October 30, 2011

Art in the Burbs

Not this most recent weekend, but the previous Friday, we went to Art in the Burbs, which was a fundraiser for local schools. Area artists displayed their work at Alberta Rider Elementary school, and students had displays there alongside them. Our daughter Renee had five art pieces on the walls, and they are featured in this photoset, with the other art we saw there.

Renee needs more control over the display of her work, since two or three pieces were murky or off-color. Indeed, we were planning to buy one of her self-portraits, but she convinced us otherwise, because the primary colors were the result of the printer running out of a couple color cartridges during printing. Ugh!

We'll try to recover an original for that one, in which case, I'll post the revised image.

Posted by dpwakefield at 09:17 PM | Comments (0)

September 04, 2010

Arthur Ganson

Through a chain of links during casual browsing, I found myself back at a story on Boing Boing that I'd read when it originally was posted. The story is of an art work by Arthur Ganson titled Machine with Concrete. It's a working gear assembly that makes a very interesting abstract statement:

On the left an electric motor drives a worm gear at 212 revolutions a minute. A sequence of twelve 50-to-1 gear reductions slows the rotation so far that the last gear, on the right, is set in concrete. It would take over two trillion years for that gear to rotate.

The story goes on to link to several other videos of his works. And videos are what are required, because all of his works are dynamic machines, built to convey some abstract concept, or simply to tweak you on the nose; not literally, but I wouldn't put that past him.

My favorite amongst the artworks the article links to is Margot's Other Cat. However, I didn't stop there, and browsed many of the entries available on YouTube. My current favorite is Machine with Roller Chain.

So for now, Arthur Ganson is replacing Calder as my favorite producer of kinetic sculptures (and yes, I realize that this is not a correct label for his work). Indeed, he is currently my favorite sculptor of any sort, and I hope some of his works make their way to the Portland Art Museum or the Seattle Art Museum so I can see them in person.

Posted by dpwakefield at 08:19 PM | Comments (0)

August 10, 2005

Miniature Holiday

Kelly is at camp. To take advantage of that, I took today off, and Jean and I attended the Portland Art Museum. There were several nice travelling exhibits. We lingered over the exhibit of silver coffee and tea services. John Singer Sargent's portraits of children contained several large portraits that were quite striking. I enjoyed the Han and Chu dynasty artifacts, and of course visited the regular collections for my infrequent fix of Childe Hassam.

But the item that really intrigued me was the collection of lantern slides from the Wulsin expedition to Tibet in 1923. This collection is from the Peabody Essex Museum. "As the young American couple Janet E. and Frederick R. Wulsin, Jr. traveled in China, Inner Mongolia and the borderlands of Tibet between 1921 and 1925, they joined the ranks of explorers drawn to the people, cultures, and geography of unfamiliar and distant places."

About 80 of the photographs they took were mounted on glass plates, then hand tinted by artists in Beijing familiar with the culture, using tiny sable brushes. They then mounted the painted glass plates between two protective plates and sealed them, to be used as lantern slides. Until I got to the plaque explaining this, I was trying to figure out what the tinting process was, since of course there was no color film at that time. This article contains some sample photos to give you an idea. These photos made my trip to the museum, and if you're in the area and into photography, you should really make the trip.

Posted by dpwakefield at 04:49 PM | Comments (0)

January 16, 2005

Simplicity?

Too soon to say. But Kelly and I pinned the patterns for the Simplicity dress onto our fabric, then she did the cutting, and I did the marking (with an ordinary #2 pencil, since we lacked the 'chalk' pencil mentioned in the directions). Now all the bits of cloth are sitting patiently in the bay window where Mr. Sun can get to work fading the floral prints!

I told Kelly yesterday that she was going to have to hand stitch everything, and she immediately asked "don't we have a sewing machine?" I told her about the antiquated machine sitting in the garage, and assured her that at 30+ years of age, it probably didn't even work. But she had me haul it in anyway. The complete absence of a power cord quickly put an end to that fantasy. So sometime during the week, we'll begin with the stitching. Cross your fingers!

Posted by dpwakefield at 09:45 PM

December 11, 2003

QOTD

On visible expression of emotion while performing music:

James Brown swiped his whole end-of-concert collapse and resurrection bit from preachers and ministers of the Gospel. It's really not cool to be too emotive in Hip Hop or R&B these days. In fact, classical music may be the last place this type of face-making still hangs on. Someday, we may be treated to the spectacle of sweaty, exhausted Yo-Yo Ma collapsing onstage, being led off by his attendants with a regal robe around his shoulders, and then suddenly reviving, and running back on for a rousing reprise of a Bach cello suite.


Faze, a Metafilter poster

Posted by dpwakefield at 09:07 PM

September 26, 2003

Portland Art Museum

I forgot to mention that we went to the Portland Art Museum Sunday. My workplace negotiated a free day for employees, so the family unit headed into Portland to check it out. It was a nice mild day and I enjoyed walking from our parking spot to the museum. It'd been so long since I last went there I wasn't sure I knew where it was, but we got there eventually.

The visiting exhibitions were the painted sculptures of Joan Miro, and the medicine themed paintings of Norman Rockwell. There were really only six or seven paintings by Rockwell, but the Miro exhibit was pretty big, mostly because the sculptures were.

I was more interested in the paintings, as their American collection included several paintings by Childe Hassam, one of my favorites. In particular I liked "Sunlit Nude in Woods" (bad guess at title from memory). There were many more, and I spent a long time looking. I was disappointed however, that they no longer had the JMW Turner painting I liked.

Kelly vacillated between boredom and fascination, and perked right up at the museum store, where she bought a plastic 'tangle toy'. I didn't buy anything, but had fun looking. The capper was when I lounged in the 'sculpture garden' outside the museum while Jean and Kelly paid for their purchases. I watched the long line across the street at the Historical Society, where the Declaration of Independence was on display. Wish I could have seen that too, but our time was limited.

Posted by dpwakefield at 07:58 AM | Comments (2)

August 31, 2003

Matrix Ping Pong

Okay, I missed this when it was making the rounds earlier (apparently around three months ago), but it's fresh to me, and well worth watching if you've got the bandwidth, even though the picture is really grainy. I wish there were a clean download I could get, it's that fun.

Here is the show, and here is a description of it. I found all this on Boing Boing.

Posted by dpwakefield at 09:36 AM

July 15, 2003

JMW Turner

I've been a fan of the works of J. M. W. Turner for years, so when I found out (via DangergousMeta!) that the Tate galleries had organized an online collection of his works, I had to link to it for future browsing.

Posted by dpwakefield at 09:23 AM