<br>
<br>
should get together and spoon<br>
<br>
<br>
<b>Lindsey Boldt</b><br>
<br>
</body>
</html>

--------------020708070009050104040808--

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Market Day Poetry Series

Saturday, July 25
12:00 noon

Sam Lohmann
Allison Cobb
David Abel

St Johns Booksellers
8622 N. Lombard
503-283-0032
www.stjohnsbooks.com


The Market Day Poetry Series is a collaboration between St. Johns 
Booksellers and the new St. Johns Farmers' Market (located in the nearby 
plaza), taking place each Saturday at noon during the market season.


About the readers:

Sam Lohmann is the publisher of , which has moved from annual to 
semiannual frequency with the issue number 4, hot off the press. He is 
also the copublisher of the monthly email newsletter /What We Are 
Learning/. He is the author of several chapbooks; /Onlooking/ is 
forthcoming this summer from airfoil.

Allison Cobb is the author of the poetry collection /Born2/ from Chax 
Press, a chronicle of Los Alamos, New Mexico -- her birthplace and the 
home of the atomic bomb. Her work has been published widely, and she is 
the recipient of a 2009 New York Foundation for the Arts fellowship. She 
recently moved from Brooklyn, NY to Portland.

David Abel is one of the founding organizers of the Spare Room reading 
series, and the editor/publisher of the Envelope broadside series. His 
most recent chapbook, /Commonly/, was published this spring by airfoil. 
He has been active in interdisciplinary projects in Portland for many 
years as a collaborator, curator, and performer.



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Market Day Poetry Series<br>
<br>
Saturday, July 25<br>
12:00 noon<br>
<br>
Sam Lohmann<br>
Allison Cobb<br>
David Abel<br>
<br>
St Johns Booksellers<br>
8622 N. Lombard<br>
503-283-0032<br>
<a class="moz-txt-link-abbreviated" href="http://www.stjohnsbooks.com">www.stjohnsbooks.com</a><br>
<br>
<br>
The Market Day Poetry Series is a collaboration between St. Johns
Booksellers and the new St. Johns Farmers' Market (located in the
nearby plaza), taking place each Saturday at noon during the market
season.<br>
<br>
<br>
About the readers:<br>
<br>
Sam Lohmann is the publisher of , which has moved from annual to
semiannual frequency with the issue number 4, hot off the press. He is
also the copublisher of the monthly email newsletter <i>What We Are
Learning</i>. He is the author of several chapbooks; <i>Onlooking</i>
is forthcoming this summer from airfoil.<br>
<br>
Allison Cobb is the author of the poetry collection <i>Born2</i> from
Chax Press, a chronicle of Los Alamos, New Mexico -- her birthplace and
the home of the atomic bomb. Her work has been published widely, and
she is the recipient of a 2009 New York Foundation for the Arts
fellowship. She recently moved from Brooklyn, NY to Portland.<br>
<br>
David Abel is one of the founding organizers of the Spare Room reading
series,
and the editor/publisher of the Envelope broadside series. His most
recent chapbook, <i>Commonly</i>, was published this spring by
airfoil. He has been active in interdisciplinary projects in Portland
for many years as a collaborator, curator, and performer.<br>
<br>
<br>
</body>
</html>

--------------080900030503090206020801--

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from Donald Dunbar:


/If Not For Kidnap Poetry/ invites you to an evening with local poets

*Joel Bettridge
Joseph Mains
*
Monday, July 27th
7:30 pm

3968 SE Mall St., Apt A
Portland, OR

This month on a very special Monday (not Tuesday) come join us in 
listening to Joel Bettridge and Joseph Mains read their poems aloud. 
There is also a pretty good chance we will have a special musical guest.

All are welcome, donations totally not turned out.



*Joel Bettridge* is the author of two books of poetry, /That Abrupt 
Here/ (The Cultural Society Press, 2007) and /Presocratic Blues/ 
(forthcoming from Chax Press). He co-edited, with Eric Selinger, /Ronald 
Johnson: Life and Works /(National Poetry Foundation). Currently he is 
an Assistant Professor of English at Portland State University.

*Joseph Mains* was born in the Sonoran desert and lives in the Brooklyn 
neighborhood of Portland. Having taken his MFA in Poetry, he now fries 
pies for a living. His poems appear in places physical and online.



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<body bgcolor="#ffffff" text="#000000">
from Donald Dunbar:<br>
<br>
<br>
<i>If Not For Kidnap Poetry</i> invites you to an evening with local
poets<br>
<br>
<b>Joel Bettridge<br>
Joseph Mains<br>
</b><br>
Monday, July 27th<br>
7:30 pm<br>
<br>
3968 SE Mall St., Apt A<br>
Portland, OR<br>
<br>
This month on a very special Monday (not Tuesday) come join us in
listening to Joel Bettridge and Joseph Mains read their poems aloud.
There is also a pretty good chance we will have a special musical guest.<br>
<br>
All are welcome, donations totally not turned out.<br>
<br>
<br>
<br>
<b>Joel Bettridge</b> is the author of two books of poetry, <i>That
Abrupt Here</i> (The Cultural Society Press, 2007) and <i>Presocratic
Blues</i> (forthcoming from Chax Press). He co-edited, with Eric
Selinger, <i>Ronald Johnson: Life and Works </i>(National Poetry
Foundation). Currently he is an Assistant Professor of English at
Portland State University.<br>
<br>
<b>Joseph Mains</b> was born in the Sonoran desert and lives in the
Brooklyn neighborhood of Portland. Having taken his MFA in Poetry, he
now fries pies for a living. His poems appear in places physical and
online.<br>
<br>
<br>
</body>
</html>

--------------000508090200040402000305--

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(please note that this reading is on a /*Thursday*/ evening)


Spare Room presents

*Norma Cole
Lindsay Hill*

Thursday, August 6
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

August 16: Graham Foust & Eric Baus
September 20: Joe Massey & Joel Felix

=============================================

*Norma Cole*'s new work just out: /Natural Light/ (Libellum) and /Where 
Shadows Will: Selected Poems 1988---2008/ (City Lights); forthcoming in 
June 2010, /TO BE AT MUSIC: Essays & Talks/ (Omnidawn). Current 
translation work includes Danielle Collobert's /Journals/, Fouad Gabriel 
Naffah's /The Spirit God and the Properties of Nitrogen,/ and /Crosscut 
Universe:  Writing on Writing from France/.

*Lindsay Hill* lives in Portland. A Spare Room organizer emeritus, his 
most recent books are /Sea of Hooks/ (Arundel Seattle) and /Contango/ 
(Singing Horse Press).

=============================================


*Riptide*

                    /There's a shadow over the city/
                    /the light, as usual, framing and erasing/

Just say you
dream fires each
night smoothing each
collapsing page from

the throat talking
in a series
of measures in
the high desert

the perfect life
in a series
of measured gestures
an invitation to

see the world
from a bridge
that burns in
the next night


*Norma Cole*




*Sea of Hooks*

A boy grew up
beside a sea of hooks
and he learned to swim
in that sea
and to notice the hooks
as they rose
and fell
and twisted in the tides

And he learned
to feel his way
at first very slowly
in the sea of hooks

And he noticed that all around him
people had hooks
in their skin
and were being pulled
in many directions

And many of the hooks
were small and hard to see
barely silver in the glinting
light down deep
barely visible
and numerous

And some
from the place of his birth
would not put a toe
in that sea

And some lived
their entire lives
full of hooks
in the underneath

*Lindsay Hill*

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</head>
<body bgcolor="#ffffff" text="#000000">
(please note that this reading is on a <i><b>Thursday</b></i> evening)<br>
<br>
<br>
Spare Room presents<br>
<br>
<b>Norma Cole<br>
Lindsay Hill</b><br>
<br>
Thursday, August 6<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
August 16: Graham Foust &amp; Eric Baus<br>
September 20: Joe Massey &amp; Joel Felix<br>
<br>
=============================================<br>
<br>
<b>Norma Cole</b>&#8217;s new work just out: <i>Natural Light</i> (Libellum)
and <i>Where Shadows Will: Selected Poems 1988&#8212;2008</i> (City Lights);
forthcoming in June 2010, <i>TO BE AT MUSIC: Essays &amp; Talks</i>
(Omnidawn). Current translation work includes Danielle Collobert&#8217;s <i>Journals</i>,
Fouad Gabriel Naffah&#8217;s <i>The Spirit God and the Properties of
Nitrogen,</i> and <i>Crosscut Universe:&nbsp; Writing on Writing from France</i>.
<br>
<br>
<b>Lindsay Hill</b> lives in Portland. A Spare Room organizer emeritus,
his most recent books are <i>Sea of Hooks</i> (Arundel Seattle) and <i>Contango</i>
(Singing Horse Press).<br>
<br>
=============================================<br>
<br>
<br>
<b>Riptide</b><br>
<blockquote>
  <blockquote>
    <blockquote>
      <blockquote>
        <blockquote>
          <div align="right"><i>There&#8217;s a shadow over the city</i><br>
          <i>the light, as usual, framing and erasing</i><br>
          </div>
        </blockquote>
      </blockquote>
    </blockquote>
  </blockquote>
</blockquote>
Just say you<br>
dream fires each<br>
night smoothing each<br>
collapsing page from<br>
<br>
the throat talking<br>
in a series<br>
of measures in<br>
the high desert<br>
<br>
the perfect life<br>
in a series<br>
of measured gestures<br>
an invitation to<br>
<br>
see the world<br>
from a bridge<br>
that burns in<br>
the next night<br>
<br>
<br>
<b>Norma Cole</b><br>
<br>
<br>
<br>
<br>
<b>Sea of Hooks</b><br>
<br>
A boy grew up<br>
beside a sea of hooks<br>
and he learned to swim<br>
in that sea<br>
and to notice the hooks<br>
as they rose<br>
and fell<br>
and twisted in the tides<br>
<br>
And he learned<br>
to feel his way<br>
at first very slowly<br>
in the sea of hooks<br>
<br>
And he noticed that all around him<br>
people had hooks<br>
in their skin<br>
and were being pulled<br>
in many directions<br>
<br>
And many of the hooks<br>
were small and hard to see<br>
barely silver in the glinting<br>
light down deep<br>
barely visible<br>
and numerous<br>
<br>
And some<br>
from the place of his birth<br>
would not put a toe<br>
in that sea<br>
<br>
And some lived<br>
their entire lives<br>
full of hooks<br>
in the underneath<br>
<br>
<b>Lindsay Hill</b><br>
</body>
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--------------050300010402030703090007--

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(please note that this reading is on a /*Thursday*/ evening)


Spare Room presents

*Norma Cole
Lindsay Hill*

Thursday, August 6
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

August 15: Crag Hill & Douglas Rothschild
August 16: Graham Foust & Eric Baus
September 20: Joe Massey & Joel Felix

=============================================

*Norma Cole*'s new work just out: /Natural Light/ (Libellum) and /Where 
Shadows Will: Selected Poems 1988---2008/ (City Lights); forthcoming in 
June 2010, /TO BE AT MUSIC: Essays & Talks/ (Omnidawn). Current 
translation work includes Danielle Collobert's /Journals/, Fouad Gabriel 
Naffah's /The Spirit God and the Properties of Nitrogen,/ and /Crosscut 
Universe:  Writing on Writing from France/.

*Lindsay Hill* lives in Portland. A Spare Room organizer emeritus, his 
most recent books are /Sea of Hooks/ (Arundel Seattle) and /Contango/ 
(Singing Horse Press).

--------------080803020607000606060207
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<div class="moz-text-html" lang="x-western">
(please note that this reading is on a <i><b>Thursday</b></i> evening)<br>
<br>
<br>
Spare Room presents<br>
<br>
<b>Norma Cole<br>
Lindsay Hill</b><br>
<br>
Thursday, August 6<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
August 15: Crag Hill &amp; Douglas Rothschild<br>
August 16: Graham Foust &amp; Eric Baus<br>
September 20: Joe Massey &amp; Joel Felix<br>
<br>
=============================================<br>
<br>
<b>Norma Cole</b>&#8217;s new work just out: <i>Natural Light</i> (Libellum)
and <i>Where Shadows Will: Selected Poems 1988&#8212;2008</i> (City Lights);
forthcoming in June 2010, <i>TO BE AT MUSIC: Essays &amp; Talks</i>
(Omnidawn). Current translation work includes Danielle Collobert&#8217;s <i>Journals</i>,
Fouad Gabriel Naffah&#8217;s <i>The Spirit God and the Properties of
Nitrogen,</i> and <i>Crosscut Universe:&nbsp; Writing on Writing from France</i>.
<br>
<br>
<b>Lindsay Hill</b> lives in Portland. A Spare Room organizer emeritus,
his most recent books are <i>Sea of Hooks</i> (Arundel Seattle) and <i>Contango</i>
(Singing Horse Press).</div>
</body>
</html>

--------------080803020607000606060207--

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Spare Room presents

*Crag Hill
Douglas Rothschild
*
Saturday, August 15

Please join us for a house reading and potluck in SE Portland,
hosted by Jennifer Coleman and Allison Cobb:

213 SE 26th

2:00 pm gathering and potluck
3:00 pm reading


www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

August 16: Graham Foust & Eric Baus
September 20: Joe Massey & Joel Felix
October 25: Peter O'Leary & Michael Autrey

=============================================

During the anemic Carter administration, *Crag Hill* kicked the "i" out 
of his first name. Continuing to be underwhelmed by his elected leaders, 
he threatens to kick out the last vowel, too soft, too soft, he says. 
Until recently he edited SCORE, one of the few journals dedicated 
exclusively to concrete/visual poetry. His creative and critical works 
in progress can be found at http://scorecard.typepad.com. He teaches 
future teachers of English at Washington State University.

New York poet *Douglas Rothschild*'s book /Theogeny/ is out this year 
from Subpress Books. Says poet Anselm Berrigan: "This is a book of 
tremendous clarity, and I'm grateful for its existence." Pierre Joris 
has called it "My favorite book of poems for 2009 so far [...] and a 
long time a-coming." Douglas Rothschild's life has been one long miasma 
of failure, disappointment, coffee, & overarching desire. Though he has 
not yet accomplished anything of note, Mr. Rothschild intends to 
continue on for some time yet.

=============================================

*from /Four'sCore/*

Hear distant shouts, the indefensible cries of a shipwreck. The 
arguments twisted her arm. She fought him off. I think that one shouted 
in silence again, lifted her off the air for an instant with her 
pathology or developmental space. The bad news brought mountains. One 
part of him grew directly contrary to observations. He imagined himself 
(it was all he could afford).

*Crag Hill


*
*Beantown News*

Take your attitude
& put it in your
big car & get it
off my street.

This here yellow
curb, ain't a parking
spot, & it ain't your
prsonalized

economic entitlement
zone.

*Douglas Rothschild*


--------------090703090509090504060604
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<div class="moz-text-html" lang="x-western">Spare Room presents<br>
<br>
<b>Crag Hill<br>
Douglas Rothschild<br>
</b><br>
Saturday, August 15<br>
<br>
Please join us for a house reading and potluck in SE Portland, <br>
hosted by Jennifer Coleman and Allison Cobb:<br>
<br>
213 SE 26th<br>
<br>
2:00 pm gathering and potluck<br>
3:00 pm reading<br>
<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
August 16: Graham Foust &amp; Eric Baus<br>
September 20: Joe Massey &amp; Joel Felix<br>
October 25: Peter O'Leary &amp; Michael Autrey<br>
<br>
=============================================<br>
<br>
During the anemic Carter administration, <b>Crag Hill</b> kicked the
"i" out of his first name. Continuing to be underwhelmed by his elected
leaders, he threatens to kick out the last vowel, too soft, too soft,
he says. Until recently he edited SCORE, one of the few journals
dedicated exclusively to concrete/visual poetry. His creative and
critical works in progress can be found at <a
 class="moz-txt-link-freetext" href="http://scorecard.typepad.com">http://scorecard.typepad.com</a>.
He teaches future teachers of English at Washington State University.
<br>
<br>
New York poet <b>Douglas Rothschild</b>'s book <i>Theogeny</i> is out
this year from Subpress Books. Says poet Anselm Berrigan: &#8220;This
is a book of tremendous clarity, and I'm grateful for its existence.&#8221;
Pierre Joris has called it &#8220;My favorite book of poems for 2009 so far
[&#8230;] and a long time a-coming.&#8221; Douglas Rothschild's life has been one
long miasma of
failure, disappointment, coffee, &amp; overarching desire. Though he
has
not yet accomplished anything of note, Mr. Rothschild intends to
continue on for some time yet.<br>
<br>
</div>
=============================================<br>
<br>
<b>from <i>Four'sCore</i></b><br>
<br>
Hear distant shouts, the indefensible cries of a shipwreck. The
arguments twisted her arm. She fought him off. I think that one shouted
in silence again, lifted her off the air for an instant with her
pathology or developmental space. The bad news brought mountains. One
part of him grew directly contrary to observations. He imagined himself
(it was all he could afford).
<br>
<br>
<b>Crag Hill<br>
<br>
<br>
</b><br>
<b>Beantown News</b><br>
<br>
Take your attitude<br>
&amp; put it in your<br>
big car &amp; get it<br>
off my street.<br>
<br>
This here yellow<br>
curb, ain't a parking<br>
spot, &amp; it ain't your<br>
prsonalized<br>
<br>
economic entitlement<br>
zone.<br>
<br>
<b>Douglas Rothschild</b><br>
<br>
</body>
</html>

--------------090703090509090504060604--

From passages@rdrop.com Tue Aug  4 11:04:38 2009
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Spare Room presents
*
Eric Baus
* *Graham Foust

*Sunday, August 16
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

www.flim.com/spareroom
spareroom@flim.com

=============================================

Upcoming Readings

August 15: Crag Hill & Douglas Rothschild
August 16: Graham Foust & Eric Baus

September 20: Joe Massey & Joel Felix

October 25: Peter O'Leary & Michael Autrey

=============================================

*Eric Baus* is the author of /The To Sound/ (Wave Books) and /Tuned 
Droves/ (Octopus Books). He edits Minus House chapbooks and writes about 
poetry audio recordings on the site /To The Sound/. He lives in Denver.

*Graham Foust* lives in Oakland and works at Saint Mary's College of 
California.  His fourth book, /A Mouth in California/, will be published 
by Flood Editions in September.

=============================================


*Votive Scores*

If eels lie vertically inside the statue or old bees coat its surface,
a needle will point to the center of my hide. Owls murmured up a piece
of green cloth. Hard ash topped me. The birds it entailed peopled the
treetops, stripped me of my coos. Un-tuned doves flew elsewhere,
worried their drones would shrink inside my ears. A second split
occurred when its eyes bloomed red. Votive scores pushed open the
view. Here, the street was both omen and throat. The swarming sky
sparrowed until day withered, until the statue punched out of its
skin. He was wearing his own arms. His house showed. Ants formed and
he scorched their trails. Sing rendered, he trilled, Sing posed.

*Eric Baus*



*To the Writer*

Another cloud spun to nothing, one
of nature's more manageable kills.
Another borderline-meaningless morning save
for everything. You claim you kissed
a certain picture with such patience
you became it. So who hasn't?
You're of one long weary trouble;
you wear your hard mind on your hand.

Thus, your dumb touch, your clunky
fuss, your little millions. Your stomach
newly stuffed with amputations. Quiet
and furious dots of distant rooms -- rooms,
I would add, through which you'll never move
or sleep -- begin to mean. In one of them,
humor, collapsed in a painful curl, an odd
head at the back of its throat. It's what's to bleed about.

*Graham Foust*


--------------040000030408000609010107
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<div class="moz-text-html" lang="x-western">
Spare Room presents<br>
<b><br>
Eric Baus<br>
</b>
<b>Graham Foust<br>
<br>
</b>Sunday, August 16<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.flim.com/spareroom">www.flim.com/spareroom</a><br>
<a class="moz-txt-link-abbreviated" href="mailto:spareroom@flim.com">spareroom@flim.com</a><br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
August 15: Crag Hill &amp; Douglas Rothschild<br>
August 16: Graham Foust &amp; Eric Baus<br>
<br>
September 20: Joe Massey &amp; Joel Felix<br>
<br>
October 25: Peter O'Leary &amp; Michael Autrey<br>
<br>
=============================================<br>
<br>
<b>Eric Baus</b> is the author of <i>The To Sound</i> (Wave Books) and
<i>Tuned Droves</i> (Octopus Books). He edits Minus House chapbooks and
writes about poetry audio recordings on the site <i>To The Sound</i>.
He lives in Denver.<br>
<br>
<b>Graham Foust</b> lives in Oakland and works at Saint Mary's College
of California.&nbsp; His fourth book, <i>A Mouth in California</i>, will be
published by Flood Editions in September.<br>
<br>
=============================================<br>
<br>
<br>
<b>Votive Scores</b><br>
<br>
If eels lie vertically inside the statue or old bees coat its surface,<br>
a needle will point to the center of my hide. Owls murmured up a piece<br>
of green cloth. Hard ash topped me. The birds it entailed peopled the<br>
treetops, stripped me of my coos. Un-tuned doves flew elsewhere,<br>
worried their drones would shrink inside my ears. A second split<br>
occurred when its eyes bloomed red. Votive scores pushed open the<br>
view. Here, the street was both omen and throat. The swarming sky<br>
sparrowed until day withered, until the statue punched out of its<br>
skin. He was wearing his own arms. His house showed. Ants formed and<br>
he scorched their trails. Sing rendered, he trilled, Sing posed.<br>
<br>
<b>Eric Baus</b><br>
<br>
<br>
<br>
<b>To the Writer</b><br>
<br>
Another cloud spun to nothing, one<br>
of nature&#8217;s more manageable kills.<br>
Another borderline-meaningless morning save<br>
for everything. You claim you kissed<br>
a certain picture with such patience<br>
you became it. So who hasn&#8217;t?<br>
You&#8217;re of one long weary trouble;<br>
you wear your hard mind on your hand.<br>
<br>
Thus, your dumb touch, your clunky<br>
fuss, your little millions. Your stomach<br>
newly stuffed with amputations. Quiet<br>
and furious dots of distant rooms -- rooms,<br>
I would add, through which you&#8217;ll never move<br>
or sleep -- begin to mean. In one of them,<br>
humor, collapsed in a painful curl, an odd<br>
head at the back of its throat. It&#8217;s what&#8217;s to bleed about.<br>
<br>
<b>Graham Foust</b><br>
<br>
</div>
</body>
</html>

--------------040000030408000609010107--

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Spare Room presents

*Crag Hill & Douglas Rothschild
*Saturday afternoon, 8/15*

Graham Foust & Eric Baus
*Sunday evening, 8/16*
*
Details below -- hope to see you there!


(For info about two other readings taking place this Thursday and 
Friday, scroll down to the "Happenings PDX" sidebar on Rodney Koeneke's 
blog, Modern Americans, at http://modampo.blogspot.com)


=====================================

*Crag Hill
Douglas Rothschild
*
Saturday, August 15

House reading and potluck in SE Portland, hosted by Jennifer Coleman and 
Allison Cobb, at 213 SE 26th, two blocks south of Burnside. The side 
gate will be open; just head on into the backyard.

Allison and Jen will provide grillables (vegetarian and meat); sides and 
beverages would be welcome.

2:00 pm gathering and potluck
3:00 pm reading

=====================================

*Eric Baus
* *Graham Foust

*Sunday, August 16
7:30 pm

Concordia Coffee House
2909 NE Alberta

$5.00 suggested donation

=============================================

Upcoming Readings

September 20: Joel Felix & tba

October 25: Peter O'Leary & Michael Autrey

--------------010200050905030104030500
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit

<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
Spare Room presents<br>
<br>
<b>Crag Hill &amp; Douglas Rothschild<br>
</b>Saturday afternoon, 8/15<b><br>
<br>
Graham Foust &amp; Eric Baus<br>
</b>Sunday evening, 8/16<b><br>
</b><br>
Details below -- hope to see you there!<br>
<br>
<br>
(For info about two other readings taking place this Thursday and
Friday, scroll down to the "Happenings PDX" sidebar on Rodney Koeneke's
blog, Modern Americans, at <a class="moz-txt-link-freetext" href="http://modampo.blogspot.com">http://modampo.blogspot.com</a>)<br>
<br>
<br>
=====================================<br>
<br>
<b>Crag Hill<br>
Douglas Rothschild<br>
</b><br>
Saturday, August 15<br>
<br>
House reading and potluck in SE Portland, hosted by Jennifer Coleman
and Allison Cobb, at 213 SE 26th, two blocks south of Burnside. The
side gate will be open; just head on into the backyard.<br>
<br>
Allison and Jen will provide grillables (vegetarian and meat); sides
and beverages would be welcome.<br>
<br>
2:00 pm gathering and potluck<br>
3:00 pm reading<br>
<br>
=====================================<br>
<br>
<b>Eric Baus<br>
</b>
<b>Graham Foust<br>
<br>
</b>Sunday, August 16<br>
7:30 pm<br>
<br>
Concordia Coffee House<br>
2909 NE Alberta<br>
<br>
$5.00 suggested donation<br>
<br>
=============================================<br>
<br>
Upcoming Readings<br>
<br>
September 20: Joel Felix &amp; tba<br>
<br>
October 25: Peter O'Leary &amp; Michael Autrey<br>
</body>
</html>

--------------010200050905030104030500--

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Subject: [Spare Room/Passages] Sat. 9/5, Larkin+Coleman+Sand in St. Johns
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Market Day Poetry Series

Saturday, September 5
12:00 noon
Free

*Maryrose Larkin
Jen Coleman
Kaia Sand*

St Johns Booksellers
8622 N. Lombard
503-283-0032
www.stjohnsbooks.com


The Market Day Poetry Series is a collaboration between St. Johns 
Booksellers and the new St. Johns Farmers' Market (located in the nearby 
plaza), taking place each Saturday at noon during the market season.


About the readers:

*Maryrose Larkin* is the author of /The Book of Ocean/ (i.e.), /Inverse/ 
(nine muses), and /Whimsy Daybook 2007/ (FLASH+CARD); /The Name of This 
Intersection Is Frost/ is forthcoming from Shearsman. She is one of the 
organizers of the Spare Room reading series (www.flim.com/spareroom), 
and is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and 
ephemera poetry press.

*Jen Coleman* is one of many, many Jens in the world of poetry. Her work 
has appeared in various literary journals, including /Chain, Ixnay, 
Tangent, /and/ EOAGH./  She's new to PDX most recently from NYC by way 
of DC.

*Kaia Sand* is the author of a poetry collection, /interval /(Edge Books 
2004), and coauthor with Jules Boykoff of/ Landscapes of Dissent: 
Guerrilla Poetry and Public Space /(Palm Press 2008). /Remember to 
Wave/, forthcoming with Tinfish Press, investigates political geography 
in North Portland, and includes directions for a guided poetry walk.
/
/


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Market Day Poetry Series<br>
<br>
Saturday, September 5<br>
12:00 noon<br>
Free<br>
<br>
<b>Maryrose Larkin<br>
Jen Coleman<br>
Kaia Sand</b><br>
<br>
St Johns Booksellers<br>
8622 N. Lombard<br>
503-283-0032<br>
<a class="moz-txt-link-abbreviated" href="http://www.stjohnsbooks.com">www.stjohnsbooks.com</a><br>
<br>
<br>
The Market Day Poetry Series is a collaboration between St. Johns
Booksellers and the new St. Johns Farmers' Market (located in the
nearby plaza), taking place each Saturday at noon during the market
season.<br>
<br>
<br>
About the readers:<br>
<br>
<b>Maryrose Larkin</b> is the author of <i>The Book of
Ocean</i> (i.e.), <i>Inverse</i> (nine muses), and <i>Whimsy Daybook
2007</i> (FLASH+CARD); <i>The Name of This Intersection Is Frost</i>
is forthcoming from Shearsman. She is one of the organizers of the
Spare Room
reading series (<a class="moz-txt-link-abbreviated"
 href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>), and
is
coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera
poetry press.<br>
<br>
<b>Jen Coleman</b> is one of many, many Jens in the world of poetry.
Her work
has appeared in various literary journals, including <i>Chain, Ixnay,
Tangent, </i>and<i> EOAGH.</i>&nbsp; She's new to PDX most recently from
NYC by way of
DC.<br>
<br>
<div><b>Kaia Sand</b> is the author of a poetry collection,&nbsp;<i>interval&nbsp;</i>(Edge
Books 2004), and coauthor with Jules Boykoff of<i>&nbsp;Landscapes of
Dissent: Guerrilla Poetry and Public Space&nbsp;</i>(Palm Press 2008). <i>Remember
to Wave</i>, forthcoming with Tinfish Press, investigates
political geography in North Portland, and includes directions for a
guided poetry walk.</div>
<div><i><br>
</i></div>
<br>
</div>
</body>
</html>

--------------090603000601010508000203--

From passages@rdrop.com Sun Aug 23 12:08:42 2009
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*Jesse Morse, Phoebe Wayne, and Sam Lohmann*

*Peaches and Bats 4 launch reading*

Thursday, August 27th
7:00 p.m.

Reading Frenzy
921 SW Oak Street
free!

www.readingfrenzy.com


Come hear three local poets read their work, on the occasion of the new 
issue of Peaches and Bats.

/Peaches and Bats/ is a small handmade (maga)zine focusing on innovative 
poetry, and based in Portland. Formerly yearly, /Peaches and Bats/ will 
now occur twice a year. We're celebrating the publication of our fourth 
issue with readings by three local contributors two the magazine: Jesse 
Morse, Phoebe Wayne, and P&B editor Sam Lohmann. Peaches and Bats 4 also 
includes work by Tom Blood, Laynie Browne, Marcella Durand, Mickey 
O'Connor, Elna Rivera, and  Andrei Sen-Senkov (translated from the 
Russian by Zachary Schomburg), plus a special feature with an interview, 
a collage and "Three Revisions" by David Shapiro. It's a 68-page 
handsewn booklet with a letterpressed cover (printed at Portland's 
Independent Publishing Resource Center) and photocopied interior, 
available for $5 at Reading Frenzy. More information is available at 
Peaches and Bats Blague.

*Jesse Morse* lives and writes out of Portland. Some of his "Eric Chavez 
Sonnets" appear online at Hobart. Poems forthcoming in Vanitas and Page 
Boy. Reviews he wrote live online at /Jacket/ and /Octopus/. He hosts 
readings under the header Smorg (www.smorgreadingseries.blogspot.com ) 
to combat the heavy sadness the long Northwest winter brings about.

*Phoebe Wayne* did a master's program in poetry at UC Davis, and is now 
back in her hometown of Portland, where she works at a library. Recent 
work appears in /Vanitas/ and /With + Stand/, and a chapbook called 
/Lovejoy/ is forthcoming.  

*Sam Lohmann* edits /Peaches and Bats/ in Portland. His chapbook 
/Onlooking/ is forthcoming from Airfoil.


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<b>Jesse Morse, Phoebe Wayne, and Sam Lohmann</b><br>
<br>
<b>Peaches and Bats 4 launch reading</b><br>
<br>
Thursday, August 27th<br>
7:00 p.m.<br>
<br>
Reading Frenzy<br>
921 SW Oak Street<br>
free!<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.readingfrenzy.com">www.readingfrenzy.com</a> <br>
<br>
<br>
Come hear three local poets read their work, on the occasion of the new
issue of Peaches and Bats.<br>
<br>
<i>Peaches and Bats</i> is a small handmade (maga)zine focusing on
innovative poetry, and based in Portland. Formerly yearly, <i>Peaches
and Bats</i> will now occur twice a year. We're celebrating the
publication of our fourth issue with readings by three local
contributors two the magazine: Jesse Morse, Phoebe Wayne, and P&amp;B
editor Sam Lohmann. Peaches and Bats 4 also includes work by Tom Blood,
Laynie Browne, Marcella Durand, Mickey O'Connor, El&eacute;na Rivera, and&nbsp;
Andrei Sen-Senkov (translated from the Russian by Zachary Schomburg),
plus a special feature with an interview, a collage and "Three
Revisions" by David Shapiro. It's a 68-page handsewn booklet with a
letterpressed cover (printed at Portland's Independent Publishing
Resource Center) and photocopied interior, available for $5 at Reading
Frenzy. More information is available at Peaches and Bats Blague.<br>
<br>
<b>Jesse Morse</b> lives and writes out of Portland. Some of his "Eric
Chavez Sonnets" appear online at Hobart. Poems forthcoming in Vanitas
and Page Boy. Reviews he wrote live online at <i>Jacket</i> and <i>Octopus</i>.
He hosts readings under the header Smorg
(<a class="moz-txt-link-abbreviated" href="http://www.smorgreadingseries.blogspot.com">www.smorgreadingseries.blogspot.com</a> ) to combat the heavy sadness the
long Northwest winter brings about.<br>
<br>
<b>Phoebe Wayne</b> did a master's program in poetry at UC Davis, and
is now back in her hometown of Portland, where she works at a library.
Recent work appears in <i>Vanitas</i> and <i>With + Stand</i>, and a
chapbook called <i>Lovejoy</i> is forthcoming. &nbsp;<br>
<br>
<b>Sam Lohmann</b> edits <i>Peaches and Bats</i> in Portland. His
chapbook <i>Onlooking</i> is forthcoming from Airfoil. <br>
<br>
</body>
</html>

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from Donald Dunbar:


Surprise! INFK returns!

A poet, a prosist, a painter, seriously, come on. All local and all 
lovely, all the time.

Tuesday, August 25
7:30 pm

3968 SE Mall St., Upper Floors
http://ifnotforkidnappoetry.blogspot.com

All are welcome, donations ($, books, food, drink) welcome too.

Also, we'll have a little table set up in case you're into 
buying/selling poems and art and other homemade ephemera.


*Sarah Bartlett* lives in Portland. Her chapbook (co-written with Chris 
Tonelli), A Mule-Shaped Cloud, was published by horse less press in 
2008. Her recent work has appeared or is forthcoming in Coconut, Sir!, 
Sixth Finch, Diagram, and elsewhere. Poems co-written with Emily Kendal 
Frey have appeared or are forthcoming in New Pony: A horse less 
Anthology, sub-Lit, Portland Review, Caffeine Destiny, Alice Blue, and 
Bat City.

*Marc Saleme* is from Omaha Nebraska, attended the University of 
Nebraska -- Lincoln, but never graduated, began school at Charles 
University in Prague, Czech Republic, but quit that too. He is one of 
the publishers The Benefactor magazine. His work has previously been 
published in Berlin-based literary journal Bordercrossing-Berlin. He 
currently resides in Portland.

*Christopher Pearson* comes from the Great Plains and is a working 
artist in Portland. He does a lot of painting and has some school 
history. This show has a lot to do with process-oriented self-portraits. 
Layers. The new school of figurative painting and portraiture. This work 
was shown at the Basement Pub a little over a year ago and they were 
super cool about it.

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from Donald Dunbar:<br>
<br>
<br>
Surprise! INFK returns!<br>
<br>
A poet, a prosist, a painter, seriously, come on. All local and all
lovely, all the time.<br>
<br>
Tuesday, August 25<br>
7:30 pm<br>
<br>
3968 SE Mall St., Upper Floors<br>
<a class="moz-txt-link-freetext" href="http://ifnotforkidnappoetry.blogspot.com">http://ifnotforkidnappoetry.blogspot.com</a><br>
<br>
All are welcome, donations ($, books, food, drink) welcome too.<br>
<br>
Also, we'll have a little table set up in case you're into
buying/selling poems and art and other homemade ephemera.<br>
<br>
<br>
<b>Sarah Bartlett</b> lives in Portland. Her chapbook (co-written with
Chris Tonelli), A Mule-Shaped Cloud, was published by horse less press
in 2008. Her recent work has appeared or is forthcoming in Coconut,
Sir!, Sixth Finch, Diagram, and elsewhere. Poems co-written with Emily
Kendal Frey have appeared or are forthcoming in New Pony: A horse less
Anthology, sub-Lit, Portland Review, Caffeine Destiny, Alice Blue, and
Bat City.<br>
<br>
<b>Marc Saleme</b> is from Omaha Nebraska, attended the University of
Nebraska &#8211; Lincoln, but never graduated, began school at Charles
University in Prague, Czech Republic, but quit that too. He is one of
the publishers The Benefactor magazine. His work has previously been
published in Berlin-based literary journal Bordercrossing-Berlin. He
currently resides in Portland.<br>
<br>
<b>Christopher Pearson</b> comes from the Great Plains and is a working
artist in Portland. He does a lot of painting and has some school
history. This show has a lot to do with process-oriented
self-portraits. Layers. The new school of figurative painting and
portraiture. This work was shown at the Basement Pub a little over a
year ago and they were super cool about it.
</body>
</html>

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Market Day Poetry Series


*margareta waterman* (editor, fiction writer, harpist, dancer)
*Brian Cuteani* (troubador, traveler)
*Ezra Mark *(comics editor, event coordinator, language dissector)
*Joseph Federico* (community activist, forager wildlife magician)


Saturday, August 29
12:00 noon
Free

St Johns Booksellers
8622 N. Lombard
503-283-0032

www.stjohnsbooks.com


The Market Day Poetry Series is a collaboration between St. Johns 
Booksellers and the new St. Johns Farmers' Market (located in the nearby 
plaza), taking place each Saturday at noon during the market season.



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Market Day Poetry Series<br>
<br>
<br>
<b>margareta waterman</b> (editor, fiction writer, harpist, dancer)<br>
<b>Brian Cuteani</b> (troubador, traveler)<br>
<b>Ezra Mark </b>(comics editor, event coordinator, language dissector)<br>
<b>Joseph Federico</b> (community activist, forager wildlife magician)<br>
<br>
<br>
Saturday, August 29<br>
12:00 noon<br>
Free<br>
<br>
St Johns Booksellers<br>
8622 N. Lombard<br>
503-283-0032<br>
<br>
<a class="moz-txt-link-abbreviated" href="http://www.stjohnsbooks.com">www.stjohnsbooks.com</a><br>
<br>
<br>
The Market Day Poetry Series is a collaboration between St. Johns
Booksellers and the new St. Johns Farmers' Market (located in the
nearby plaza), taking place each Saturday at noon during the market
season.<br>
<br>
<br>
</body>
</html>

--------------060708010106070004000201--

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Market Day Poetry Series

Saturday, September 5
12:00 noon
Free

*Maryrose Larkin
Jen Coleman
Kaia Sand*

St Johns Booksellers
8622 N. Lombard
503-283-0032
www.stjohnsbooks.com


The Market Day Poetry Series is a collaboration between St. Johns 
Booksellers and the new St. Johns Farmers' Market (located in the nearby 
plaza), taking place each Saturday at noon during the market season.


About the readers:

*Maryrose Larkin* is the author of /The Book of Ocean/ (i.e.), /Inverse/ 
(nine muses), and /Whimsy Daybook 2007/ (FLASH+CARD); /The Name of This 
Intersection Is Frost/ is forthcoming from Shearsman. She is one of the 
organizers of the Spare Room reading series (www.flim.com/spareroom), 
and is coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and 
ephemera poetry press.

*Jen Coleman* is one of many, many Jens in the world of poetry. Her work 
has appeared in various literary journals, including /Chain, Ixnay, 
Tangent, /and/ EOAGH./  She's new to PDX most recently from NYC by way 
of DC.

*Kaia Sand* is the author of a poetry collection, /interval /(Edge Books 
2004), and coauthor with Jules Boykoff of/ Landscapes of Dissent: 
Guerrilla Poetry and Public Space /(Palm Press 2008). /Remember to 
Wave/, forthcoming with Tinfish Press, investigates political geography 
in North Portland, and includes directions for a guided poetry walk.

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<div class="moz-text-html" lang="x-western">
<div class="moz-text-html" lang="x-western">Market Day Poetry Series<br>
<br>
Saturday, September 5<br>
12:00 noon<br>
Free<br>
<br>
<b>Maryrose Larkin<br>
Jen Coleman<br>
Kaia Sand</b><br>
<br>
St Johns Booksellers<br>
8622 N. Lombard<br>
503-283-0032<br>
<a class="moz-txt-link-abbreviated" href="http://www.stjohnsbooks.com">www.stjohnsbooks.com</a><br>
<br>
<br>
The Market Day Poetry Series is a collaboration between St. Johns
Booksellers and the new St. Johns Farmers' Market (located in the
nearby plaza), taking place each Saturday at noon during the market
season.<br>
<br>
<br>
About the readers:<br>
<br>
<b>Maryrose Larkin</b> is the author of <i>The Book of
Ocean</i> (i.e.), <i>Inverse</i> (nine muses), and <i>Whimsy Daybook
2007</i> (FLASH+CARD); <i>The Name of This Intersection Is Frost</i>
is forthcoming from Shearsman. She is one of the organizers of the
Spare Room
reading series (<a class="moz-txt-link-abbreviated"
 href="http://www.flim.com/spareroom">www.flim.com/spareroom</a>), and
is
coeditor, with Sarah Mangold, of FLASH+CARD, a chapbook and ephemera
poetry press.<br>
<br>
<b>Jen Coleman</b> is one of many, many Jens in the world of poetry.
Her work
has appeared in various literary journals, including <i>Chain, Ixnay,
Tangent, </i>and<i> EOAGH.</i>&nbsp; She's new to PDX most recently from
NYC by way of
DC.<br>
<br>
<div><b>Kaia Sand</b> is the author of a poetry collection,&nbsp;<i>interval&nbsp;</i>(Edge
Books 2004), and coauthor with Jules Boykoff of<i>&nbsp;Landscapes of
Dissent: Guerrilla Poetry and Public Space&nbsp;</i>(Palm Press 2008). <i>Remember
to Wave</i>, forthcoming with Tinfish Press, investigates
political geography in North Portland, and includes directions for a
guided poetry walk.</div>
</div>
</div>
</body>
</html>

--------------030200060209040105080401--

From passages@rdrop.com Thu Sep  3 11:13:11 2009
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Greetings.

For close to ten years, I've maintained two local event e-mail 
announcement lists; at some point during that time, you found your way 
onto one of them. I hope that you've found the mailings useful; the 
lists have gradually grown to nearly five hundred names, and about a 
thousand announcements have gone out over the duration.

You may have noticed a decrease in the volume of messages in the last 
few months -- other commitments have reached a point such that I no 
longer have time to devote to reading, selecting, reformatting, and 
resending the scores of interesting announcements that come my way.

I regret to say that in the future, with occasional (and perhaps 
whimsical) exceptions, I'll only be sending out notices for projects in 
which I'm directly involved -- the Spare Room readings, one or two 
closely associated reading series, my collaborative projects 
(performance, curatorial, etc.), and so on.

I've known for some time that a more efficient announcement and calendar 
system could be devised via the Web (and assorted devices), but that 
will have to be someone else's project. A few people have expressed 
interest in picking up the baton in some fashion, and I would be very 
happy to support and facilitate any such efforts. If you'd like to be 
involved, let me know, and I'll connect you to others.

Please note: The subject lines of announcements in the future will begin 
"[Local Events]" rather than "[Spare Room/Passages]" -- however, this 
should not cause any problems with spam filters (since the messages will 
still be coming from the same email address), unless you have set up a 
custom subject-line filter.


To make it easier for folks to keep up with some of the "under the 
radar" information that I was in the habit of forwarding, I've included 
web and/or email addresses for a few individuals and organizations whose 
mailings were most often my sources. I hope that you'll contact them and 
get on their mailing lists, and that you'll encourage others to do the 
same by forwarding the information on . . . 

This contact list could of course be much more extensive; a local 
directory of that sort would be another laudable project for someone 
energetic to take on . . . no slight is meant by any omissions in this 
list; I've merely skimmed the most recent active correspondents, and 
I'll of course send out any corrections, additions, retractions, and so 
forth, that come my way.

yours very truly,

DA


POETRY READINGS & LITERARY ORGANIZATIONS

Tangent Reading Series,
Jules Boykoff, Rodney Koeneke, Kaia Sand: 
www.thetangentpress.org/readings.html
Smorg at the Waypost, Jesse Morse: poetmorse@yahoo.com
If Not For Kidnap, Donald Dunbar: normalghost@gmail.com
Three Friends Coffee House, Melissa Sillitoe: msillitoe@gmail.com
Writer's Dojo, www.writersdojo.org
Cover to Cover (Vancouver, WA), Christopher Luna: christopherjluna@gmail.com
DIVA series (Eugene), Tim Shaner: twshaner@comcast.net
Dan Raphael: raphael@aracnet.com
Paulann Petersen: paulann@paulann.net

Oregon Literary Coalition: http://lists.oregonstate.edu/mailman/listinfo/olc
Independent Publishing Resource Center: info@iprc.org
Soapstone Mailing List: retreats@soapstone.org (send name and zip code)
PSU Literary Blog: gradlitorg.blogspot.com


FILM, MUSIC, PERFORMANCE

40 Frames: www.40frames.org
Cinema Project: www.cinemaproject.org

Performance Works NW: www.performanceworksnw.org

Tim DuRoche: timd@pcs.org
PDX New Music Society: brandon@portlandnewmusic.com
U of O World Music Series, Mark Levy: mlevy@uoregon.edu
Creative Music Guild, Jonathan Sielaff: jonathansielaff@gmail.com
Blue Cranes, Reed Wallsmith: reed@bluecranesmusic.com
Fear No Music, Ins Voglar: inesvoglar@gmail.com

Indian Music
Michael Stirling: m54ichael@gmail.com
Josh Feinberg: joshfeinbergmusic@gmail.com
Dhvani: dhvani@dhvani.org
Kalakendra: www.kalakendra.org



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Spare Room pre
